100 Hits Pretty Woman

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Data CD
#TitleArtistRatingLength
1Oh, Pretty Woman
recorded in:
Nashville, Tennessee, United States (on 1964-08-01)
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
vocals:
Roy Orbison
phonographic copyright (℗) by:
Orbison Records, Orbison Records, Inc. and Monument Record Corp. (not for release label use!) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees (songwriter, singer, guitarist) and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (BMI) (in 1972)
Roy Orbison4.32:56
2Hit the Road, Jack
producer:
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (on 1961-07-05)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (on 1961-07-05)
bass:
Edgar Willis (bass) (on 1961-07-05)
drums (drum set):
Edward "Bruno" Carr (on 1961-07-05)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1961-07-05)
tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1961-07-05)
trumpet:
Phillip Guilbeau (on 1961-07-05) and John Hunt (trumpeter) (on 1961-07-05)
background vocals:
The Raelettes (on 1961-07-05)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1961-07-05) and Margie Hendrix (on 1961-07-05)
arranger:
Ray Charles (soul musician, singer and songwriter)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-07-05)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 6) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 248)
recording of:
Hit the Road Jack (on 1961-07-05)
lyricist and composer:
Percy Mayfield
publisher:
Tangerine Music, Tangerine Music Corp. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Ray Charles4.351:59
3Good Luck Charm
accordion:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1961-10-15)
bass:
Bob Moore (U.S. bassist and bandleader) (on 1961-10-15)
clarinet and saxophone:
Boots Randolph (on 1961-10-15)
drums (drum set):
D.J. Fontana (on 1961-10-15) and Buddy Harman (Session drummer and songwriter) (on 1961-10-15)
guitar:
Jerry Kennedy (on 1961-10-15) and Scotty Moore (American guitarist and recording engineer) (on 1961-10-15)
organ and piano:
Floyd Cramer (on 1961-10-15)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”), The Jordanaires (southern gospel group) (on 1961-10-15) and Millie Kirkham (on 1961-10-15)
additional performer:
The Jordanaires (southern gospel group)
phonographic copyright (℗) by:
BMG Entertainment (in 1961), BMG Music (in 1961, in 1962) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1961-10-15)
cover recording of:
Good Luck Charm (on 1961-10-15)
writer:
Wally Gold and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Rachel’s Own Music and Williamson Music Company
Elvis Presley2.252:24
4Summer Holiday
producer:
Norrie Paramor
vocals:
Cliff Richard
performer:
The Shadows (British pop/rock band that once backed Cliff Richard)
recording of:
Summer Holiday
writer:
Brian Bennett (Shadows drummer/library music composer) and Bruce Welch (English guitarist, singer, songwriter and producer)
publisher:
Elstree Music and EMI Music Publishing Australia Pty. Ltd. (not for release label use!)
Cliff Richard52:15
5From Me to You
assistant engineer:
Richard Langham (on 1963-03-05)
engineer:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (on 1963-03-05)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (on 1963-03-05, on 1963-03-14)
drums (drum set):
Ringo Starr (The Beatles) (on 1963-03-05)
electric bass guitar:
Paul McCartney (The Beatles) (on 1963-03-05)
electric guitar [lead guitar]:
George Harrison (The Beatles) (on 1963-03-05)
electric guitar [rhythm guitar] and harmonica:
John Lennon (The Beatles) (on 1963-03-05)
lead vocals:
John Lennon (The Beatles) (on 1963-03-05) and Paul McCartney (The Beatles) (on 1963-03-05)
phonographic copyright (℗) by:
Calderstone Productions Limited (in 1963) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963, in 1987)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-03-05)
mixed at and edited at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-03-14)
recording of:
From Me to You (on 1963-03-05)
written in:
England, United Kingdom (on 1963-02-28)
writer:
John Lennon (The Beatles) (on 1963-02-28) and Paul McCartney (The Beatles) (on 1963-02-28)
publisher:
Ambassador Music Ltd., Gil Music Corporation, Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
The Beatles3.31:57
6Unchained Melody
cover recording of:
Unchained Melody
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
Gerry & the Pacemakers3:26
7My Cherie Amour
producer:
Henry Cosby
lead vocals:
Stevie Wonder (from 1967 until 1968)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1967 until 1968)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 399)
recording of:
My Cherie Amour (from 1967 until 1968)
writer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:52
8Baby Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (on 1964-08-13)
bass:
James Jamerson (on 1964-08-13)
drums (drum set):
Richard "Pistol" Allen (on 1964-08-13)
foot stomps [footstomps]:
Michael Valvano (on 1964-08-13)
guitar:
Eddie Willis (on 1964-08-13)
instruments:
The Funk Brothers (on 1964-08-13)
piano:
Earl Van Dyke (on 1964-08-13)
tenor saxophone:
Henry Cosby (on 1964-08-13)
vibraphone:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-08-13)
background vocals:
Florence Ballard (on 1964-08-13) and Mary Wilson (on 1964-08-13)
lead vocals:
Diana Ross (on 1964-08-13)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1964-08-13)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 324) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 499)
recording of:
Baby Love (on 1964-08-13)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music Division
The Supremes4.352:35
9You Win Again
engineer:
Bobby Bradley
producer:
Mark Linnet and Andy Paley (songwriter, musician, sound engineer)
mixer:
Mark Linnet
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States
cover recording of:
You Win Again
lyricist and composer:
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK) and Acuff-Rose Publications, Inc. (BMI) (on 1952-09-03)
Mandy Barnett & The Jordanaires3:59
10Please Don’t Drag That String Around
choir vocals:
The Jordanaires (southern gospel group)
phonographic copyright (℗) by:
BMG Music (in 1963)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States
cover recording of:
Please Don’t Drag That String Around
writer:
Otis Blackwell (American pianist, singer and songwriter) and Winfield Scott
Elvis Presley11:55
11Blue Velvet
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
cover recording of:
Blue Velvet
writer:
Lee Morris (US songwriter) and Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:47
12You Are My Destiny
recorded in:
New York, New York, United States
producer:
Joe Sherman
conductor:
Joe Sherman
arranger:
Joe Sherman
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1963)
recording of:
You Are My Destiny (in 1963)
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Pamco Music Inc. (ended), Epa Publishing, PW Ballads and Songs of Universal, Inc. (BMI)
Paul Anka2:26
13Delilah
recording of:
Delilah (Tom Jones song) (in 1968)
lyricist:
Barry Mason (English songwriter)
composer:
Les Reed
publisher:
Donna Music Ltd. (publisher)
Tom Jones43:22
14(Where Do I Begin?) Love Story
producer:
Dick Glasser
recording of:
(Where Do I Begin?) Love Story (Love Story) (on 1970-12-17)
lyricist:
Carl Sigman
composer:
Francis Lai (French composer)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Melodie der Welt (publisher), Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
version of:
Theme From Love Story (Instrumental)
Andy Williams4.153:10
15For Once in My Life
producer:
Henry Cosby
lead vocals:
Stevie Wonder (in 1967)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1968)
cover recording of:
For Once in My Life (in 1967)
lyricist:
Ronald Miller (Motown songwriter Ronald Norman Miller)
composer:
Orlando Murden
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Stevie Wonder4.12:50
16Break It to Me Gently
vocals:
Brenda Lee (1960s American singer)
recording of:
Break It to Me Gently
writer:
Diane Lampert (composer) and Joe Seneca (Songwriter, film and television actor)
publisher:
Northern Music Company, Rainbow Music Corp and The Songwriters Guild
Brenda Lee2:35
17Let’s Face the Music and Dance
recorded in:
Los Angeles, California, United States (on 1960-12-20)
engineer:
Bill Putnam (on 1960-12-20)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-20)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-20)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-20)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-20) and Don Fagerquist (on 1960-12-20)
vibraphone:
Emil Richards (on 1960-12-20)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-20)
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (on 1960-12-20)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
Frank Sinatra3.52:58
18The Shadow of Your Smile
cover recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1965 winner)
Tony Bennett3:36
19Second Hand Rose
producer:
Robert Mersey
vocals:
Barbra Streisand
conductor:
Peter Matz
arranger:
Peter Matz
cover recording of:
Second Hand Rose (in 1965-10)
lyricist:
Grant Clarke (in 1921)
composer:
James F. Hanley (in 1921)
Barbra Streisand2:11
20To Each His Own
recording of:
To Each His Own
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
The Platters2:48
21I’ve Got You Under My Skin
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Frank Sinatra3:31
22It’s Now or Never
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-04-03)
drums (drum set):
D.J. Fontana (on 1960-04-03) and Buddy Harman (Session drummer and songwriter) (on 1960-04-03)
guitar:
Hank Garland (on 1960-04-03), Scotty Moore (American guitarist and recording engineer) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
piano:
Floyd Cramer (on 1960-04-03)
saxophone:
Boots Randolph (on 1960-04-03)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
additional performer:
The Jordanaires (southern gospel group) (on 1960-04-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), BMG Music (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-04-03)
cover recording of:
It’s Now or Never (on 1960-04-03)
lyricist:
Wally Gold and Aaron Schroeder (1950s~1960s US songwriter)
composer:
Eduardo Di Capua
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music and Williamson Music Company
version of:
’O sole mio
Elvis Presley3.753:14
23If You Were the Only Girl in the World
recording of:
If You Were the Only Girl (in the World)
lyricist:
Clifford Grey
composer:
Nat D. Ayer
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Redwood Music Ltd. (Carlin)
part of:
The Vagabond Lover
Johnny Kidd and the Pirates2:36
24Can’t Take My Eyes Off You
vocals:
Andy Williams (US pop/jazz vocalist)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
cover recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Andy Williams43:09
25Until You Come Back to Me (That’s What I’m Gonna Do)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (in 1967)
writer:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul and Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
Stevie Wonder33:01
26It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
producer:
Peter Sullivan (UK producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 393)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.52:03
27If You Go Away
arranger:
Johnnie Spence (John Spence Abrahams, British music director, conductor and arranger)
cover recording of:
If You Go Away
lyricist and composer:
Jacques Brel
translator:
Rod McKuen
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Intersong Paris S.A.
translated version of:
Ne me quitte pas (original French version)
Dusty Springfield3.53:50
28More (Theme from "Mondo Cane")
recorded in:
Los Angeles, California, United States (on 1964-06-12)
engineer:
Lowell Frank (engineer) (on 1964-06-12)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (on 1964-06-12)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-12)
drums (drum set):
Sonny Payne (on 1964-06-12)
guitar:
Freddie Green (on 1964-06-12)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-12)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-12), Frank Foster (saxophonist) (on 1964-06-12), Charlie Fowlkes (baritone saxophonist) (on 1964-06-12) and Frank Wess (on 1964-06-12)
trombone:
Henderson Chambers, Henry Coker (jazz trombonist) (on 1964-06-12), Bill Hughes (jazz trombonist) (on 1964-06-12), Grover Mitchell (trombone) (on 1964-06-12) and Ken Shroyer (trombonist) (on 1964-06-12)
trumpet:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-12), Wallace Davenport (on 1964-06-12), Harry “Sweets” Edison (on 1964-06-12) and Al Porcino (on 1964-06-12)
vibraphone:
Emil Richards (on 1964-06-12)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-12)
orchestra:
Count Basie and His Orchestra (on 1964-06-12)
conductor:
Quincy Jones
arranger:
Quincy Jones (on 1964-06-12)
cover recording of:
More (English translation) (on 1964-06-12)
lyricist:
Marcello Ciorciolini (Italian screenwriter, director, playwright, television/radio author & lyricist)
composer:
Nino Oliviero (Italian musician and composer) and Riz Ortolani (songwriter, film music composer and music director)
translator:
Norman Newell
publisher:
C.A.M. Creazioni Artistiche Musicali (company, do not use as label), Ortolani Creative Team Inc. and Sugar Song Publications, Inc.
