100 Hits Pretty Woman

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1Oh, Pretty Woman
registrata a:
Nashville, Tennessee, Stati Uniti (il 1964-08-01)
produttore:
Fred Foster
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (il 1964-08-01)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1964-08-01)
chitarra :
Jerry Kennedy (il 1964-08-01), Wayne Moss (il 1964-08-01) e Billy Sanford (guitar) (il 1964-08-01)
chitarra a 12 corde [12 string guitar Epiphone] e voce principale:
Roy Orbison (il 1964-08-01)
contrabbasso [upright bass] :
Bob Moore (U.S. bassist and bandleader) (il 1964-08-01)
percussione :
Paul Garrison (il 1964-08-01)
pianoforte :
Floyd Cramer (il 1964-08-01)
sassofono :
Boots Randolph (il 1964-08-01)
voce:
Roy Orbison
diritti fonografici (℗) detenuti da:
Orbison Records, Orbison Records, Inc. e Monument Record Corp. (not for release label use!) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 222)
registrazione di:
Oh, Pretty Woman (Roy Orbison song) (il 1964-08-01)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4.32:56
2Hit the Road, Jack
produttore:
Sid Feller
basso :
Edgar Willis (bass) (il 1961-07-05)
batteria :
Edward "Bruno" Carr (il 1961-07-05)
pianoforte :
Ray Charles (soul musician, singer and songwriter) (il 1961-07-05)
sassofono baritono [baritone sax] :
Leroy "Hog" Cooper (saxophonist) (il 1961-07-05)
sassofono contralto [alto sax] :
Bennie "Hank" Crawford (il 1961-07-05)
sassofono tenore [tenor sax] :
David “Fathead” Newman (American jazz saxophonist) (il 1961-07-05)
tromba :
Phillip Guilbeau (il 1961-07-05) e John Hunt (trumpeter) (il 1961-07-05)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1961-07-05) e Margie Hendrix (il 1961-07-05)
voce di accompagnamento:
The Raelettes (il 1961-07-05)
arrangiatore:
Ray Charles (soul musician, singer and songwriter)
registrata presso:
Bell Sound Studios in New York, New York, Stati Uniti (il 1961-07-05)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 6) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 248)
registrazione di:
Hit the Road Jack (il 1961-07-05)
paroliere e compositore:
Percy Mayfield
editore:
Tangerine Music, Tangerine Music Corp. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Ray Charles4.351:59
3Good Luck Charm
basso :
Bob Moore (U.S. bassist and bandleader) (il 1961-10-15)
batteria :
D.J. Fontana (il 1961-10-15) e Buddy Harman (Session drummer and songwriter) (il 1961-10-15)
chitarra :
Jerry Kennedy (il 1961-10-15) e Scotty Moore (American guitarist and recording engineer) (il 1961-10-15)
clarinetto e sassofono :
Boots Randolph (il 1961-10-15)
fisarmonica :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1961-10-15)
organo e pianoforte :
Floyd Cramer (il 1961-10-15)
voce:
Elvis Presley (“The King of Rock and Roll”), The Jordanaires (southern gospel group) (il 1961-10-15) e Millie Kirkham (il 1961-10-15)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1961), BMG Music (nel 1961, nel 1962) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1961-10-15)
registrazione cover di:
Good Luck Charm (il 1961-10-15)
autore:
Wally Gold e Aaron Schroeder (1950s~1960s US songwriter)
editore:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Rachel’s Own Music e Williamson Music Company
Elvis Presley2.252:24
4Summer Holiday
produttore:
Norrie Paramor
voce:
Cliff Richard
esecutore:
The Shadows (British pop/rock band that once backed Cliff Richard)
registrazione di:
Summer Holiday
autore:
Brian Bennett (Shadows drummer/library music composer) e Bruce Welch (English guitarist, singer, songwriter and producer)
editore:
Elstree Music e EMI Music Publishing Australia Pty. Ltd. (not for release label use!)
Cliff Richard52:15
5From Me to You
assistente tecnico:
Richard Langham (il 1963-03-05)
tecnico:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (il 1963-03-05)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (il 1963-03-05, il 1963-03-14)
armonica (a bocca) e chitarra elettrica [rhythm guitar] :
John Lennon (The Beatles) (il 1963-03-05)
basso elettrico :
Paul McCartney (The Beatles) (il 1963-03-05)
batteria :
Ringo Starr (The Beatles) (il 1963-03-05)
chitarra elettrica [lead guitar] :
George Harrison (The Beatles) (il 1963-03-05)
voce principale:
John Lennon (The Beatles) (il 1963-03-05) e Paul McCartney (The Beatles) (il 1963-03-05)
diritti fonografici (℗) detenuti da:
Calderstone Productions Limited (nel 1963) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963, nel 1987)
registrata presso:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1963-03-05)
mixata presso e editing effettuato presso:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1963-03-14)
registrazione di:
From Me to You (il 1963-03-05)
scritta a:
England, Regno Unito (il 1963-02-28)
autore:
John Lennon (The Beatles) (il 1963-02-28) e Paul McCartney (The Beatles) (il 1963-02-28)
editore:
Ambassador Music Ltd., Gil Music Corporation, Northern Songs e Sony/ATV Music Publishing LLC (1995–2020)
The Beatles3.31:57
6Unchained Melody
registrazione cover di:
Unchained Melody
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
Gerry & the Pacemakers3:26
7My Cherie Amour
produttore:
Henry Cosby
voce principale:
Stevie Wonder (dal 1967 al 1968)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967 al 1968)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 399)
registrazione di:
My Cherie Amour (dal 1967 al 1968)
autore:
Henry Cosby, Sylvia Moy e Stevie Wonder
editore:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music e 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:52
8Baby Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1964-08-13)
batteria :
Richard "Pistol" Allen (il 1964-08-13)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-08-13)
chitarra :
Eddie Willis (il 1964-08-13)
pianoforte :
Earl Van Dyke (il 1964-08-13)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (il 1964-08-13)
sassofono tenore :
Henry Cosby (il 1964-08-13)
strumenti:
The Funk Brothers (il 1964-08-13)
vibrafono :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-08-13)
voce di accompagnamento:
Florence Ballard (il 1964-08-13) e Mary Wilson (il 1964-08-13)
voce principale:
Diana Ross (il 1964-08-13)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1964-08-13)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 324) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 499)
registrazione di:
Baby Love (il 1964-08-13)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music Division
The Supremes4.352:35
9You Win Again
tecnico:
Bobby Bradley
produttore:
Mark Linnet e Andy Paley (songwriter, musician, sound engineer)
tecnico di missaggio:
Mark Linnet
registrata presso:
Bradley’s Barn in Mt. Juliet, Tennessee, Stati Uniti
registrazione cover di:
You Win Again
paroliere e compositore:
Hank Williams (country music legend)
editore:
Acuff-Rose Music Limited (UK) e Acuff-Rose Publications, Inc. (BMI) (il 1952-09-03)
Mandy Barnett & The Jordanaires3:59
10Please Don’t Drag That String Around
cori:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1963)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti
registrazione cover di:
Please Don’t Drag That String Around
autore:
Otis Blackwell (American pianist, singer and songwriter) e Winfield Scott
