Night and Day (1932 – 1947) (Remastered)

~ Release by Peggy Lee (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleRatingLength
1Everything’s Movin’ Too Fast
recorded in:
Los Angeles, California, United States (on 1947-11-22)
producer:
Lee Gillette
vocals:
Peggy Lee (jazz vocalist) (on 1946-11-22)
orchestra:
Dave Barbour and His Orchestra
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recording of:
Everything’s Movin’ Too Fast (in 1946)
lyricist:
Peggy Lee (jazz vocalist)
composer:
Dave Barbour
2:57
2It’s All Over Now
cover recording of:
It’s All Over Now
writer:
Don Marcotte and Sunny Skylar
2:57
3Them There Eyes
vocals:
Peggy Lee (jazz vocalist)
cover recording of:
Them There Eyes
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) and Warner Chappell Music Limited (2019–present)
2:54
4Linger in My Arms a Little Longer3:02
5Baby, Don’t Be Mad at Me
2:58
6Talkin’ to Myself About You
2:51
7I Got It Bad and That Ain’t Good
3:13
8That Did It, Marie
3:07
9Somebody Else Is Taking My Place
cover recording of:
Somebody Else Is Taking My Place
writer:
Bob Ellsworth, Richard Howard (US songwriter) and Russ Morgan (Big Band orchestra leader)
3:07
10Somebody Nobody Loves
vocals:
Peggy Lee (jazz vocalist)
recording of:
Somebody Nobody Loves (in 1941)
lyricist and composer:
Sy Miller
3:18
11Don’t Smoke in Bed
recording of:
Don’t Smoke in Bed
lyricist and composer:
Willard Robison
publisher:
MCA Music Ltd. and Oriole Music Corp.
3:05
12It Ain’t Necessarily So
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
3:21
13’Deed I Do
cover recording of:
’Deed I Do (on 1947-11-19)
lyricist:
Walter Hirsch
composer:
Fred Rose (songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd.
3:01
14Chi‐Baba, Chi‐Baba
recorded in:
Los Angeles, California, United States (on 1947-04-21)
vocals:
Peggy Lee (jazz vocalist) (on 1947-04-21)
orchestra:
Dave Barbour and His Orchestra (on 1947-04-21)
conductor:
Dave Barbour (on 1947-04-21)
arranger:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
cover recording of:
Chi-Baba, Chi-Baba (My Bambino Go to Sleep) (on 1947-04-21)
writer:
Mack David (American lyricist and songwriter), Al Hoffman and Jerry Livingston (songwriter)
3:02
15Winter Weather
vocals:
Peggy Lee (jazz vocalist) (on 1941-11-27)
cover recording of:
Winter Weather (on 1941-11-27)
lyricist and composer:
Ted Shapiro
3:00
16Not Mine
3:14
17I See a Million People
2:40
18I Don’t Know Enough About You
cover recording of:
I Don’t Know Enough About You
writer:
Dave Barbour and Peggy Lee (jazz vocalist)
3:18
19All Dressed Up With a Broken Heart
recorded in:
Los Angeles, California, United States (on 1947-11-26)
producer:
Lee Gillette
vocals:
Peggy Lee (jazz vocalist)
orchestra:
Dave Barbour and His Orchestra
arranger:
Heinie Beau
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
cover recording of:
All Dressed Up With a Broken Heart (in 1948)
writer:
Frederick Patrick, Claude Reese and Jack Val (ASCAP songwriter)
2:29
20How Long Has This Been Going On?
recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
3:12
21My Old Flame
orchestra:
Benny Goodman and His Orchestra
cover recording of:
My Old Flame
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:04
22That’s the Way It Goes
3:06
23Why Don’t You Do Right3:14
24Aren’t You Kind of Glad We Did?
recorded in:
Los Angeles, California, United States (on 1946-07-23)
producer:
Lee Gillette
vocals:
Peggy Lee (jazz vocalist) (on 1946-07-23)
orchestra:
Dave Barbour and His Orchestra (on 1946-07-23)
arranger:
Heinie Beau
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recording of:
Aren’t You Kind of Glad We Did? (on 1946-07-23)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Gershwin Publishing Corp (in 1946)
2:58
25How Deep Is the Ocean?
cover recording of:
How Deep Is the Ocean?
