Titelliste

1CD: 1933 - 1940
2CD: 1941 - 1950
3CD: 1951 - 1960
4CD: 1961 - 1976
5CD: 1977 - 1984
6CD: 1984 - 1992
7CD: 1993 - 2002
Nr.TitelKünstlerBewertungLänge
1Jurassic Park: Theme From Jurassic Park
Chorgesang:
Los Angeles Master Chorale
Orchester:
Hollywood Bowl Orchestra
conductor:
John Mauceri (conductor)
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recording of:
Theme From Jurassic Park (Jurassic Park)
Komponist(in):
John Williams (American score composer and conductor) (in 1993)
Teil von:
Jurassic Park (1993 film score)
John Williams3:19
2Schindler's List: Theme From Schindler's List
Produzent(in):
Dominic Fyfe
Geige / Violine:
Janine Jansen (Dutch violinist and violist) (in 2003-02)
Orchester:
Royal Philharmonic Orchestra (in 2003-02)
conductor:
Barry Wordsworth (conductor) (in 2003-02)
Tonmeister(in):
Philip Siney (sound engineer) (in 2003-02)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2003)
aufgenommen bei:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 2003-02)
recording of:
Main Theme (Schindler’s List) (in 2003-02)
Komponist(in):
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. und Universal/MCA Music (music publisher; do not use as release label!)
Teil von:
Schindler's List
Teil von:
Three Pieces from Schindler’s List
John Williams3:49
3Philadelphia: “La Mamma morta” From “Andrea Chénier”
Soprangesang:
Renata Tebaldi (soprano)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Gianandrea Gavazzeni (conductor)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard)
Komponist(in):
Umberto Giordano (Italian opera composer)
Librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. und MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:
Andrea Chénier: Atto III
Umberto Giordano5:08
4The Piano: The Heart Asks Pleasure First
Klavier:
Jean‐Yves Thibaudet (pianist)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
The Heart Asks Pleasure First (The Piano)
Komponist(in):
Michael Nyman (composer)
publisher:
Chester Music Ltd., G. Schirmer Inc., J&W Chester/Ed Wilhelm, Michael Nyman Ltd. (independent UK record, publishing and holding company) und Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
Teil von:
The Piano (1993 film score)
Michael Nyman2:16
5Four Weddings and a Funeral: Love Is All Around
Koproduzent(in):
Graeme Duffin
conductor:
Fiachra Trench
Saiteninstrumente arranger:
Fiachra Trench
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1994) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
Musikvideos:
Love Is All Around von Wet Wet Wet
cover recording of:
Love Is All Around
Texter und Komponist(in):
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.854:02
6Braveheart: Main Title
recording engineer und Mix:
Shawn Murphy (producer/engineer)
assistierende(r) Techniker(in):
Jonathan Allen (engineer)
Produzent(in):
James Horner (American score composer)
assistierendes Editing:
Christine Cholvin und Joe E. Rand (editor)
Editing:
Jim Henrikson
Chorgesang:
Westminster Abbey Choir
Orchester:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Martin Neary (English organist and choral conductor)
Orchestrator(in):
James Horner (American score composer)
phonographisches Urheberrecht (℗) von:
B.H. Finance C.V. (in 1995) und Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Main Title (Braveheart)
Komponist(in):
James Horner (American score composer)
publisher:
Festival Music Pty, Ltd.
Teil von:
Braveheart
James Horner2:54
7Trainspotting: Lust for Life
Techniker(in):
Eduard Meyer und Colin Thurston
Produzent(in):
Bewlay Bros.