Elvis Presley11:55
11Blue Velvet
produttore:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
registrazione cover di:
Blue Velvet
autore:
Lee Morris (US songwriter) e Bernie Wayne
editore:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:47
12You Are My Destiny
registrata a:
New York, New York, Stati Uniti
produttore:
Joe Sherman
direttore d'orchestra:
Joe Sherman
arrangiatore:
Joe Sherman
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1963)
registrazione di:
You Are My Destiny (nel 1963)
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Pamco Music Inc. (conclusa), Epa Publishing, PW Ballads e Songs of Universal, Inc. (BMI)
Paul Anka2:26
13Delilah
registrazione di:
Delilah (Tom Jones song) (nel 1968)
paroliere:
Barry Mason (English songwriter)
compositore:
Les Reed
editore:
Donna Music Ltd. (publisher)
Tom Jones43:22
14(Where Do I Begin?) Love Story
produttore:
Dick Glasser
registrazione di:
(Where Do I Begin?) Love Story (Love Story) (il 1970-12-17)
paroliere:
Carl Sigman
compositore:
Francis Lai (French composer)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Melodie der Welt (publisher), Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony e Sony/ATV Music Publishing LLC (1995–2020)
sub-editore:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
versione di:
Theme From Love Story (Instrumental)
Andy Williams4.153:10
15For Once in My Life
produttore:
Henry Cosby
voce principale:
Stevie Wonder (nel 1967)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1968)
registrazione cover di:
For Once in My Life (nel 1967)
paroliere:
Ronald Miller (Motown songwriter Ronald Norman Miller)
compositore:
Orlando Murden
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Stevie Wonder4.12:50
16Break It to Me Gently
voce:
Brenda Lee (1960s American singer)
registrazione di:
Break It to Me Gently
autore:
Diane Lampert (composer) e Joe Seneca (Songwriter, film and television actor)
editore:
Northern Music Company, Rainbow Music Corp e The Songwriters Guild
Brenda Lee2:35
17Let’s Face the Music and Dance
registrata a:
Los Angeles, California, Stati Uniti (il 1960-12-20)
tecnico:
Bill Putnam (il 1960-12-20)
arpa :
Kathryn Julye
basso :
Joe Comfort e Joe Mondragon
batteria :
Irv Cottler
chitarra :
Al Viola
flauto :
Bud Shank (il 1960-12-20)
legni e sassofono :
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee e Joe Maini
percussione :
Larry Bunker e Emil Richards
pianoforte :
Bill Miller (pianist) (il 1960-12-20)
tromba :
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (il 1960-12-20) e Don Fagerquist (il 1960-12-20)
trombone :
Dick Nash, Stu Williamson e Frank Rosolino (il 1960-12-20)
trombone basso :
George Roberts (american bass trombone)
vibrafono :
Emil Richards (il 1960-12-20)
viola :
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) e Paul Robyn
violino :
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky e Gerald Vinci (American violinist and strings conductor)
violoncello :
Ray Kramer, Edgar Lustgarten e Eleanor Slatkin (US cellist, b. Aller)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1960-12-20)
direttore d'orchestra:
Johnny Mandel (American composer and arranger) (il 1960-12-20)
arrangiatore:
Johnny Mandel (American composer and arranger)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1960-12-20)
registrazione cover di:
Let’s Face the Music and Dance (from “Follow the Fleet”) (il 1960-12-20)
paroliere e compositore:
Irving Berlin (nel 1936)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp. e Williamson Music Company
parte di:
Follow the Fleet (1936 film)
Frank Sinatra3.52:58
18The Shadow of Your Smile
registrazione cover di:
The Shadow of Your Smile (Love Theme from “The Sandpiper”)
paroliere:
Paul Francis Webster
compositore:
Johnny Mandel (American composer and arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. e Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 38th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1965 winner)
Tony Bennett3:36
19Second Hand Rose
produttore:
Robert Mersey
voce:
Barbra Streisand
direttore d'orchestra:
Peter Matz
arrangiatore:
Peter Matz
registrazione cover di:
Second Hand Rose (nel 1965-10)
paroliere:
Grant Clarke (nel 1921)
compositore:
James F. Hanley (nel 1921)
Barbra Streisand2:11
20To Each His Own
registrazione di:
To Each His Own
paroliere:
Ray Evans (American songwriter)
compositore:
Jay Livingston
The Platters2:48
21I’ve Got You Under My Skin
registrazione di:
I’ve Got You Under My Skin
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Frank Sinatra3:31
22It’s Now or Never
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-04-03)
batteria :
D.J. Fontana (il 1960-04-03) e Buddy Harman (Session drummer and songwriter) (il 1960-04-03)
chitarra :
Hank Garland (il 1960-04-03), Scotty Moore (American guitarist and recording engineer) (il 1960-04-03) e Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
pianoforte :
Floyd Cramer (il 1960-04-03)
sassofono :
Boots Randolph (il 1960-04-03)
voce:
The Jordanaires (southern gospel group) (il 1960-04-03) e Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1960-04-03)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1960), BMG Music (nel 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1960) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1960-04-03)
registrazione cover di:
It’s Now or Never (il 1960-04-03)
paroliere:
Wally Gold e Aaron Schroeder (1950s~1960s US songwriter)
compositore:
Eduardo Di Capua
editore:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music e Williamson Music Company
versione di:
’O sole mio
Elvis Presley3.753:14
23If You Were the Only Girl in the World
registrazione di:
If You Were the Only Girl (in the World)
paroliere:
Clifford Grey
compositore:
Nat D. Ayer
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Redwood Music Ltd. (Carlin)
parte di:
The Vagabond Lover
Johnny Kidd and the Pirates2:36
24Can’t Take My Eyes Off You
voce:
Andy Williams (US pop/jazz vocalist)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione cover di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Andy Williams43:09
25Until You Come Back to Me (That’s What I’m Gonna Do)
registrazione di:
Until You Come Back to Me (That’s What I’m Gonna Do) (nel 1967)
autore:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul e Stevie Wonder
editore:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau e Stone Agate Music
Stevie Wonder33:01
26It’s Not Unusual
tecnico di registrazione:
Bill Price (UK producer/engineer)
produttore:
Peter Sullivan (UK producer)
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1965) e The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 393)
registrazione di:
It’s Not Unusual
autore:
Gordon Mills (60s/70s UK producer and songwriter) e Les Reed
editore:
Leeds Music (conclusa), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) e Universal Duchess Music Corp. (nel 1964)
Tom Jones4.52:03
27If You Go Away
arrangiatore:
Johnnie Spence (John Spence Abrahams, British music director, conductor and arranger)
registrazione cover di:
If You Go Away
paroliere e compositore:
Jacques Brel
traduttore:
Rod McKuen
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) e Intersong Paris S.A.
