Rocktober

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1You Took the Words Right Out of My Mouth
Techniker(in), Produzent(in) und Mix:
Todd Rundgren
Bass:
Kasim Sultan
guitar family und Perkussion:
Todd Rundgren
Keyboard und Klavier:
Roy Bittan
Keyboard und Perkussion:
Jim Steinman
membranophone:
Max Weinberg
Perkussion:
Marvin Lee
Saxophon:
Edgar Winter
Synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
Hintergrundgesang:
Rory Dodd, Ellen Foley und Todd Rundgren
Sologesang:
Meat Loaf
arranger:
Todd Rundgren und Jim Steinman
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Kompilation von:
You Took the Words Right out of My Mouth (Hot Summer Night) (beginning) von Meat Loaf und You Took the Words Right out of My Mouth (Hot Summer Night) (conclusion) von Meat Loaf
recording of:
You Took the Words Right Out of My Mouth (Hot Summer Night)
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation und J. Albert & Son Pty. Ltd.
Meat Loaf45:02
2What About Me
Produzent(in):
Charles Fisher (Australian producer)
Bass:
Ian Lees (Australian bassist)
Blechblasinstrumente und Keyboard:
Charlie Cole (Australian keyboards)
Gitarre:
Garry Frost
Schlagzeug:
Paul Freeland
vocals:
Alex Smith (Australian artist ex. Moving Pictures)
phonographisches Urheberrecht (℗) von:
WBE Records (label founded by Glenn Wheatley) (in 1981)
recording of:
What About Me (Moving Pictures song)
Verfasser(in):
Garry Frost und Frances Swan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Unichappell Music, Warner Chapell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Pty. Ltd.
Moving Pictures3:31
3History Never Repeats
Produzent(in):
David Tickle
recording of:
History Never Repeats
Texter und Komponist(in):
Neil Finn
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 57)
Split Enz32:57
4The Boys Are Back in Town
Assistent recording engineer:
Neil Hornby
Techniker(in):
Will Reid-Dick
Produzent(in):
John Alcock (producer)
Akustikgitarre und Bassgitarre und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist) und Brian Robertson (Thin Lizzy & Motörhead)
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 272) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 499)
recording of:
The Boys Are Back in Town
Texter und Komponist(in):
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und PolyGram Music Publishing (in 1989)
Thin Lizzy4.14:22
5Hit Me With Your Best Shot
Techniker(in):
Chris Minto (engineer) und Keith Olsen (US producer and engineer)
Produzent(in):
Keith Olsen (US producer and engineer)
Bass:
Roger Capps
Gitarre:
Scott St. Clair Sheets
Gitarre und Keyboard:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
Schlagzeug:
Myron Grombacher
Hintergrundgesang:
Roger Capps und Neil Giraldo (multi-instrumentalist, songwriter, producer)
Hintergrundgesang und Sologesang:
Pat Benatar
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1980, in 2002), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) und Chrysalis Records, Inc. (not for release label use!) (in 1981)
recording of:
Hit Me With Your Best Shot
Texter und Komponist(in):
Eddie Schwartz
publisher:
ATV Music Publishing of Canada Ltd., Round Hill Songs und Sony Music Publishing (Germany) GmbH
Pat Benatar4.152:50
6Bad Boy for Love
Produzent(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
Bass:
Ian Riland
Gitarre:
Michael Cocks und Peter Wells (Rose Tattoo guitarist)
Schlagzeug:
Dallas Royal
vocals:
Angry Anderson
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1977, in 1978) und J. Albert & Son Pty. Ltd. (in 1977)
recording of:
Bad Boy for Love
Texter und Komponist(in):
Ian Rilen
publisher:
J. Albert & Son und J. Albert & Son Pty. Ltd.
Rose Tattoo3:02
7Be Good Johnny
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) und Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1996)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
recording of:
Be Good Johnny
Texter:
Colin Hay
Komponist(in):
Greg Ham (member of Men at Work) und Colin Hay
publisher:
EMI Music (do not use as release label! this is a music publisher) und EMI Songs Australia Pty. Ltd.
