The 4 Missae Breves / Cantatas 67 & 130

~ Release by Bach; The Richard Hickox Singers and Orchestra, Orchestre de la Suisse Romande, Richard Hickox, Ernest Ansermet (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
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1Missa brevis in G minor, BWV 235: I. Kyrie
recording engineer:
John Dunkerley (engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
choir vocals:
The Richard Hickox Singers (The City of London Sinfonia Chorus) (in 1975-06)
orchestra:
The Richard Hickox Orchestra (in 1975-06)
conductor:
Richard Hickox (conductor) (in 1975-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Messe g-Moll, BWV 235: I. Coro "Kyrie eleison" (in 1975-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach7:26
2Missa brevis in G minor, BWV 235: II. Gloria
recording engineer:
John Dunkerley (engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
choir vocals:
The Richard Hickox Singers (The City of London Sinfonia Chorus) (in 1975-06)
orchestra:
The Richard Hickox Orchestra (in 1975-06)
conductor:
Richard Hickox (conductor) (in 1975-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Messe g-Moll, BWV 235: II. Coro "Gloria in excelsis Deo" (in 1975-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach3:39
3Missa brevis in G minor, BWV 235: III. Gratias agimus tibi
recording engineer:
John Dunkerley (engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1975-06)
orchestra:
The Richard Hickox Orchestra (in 1975-06)
conductor:
Richard Hickox (conductor) (in 1975-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Messe g-Moll, BWV 235: III. Aria (Bass) "Gratias agimus tibi" (in 1975-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach3:48
4Missa brevis in G minor, BWV 235: IV. Domine Fili unigeniti
recording engineer:
John Dunkerley (engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
alto vocals:
Paul Esswood (countertenor) (in 1975-06)
orchestra:
The Richard Hickox Orchestra (in 1975-06)
conductor:
Richard Hickox (conductor) (in 1975-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Messe g-Moll, BWV 235: IV. Aria (Alto) "Domine Fili unigenite" (in 1975-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach6:47
5Missa brevis in G minor, BWV 235: V. Qui tollis peccata
recording engineer:
John Dunkerley (engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
tenor vocals:
Neil Jenkins (tenor) (in 1975-06)
orchestra:
The Richard Hickox Orchestra (in 1975-06)
conductor:
Richard Hickox (conductor) (in 1975-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Messe g-Moll, BWV 235: V. Aria (Tenor) "Qui tollis peccata mundi" (in 1975-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach4:34
6Missa brevis in G minor, BWV 235: VI. Cum Sancto Spiritu
recording engineer:
John Dunkerley (engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
choir vocals:
The Richard Hickox Singers (The City of London Sinfonia Chorus) (in 1975-06)
orchestra:
The Richard Hickox Orchestra (in 1975-06)
conductor:
Richard Hickox (conductor) (in 1975-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Messe g-Moll, BWV 235: VI. Coro "Cum sancto spiritu" (in 1975-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach5:18
7Missa brevis in G major, BWV 236: I. Kyrie
recording engineer:
John Dunkerley (engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
choir vocals:
The Richard Hickox Singers (The City of London Sinfonia Chorus) (in 1975-06)
orchestra:
The Richard Hickox Orchestra (in 1975-06)
conductor:
Richard Hickox (conductor) (in 1975-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" (in 1975-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:19
8Missa brevis in G major, BWV 236: II. Gloria
recording engineer:
John Dunkerley (engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
choir vocals:
The Richard Hickox Singers (The City of London Sinfonia Chorus) (in 1975-06)
orchestra:
The Richard Hickox Orchestra (in 1975-06)
conductor:
Richard Hickox (conductor) (in 1975-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" (in 1975-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach5:08
9Missa brevis in G major, BWV 236: III. Gratias agimus tibi
recording engineer:
John Dunkerley (engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1975-06)
orchestra:
The Richard Hickox Orchestra (in 1975-06)
conductor:
Richard Hickox (conductor) (in 1975-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" (in 1975-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach5:58
10Missa brevis in G major, BWV 236: IV. Domine Deus
recording engineer:
John Dunkerley (engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
soprano vocals:
Wendy Eathorne (soprano) (in 1975-06)
tenor vocals:
Neil Jenkins (tenor) (in 1975-06)
orchestra:
The Richard Hickox Orchestra (in 1975-06)
conductor:
Richard Hickox (conductor) (in 1975-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" (in 1975-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:19
11Missa brevis in G major, BWV 236: V. Quoniam
recording engineer:
John Dunkerley (engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
tenor vocals:
Neil Jenkins (tenor) (in 1975-06)
orchestra:
The Richard Hickox Orchestra (in 1975-06)
conductor:
Richard Hickox (conductor) (in 1975-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" (in 1975-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach5:34
12Missa brevis in G major, BWV 236: VI. Cum Sancto Spiritu
recording engineer:
John Dunkerley (engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
choir vocals:
The Richard Hickox Singers (The City of London Sinfonia Chorus) (in 1975-06)
orchestra:
The Richard Hickox Orchestra (in 1975-06)
conductor:
Richard Hickox (conductor) (in 1975-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" (in 1975-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich"