versione tradotta di:
Ne me quitte pas (original French version)
Dusty Springfield3.53:50
28More (Theme from "Mondo Cane")
registrata a:
Los Angeles, California, Stati Uniti (il 1964-06-12)
tecnico:
Lowell Frank (engineer) (il 1964-06-12)
produttore:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (il 1964-06-12)
ance :
Marshall Royal, Eric Dixon (woodwind) (il 1964-06-12), Frank Foster (saxophonist) (il 1964-06-12), Charlie Fowlkes (baritone saxophonist) (il 1964-06-12) e Frank Wess (il 1964-06-12)
basso :
Buddy Catlett
batteria :
Sonny Payne (il 1964-06-12)
chitarra :
Freddie Green (il 1964-06-12)
percussione :
Emil Richards
pianoforte :
Count Basie (pianist) (il 1964-06-12)
tromba :
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (il 1964-06-12), Wallace Davenport (il 1964-06-12), Harry “Sweets” Edison (il 1964-06-12) e Al Porcino (il 1964-06-12)
trombone :
Henderson Chambers, Henry Coker (jazz trombonist) (il 1964-06-12), Bill Hughes (jazz trombonist) (il 1964-06-12), Grover Mitchell (trombone) (il 1964-06-12) e Ken Shroyer (trombonist) (il 1964-06-12)
vibrafono :
Emil Richards (il 1964-06-12)
viola :
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) e Paul Robyn
violino :
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson e Gerald Vinci (American violinist and strings conductor)
violoncello :
Ann Goodman e Edgar Lustgarten (, il 1964-06-12)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1964-06-12)
orchestra:
Count Basie and His Orchestra (il 1964-06-12)
direttore d'orchestra:
Quincy Jones
arrangiatore:
Quincy Jones (il 1964-06-12)
registrazione cover di:
More (English translation) (il 1964-06-12)
paroliere:
Marcello Ciorciolini (Italian screenwriter, director, playwright, television/radio author & lyricist)
compositore:
Nino Oliviero (Italian musician and composer) e Riz Ortolani (songwriter, film music composer and music director)
traduttore:
Norman Newell
editore:
C.A.M. Creazioni Artistiche Musicali (company, do not use as label), Ortolani Creative Team Inc. e Sugar Song Publications, Inc.
parte di:
The 36th Academy Award for Best Original Song (numero: 2)
versione tradotta di:
Ti guarderò nel cuore
Frank Sinatra2.53:04
29Macarthur Park / Didn’t We
Liza Minnelli4:05
30Tender Is the Night
produttore:
Ernie Altschuler
voce:
Tony Bennett (US jazz/standards vocalist)
registrazione di:
Tender Is the Night
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
parte di:
The 35th Academy Award for Best Original Song (numero: 2)
Tony Bennett2:40
31Somethin’ Stupid
registrazione cover di:
Somethin’ Stupid
paroliere e compositore:
Carson Parks
editore:
Greenwood Music, Montclare Music e Montclare Music Co Ltd.
versione tradotta di:
Forelsket
Andy Williams12:58
32Any Day Now
registrazione cover di:
Any Day Now
paroliere:
Bob Hilliard
compositore:
Burt Bacharach
editore:
Anne-Rachel Music Corp., Bourne Music Co., Hee Bee Dooinit Music, Plan Two Music Inc. e WB Music Corp. (1929–2019)
Tom Jones2:57
33He Touched Me
produttore:
Robert Mersey
voce:
Barbra Streisand
direttore d'orchestra:
Don Costa (US pop music arranger & producer)
arrangiatore:
Don Costa (US pop music arranger & producer)
registrazione di:
He Touched Me (Milton Schafer song) (nel 1965)
paroliere:
Ira Levin (author) (nel 1965)
compositore:
Milton Schafer (nel 1965)
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
versione di:
She Touched Me (Drat! The Cat!)
Barbra Streisand3:12
34When Somebody Loves You
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1965-04-14)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1965-04-14)
orchestra:
Gordon Jenkins & His Orchestra (il 1965-04-14)
direttore d'orchestra:
Gordon Jenkins (il 1965-04-14)
arrangiatore:
Ernie Freeman
registrazione di:
When Somebody Loves You (il 1965-04-14)
paroliere:
Sammy Cahn
compositore:
Jimmy Van Heusen
editore:
Maraville Music Corp.
Frank Sinatra with Gordon Jenkins & His Orchestra11:54
35I Can’t Stop Loving You
registrazione di:
I Can’t Help Loving You
autore:
Jet Loring e Arthur Schroeck
Paul Anka2:42
36Angie Girl
produttore:
Henry Cosby
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1968)
registrazione di:
Angie Girl
autore:
Henry Cosby, Sylvia Moy e Stevie Wonder
editore:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music e 大洋音楽 (Taiyō Music)
Stevie Wonder3:02
37Are You Lonesome Tonight
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-04-03)
batteria :
D.J. Fontana (il 1960-04-03) e Buddy Harman (Session drummer and songwriter) (il 1960-04-03)
chitarra :
Hank Garland (il 1960-04-03), Scotty Moore (American guitarist and recording engineer) (il 1960-04-03) e Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
pianoforte :
Floyd Cramer (il 1960-04-03)
sassofono :
Boots Randolph (il 1960-04-03)
voce:
The Jordanaires (southern gospel group) (il 1960-04-03)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1960-04-03)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1960), BMG Music (nel 1960, nel 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1960) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1960-04-03)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 9)
registrazione cover di:
Are You Lonesome Tonight? (il 1960-04-03)
paroliere:
Roy Turk
compositore:
Lou Handman
editore:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music e Redwood Music Ltd. (Carlin)
Elvis Presley3.13:06
38Monday, Monday
tecnico:
Bones Howe
produttore:
Lou Adler
esecutore:
The Mamas & the Papas (American folk rock vocal group) (il 1965-12-16)
diritti fonografici (℗) detenuti da:
Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1965-12-16)
registrazione di:
Monday, Monday (il 1965-12-16)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music e Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas4.13:21
39Those Were the Days
registrazione di:
Those Were the Days (nel 1968-07)
paroliere:
Gene Raskin
compositore:
Борис Фомин (Boris Fomin)
editore:
Essex Music, Inc.