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:05
26Let’s Do It
2:01
27Waiting for the Train to Come In3:05
28Sugar
cover recording of:
Sugar (That Sugar Baby o’ Mine)
writer:
Edna Pinkard, Sidney Mitchell and Maceo Pinkard
composer:
Edna Alexander, Sidney Mitchell and Maceo Pinkard
publisher:
EMI Robbins Catalog (ASCAP) and Robbins Music Corp.
2:28
29I’m Glad I Waited for You
vocals:
Peggy Lee (jazz vocalist) (from 1945-07-30 until 1946-07-30)
2:37
30Caramba! It’s the Samba
vocals:
Peggy Lee (jazz vocalist)
2:47
31It’s a Good Day
cover recording of:
It’s a Good Day
writer:
Dave Barbour and Peggy Lee (jazz vocalist)
publisher:
Denslow Music, Inc. and Michael H. Goldsen Inc.
2:50
32Not a Care in the World
alto saxophone:
Sol Kane (on 1941-12-10) and Clint Neagley (on 1941-12-10)
baritone saxophone:
Chuck Gentry (on 1941-12-10)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1941-12-10)
double bass:
Sid Weiss (on 1941-12-10)
drums (drum set):
Ralph Collier (drums, percussion) (on 1941-12-10)
guitar:
Tom Morgan (Big band era guitarist) (on 1941-12-10)
piano:
Mel Powell (American composer and jazz pianist) (on 1941-12-10)
tenor saxophone:
George Berg (on 1941-12-10) and Vido Musso (on 1941-12-10)
trombone:
Cutty Cutshall (on 1941-12-10) and Lou McGarity (on 1941-12-10)
trumpet:
Billy Butterfield (on 1941-12-10), Al Davis (on 1941-12-10) and Bernie Privin (on 1941-12-10)
vocals:
Peggy Lee (jazz vocalist) (on 1941-12-10)
recording of:
Not a Care in the World (on 1941-12-10)
lyricist:
John Latouche
composer:
Vernon Duke
3:22
33Golden Earrings
cover recording of:
Golden Earrings
lyricist:
Ray Evans (American songwriter) and Jay Livingston
composer:
Victor Young (American composer, arranger, violinist & conductor)
2:57
34I’ll Dance at Your Wedding2:59
35Everything I Love
alto saxophone:
Sol Kane (on 1941-11-27) and Clint Neagley (on 1941-11-27)
baritone saxophone:
Chuck Gentry (on 1941-11-27)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1941-11-27)
double bass:
Sid Weiss (on 1941-11-27)
drums (drum set):
Ralph Collier (drums, percussion) (on 1941-11-27)
guitar:
Tom Morgan (Big band era guitarist) (on 1941-11-27)
piano:
Mel Powell (American composer and jazz pianist) (on 1941-11-27)
tenor saxophone:
George Berg (on 1941-11-27) and Vido Musso (on 1941-11-27)
trombone:
Cutty Cutshall (on 1941-11-27) and Lou McGarity (on 1941-11-27)
trumpet:
Billy Butterfield (on 1941-11-27), Al Davis (on 1941-11-27) and Joe Ferrante (on 1941-11-27)
vocals:
Peggy Lee (jazz vocalist) (on 1941-11-27)
recording of:
Everything I Love (Let’s Face It! musical) (on 1941-11-27)
lyricist and composer:
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
3:03
36On the Sunny Side of the Street3:12
37Shady Lady Bird
cover recording of:
Shady Lady Bird
writer:
Ralph Blane and Hugh Martin
2:43
38The Way You Look Tonight
cover recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
3:18
39My Heart Belongs to Daddy
double bass:
Max Wayne (on 1953-05-01)
drums (drum set):
Ed Shaughnessy (on 1953-05-01)
piano:
Jimmy Rowles (on 1953-05-01)
trumpet:
Pete Candoli (on 1953-05-01)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-01)
cover recording of:
My Heart Belongs to Daddy (on 1953-05-01)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. and Chappell Music Ltd.
2:07
40Mañana
vocals:
Peggy Lee (jazz vocalist) (on 1947-11-25)
orchestra:
Dave Barbour and The Brazilians (on 1947-11-25)
cover recording of:
Mañana (Is Soon Enough for Me) (on 1947-11-25)
writer:
Dave Barbour and Peggy Lee (jazz vocalist)
2:54

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