Night and Day (1932 – 1947) (Remastered)

~ Pubblicazione di Peggy Lee (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Everything’s Movin’ Too Fast
registrata a:
Los Angeles, California, Stati Uniti (il 1947-11-22)
produttore:
Lee Gillette
voce:
Peggy Lee (jazz vocalist) (il 1946-11-22)
orchestra:
Dave Barbour and His Orchestra
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.)
registrazione di:
Everything’s Movin’ Too Fast (nel 1946)
paroliere:
Peggy Lee (jazz vocalist)
compositore:
Dave Barbour
2:57
2It’s All Over Now
registrazione cover di:
It’s All Over Now
autore:
Don Marcotte e Sunny Skylar
2:57
3Them There Eyes
voce:
Peggy Lee (jazz vocalist)
registrazione cover di:
Them There Eyes
paroliere:
William Tracey (nel 1930)
compositore:
Maceo Pinkard (nel 1930) e Doris Tauber (nel 1930)
editore:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) e Warner Chappell Music Limited (2019–present)
2:54
4Linger in My Arms a Little Longer3:02
5Baby, Don’t Be Mad at Me
2:58
6Talkin’ to Myself About You
2:51
7I Got It Bad and That Ain’t Good
3:13
8That Did It, Marie
3:07
9Somebody Else Is Taking My Place
registrazione cover di:
Somebody Else Is Taking My Place
autore:
Bob Ellsworth, Richard Howard (US songwriter) e Russ Morgan (Big Band orchestra leader)
3:07
10Somebody Nobody Loves
voce:
Peggy Lee (jazz vocalist)
registrazione di:
Somebody Nobody Loves (nel 1941)
paroliere e compositore:
Sy Miller
3:18
11Don’t Smoke in Bed
registrazione di:
Don’t Smoke in Bed
paroliere e compositore:
Willard Robison
editore:
MCA Music Ltd. e Oriole Music Corp.
3:05
12It Ain’t Necessarily So
registrazione cover di:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
paroliere:
Ira Gershwin, Dorothy Heyward (playwright) e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
è stata commissionata da:
Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
3:21
13’Deed I Do
registrazione cover di:
’Deed I Do (il 1947-11-19)
paroliere:
Walter Hirsch
compositore:
Fred Rose (songwriter)
editore:
Keith Prowse Music Publishing Co. Ltd.
3:01
14Chi‐Baba, Chi‐Baba
registrata a:
Los Angeles, California, Stati Uniti (il 1947-04-21)
voce:
Peggy Lee (jazz vocalist) (il 1947-04-21)
orchestra:
Dave Barbour and His Orchestra (il 1947-04-21)
direttore d'orchestra:
Dave Barbour (il 1947-04-21)
arrangiatore:
Lee Gillette
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.)
registrazione cover di:
Chi-Baba, Chi-Baba (My Bambino Go to Sleep) (il 1947-04-21)
autore:
Mack David (American lyricist and songwriter), Al Hoffman e Jerry Livingston (songwriter)
3:02
15Winter Weather
voce:
Peggy Lee (jazz vocalist) (il 1941-11-27)
registrazione cover di:
Winter Weather (il 1941-11-27)
paroliere e compositore:
Ted Shapiro
3:00
16Not Mine
3:14
17I See a Million People
2:40
18I Don’t Know Enough About You
registrazione cover di:
I Don’t Know Enough About You
autore:
Dave Barbour e Peggy Lee (jazz vocalist)
3:18
19All Dressed Up With a Broken Heart
registrata a:
Los Angeles, California, Stati Uniti (il 1947-11-26)
produttore:
Lee Gillette
voce:
Peggy Lee (jazz vocalist)
orchestra:
Dave Barbour and His Orchestra
arrangiatore:
Heinie Beau
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.)
registrazione cover di:
All Dressed Up With a Broken Heart (nel 1948)
autore:
Frederick Patrick, Claude Reese e Jack Val (ASCAP songwriter)
2:29
20How Long Has This Been Going On?
registrazione di:
How Long Has This Been Going On? (Funny Face, 1957 film)
paroliere:
Ira Gershwin (nel 1928)
compositore:
George Gershwin (composer) (nel 1928)
editore:
New World Music Co. (nel 1927)
parte di:
My One and Only (1983 Broadway musical)
parte di:
Rosalie
3:12
21My Old Flame
orchestra:
Benny Goodman and His Orchestra
registrazione cover di:
My Old Flame
paroliere:
Sam Coslow
compositore:
Arthur Johnston (American composer and songwriter)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:04
22That’s the Way It Goes
3:06
23Why Don’t You Do Right
registrazione di:
Why Don’t You Do Right?
paroliere e compositore:
Kansas Joe McCoy
editore:
Edwin Morris Music e Morley Music Co
versione di:
Weed Smoker’s Dream
3:14
24Aren’t You Kind of Glad We Did?
registrata a:
Los Angeles, California, Stati Uniti (il 1946-07-23)
produttore:
Lee Gillette
voce:
Peggy Lee (jazz vocalist) (il 1946-07-23)
orchestra:
Dave Barbour and His Orchestra (il 1946-07-23)
arrangiatore:
Heinie Beau
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.)
registrazione di:
Aren’t You Kind of Glad We Did? (il 1946-07-23)
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer)
editore:
Gershwin Publishing Corp (nel 1946)
2:58
25How Deep Is the Ocean?