versione tradotta di:
Дорогой длинною («Ехали на тройке с бубенцами, а вдали мелькали огоньки. Эх, когда бы мне теперь за вами, душу бы развеять от тоски!…»)
Mary Hopkin45:06
40Yesterday, When I Was Young
Roy Clark3:20
41Love’s Been Good to Me
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1969-03-20)
produttore:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1969-03-20)
direttore d'orchestra:
Don Costa (US pop music arranger & producer) (il 1969-03-20)
arrangiatore:
Don Costa (US pop music arranger & producer)
registrazione cover di:
Love’s Been Good to Me (il 1969-03-20)
paroliere e compositore:
Rod McKuen
editore:
Almo Music Corp. (USA, affiliated with ASCAP)
Frank Sinatra43:25
42What a Wonderful World
registrata a:
New York, Stati Uniti (il 1967-08-16)
tecnico:
Eddie Brackett e Bob Simpson (US jazz engineer/producer)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Grady Tate (il 1967-08-16)
chitarra :
Allen Hanlon (jazz guitarist) (il 1967-08-16), Art Ryerson (il 1967-08-16) e Willard Suyker (il 1967-08-16)
clarinetto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Jerome Richardson (il 1967-08-16)
contrabbasso :
Russ Savakus (il 1967-08-16)
flauto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16), Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
percussione :
Warren Hard (il 1967-08-16)
pianoforte :
Hank Jones (piano) (il 1967-08-16)
sassofono baritono :
Raymond Stanfield (il 1967-08-16)
sassofono contralto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
sassofono tenore :
Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
tromba :
Louis Armstrong (il 1967-08-16), Clark Terry (American swing trumpeter) (il 1967-08-16) e Joe Wilder (il 1967-08-16)
trombone :
Urbie Green (il 1967-08-16) e J.J. Johnson (jazz/bop trombonist/session leader) (il 1967-08-16)
voce principale:
Louis Armstrong (il 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (il 1967-08-16)
direttore d'orchestra e maestro del coro:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (il 1967-08-16)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e Project 3 Records Inc. (nel 1988)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 171) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 283)
registrazione di:
What a Wonderful World (il 1967-08-16)
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Louis Armstrong3.952:17
43A Place in the Sun
registrazione di:
A Place in the Sun
autore:
Ron Miller (Motown songwriter Ronald Norman Miller) e Bryan Wells
editore:
Jobete Music Co., Inc., Stone Diamond Music Corporation, イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (fino al 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Stevie Wonder52:50
44This Boy
assistente tecnico:
Geoff Emerick (British recording engineer) (il 1963-10-17) e Graham Kirkby (engineer) (il 1966-11-10)
tecnico:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (il 1963-10-17) e Peter Brown (sound engineer, last name often misprinted as “Brown”) (il 1966-11-10)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (il 1963-10-17)
basso elettrico :
Paul McCartney (The Beatles) (il 1963-10-17)
batteria :
Ringo Starr (The Beatles) (il 1963-10-17)
chitarra acustica e voce principale:
John Lennon (The Beatles) (il 1963-10-17)
chitarra elettrica :
George Harrison (The Beatles) (il 1963-10-17)
voce di accompagnamento:
George Harrison (The Beatles) (il 1963-10-17) e Paul McCartney (The Beatles) (il 1963-10-17)
registrata presso:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1963-10-17)
mixata presso e editing effettuato presso:
Abbey Road Studios: Room 65 in Westminster, London (Greater London), England, Regno Unito (il 1966-11-10)
registrazione di:
This Boy (il 1963-10-17)
autore:
John Lennon (The Beatles) (nel 1963-09) e Paul McCartney (The Beatles) (nel 1963-09)
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Sony Music Publishing (Japan), Inc. (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (dal 1963 a oggi) e Northern Songs (dal 1963 a oggi)
The Beatles2.652:14
45Blue Tears
Casey Jones & the Governors2:46
46Sealed With a Kiss
voce:
Brian Hyland
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1962)
registrazione cover di:
Sealed With a Kiss
autore:
Gary Geld e Peter Udell
eseguita per la prima volta da:
The Four Voices (nel 1960-05)
editore:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) e Pogo Music Corp. (nel 1962)
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Brian Hyland42:39
47Love Hurts
registrazione di:
Love Hurts (il 1960-07-13)
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. e Acuff-Rose Publications, Inc. (BMI) (il 1960-08-30)
sub-editore:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Everly Brothers2:19
48(I’ll Be True to You) Yes I Will
registrazione cover di:
Yes I Will
paroliere:
Gerry Goffin
compositore:
Russ Titelman
editore:
Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Hollies2:54
49Love Potion Number Nine
registrazione cover di:
Love Potion No. 9
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Freddy Bienstock Music Co., Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) e Sony/ATV Songs LLC
The Searchers2:06
50Since I Don’t Have You
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1965)
registrazione di:
Since I Don’t Have You
autore:
Jimmy Beaumont, William King III, Walter Lester, Larry Martin (US songwriter), Joe Rock (US songwriter/band manager), John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen e Janet Vogel
compositore:
Jimmy Beaumont, Joseph Rock (US songwriter/band manager), Walter Lester, Lennie Martin, John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen e Janet Vogel
editore:
Bonneyview Music Corp. (Bonneyview, Bonneyview Music), Bonnyview Music Corp., Calico Publishing Co. e Southern Music Publ. Co. Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Manfred Mann52:32
51Summertime
registrata presso:
Decca Studios: Studio 2 in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1964-06-12)
registrazione cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (il 1964-06-12)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
The Zombies52:13
52Do You Want to Know a Secret
assistente tecnico:
Richard Langham (il 1963-02-11) e A. B. Lincoln (il 1963-02-25)
tecnico:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (il 1963-02-11, il 1963-02-25)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (il 1963-02-11, il 1963-02-25)
basso elettrico :
Paul McCartney (The Beatles) (il 1963-02-11)
batteria e percussione :
Ringo Starr (The Beatles) (il 1963-02-11)
chitarra acustica [lead guitar] e voce principale:
George Harrison (The Beatles) (il 1963-02-11)
chitarra acustica [rhythm guitar] :
John Lennon (The Beatles) (il 1963-02-11)
chitarra elettrica :
George Harrison (The Beatles) (il 1963-02-11) e John Lennon (The Beatles) (il 1963-02-11)
voce di accompagnamento:
John Lennon (The Beatles) (il 1963-02-11) e Paul McCartney (The Beatles) (il 1963-02-11)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963)
registrata presso:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1963-02-11)
mixata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1963-02-25)
registrazione di:
Do You Want to Know a Secret (il 1963-02-11)
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
EMI Unart Catalog Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Metric Music Co (publisher), Northern Songs Ltd. e Sony/ATV Music Publishing LLC (1995–2020)
The Beatles3.651:55
53A Little Bit of Soap
registrazione di:
A Little Bit of Soap
paroliere e compositore:
Bert Russell Berns
editore:
Sloopy II Music, Sony/ATV Songs LLC e Wren Music Co.