part of:
The 36th Academy Award for Best Original Song (number: 2)
translated version of:
Ti guarderò nel cuore
Frank Sinatra2.53:04
29Macarthur Park / Didn’t We
Liza Minnelli4:05
30Tender Is the Night
producer:
Ernie Altschuler
vocals:
Tony Bennett (US jazz/standards vocalist)
recording of:
Tender Is the Night
lyricist:
Paul Francis Webster
composer:
Sammy Fain
part of:
The 35th Academy Award for Best Original Song (number: 2)
Tony Bennett2:40
31Somethin’ Stupid
cover recording of:
Somethin’ Stupid
lyricist and composer:
Carson Parks
publisher:
Greenwood Music, Montclare Music and Montclare Music Co Ltd.
translated version of:
Forelsket
Andy Williams12:58
32Any Day Now
cover recording of:
Any Day Now
lyricist:
Bob Hilliard
composer:
Burt Bacharach
publisher:
Anne-Rachel Music Corp., Bourne Music Co., Hee Bee Dooinit Music, Plan Two Music Inc. and WB Music Corp. (1929–2019)
Tom Jones2:57
33He Touched Me
producer:
Robert Mersey
vocals:
Barbra Streisand
conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
recording of:
He Touched Me (Milton Schafer song) (in 1965)
lyricist:
Ira Levin (author) (in 1965)
composer:
Milton Schafer (in 1965)
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
version of:
She Touched Me (Drat! The Cat!)
Barbra Streisand3:12
34When Somebody Loves You
recorded in:
Hollywood, Los Angeles, California, United States (on 1965-04-14)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1965-04-14)
orchestra:
Gordon Jenkins & His Orchestra (on 1965-04-14)
conductor:
Gordon Jenkins (on 1965-04-14)
arranger:
Ernie Freeman
recording of:
When Somebody Loves You (on 1965-04-14)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
Frank Sinatra with Gordon Jenkins & His Orchestra11:54
35I Can’t Stop Loving You
recording of:
I Can’t Help Loving You
writer:
Jet Loring and Arthur Schroeck
Paul Anka2:42
36Angie Girl
producer:
Henry Cosby
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1968)
recording of:
Angie Girl
writer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Stevie Wonder3:02
37Are You Lonesome Tonight
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-04-03)
drums (drum set):
D.J. Fontana (on 1960-04-03) and Buddy Harman (Session drummer and songwriter) (on 1960-04-03)
guitar:
Hank Garland (on 1960-04-03), Scotty Moore (American guitarist and recording engineer) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
piano:
Floyd Cramer (on 1960-04-03)
saxophone:
Boots Randolph (on 1960-04-03)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (on 1960-04-03)
additional performer:
The Jordanaires (southern gospel group) (on 1960-04-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), BMG Music (in 1960, in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-04-03)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 9)
cover recording of:
Are You Lonesome Tonight? (on 1960-04-03)
lyricist:
Roy Turk
composer:
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music and Redwood Music Ltd. (Carlin)
Elvis Presley3.13:06
38Monday, Monday
engineer:
Bones Howe
producer:
Lou Adler
performer:
The Mamas & the Papas (American folk rock vocal group) (on 1965-12-16)
phonographic copyright (℗) by:
Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-12-16)
recording of:
Monday, Monday (on 1965-12-16)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music and Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas4.13:21
39Those Were the Days
recording of:
Those Were the Days (in 1968-07)
lyricist:
Gene Raskin
composer:
Борис Фомин (Boris Fomin)
publisher:
Essex Music, Inc.