registrazione cover di:
How Deep Is the Ocean?
paroliere e compositore:
Irving Berlin (nel 1932)
editore:
Francis, Day & Hunter Ltd. e Irving Berlin Music Corp.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:05
26Let’s Do It
2:01
27Waiting for the Train to Come In
registrazione di:
Waiting for the Train to Come In
autore:
Martin Block (composer) e Sunny Skylar
3:05
28Sugar
registrazione cover di:
Sugar (That Sugar Baby o’ Mine)
autore:
Edna Pinkard, Sidney Mitchell e Maceo Pinkard
compositore:
Edna Alexander, Sidney Mitchell e Maceo Pinkard
editore:
EMI Robbins Catalog (ASCAP) e Robbins Music Corp.
2:28
29I’m Glad I Waited for You
voce:
Peggy Lee (jazz vocalist) (dal 1945-07-30 al 1946-07-30)
2:37
30Caramba! It’s the Samba
voce:
Peggy Lee (jazz vocalist)
2:47
31It’s a Good Day
registrazione cover di:
It’s a Good Day
autore:
Dave Barbour e Peggy Lee (jazz vocalist)
editore:
Denslow Music, Inc. e Michael H. Goldsen Inc.
2:50
32Not a Care in the World
batteria :
Ralph Collier (drums, percussion) (il 1941-12-10)
chitarra :
Tom Morgan (Big band era guitarist) (il 1941-12-10)
clarinetto :
Benny Goodman (clarinetist and bandleader) (il 1941-12-10)
contrabbasso :
Sid Weiss (il 1941-12-10)
pianoforte :
Mel Powell (American composer and jazz pianist) (il 1941-12-10)
sassofono baritono :
Chuck Gentry (il 1941-12-10)
sassofono contralto :
Sol Kane (il 1941-12-10) e Clint Neagley (il 1941-12-10)
sassofono tenore :
George Berg (il 1941-12-10) e Vido Musso (il 1941-12-10)
tromba :
Billy Butterfield (il 1941-12-10), Al Davis (il 1941-12-10) e Bernie Privin (il 1941-12-10)
trombone :
Cutty Cutshall (il 1941-12-10) e Lou McGarity (il 1941-12-10)
voce:
Peggy Lee (jazz vocalist) (il 1941-12-10)
registrazione di:
Not a Care in the World (il 1941-12-10)
paroliere:
John Latouche
compositore:
Vernon Duke
3:22
33Golden Earrings
registrazione cover di:
Golden Earrings
paroliere:
Ray Evans (American songwriter) e Jay Livingston
compositore:
Victor Young (American composer, arranger, violinist & conductor)
2:57
34I’ll Dance at Your Wedding2:59
35Everything I Love
batteria :
Ralph Collier (drums, percussion) (il 1941-11-27)
chitarra :
Tom Morgan (Big band era guitarist) (il 1941-11-27)
clarinetto :
Benny Goodman (clarinetist and bandleader) (il 1941-11-27)
contrabbasso :
Sid Weiss (il 1941-11-27)
pianoforte :
Mel Powell (American composer and jazz pianist) (il 1941-11-27)
sassofono baritono :
Chuck Gentry (il 1941-11-27)
sassofono contralto :
Sol Kane (il 1941-11-27) e Clint Neagley (il 1941-11-27)
sassofono tenore :
George Berg (il 1941-11-27) e Vido Musso (il 1941-11-27)
tromba :
Billy Butterfield (il 1941-11-27), Al Davis (il 1941-11-27) e Joe Ferrante (il 1941-11-27)
trombone :
Cutty Cutshall (il 1941-11-27) e Lou McGarity (il 1941-11-27)
voce:
Peggy Lee (jazz vocalist) (il 1941-11-27)
registrazione di:
Everything I Love (Let’s Face It! musical) (il 1941-11-27)
paroliere e compositore:
Cole Porter (composer) (nel 1941)
editore:
Chappell & Co. e Chappell & Co., Inc. (USA)
3:03
36On the Sunny Side of the Street3:12
37Shady Lady Bird
registrazione cover di:
Shady Lady Bird
autore:
Ralph Blane e Hugh Martin
2:43
38The Way You Look Tonight
registrazione cover di:
The Way You Look Tonight (from “Swing Time”)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (nel 1936)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 9th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1936 winner)
parte di:
Swing Time (film)
3:18
39My Heart Belongs to Daddy
batteria :
Ed Shaughnessy (il 1953-05-01)
contrabbasso :
Max Wayne (il 1953-05-01)
pianoforte :
Jimmy Rowles (il 1953-05-01)
tromba :
Pete Candoli (il 1953-05-01)
voce:
Peggy Lee (jazz vocalist) (il 1953-05-01)
registrazione cover di:
My Heart Belongs to Daddy (il 1953-05-01)
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (library/production music), Chappell & Co. e Chappell Music Ltd.
2:07
40Mañana
voce:
Peggy Lee (jazz vocalist) (il 1947-11-25)
orchestra:
Dave Barbour and The Brazilians (il 1947-11-25)
registrazione cover di:
Mañana (Is Soon Enough for Me) (il 1947-11-25)
autore:
Dave Barbour e Peggy Lee (jazz vocalist)
2:54

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