Johnny Kidd and the Pirates2:25
54Here I Go Again
produttore:
Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2003) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1964)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1964-04-13)
registrazione di:
Here I Go Again (Shuman/Westlake; The Hollies) (il 1964-04-13)
compositore:
Mort Shuman (US singer, pianist & songwriter) e Clive Westlake (British songwriter)
registrazione cover di:
Here I Go Again (Shuman/Westlake; The Hollies)
compositore:
Mort Shuman (US singer, pianist & songwriter) e Clive Westlake (British songwriter)
The Hollies42:18
55To Love Somebody
co-produttore:
Ossie Byrne
produttore:
Barry Gibb, Maurice Gibb, Robin Gibb e Robert Stigwood
direttore d'orchestra:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arrangiatore:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1967), Maurice Gibb (nel 1967) e Robin Gibb (nel 1967)
diritti fonografici (℗) detenuti da:
PolyGram International Ltd. (nel 1967), PolyGram International Music B.V. (not for release label use!) (nel 1967), Robert Stigwood Organisation Ltd. (nel 1967), RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1967) e RSO Records, Ltd. (nel 1969)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (nel 1967-04)
registrazione di:
To Love Somebody (nel 1967-04)
scritta a:
New York, New York, Stati Uniti (nel 1967)
autore:
Barry Gibb (nel 1967) e Robin Gibb (nel 1967)
editore:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) e Universal Music Careers
parte di:
50/50
Bee Gees3.93:02
56Love Minus Zero
registrazione cover di:
Love Minus Zero / No Limit
paroliere e compositore:
Bob Dylan (nel 1965-01)
editore:
Blossom Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1965 al 1993) e Special Rider Music (dal 1993 a oggi)
The Turtles32:50
57Don’t Throw Your Love Away
diritti fonografici (℗) detenuti da:
Wyncote Music Co. Ltd. (nel 1964)
registrazione cover di:
Don’t Throw Your Love Away
autore:
Billy Jackson (US soul/disco producer & songwriter)
compositore:
Jimmy Wisner (pianist, producer and songwriter)
The Searchers42:18
58(Marie’s the Name) His Latest Flame
basso :
Bob Moore (U.S. bassist and bandleader) (il 1961-06-25)
batteria :
D.J. Fontana (il 1961-06-25) e Buddy Harman (Session drummer and songwriter) (il 1961-06-25)
chitarra :
Hank Garland (il 1961-06-25), Neal Matthews (il 1961-06-25) e Scotty Moore (American guitarist and recording engineer) (il 1961-06-25)
legnetti :
Boots Randolph (il 1961-06-25)
organo :
Floyd Cramer (il 1961-06-25) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1961-06-25)
pianoforte :
Floyd Cramer (il 1961-06-25)
voce:
The Jordanaires (southern gospel group) (il 1961-06-25) e Millie Kirkham (il 1961-06-25)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1961-06-25)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1961), BMG Music (nel 1961) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1961-06-25)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 31)
registrazione cover di:
(Marie’s the Name) His Latest Flame (il 1961-06-25)
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music e R&H Music
Elvis Presley2.252:06
59I Should Have Known Better
assistente tecnico:
Richard Langham (il 1964-02-26) e A. B. Lincoln (il 1964-03-03)
tecnico:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (il 1964-02-26, il 1964-03-03)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (il 1964-02-26, il 1964-03-03)
armonica (a bocca) , chitarra acustica [rhythm guitar] e voce principale:
John Lennon (The Beatles) (il 1964-02-26)
basso elettrico :
Paul McCartney (The Beatles) (il 1964-02-26)
batteria :
Ringo Starr (The Beatles) (il 1964-02-26)
chitarra a 12 corde [lead guitar] :
George Harrison (The Beatles) (il 1964-02-26)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964)
registrata presso:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1964-02-26)
mixata presso e editing effettuato presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1964-03-03)
registrazione di:
I Should Have Known Better (il 1964-02-26)
autore:
John Lennon (The Beatles) (nel 1964-02) e Paul McCartney (The Beatles) (nel 1964-02)
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020), Unart Music Corp. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
scritta presso:
George V Hotel in Paris, Île-de-France, Francia (dal 1964-01 al 1964-02)
The Beatles3.52:44
60Heart of Stone
tecnico:
David Hassinger
produttore:
Andrew Loog Oldham
basso elettrico :
Bill Wyman (il 1964-11-02)
batteria :
Charlie Watts (drummer in The Rolling Stones) (il 1964-11-02)
chitarra :
Brian Jones (Rolling Stones member) (il 1964-11-02) e Keith Richards (Rolling Stones guitarist) (il 1964-11-02)
pianoforte :
Ian Stewart (piano/keyboard, Rolling Stones member) (il 1964-11-02)
voce di accompagnamento:
Keith Richards (Rolling Stones guitarist) (il 1964-11-02)
voce principale:
Mick Jagger (The Rolling Stones) (il 1964-11-02)
diritti fonografici (℗) detenuti da:
ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (nel 1965)
registrata presso:
RCA Studios in Hollywood, Los Angeles, California, Stati Uniti (il 1964-11-02)
registrazione di:
Heart of Stone (il 1964-11-02)
autore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Rolling Stones3.752:45
61I’m a Believer
registrata a:
New York, New York, Stati Uniti (dal 1966-10-15 al 1966-10-23)
produttore:
Jeff Barry
basso :
Dick Romoff (dal 1966-10-15 al 1966-10-23)
batteria :
Buddy Salzman (dal 1966-10-15 al 1966-10-23)
chitarra :
Al Gorgoni (guitarist, composer, arranger, and producer) (dal 1966-10-15 al 1966-10-23) e Sal Ditroia (dal 1966-10-15 al 1966-10-23)
chitarra acustica :
Neil Diamond (dal 1966-10-15 al 1966-10-23)
organo :
Artie Butler (dal 1966-10-15 al 1966-10-23)
pianoforte e tamburello :
Jeff Barry (dal 1966-10-15 al 1966-10-23)
voce di accompagnamento:
Davy Jones (The Monkees member) (dal 1966-10-15 al 1966-10-23) e Peter Tork (dal 1966-10-15 al 1966-10-23)
voce di accompagnamento e voce principale:
Micky Dolenz (dal 1966-10-15 al 1966-10-23)
arrangiatore:
Jeff Barry
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1966) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966, nel 1967)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 65) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 341)
registrazione cover di:
I’m a Believer (dal 1966-10-15 al 1966-10-23)
paroliere e compositore:
Neil Diamond (nel 1966)
editore:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Stonebridge Music (publisher)
registrazione di:
I’m a Believer
paroliere e compositore:
Neil Diamond (nel 1966)
editore:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Stonebridge Music (publisher)
The Monkees4.652:47
62Mellow Yellow
registrata a:
London (Greater London), England, Regno Unito (nel 1966)
produttore:
Mickie Most (English record producer)
basso :
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (nel 1966)
batteria :
Bobby Orr (nel 1966)
chitarra acustica :
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1966)
corno [horns] :
Danny Moss (nel 1966) e Ronnie Ross (nel 1966)
voce:
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1966)
arrangiatore:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
diritti fonografici (℗) detenuti da:
Epic (US label founded by CBS in 1953, now owned by Sony) (nel 1966)
registrazione di:
Mellow Yellow (nel 1966)
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan (Music) Ltd.