translated version of:
Дорогой длинною («Ехали на тройке с бубенцами, а вдали мелькали огоньки. Эх, когда бы мне теперь за вами, душу бы развеять от тоски!…»)
Mary Hopkin45:06
40Yesterday, When I Was Young
Roy Clark3:20
41Love’s Been Good to Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1969-03-20)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1969-03-20)
conductor:
Don Costa (US pop music arranger & producer) (on 1969-03-20)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Love’s Been Good to Me (on 1969-03-20)
lyricist and composer:
Rod McKuen
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Frank Sinatra43:25
42What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and Project 3 Records Inc. (in 1988)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3.952:17
43A Place in the Sun
recording of:
A Place in the Sun
writer:
Ron Miller (Motown songwriter Ronald Norman Miller) and Bryan Wells
publisher:
Jobete Music Co., Inc., Stone Diamond Music Corporation, イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Stevie Wonder52:50
44This Boy
assistant engineer:
Geoff Emerick (British recording engineer) (on 1963-10-17) and Graham Kirkby (engineer) (on 1966-11-10)
engineer:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (on 1963-10-17) and Peter Brown (sound engineer, last name often misprinted as “Brown”) (on 1966-11-10)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (on 1963-10-17)
acoustic guitar and lead vocals:
John Lennon (The Beatles) (on 1963-10-17)
drums (drum set):
Ringo Starr (The Beatles) (on 1963-10-17)
electric bass guitar:
Paul McCartney (The Beatles) (on 1963-10-17)
electric guitar:
George Harrison (The Beatles) (on 1963-10-17)
background vocals:
George Harrison (The Beatles) (on 1963-10-17) and Paul McCartney (The Beatles) (on 1963-10-17)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-10-17)
mixed at and edited at:
Abbey Road Studios: Room 65 in Westminster, London (Greater London), England, United Kingdom (on 1966-11-10)
recording of:
This Boy (on 1963-10-17)
writer:
John Lennon (The Beatles) (in 1963-09) and Paul McCartney (The Beatles) (in 1963-09)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Sony Music Publishing (Japan), Inc. (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (from 1963 to present) and Northern Songs (from 1963 to present)
The Beatles2.652:14
45Blue Tears
Casey Jones & the Governors2:46
46Sealed With a Kiss
vocals:
Brian Hyland
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1962)
cover recording of:
Sealed With a Kiss
writer:
Gary Geld and Peter Udell
premiered by:
The Four Voices (in 1960-05)
publisher:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) and Pogo Music Corp. (in 1962)
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Brian Hyland42:39
47Love Hurts
recording of:
Love Hurts (on 1960-07-13)
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Everly Brothers2:19
48(I’ll Be True to You) Yes I Will
cover recording of:
Yes I Will
lyricist:
Gerry Goffin
composer:
Russ Titelman
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Hollies2:54
49Love Potion Number Nine
cover recording of:
Love Potion No. 9
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Freddy Bienstock Music Co., Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
The Searchers2:06
50Since I Don’t Have You
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recording of:
Since I Don’t Have You
writer:
Jimmy Beaumont, William King III, Walter Lester, Larry Martin (US songwriter), Joe Rock (US songwriter/band manager), John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen and Janet Vogel
composer:
Jimmy Beaumont, Joseph Rock (US songwriter/band manager), Walter Lester, Lennie Martin, John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen and Janet Vogel
publisher:
Bonneyview Music Corp. (Bonneyview, Bonneyview Music), Bonnyview Music Corp., Calico Publishing Co. and Southern Music Publ. Co. Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Manfred Mann52:32
51Summertime
recorded at:
Decca Studios: Studio 2 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1964-06-12)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1964-06-12)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
The Zombies52:13
52Do You Want to Know a Secret
assistant engineer:
Richard Langham (on 1963-02-11) and A. B. Lincoln (on 1963-02-25)
engineer:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (on 1963-02-11, on 1963-02-25)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (on 1963-02-11, on 1963-02-25)
acoustic guitar [lead guitar] and lead vocals:
George Harrison (The Beatles) (on 1963-02-11)
acoustic guitar [rhythm guitar]:
John Lennon (The Beatles) (on 1963-02-11)
drums (drum set) and percussion:
Ringo Starr (The Beatles) (on 1963-02-11)
electric bass guitar:
Paul McCartney (The Beatles) (on 1963-02-11)
electric guitar:
George Harrison (The Beatles) (on 1963-02-11) and John Lennon (The Beatles) (on 1963-02-11)
background vocals:
John Lennon (The Beatles) (on 1963-02-11) and Paul McCartney (The Beatles) (on 1963-02-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-02-11)
mixed at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-02-25)
recording of:
Do You Want to Know a Secret (on 1963-02-11)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Unart Catalog Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Metric Music Co (publisher), Northern Songs Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
The Beatles3.651:55
53A Little Bit of Soap
recording of:
A Little Bit of Soap
lyricist and composer:
Bert Russell Berns
publisher:
Sloopy II Music, Sony/ATV Songs LLC and Wren Music Co.
Johnny Kidd and the Pirates2:25
54Here I Go Again
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2003) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1964)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-04-13)
recording of:
Here I Go Again (Shuman/Westlake; The Hollies) (on 1964-04-13)
composer:
Mort Shuman (US singer, pianist & songwriter) and Clive Westlake (British songwriter)
cover recording of:
Here I Go Again (Shuman/Westlake; The Hollies)
composer:
Mort Shuman (US singer, pianist & songwriter) and Clive Westlake (British songwriter)
The Hollies42:18
55To Love Somebody
co-producer:
Ossie Byrne
producer:
Barry Gibb, Maurice Gibb, Robin Gibb and Robert Stigwood
conductor:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arranger:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographic copyright (℗) by:
Barry Gibb (in 1967), Maurice Gibb (in 1967) and Robin Gibb (in 1967)
phonographic copyright (℗) by:
PolyGram International Ltd. (in 1967), PolyGram International Music B.V. (not for release label use!) (in 1967), Robert Stigwood Organisation Ltd. (in 1967), RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1967) and RSO Records, Ltd. (in 1969)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1967-04)
recording of:
To Love Somebody (in 1967-04)
written in:
New York, New York, United States (in 1967)
writer:
Barry Gibb (in 1967) and Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
part of:
50/50
Bee Gees3.93:02
56Love Minus Zero
cover recording of:
Love Minus Zero / No Limit
lyricist and composer:
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
The Turtles32:50
57Don’t Throw Your Love Away
phonographic copyright (℗) by:
Wyncote Music Co. Ltd. (in 1964)
cover recording of:
Don’t Throw Your Love Away
writer:
Billy Jackson (US soul/disco producer & songwriter)
composer:
Jimmy Wisner (pianist, producer and songwriter)
The Searchers42:18
58(Marie’s the Name) His Latest Flame
bass:
Bob Moore (U.S. bassist and bandleader) (on 1961-06-25)
claves:
Boots Randolph (on 1961-06-25)
drums (drum set):
D.J. Fontana (on 1961-06-25) and Buddy Harman (Session drummer and songwriter) (on 1961-06-25)
guitar:
Hank Garland (on 1961-06-25), Neal Matthews (on 1961-06-25) and Scotty Moore (American guitarist and recording engineer) (on 1961-06-25)
organ:
Floyd Cramer (on 1961-06-25) and Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1961-06-25)
piano:
Floyd Cramer (on 1961-06-25)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1961-06-25)
vocals:
The Jordanaires (southern gospel group) (on 1961-06-25) and Millie Kirkham (on 1961-06-25)
phonographic copyright (℗) by:
BMG Entertainment (in 1961), BMG Music (in 1961) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1961-06-25)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 31)
cover recording of:
(Marie’s the Name) His Latest Flame (on 1961-06-25)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music and R&H Music
Elvis Presley2.252:06
59I Should Have Known Better
assistant engineer:
Richard Langham (on 1964-02-26) and A. B. Lincoln (on 1964-03-03)
engineer:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (on 1964-02-26, on 1964-03-03)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (on 1964-02-26, on 1964-03-03)
12 string guitar [lead guitar]:
George Harrison (The Beatles) (on 1964-02-26)
acoustic guitar [rhythm guitar], harmonica and lead vocals:
John Lennon (The Beatles) (on 1964-02-26)
drums (drum set):
Ringo Starr (The Beatles) (on 1964-02-26)
electric bass guitar:
Paul McCartney (The Beatles) (on 1964-02-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-02-26)
mixed at and edited at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-03-03)
recording of:
I Should Have Known Better (on 1964-02-26)
writer:
John Lennon (The Beatles) (in 1964-02) and Paul McCartney (The Beatles) (in 1964-02)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020), Unart Music Corp. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
written at:
George V Hotel in Paris, Île-de-France, France (from 1964-01 until 1964-02)
The Beatles3.52:44
60Heart of Stone
engineer:
David Hassinger
producer:
Andrew Loog Oldham
drums (drum set):
Charlie Watts (drummer in The Rolling Stones) (on 1964-11-02)
electric bass guitar:
Bill Wyman (on 1964-11-02)
guitar:
Brian Jones (Rolling Stones member) (on 1964-11-02) and Keith Richards (Rolling Stones guitarist) (on 1964-11-02)
piano:
Ian Stewart (piano/keyboard, Rolling Stones member) (on 1964-11-02)
background vocals:
Keith Richards (Rolling Stones guitarist) (on 1964-11-02)
lead vocals:
Mick Jagger (The Rolling Stones) (on 1964-11-02)
phonographic copyright (℗) by:
ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 1965)
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1964-11-02)
recording of:
Heart of Stone (on 1964-11-02)
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Rolling Stones3.752:45
61I’m a Believer
recorded in:
New York, New York, United States (from 1966-10-15 until 1966-10-23)
producer:
Jeff Barry
acoustic guitar:
Neil Diamond (from 1966-10-15 until 1966-10-23)
bass:
Dick Romoff (from 1966-10-15 until 1966-10-23)
drums (drum set):
Buddy Salzman (from 1966-10-15 until 1966-10-23)
guitar:
Al Gorgoni (guitarist, composer, arranger, and producer) (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
organ:
Artie Butler (from 1966-10-15 until 1966-10-23)
piano and tambourine:
Jeff Barry (from 1966-10-15 until 1966-10-23)
background vocals:
Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
background vocals and lead vocals:
Micky Dolenz (from 1966-10-15 until 1966-10-23)
arranger:
Jeff Barry
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1966) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 65) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 341)
cover recording of:
I’m a Believer (from 1966-10-15 until 1966-10-23)
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
recording of:
I’m a Believer
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
The Monkees4.652:47
62Mellow Yellow
recorded in:
London (Greater London), England, United Kingdom (in 1966)
producer:
Mickie Most (English record producer)
acoustic guitar:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1966)
drums (drum set):
Bobby Orr (in 1966)
horn [horns]:
Danny Moss (in 1966) and Ronnie Ross (in 1966)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
arranger:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographic copyright (℗) by:
Epic (US label founded by CBS in 1953, now owned by Sony) (in 1966)
recording of:
Mellow Yellow (in 1966)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan (Music) Ltd.