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:33
13Cantata no. 67 "Halt im Gedächtnis Jesum Christ": I. "Halt im Gedächtnis Jesum Christ"
recording engineer and engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-08-30 until 1968-09-02)
choir vocals:
Chœur Pro Arte de Lausanne (from 1968-08-30 until 1968-09-02)
contralto vocals:
Helen Watts (contralto) (from 1968-08-30 until 1968-09-02)
soprano vocals:
Elly Ameling (soprano) (from 1968-08-30 until 1968-09-02)
tenor vocals:
Werner Krenn (tenor) (from 1968-08-30 until 1968-09-02)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1968-08-30 until 1968-09-02)
conductor:
Ernest Ansermet (conductor) (from 1968-08-30 until 1968-09-02)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1968-08-30 until 1968-09-02)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": I. Coro "Halt im Gedächtnis Jesum Christ" (from 1968-08-30 until 1968-09-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach3:24
14Cantata no. 67 "Halt im Gedächtnis Jesum Christ": II. "Mein Jesu is erstranden"
recording engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
baritone vocals:
Tom Krause (bass-baritone) (in 1968-09)
contralto vocals:
Helen Watts (contralto) (in 1968-09)
soprano vocals:
Elly Ameling (soprano) (in 1968-09)
tenor vocals:
Werner Krenn (tenor) (in 1968-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1968-09)
conductor:
Ernest Ansermet (conductor) (in 1968-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1968-09)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": II. Aria (Tenor) "Mein Jesus ist erstanden" (in 1968-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach2:57
15Cantata no. 67 "Halt im Gedächtnis Jesum Christ": III. "Mein Jesu, heises du des Todes Gift"
recording engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
baritone vocals:
Tom Krause (bass-baritone) (in 1968-09)
contralto vocals:
Helen Watts (contralto) (in 1968-09)
soprano vocals:
Elly Ameling (soprano) (in 1968-09)
tenor vocals:
Werner Krenn (tenor) (in 1968-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1968-09)
conductor:
Ernest Ansermet (conductor) (in 1968-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1968-09)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": III. Recitativo (Alt) "Mein Jesu, heißest du des Todes Gift" (in 1968-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach0:36
16Cantata no. 67 "Halt im Gedächtnis Jesum Christ": IV. "Ersheinen ist der herrlich' Tag"
recording engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
baritone vocals:
Tom Krause (bass-baritone) (in 1968-09)
choir vocals:
Chœur Pro Arte de Lausanne (in 1968-09)
contralto vocals:
Helen Watts (contralto) (in 1968-09)
soprano vocals:
Elly Ameling (soprano) (in 1968-09)
tenor vocals:
Werner Krenn (tenor) (in 1968-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1968-09)
conductor:
Ernest Ansermet (conductor) (in 1968-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1968-09)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": IV. Choral "Erschienen ist der herrlich Tag" (in 1968-09)
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 83)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach0:57
17Cantata no. 67 "Halt im Gedächtnis Jesum Christ": V. "Doch scheinet fast"
recording engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
baritone vocals:
Tom Krause (bass-baritone) (in 1968-09)
contralto vocals:
Helen Watts (contralto) (in 1968-09)
soprano vocals:
Elly Ameling (soprano) (in 1968-09)
tenor vocals:
Werner Krenn (tenor) (in 1968-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1968-09)
conductor:
Ernest Ansermet (conductor) (in 1968-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1968-09)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": V. Recitativo (Alt) "Doch scheinet fast" (in 1968-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach0:58
18Cantata no. 67 "Halt im Gedächtnis Jesum Christ": VI. "Friede sei mit eugh!"
recording engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
baritone vocals:
Tom Krause (bass-baritone) (in 1968-09)
contralto vocals:
Helen Watts (contralto) (in 1968-09)
soprano vocals:
Elly Ameling (soprano) (in 1968-09)
tenor vocals:
Werner Krenn (tenor) (in 1968-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1968-09)
conductor:
Ernest Ansermet (conductor) (in 1968-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1968-09)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VI. Aria (Bass, Coro) "Friede sei mit euch!" (in 1968-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach5:47
19Cantata no. 67 "Halt im Gedächtnis Jesum Christ": VII. "Du Friedefurst, Herr Jesu Christ"
recording engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
baritone vocals:
Tom Krause (bass-baritone) (in 1968-09)
contralto vocals:
Helen Watts (contralto) (in 1968-09)
soprano vocals:
Elly Ameling (soprano) (in 1968-09)
tenor vocals:
Werner Krenn (tenor) (in 1968-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1968-09)
conductor:
Ernest Ansermet (conductor) (in 1968-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1968-09)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VII. Choral "Du Friedefürst, Herr Jesu Christ" (in 1968-09)
lyricist:
Jakob Ebert (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 68)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach1:20

Credits

Release

manufactured in:Germany
art direction:Jessica Davies
copyrighted (©) by:Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000)
phonographic copyright (℗) by:Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1969, in 1976, in 1977)
part of:Double Decca (order: 144)
Discogs:https://www.discogs.com/release/24966010 [info]
ASIN:UK: B00004TTIN [info]