Donovan43:40
63All I Really Want to Do
produttore:
Terry Melcher
basso :
Chris Hillman (il 1965-03-08)
batteria :
Michael Clarke (drummer for the 1960s rock group The Byrds) (il 1965-03-08)
chitarra :
David Crosby (il 1965-03-08)
chitarra a 12 corde :
Jim McGuinn (il 1965-03-08)
voce:
David Crosby (il 1965-03-08), Chris Hillman (il 1965-03-08) e Jim McGuinn (il 1965-03-08)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1965) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1965)
registrazione cover di:
All I Really Want to Do (il 1965-03-08)
paroliere e compositore:
Bob Dylan (nel 1964)
editore:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Special Rider Music e Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Byrds32:02
64Sand Me Some Lovin’
registrazione di:
Send Me Some Lovin’
paroliere:
Leo Price
compositore:
John Marascalco
editore:
ATV Music Corp., Robin Hood Music Co. e Sony/ATV Songs LLC
Johnny Kidd and the Pirates3:05
65Memphis Tennessee
registrazione cover di:
Memphis, Tennessee
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
The Animals33:07
66Ring of Fire
registrazione cover di:
Ring of Fire
autore:
June Carter Cash (American Country singer and songwriter) e Merle Kilgore
editore:
Painted Desert Music Corporation
registrazione di:
Ring of Fire
autore:
June Carter Cash (American Country singer and songwriter) e Merle Kilgore
editore:
Painted Desert Music Corporation
Tom Jones2:50
67Whole World Over
registrazione di:
Whole World Over
autore:
Allan Clarke (of The Hollies) e Graham Nash
The Hollies1:59
68I Started a Joke
tecnico:
John Pantry
produttore:
Bee Gees e Robert Stigwood
batteria :
Colin Petersen (nel 1968-06)
chitarra :
Barry Gibb (nel 1968-06) e Vince Melouney (nel 1968-06)
chitarra basso , mellotron , organo e pianoforte :
Maurice Gibb (nel 1968-06)
voce principale:
Robin Gibb (nel 1968-06)
direttore d'orchestra:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arrangiatore:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1968), Maurice Gibb (nel 1968) e Robin Gibb (nel 1968)
diritti fonografici (℗) detenuti da:
PolyGram International Ltd. (nel 1968) e RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1968)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (nel 1968-06)
registrazione di:
I Started a Joke (nel 1968-06)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc. e Gibb Brothers Music
Bee Gees2.753:12
69Help
tecnico:
Norman Smith (UK producer/engineer, performed as Hurricane Smith)
tecnico aggiunto:
Phil McDonald (engineer and producer) e Ken Scott (UK record producer & engineer)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
basso elettrico :
Paul McCartney (The Beatles) (il 1965-04-13)
batteria e tamburello :
Ringo Starr (The Beatles) (il 1965-04-13)
chitarra a 12 corde [rhythm guitar] e voce principale:
John Lennon (The Beatles) (il 1965-04-13)
chitarra elettrica [lead guitar] :
George Harrison (The Beatles) (il 1965-04-13)
voce di accompagnamento:
George Harrison (The Beatles) (il 1965-04-13) e Paul McCartney (The Beatles) (il 1965-04-13)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1965)
registrata presso:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1965-04-13)
mixata presso:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1965-06-18)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 29), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 447)
registrazione di:
Help! (il 1965-04-13)
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
EMI Music Publishing Australia Pty. Limited (not for release label use!), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs ltd, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) e Unart Music Corp.
The Beatles4.22:21
70Such a Shame
tecnico:
John Pantry
produttore:
Bee Gees e Robert Stigwood
voce principale:
Maurice Gibb (nel 1968-06) e Vince Melouney (nel 1968-06)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (nel 1968-06)
registrazione di:
Such a Shame (nel 1968-06)
paroliere e compositore:
Vince Melouney
Bee Gees2:28
71Mrs. Robinson
tecnico di registrazione:
Roy Halee (il 1968-02-02)
assistente produttore:
Bob Johnston (US record producer and early rockebilly singer)
produttore:
Art Garfunkel, Roy Halee e Paul Simon (of Simon & Garfunkel)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1968-02-02)
chitarra :
Paul Simon (of Simon & Garfunkel) (il 1968-02-02)
voce:
Art Garfunkel (il 1968-02-02) e Paul Simon (of Simon & Garfunkel) (il 1968-02-02)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1968) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1968)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 270)
registrazione di:
Mrs. Robinson (il 1968-02-02)
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) e Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:01
72Evil Ways
tecnico:
Bob Breault e Eric Prestidge
produttore:
Brent Dangerfield e Santana (US Latin, blues, & rock band)
batteria :
Michael Shrieve (drummer) (il 1969-05-12)
chitarra :
Carlos Santana (il 1969-05-12)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (il 1969-05-12)
congas e percussione :
Michael Carabello (percussionist) (il 1969-05-12)
congas, percussione e timbales :
José “Chepito” Áreas (il 1969-05-12)
organo e pianoforte :
Gregg Rolie (keyboardist and vocalist) (il 1969-05-12)
voce:
Gregg Rolie (keyboardist and vocalist) (il 1969-05-12) e Carlos Santana (il 1969-05-12)
arrangiatore:
Alberto Gianquinto
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1969) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1969)
registrata presso:
Pacific Recording Studio in San Mateo, California, Stati Uniti (il 1969-05-12)
mixata presso:
Pacific Recording Studio in San Mateo, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 69)
registrazione cover di:
Evil Ways (il 1969-05-12)
paroliere e compositore:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
editore:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music e Universal–Songs of PolyGram International, Inc.
Santana4.153:56
73Stand by Me
registrazione cover di:
Stand by Me
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
The Searchers3:28
74Signs That Will Never Change
diritti fonografici (℗) detenuti da:
The Hollies Ltd. (nel 2003)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1967-05-02)
registrazione di:
Signs That Will Never Change (il 1967-05-02)
autore:
Allan Clarke (of The Hollies), Tony Hicks e Graham Nash
The Hollies2:38
75Cuddly Toy
produttore:
Chip Douglas
ance :
Ted Nash (40s-80s US swing reedman, uncle of the other) (dal 1967-04-26 al 1967-09-05), Thomas Scott (trumpeter) (dal 1967-04-26 al 1967-09-05) e Bud Shank (dal 1967-04-26 al 1967-09-05)
basso elettrico :
Chip Douglas (dal 1967-04-26 al 1967-09-05)
batteria :
Micky Dolenz (dal 1967-04-26 al 1967-09-05)
chitarra acustica :
Michael Nesmith (dal 1967-04-26 al 1967-09-05)
tamburello e voce principale:
Davy Jones (The Monkees member) (dal 1967-04-26 al 1967-09-05)
tastiera :
Peter Tork (dal 1967-04-26 al 1967-09-05)
violoncello :
Edgar Lustgarten (dal 1967-04-26 al 1967-09-05)
voce di accompagnamento:
Micky Dolenz (dal 1967-04-26 al 1967-09-05), Chip Douglas (dal 1967-04-26 al 1967-09-05), Davy Jones (The Monkees member) (dal 1967-04-26 al 1967-09-05) e Peter Tork (dal 1967-04-26 al 1967-09-05)
registrazione cover di:
Cuddly Toy (dal 1967-04-26 al 1967-09-05)
autore:
Tommy Boyce (US songwriter of Boyce and Hart) e Bobby Hart
registrazione di:
Cuddly Toy
autore:
Tommy Boyce (US songwriter of Boyce and Hart) e Bobby Hart
The Monkees2:37
76She’s a Rainbow
pianoforte ospite :
Nicky Hopkins (pianist and organist)
arrangiatore archi :
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
registrazione di:
She’s a Rainbow
autore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Westminster Music Ltd.