Donovan43:40
63All I Really Want to Do
producer:
Terry Melcher
12 string guitar:
Jim McGuinn (on 1965-03-08)
bass:
Chris Hillman (on 1965-03-08)
drums (drum set):
Michael Clarke (drummer for the 1960s rock group The Byrds) (on 1965-03-08)
guitar:
David Crosby (on 1965-03-08)
vocals:
David Crosby (on 1965-03-08), Chris Hillman (on 1965-03-08) and Jim McGuinn (on 1965-03-08)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1965) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
cover recording of:
All I Really Want to Do (on 1965-03-08)
lyricist and composer:
Bob Dylan (in 1964)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Special Rider Music and Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Byrds32:02
64Sand Me Some Lovin’
recording of:
Send Me Some Lovin’
lyricist:
Leo Price
composer:
John Marascalco
publisher:
ATV Music Corp., Robin Hood Music Co. and Sony/ATV Songs LLC
Johnny Kidd and the Pirates3:05
65Memphis Tennessee
cover recording of:
Memphis, Tennessee
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
The Animals33:07
66Ring of Fire
cover recording of:
Ring of Fire
writer:
June Carter Cash (American Country singer and songwriter) and Merle Kilgore
publisher:
Painted Desert Music Corporation
recording of:
Ring of Fire
writer:
June Carter Cash (American Country singer and songwriter) and Merle Kilgore
publisher:
Painted Desert Music Corporation
Tom Jones2:50
67Whole World Over
recording of:
Whole World Over
writer:
Allan Clarke (of The Hollies) and Graham Nash
The Hollies1:59
68I Started a Joke
engineer:
John Pantry
producer:
Bee Gees and Robert Stigwood
bass guitar, mellotron, organ and piano:
Maurice Gibb (in 1968-06)
drums (drum set):
Colin Petersen (in 1968-06)
guitar:
Barry Gibb (in 1968-06) and Vince Melouney (in 1968-06)
lead vocals:
Robin Gibb (in 1968-06)
conductor:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arranger:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographic copyright (℗) by:
Barry Gibb (in 1968), Maurice Gibb (in 1968) and Robin Gibb (in 1968)
phonographic copyright (℗) by:
PolyGram International Ltd. (in 1968) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1968)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968-06)
recording of:
I Started a Joke (in 1968-06)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc. and Gibb Brothers Music
Bee Gees2.753:12
69Help
additional engineer:
Phil McDonald (engineer and producer) and Ken Scott (UK record producer & engineer)
engineer:
Norman Smith (UK producer/engineer, performed as Hurricane Smith)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
12 string guitar [rhythm guitar] and lead vocals:
John Lennon (The Beatles) (on 1965-04-13)
drums (drum set) and tambourine:
Ringo Starr (The Beatles) (on 1965-04-13)
electric bass guitar:
Paul McCartney (The Beatles) (on 1965-04-13)
electric guitar [lead guitar]:
George Harrison (The Beatles) (on 1965-04-13)
background vocals:
George Harrison (The Beatles) (on 1965-04-13) and Paul McCartney (The Beatles) (on 1965-04-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-04-13)
mixed at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-06-18)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 29), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 447)
recording of:
Help! (on 1965-04-13)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs ltd, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Unart Music Corp.
The Beatles4.22:21
70Such a Shame
engineer:
John Pantry
producer:
Bee Gees and Robert Stigwood
lead vocals:
Maurice Gibb (in 1968-06) and Vince Melouney (in 1968-06)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968-06)
recording of:
Such a Shame (in 1968-06)
lyricist and composer:
Vince Melouney
Bee Gees2:28
71Mrs. Robinson
recording engineer:
Roy Halee (on 1968-02-02)
assistant producer:
Bob Johnston (US record producer and early rockebilly singer)
producer:
Art Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1968-02-02)
guitar:
Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
vocals:
Art Garfunkel (on 1968-02-02) and Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 270)
recording of:
Mrs. Robinson (on 1968-02-02)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:01
72Evil Ways
engineer:
Bob Breault and Eric Prestidge
producer:
Brent Dangerfield and Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1969-05-12)
congas and percussion:
Michael Carabello (percussionist) (on 1969-05-12)
congas, percussion and timbales:
José “Chepito” Áreas (on 1969-05-12)
drums (drum set):
Michael Shrieve (drummer) (on 1969-05-12)
guitar:
Carlos Santana (on 1969-05-12)
organ and piano:
Gregg Rolie (keyboardist and vocalist) (on 1969-05-12)
vocals:
Gregg Rolie (keyboardist and vocalist) (on 1969-05-12) and Carlos Santana (on 1969-05-12)
arranger:
Alberto Gianquinto
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1969) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
recorded at:
Pacific Recording Studio in San Mateo, California, United States (on 1969-05-12)
mixed at:
Pacific Recording Studio in San Mateo, California, United States
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 69)
cover recording of:
Evil Ways (on 1969-05-12)
lyricist and composer:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
publisher:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music and Universal–Songs of PolyGram International, Inc.
Santana4.153:56
73Stand by Me
cover recording of:
Stand by Me
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
The Searchers3:28
74Signs That Will Never Change
phonographic copyright (℗) by:
The Hollies Ltd. (in 2003)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-02)
recording of:
Signs That Will Never Change (on 1967-05-02)
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
The Hollies2:38
75Cuddly Toy
producer:
Chip Douglas
acoustic guitar:
Michael Nesmith (from 1967-04-26 until 1967-09-05)
cello:
Edgar Lustgarten (from 1967-04-26 until 1967-09-05)
drums (drum set):
Micky Dolenz (from 1967-04-26 until 1967-09-05)
electric bass guitar:
Chip Douglas (from 1967-04-26 until 1967-09-05)
keyboard:
Peter Tork (from 1967-04-26 until 1967-09-05)
reeds:
Ted Nash (40s-80s US swing reedman, uncle of the other) (from 1967-04-26 until 1967-09-05), Thomas Scott (trumpeter) (from 1967-04-26 until 1967-09-05) and Bud Shank (from 1967-04-26 until 1967-09-05)
tambourine and lead vocals:
Davy Jones (The Monkees member) (from 1967-04-26 until 1967-09-05)
background vocals:
Micky Dolenz (from 1967-04-26 until 1967-09-05), Chip Douglas (from 1967-04-26 until 1967-09-05), Davy Jones (The Monkees member) (from 1967-04-26 until 1967-09-05) and Peter Tork (from 1967-04-26 until 1967-09-05)
cover recording of:
Cuddly Toy (from 1967-04-26 until 1967-09-05)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
recording of:
Cuddly Toy
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
The Monkees2:37
76She’s a Rainbow
guest piano:
Nicky Hopkins (pianist and organist)
strings arranger:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
recording of:
She’s a Rainbow
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Westminster Music Ltd.