Men at Work3.653:34
8The Break Up Song (They Don’t Write ’em)
recording of:
The Breakup Song (They Don’t Write ’Em)
Verfasser(in):
Greg Kihn und Steve Wright (bassist for the Greg Kihn Band)
Greg Kihn Band2:46
92-4-6-8 Motorway
Produzent(in):
Vic Maile
Bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
Gitarre:
Danny Kustow (am 1977-09-14)
Klavier und Orgel:
Mark Ambler (am 1977-09-14)
Schlagzeug:
Dolphin Taylor (am 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
Berwick Street Studios in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (am 1977-09-14)
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:15
10Who Listens to the Radio
Produzent(in):
Pete Solley (English pianist, songwriter and producer)
phonographisches Urheberrecht (℗) von:
Mushroom Records Pty Ltd (in 1978), Mushroom Records (in 1979, in 1996) und Stiff Records (in 1979)
recording of:
Who Listens to the Radio?
Texter und Komponist(in):
Stephen Cummings und Andrew Pendlebury
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Pty. Ltd., EMI Music (do not use as release label! this is a music publisher) (in 1979) und Street Music Ltd. (in 1979)
The Sports3:13
1148 Crash
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
aufgenommen bei:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
48 Crash
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music
Suzi Quatro4.53:52
12No Secrets
Bass:
Chris Bailey (Australian bassist for The Angels)
Gitarre:
John Brewster und Rick Brewster
Schlagzeug:
Graham (Buzz) Bidstrup
vocals:
Doc Neeson
phonographisches Urheberrecht (℗) von:
Sony Music Productions Pty. Ltd. (for copyrights use only) und Tutankhamen Nominees Pty. Ltd. (in 1980)
recording of:
No Secrets
Verfasser(in):
Graham "Buzz" Bidstrup und Doc Neeson
publisher:
J. Albert & Son und J. Albert & Son Pty. Ltd.
The Angels4:17
13Hanging On the Telephone
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
cover recording of:
Hanging On the Telephone (von 1978-06 bis 1978-07)
Texter und Komponist(in):
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) und Rare Blue Music Inc (in 1978)
Blondie4.32:19
14Department of Youth
assistierende(r) Produzent(in):
Michael Sherman (producer)
Produzent(in):
Bob Ezrin
Bassgitarre:
Prakash John
Clavinet:
Jozef Chirowski
Gitarre:
Steve Hunter (rock guitarist) und Dick Wagner
Keyboard:
Jozef Chirowski und Bob Ezrin
Schlagzeug:
Whitey Glan
Chorgesang:
The Summerhill Children’s Choir
Hintergrundgesang:
Jozef Chirowski, David Ezrin, Michael Sherman, The Summerhill Children’s Choir und Dick Wagner
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
conductor:
David Ezrin
arranger:
Bob Ezrin und Allan MacMillan
phonographisches Urheberrecht (℗) von:
Anchor Records Ltd. (in 1975), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975), Atlantic Records (do not use as release label, use “Atlantic” instead) (in 1975) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
produced for:
My Own Production Company Ltd.