The Rolling Stones3.354:11
77Your Mother Should Know
tecnico:
Ken Scott (UK record producer & engineer) e John Timperley
produttore:
Big George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
basso elettrico :
Paul McCartney (The Beatles) (il 1967-09-29)
batteria :
Ringo Starr (The Beatles) (il 1967-08-22)
chitarra :
George Harrison (The Beatles) (il 1967-08-23)
organo :
John Lennon (The Beatles) (il 1967-09-29)
pianoforte e voce principale:
Paul McCartney (The Beatles) (il 1967-08-22)
tamburello :
Ringo Starr (The Beatles) (il 1967-09-29)
voce di accompagnamento:
John Lennon (The Beatles) (il 1967-08-23) e Paul McCartney (The Beatles) (il 1967-08-23)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1967)
registrata presso:
Chappell Recording Studios in London (Greater London), England, Regno Unito (il 1967-08-22, il 1967-08-23) e Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1967-09-29)
registrazione di:
Your Mother Should Know (dal 1967-08-22 al 1967-09-29)
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs e Sony/ATV Music Publishing LLC (1995–2020)
registrazione di:
Your Mother Should Know
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs e Sony/ATV Music Publishing LLC (1995–2020)
The Beatles3.42:26
78Gentle on My Mind
registrazione cover di:
Gentle on My Mind (il 1969-01-14)
paroliere e compositore:
John Hartford
editore:
Acuff Rose Publications Ltd. e Ensign Music Corp.
Elvis Presley33:20
79Everybody’s Talkin’
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967)
prima pubblicazione:
Everybody’s Talkin’ di Nilsson (US singer-songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 51)
registrazione cover di:
Everybody’s Talkin’
paroliere e compositore:
Fred Neil
editore:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music e Third Story Music, Inc.
Harry Nilsson3.92:48
80I’d Rather Go Blind
Chicken Shack3:12
81Hold Me Tight
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1968)
registrazione di:
Hold Me Tight
paroliere e compositore:
Johnny Nash (US reggae/pop singer-songwriter)
editore:
Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Johnny Nash2:42
82Bring It on Home to Me
registrazione cover di:
Bring It On Home to Me
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Kags Music Corp.
Percy Sledge3:25
83Where Have You Been All My Life
registrazione cover di:
Where Have You Been All My Life
autore:
Barry Mann e Cynthia Weil
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Gerry & the Pacemakers2:35
84Baby It’s You
assistente tecnico:
Richard Langham (il 1963-02-11), Geoff Emerick (British recording engineer) (il 1963-02-20) e A. B. Lincoln (il 1963-02-25)
tecnico:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (il 1963-02-11, il 1963-02-25) e Stuart Eltham (engineer) (il 1963-02-20)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (il 1963-02-11, il 1963-02-20, il 1963-02-25)
basso elettrico :
Paul McCartney (The Beatles) (il 1963-02-11)
batteria :
Ringo Starr (The Beatles) (il 1963-02-11)
celesta :
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (il 1963-02-20)
chitarra acustica [lead & rhythm guitar] :
George Harrison (The Beatles) (il 1963-02-11)
chitarra elettrica :
George Harrison (The Beatles) (il 1963-02-11) e John Lennon (The Beatles) (il 1963-02-11)
chitarra elettrica [rhythm guitar] e voce principale:
John Lennon (The Beatles) (il 1963-02-11)
voce di accompagnamento:
George Harrison (The Beatles) (il 1963-02-11) e Paul McCartney (The Beatles) (il 1963-02-11)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963)
registrata presso:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1963-02-11) e Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1963-02-20)
mixata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1963-02-25)
registrazione cover di:
Baby It’s You (dal 1963-02-11 al 1963-02-20)
paroliere:
Barney Williams (nel 1961-11) e Mack David (American lyricist and songwriter) (nel 1961-11)
compositore:
Burt Bacharach (nel 1961-11)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dolfi Music Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Fuji Pacific Music SBK Department (Fujipacific Music SBK Department), Fujipacific Music, Inc. Division 2, Ludix Music Ltd., Mary Jane Pub. Co. Inc., New Hidden Valley Music Co., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Shinko Music Entertainment Co., Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Windswept Music (London) Ltd. e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Beatles2.62:38
85Listen to Me
produttore:
Ron Richards
registrazione di:
Listen to Me
compositore:
Tony Hazzard (songwriter)
The Hollies2:36
86Wonderful World
registrazione di:
Wonderful World
autore:
Lou Adler, Herb Alpert e Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ardmore and Beechwood Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd. e 日本アブコ音楽出版 (ABKCO Japan Publishing)
Sam Cooke2:04
87Dream Baby (How Long Must I Dream)
registrazione cover di:
Dream Baby (How Long Must I Dream)
paroliere e compositore:
Cindy Walker (US songwriter, singer and dancer)
editore:
Acuff-Rose Music Ltd. (UK), Combine Music Corp. e Acuff-Rose (BMI) (nel 1971)
Roy Orbison2:32
88City of New Orleans
registrazione cover di:
City of New Orleans
paroliere e compositore:
Steve Goodman (folk musician)
editore:
Sony/ATV Tunes LLC (ASCAP)
Arlo Guthrie54:28
89(It’s a) Long Lonely Highway
basso :
Bob Moore (U.S. bassist and bandleader) (il 1963-05-27)
batteria :
D.J. Fontana (il 1963-05-27) e Buddy Harman (Session drummer and songwriter) (il 1963-05-27)
chitarra :
Harold Bradley (il 1963-05-27), Jerry Kennedy (il 1963-05-27), Grady Martin (country/rockabilly guitarist) (il 1963-05-27) e Scotty Moore (American guitarist and recording engineer) (il 1963-05-27)
pianoforte :
Floyd Cramer (il 1963-05-27)
sassofono , shaker e vibrafono [vibes] :
Boots Randolph (il 1963-05-27)
voce:
The Jordanaires (southern gospel group) (il 1963-05-27) e Millie Kirkham (il 1963-05-27)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1963-05-27)
registrazione di:
(It’s a) Long Lonely Highway (il 1963-05-27)
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Elvis Presley Music Inc.