The Rolling Stones3.354:11
77Your Mother Should Know
engineer:
Ken Scott (UK record producer & engineer) and John Timperley
producer:
Big George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
drums (drum set):
Ringo Starr (The Beatles) (on 1967-08-22)
electric bass guitar:
Paul McCartney (The Beatles) (on 1967-09-29)
guitar:
George Harrison (The Beatles) (on 1967-08-23)
organ:
John Lennon (The Beatles) (on 1967-09-29)
piano and lead vocals:
Paul McCartney (The Beatles) (on 1967-08-22)
tambourine:
Ringo Starr (The Beatles) (on 1967-09-29)
background vocals:
John Lennon (The Beatles) (on 1967-08-23) and Paul McCartney (The Beatles) (on 1967-08-23)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Chappell Recording Studios in London (Greater London), England, United Kingdom (on 1967-08-22, on 1967-08-23) and Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-09-29)
recording of:
Your Mother Should Know (from 1967-08-22 until 1967-09-29)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
recording of:
Your Mother Should Know
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
The Beatles3.42:26
78Gentle on My Mind
cover recording of:
Gentle on My Mind (on 1969-01-14)
lyricist and composer:
John Hartford
publisher:
Acuff Rose Publications Ltd. and Ensign Music Corp.
Elvis Presley33:20
79Everybody’s Talkin’
phonographic copyright (℗) by:
BMG Music (in 1967)
earliest release:
Everybody’s Talkin’ by Nilsson (US singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
Harry Nilsson3.92:48
80I’d Rather Go Blind
Chicken Shack3:12
81Hold Me Tight
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
recording of:
Hold Me Tight
lyricist and composer:
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Johnny Nash2:42
82Bring It on Home to Me
cover recording of:
Bring It On Home to Me
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
Percy Sledge3:25
83Where Have You Been All My Life
cover recording of:
Where Have You Been All My Life
writer:
Barry Mann and Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Gerry & the Pacemakers2:35
84Baby It’s You
assistant engineer:
Richard Langham (on 1963-02-11), Geoff Emerick (British recording engineer) (on 1963-02-20) and A. B. Lincoln (on 1963-02-25)
engineer:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (on 1963-02-11, on 1963-02-25) and Stuart Eltham (engineer) (on 1963-02-20)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (on 1963-02-11, on 1963-02-20, on 1963-02-25)
acoustic guitar [lead & rhythm guitar]:
George Harrison (The Beatles) (on 1963-02-11)
celesta:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (on 1963-02-20)
drums (drum set):
Ringo Starr (The Beatles) (on 1963-02-11)
electric bass guitar:
Paul McCartney (The Beatles) (on 1963-02-11)
electric guitar:
George Harrison (The Beatles) (on 1963-02-11) and John Lennon (The Beatles) (on 1963-02-11)
electric guitar [rhythm guitar] and lead vocals:
John Lennon (The Beatles) (on 1963-02-11)
background vocals:
George Harrison (The Beatles) (on 1963-02-11) and Paul McCartney (The Beatles) (on 1963-02-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-02-11) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-02-20)
mixed at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-02-25)
cover recording of:
Baby It’s You (from 1963-02-11 until 1963-02-20)
lyricist:
Barney Williams (in 1961-11) and Mack David (American lyricist and songwriter) (in 1961-11)
composer:
Burt Bacharach (in 1961-11)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dolfi Music Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Fuji Pacific Music SBK Department (Fujipacific Music SBK Department), Fujipacific Music, Inc. Division 2, Ludix Music Ltd., Mary Jane Pub. Co. Inc., New Hidden Valley Music Co., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Shinko Music Entertainment Co., Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Windswept Music (London) Ltd. and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Beatles2.62:38
85Listen to Me
producer:
Ron Richards
recording of:
Listen to Me
composer:
Tony Hazzard (songwriter)
The Hollies2:36
86Wonderful World
recording of:
Wonderful World
writer:
Lou Adler, Herb Alpert and Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ardmore and Beechwood Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd. and 日本アブコ音楽出版 (ABKCO Japan Publishing)
Sam Cooke2:04
87Dream Baby (How Long Must I Dream)
cover recording of:
Dream Baby (How Long Must I Dream)
lyricist and composer:
Cindy Walker (US songwriter, singer and dancer)
publisher:
Acuff-Rose Music Ltd. (UK), Combine Music Corp. and Acuff-Rose (BMI) (in 1971)
Roy Orbison2:32
88City of New Orleans
cover recording of:
City of New Orleans
lyricist and composer:
Steve Goodman (folk musician)
publisher:
Sony/ATV Tunes LLC (ASCAP)
Arlo Guthrie54:28
89(It’s a) Long Lonely Highway
bass:
Bob Moore (U.S. bassist and bandleader) (on 1963-05-27)
drums (drum set):
D.J. Fontana (on 1963-05-27) and Buddy Harman (Session drummer and songwriter) (on 1963-05-27)
guitar:
Harold Bradley (on 1963-05-27), Jerry Kennedy (on 1963-05-27), Grady Martin (country/rockabilly guitarist) (on 1963-05-27) and Scotty Moore (American guitarist and recording engineer) (on 1963-05-27)
piano:
Floyd Cramer (on 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (on 1963-05-27)
vocals:
The Jordanaires (southern gospel group) (on 1963-05-27) and Millie Kirkham (on 1963-05-27)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1963-05-27)
recording of:
(It’s a) Long Lonely Highway (on 1963-05-27)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Elvis Presley Music Inc.
Elvis Presley2.52:20
90Spinning Wheel
recording of:
Spinning Wheel
lyricist and composer:
David Clayton‐Thomas
publisher:
EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., Minnesingers Publishers, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Blood, Sweat & Tears4:06
91Think
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-15) and Floyd Newman (on 1968-04-15)
bass guitar:
Jerry Jemmott (on 1968-04-15)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-15)
guitar:
Tommy Cogbill (on 1968-04-15) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-15)
organ:
Spooner Oldham (on 1968-04-15)
piano and lead vocals:
Aretha Franklin (on 1968-04-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-15) and Andrew Love (on 1968-04-15)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-15)
background vocals:
The Sweet Inspirations (on 1968-04-15)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-15)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 10)
recording of:
Think (on 1968-04-15)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Aretha Franklin3.652:13
92You Met Your Match
producer:
Don Hunter
recording of:
You Met Your Match
writer:
Lula Mae Hardaway (songwriter), Don Hunter and Stevie Wonder
publisher:
Jobete Music (appears also as: Jobete Msc.)