recording of:
Department of Youth
Verfasser(in):
Alice Cooper (the singer, active as a solo artist 1975‐present), Bob Ezrin und Dick Wagner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (beendet), All by Myself Publishing Company, Early Frost Music Corp., Ezra Music, Ezra Music Corp., Irving Music of Canada, Irving Music, Inc., Primary Wave Music Publishing, Sony/ATV Songs LLC, Spirit One Music, Universal Music Publishing Group und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Alice Cooper3.653:14
15Isn’t It Time
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1977)
recording of:
Isn’t It Time
Verfasser(in):
Jack Conrad (producer and songwriter) und Ray Kennedy (singer, songwriter, and record producer based in L.A.)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jacon Music, Seven Summits Music, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd. und X‐Ray Music
The Babys43:58
16I Don’t Like Mondays
Produzent(in):
Phil Wainman
Saiteninstrumente arranger:
Fiachra Trench
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1979)
aufgenommen bei:
Phonogram Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
Musikvideos:
I Don’t Like Mondays von The Boomtown Rats
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 66)
recording of:
I Don’t Like Mondays
Texter und Komponist(in):
Johnnie Fingers und Bob Geldof
publisher:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. und Zomba Music Publishing Ltd.
The Boomtown Rats44:16
17Diamonds
Techniker(in):
Stuart Epps
Produzent(in):
Gus Dudgeon
Perkussion:
Morris Pert
Sologesang:
Chris Rea
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Bruce Baxter
phonographisches Urheberrecht (℗) von:
Magnet Records Ltd. und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979)
recording of:
Diamonds
Texter und Komponist(in):
Chris Rea
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Magnet Music Ltd. (publisher)
Chris Rea4:49
18Cool World
Bass:
Paul Christie
Gitarre:
James Black (Australian guitarist and keyboard), Eric McCusker und Ross Wilson (Australian singer-songwriter, guitarist and producer)
Keyboard:
James Black (Australian guitarist and keyboard)
Schlagzeug:
Gil Matthews
vocals:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
phonographisches Urheberrecht (℗) von:
Fable Records (in 1980, in 1981) und Avenue Records (Australian record label) (in 1981)
recording of:
Cool World
Texter und Komponist(in):
Ross Wilson (Australian singer-songwriter, guitarist and producer)
publisher:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd. und Mushroom Music Publishing
Mondo Rock3:32
19You Just Like Me ’Cos I’m Good in Bed
Techniker(in):
John French (Australian producer/engineer)
Produzent(in):
Ross 'The Boss' Wilson (Australian singer-songwriter, guitarist and producer)
Bassgitarre:
Greg Macainsh
Gitarre:
Bob “Bongo” Starkie und Redmond Symons
Schlagzeug:
Fred Strauks
Sologesang:
Graeme 'Shirley' Strachan
vocals:
Fred Strauks, Greg Macainsh, Bob “Bongo” Starkie und Redmond Symons
aufgenommen bei:
T.C.S. Studios in Richmond, Melbourne, Victoria, Australien (in 1974)
medley including a recording of:
Hooked on Hooks (megamix)
Verfasser(in):
Gregory John Macainsh
publisher:
Mushroom Music (Mushroom label’s publishing company)
recording of:
You Just Like Me 'Cos I'm Good in Bed
Texter und Komponist(in):
Greg Macainsh
Skyhooks3:42
20If You Leave Me, Can I Come Too?
Techniker(in):
Bruce Brown (Australia producer & engineer; bass player) und Russel Dunlop (Australian drummer, singer, composer, producer, engineer)
aufgenommen bei:
Albert Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australien
recording of:
If You Leave Me Can I Come Too
Texter und Komponist(in):
Martin Plaza (Australian musician)
Mental as Anything32:51
21Magazine Madonna
Sherbet4:08
22One Perfect Day
Bass:
Peter Leslie (bassist)
Keyboard:
Martin Fisher (keyboards, in Dear Enemy)
Schlagzeug:
Alan "Clutch" Robertson
vocals:
Roger Hart (Australian guitarist, vocalist, songwriter)
phonographisches Urheberrecht (℗) von:
EMI Music Australia (defunct holding company, not for release label use!) (in 1982) und EMI Music Australia Pty. Limited (not for release label use!) (in 1982)
recording of:
One Perfect Day (Little Heroes song)
Verfasser(in):
Roger Wells (Roger Garfield Ferrier)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Orient Pacific Music Pty. Ltd.
The Little Heroes3:49