Elvis Presley2.52:20
90Spinning Wheel
registrazione di:
Spinning Wheel
paroliere e compositore:
David Clayton‐Thomas
editore:
EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., Minnesingers Publishers, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Blood, Sweat & Tears4:06
91Think
tecnico di registrazione:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-15)
chitarra :
Tommy Cogbill (il 1968-04-15) e Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1968-04-15)
chitarra basso :
Jerry Jemmott (il 1968-04-15)
organo :
Spooner Oldham (il 1968-04-15)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-15)
sassofono baritono :
Willie Bridges (il 1968-04-15) e Floyd Newman (il 1968-04-15)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1968-04-15) e Andrew Love (il 1968-04-15)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1968-04-15)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-15)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-15)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 6) (numero: 10)
registrazione di:
Think (il 1968-04-15)
autore:
Aretha Franklin e Ted White (husband & co-songwriter of Aretha Franklin)
editore:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Aretha Franklin3.652:13
92You Met Your Match
produttore:
Don Hunter
registrazione di:
You Met Your Match
autore:
Lula Mae Hardaway (songwriter), Don Hunter e Stevie Wonder
editore:
Jobete Music (appears also as: Jobete Msc.)
Stevie Wonder3.52:39
93You Can’t Hurry Love
tecnico di registrazione:
Russ Terrana
tecnico:
Lamont Dozier
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1966-06-11)
batteria :
Benny Benjamin (US drummer) (il 1966-06-11)
chitarra [Gibson L-5] :
Robert White (US funk/soul guitarist) (il 1966-06-11)
ottoni [horns] :
Detroit Symphony Orchestra (il 1966-06-11)
pianoforte :
Earl Van Dyke (il 1966-06-11)
strumenti:
The Funk Brothers (il 1966-06-11)
tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1966-06-11)
voce di accompagnamento:
Florence Ballard (il 1966-07-05) e Mary Wilson (il 1966-07-05)
voce principale:
Diana Ross (il 1966-07-05)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1966) e Motown Records (not for label use; use “Motown” instead) (nel 2015, nel 2017)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1966-06-11 al 1966-07-05)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 280)
registrazione di:
You Can’t Hurry Love (dal 1966-06-11 al 1966-07-05)
autore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music (UK) Ltd. (nel 1965) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Supremes4.752:52
94Lady Madonna
tecnico:
Geoff Emerick (British recording engineer) e Ken Scott (UK record producer & engineer)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
basso elettrico e pianoforte e voce principale:
Paul McCartney (The Beatles) (il 1968-02-03)
batteria :
Ringo Starr (The Beatles) (il 1968-02-03)
battimani :
George Harrison (The Beatles) (il 1968-02-06), John Lennon (The Beatles) (il 1968-02-06) e Paul McCartney (The Beatles) (il 1968-02-06)
chitarra elettrica e voce di accompagnamento:
George Harrison (The Beatles) (il 1968-02-03) e John Lennon (The Beatles) (il 1968-02-03)
pianoforte :
Paul McCartney (The Beatles) (il 1968-02-06)
sassofono baritono :
Bill Jackman (British saxophonist and clarinet player) (il 1968-02-06) e Harry Klein (saxophone) (il 1968-02-06)
sassofono tenore :
Bill Povey (il 1968-02-06) e Ronnie Scott (English jazz tenor saxophonist and jazz club owner) (il 1968-02-06)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968, nel 1988) e The Gramophone Co., Ltd. (UK record company) (nel 1968)
registrata presso:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1968-02-03) e Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1968-02-06)
registrazione di:
Lady Madonna (dal 1968-02-03 al 1968-02-06)
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd. e Sony/ATV Tunes LLC (ASCAP)
scritta presso:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1969-01)
The Beatles3.42:15
95Hi-Heel Sneakers
produttore:
Felton Jarvis
registrazione cover di:
Hi‐Heel Sneakers
paroliere e compositore:
Robert Higginbotham (blues)
editore:
Lily Pond Music e Robert Higginbotham Publisher
Elvis Presley4:32
96Sixteen Tons
registrazione cover di:
Sixteen Tons
paroliere e compositore:
Merle Travis
editore:
American Music, Inc. e Campbell Connelly & Co. Ltd.
adattamenti:
16 Tons
registrazione di:
Sixteen Tons
paroliere e compositore:
Merle Travis
editore:
American Music, Inc. e Campbell Connelly & Co. Ltd.
adattamenti:
16 Tons
Tom Jones3:11
97Hurry on Back to Love
registrazione di:
Hurry On Back to Love
paroliere e compositore:
Clive Westlake (British songwriter)
Johnny Kidd and the Pirates2:28
98Don’t You Feel It
Stevie Wonder32:31
99Na Na Hey Hey Kiss Him Goodbye
registrazione di:
Na Na Hey Hey Kiss Him Goodbye (nel 1969)
autore:
Gary DeCarlo, Dale Frashuer, Mark Hall (2 for Joy), Paul Leka, Daz Sampson e Graham Turner
editore:
Warner Chappell North America e Warner/Chappell North America
parte di:
Goodbye
Steam34:09
100Hey Jude
tecnico:
Barry Sheffield
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
basso elettrico e voce principale:
Paul McCartney (The Beatles) (il 1968-08-01)
batteria :
Ringo Starr (The Beatles) (il 1968-07-31)
chitarra acustica :
John Lennon (The Beatles) (il 1968-07-31)
chitarra elettrica :
George Harrison (The Beatles) (il 1968-07-31)
pianoforte :
Paul McCartney (The Beatles) (il 1968-07-31)
tamburello :
Ringo Starr (The Beatles) (il 1968-08-01)
voce di accompagnamento:
George Harrison (The Beatles) (il 1968-08-01), John Lennon (The Beatles) (il 1968-08-01) e Ringo Starr (The Beatles) (il 1968-08-01)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968, nel 1988) e The Gramophone Co., Ltd. (UK record company) (nel 1968)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (il 1968-07-31, il 1968-08-01)
video musicali:
Hey Jude (live) di The Beatles (UK rock band, “The Fab Four”)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 8), Billboard: Greatest of All Time Hot 100 Songs (numero: 13), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 89) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 288)
registrazione di:
Hey Jude (dal 1968-07-31 al 1968-08-01)
scritta a:
England, Regno Unito (nel 1968-06)
autore:
John Lennon (The Beatles) (nel 1968-06) e Paul McCartney (The Beatles) (nel 1968-06)
editore:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP)
scritta presso:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1968-06 al 1968-07-26)
The Beatles3.957:08

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parte di:100 Hits (Russian series of mp3 CDs) (ordine: 21)