Stevie Wonder3.52:39
93You Can’t Hurry Love
recording engineer:
Russ Terrana
engineer:
Lamont Dozier
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
bass:
James Jamerson (on 1966-06-11)
brass [horns]:
Detroit Symphony Orchestra (on 1966-06-11)
drums (drum set):
Benny Benjamin (US drummer) (on 1966-06-11)
guitar [Gibson L-5]:
Robert White (US funk/soul guitarist) (on 1966-06-11)
instruments:
The Funk Brothers (on 1966-06-11)
piano:
Earl Van Dyke (on 1966-06-11)
tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1966-06-11)
background vocals:
Florence Ballard (on 1966-07-05) and Mary Wilson (on 1966-07-05)
lead vocals:
Diana Ross (on 1966-07-05)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966) and Motown Records (not for label use; use “Motown” instead) (in 2015, in 2017)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1966-06-11 until 1966-07-05)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 280)
recording of:
You Can’t Hurry Love (from 1966-06-11 until 1966-07-05)
writer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Supremes4.752:52
94Lady Madonna
engineer:
Geoff Emerick (British recording engineer) and Ken Scott (UK record producer & engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
baritone saxophone:
Bill Jackman (British saxophonist and clarinet player) (on 1968-02-06) and Harry Klein (saxophone) (on 1968-02-06)
drums (drum set):
Ringo Starr (The Beatles) (on 1968-02-03)
electric bass guitar and piano and lead vocals:
Paul McCartney (The Beatles) (on 1968-02-03)
electric guitar and background vocals:
George Harrison (The Beatles) (on 1968-02-03) and John Lennon (The Beatles) (on 1968-02-03)
handclaps:
George Harrison (The Beatles) (on 1968-02-06), John Lennon (The Beatles) (on 1968-02-06) and Paul McCartney (The Beatles) (on 1968-02-06)
piano:
Paul McCartney (The Beatles) (on 1968-02-06)
tenor saxophone:
Bill Povey (on 1968-02-06) and Ronnie Scott (English jazz tenor saxophonist and jazz club owner) (on 1968-02-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968, in 1988) and The Gramophone Co., Ltd. (UK record company) (in 1968)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-02-03) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-02-06)
recording of:
Lady Madonna (from 1968-02-03 until 1968-02-06)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP)
written at:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1969-01)
The Beatles3.42:15
95Hi-Heel Sneakers
producer:
Felton Jarvis
cover recording of:
Hi‐Heel Sneakers
lyricist and composer:
Robert Higginbotham (blues)
publisher:
Lily Pond Music and Robert Higginbotham Publisher
Elvis Presley4:32
96Sixteen Tons
cover recording of:
Sixteen Tons
lyricist and composer:
Merle Travis
publisher:
American Music, Inc. and Campbell Connelly & Co. Ltd.
adaptations:
16 Tons
recording of:
Sixteen Tons
lyricist and composer:
Merle Travis
publisher:
American Music, Inc. and Campbell Connelly & Co. Ltd.
adaptations:
16 Tons
Tom Jones3:11
97Hurry on Back to Love
recording of:
Hurry On Back to Love
lyricist and composer:
Clive Westlake (British songwriter)
Johnny Kidd and the Pirates2:28
98Don’t You Feel It
Stevie Wonder32:31
99Na Na Hey Hey Kiss Him Goodbye
recording of:
Na Na Hey Hey Kiss Him Goodbye (in 1969)
writer:
Gary DeCarlo, Dale Frashuer, Mark Hall (2 for Joy), Paul Leka, Daz Sampson and Graham Turner
publisher:
Warner Chappell North America and Warner/Chappell North America
part of:
Goodbye
Steam34:09
100Hey Jude
engineer:
Barry Sheffield
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
acoustic guitar:
John Lennon (The Beatles) (on 1968-07-31)
drums (drum set):
Ringo Starr (The Beatles) (on 1968-07-31)
electric bass guitar and lead vocals:
Paul McCartney (The Beatles) (on 1968-08-01)
electric guitar:
George Harrison (The Beatles) (on 1968-07-31)
piano:
Paul McCartney (The Beatles) (on 1968-07-31)
tambourine:
Ringo Starr (The Beatles) (on 1968-08-01)
background vocals:
George Harrison (The Beatles) (on 1968-08-01), John Lennon (The Beatles) (on 1968-08-01) and Ringo Starr (The Beatles) (on 1968-08-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968, in 1988) and The Gramophone Co., Ltd. (UK record company) (in 1968)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (on 1968-07-31, on 1968-08-01)
music videos:
Hey Jude (live) by The Beatles (UK rock band, “The Fab Four”)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 8), Billboard: Greatest of All Time Hot 100 Songs (number: 13), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 89) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 288)
recording of:
Hey Jude (from 1968-07-31 until 1968-08-01)
written in:
England, United Kingdom (in 1968-06)
writer:
John Lennon (The Beatles) (in 1968-06) and Paul McCartney (The Beatles) (in 1968-06)
publisher:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
written at:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-06 until 1968-07-26)
The Beatles3.957:08

Credits

Release group

part of:100 Hits (Russian series of mp3 CDs) (order: 21)