Bassgitarre:
Tony Sales (von 1977-06-04 bis 1977-06-18)
Gitarre:
Carlos Alomar (von 1977-06-04 bis 1977-06-18) und Ricky Gardiner (von 1977-06-04 bis 1977-06-18)
Klavier:
David Bowie (English singer‐songwriter) (von 1977-06-04 bis 1977-06-18)
Schlagzeug, shakers und Tamburin:
Hunt Sales (von 1977-06-04 bis 1977-06-18)
Hintergrundgesang:
Hunt Sales (von 1977-06-04 bis 1977-06-18) und Tony Sales (von 1977-06-04 bis 1977-06-18)
Sologesang:
Iggy Pop (von 1977-06-04 bis 1977-06-18)
phonographisches Urheberrecht (℗) von:
Thousand Mile, Inc. (in 1977, in 1990) und Virgin Records America (used for copyrights) (in 1977)
aufgenommen bei:
Hansa Studio III in Berlin, Deutschland (von 1977-06-04 bis 1977-06-18)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 67), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 147) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 325)
recording of:
Lust for Life (von 1977-06-04 bis 1977-06-18)
Texter:
Iggy Pop
Komponist(in):
David Bowie (English singer‐songwriter) und Iggy Pop
publisher:
Bewlay Bros. Music, EMI Music (do not use as release label! this is a music publisher), Fleur Music Ltd. (publisher), Tintoretto Music, Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Bug Music (music publishing) (in 1988) und James Osterberg Music (in 1988)
Iggy Pop4.455:15
8L.A. Confidential: Bloody Christmas
Produzent(in):
Jerry Goldsmith (American score composer)
Mix und field recordings:
Bruce Botnick
Editing:
Ken Hall (music editor)
Orchester:
Hollywood Studio Symphony
conductor:
Jerry Goldsmith (American score composer)
phonographisches Urheberrecht (℗) von:
Monarchy Enterprises B.V. (in 1997) und Regency Entertainment (USA) Inc. (in 1997)
aufgenommen bei:
Todd-AO Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Bloody Christmas (L.A. Confidential)
Komponist(in):
Jerry Goldsmith (American score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
recording of:
Bloody Christmas (From “L.A. Confidential”)
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:55
9The Matrix: Main Title / Trinity Infinity
Orchester:
Hollywood Studio Symphony
conductor:
Don Davis (American score composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. (holding: file NO releases) (in 1999)
recording of:
Main Title (The Matrix)
Teil von:
The Matrix
recording of:
Trinity Infinity (The Matrix)
Orchestrator(in) und Komponist(in):
Don Davis (American score composer)
Teil von:
The Matrix
Don Davis3:58
10Crouching Tiger, Hidden Dragon: Crouching Tiger, Hidden Dragon
Cello:
Yo‐Yo Ma (cellist)
conductor:
谭盾 (Tan Dun, Chinese composer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Theme (Crouching Tiger, Hidden Dragon)
Komponist(in):
谭盾 (Tan Dun, Chinese composer)
Tan Dun3:26
11O Brother, Where Art Thou?: I Am a Man of Constant Sorrow
Produzent(in):
T‐Bone Burnett (musician, songwriter and producer)
Banjo:
Ron Block
Bass:
Barry Bales
Fiddle:
Stuart Duncan
Gitarre:
Chris Sharp (US bluegrass and old-time guitarist) und Dan Tyminski
Mandoline:
Mike Compton
Resonatorgitarre [dobro]:
Jerry Douglas (US guitar and dobro player)
Hintergrundgesang [harmony vocals]:
Harley Allen und Pat Enright
Sologesang:
Dan Tyminski
arranger:
Carter Stanley
recording of:
Man of Constant Sorrow (traditional, arranger neutral)
Verfasser(in):
[traditional] (special purpose artist)
publisher:
Southern Music Publishing Co. (publishing company)
cover recording of:
Man of Constant Sorrow (traditional, arranger neutral)
Verfasser(in):
[traditional] (special purpose artist)
publisher:
Southern Music Publishing Co. (publishing company)
The Soggy Bottom Boys44:21
12Dancer in the Dark: Overture
conductor:
Vince Mendoza
Orchestrator(in):
Vince Mendoza
recording of:
Overture
Komponist(in):
Björk
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Björk3:40
13Gladiator: Now We Are Free
vocals:
Lisa Gerrard
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics (in 2000)
recording of:
Now We Are Free (Gladiator)
Texter:
Lisa Gerrard
Komponist(in):
Klaus Badelt (German score composer), Lisa Gerrard und Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs und Universal‐MCA Music Publishing (US)
Teil von:
Gladiator
Hans Zimmer4:20
14The Pianist: Nocturne in C-sharp minor, Op. posth.: Lento con gran espressione
Klavier:
Jean‐Yves Thibaudet (pianist) (von 1999-02-21 bis 1999-02-24)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
aufgenommen bei:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1999-02-21 bis 1999-02-24)
recording of:
Nocturne no. 20 in C‐sharp minor “Reminiscence”, op. posth. 1 no. 16, B. 49, KKIVa/16 (von 1999-02-21 bis 1999-02-24)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
Teil von:
Chopin National Edition: WN Catalogue (Nummer: WN 37), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 49) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 127)
Frédéric Chopin3:47
15Play It Again (Margaret & David in Conversation)
Sprecher:
Margaret Pomeranz (am 2004-02-17) und David Stratton (English-Australian journalist) (am 2004-02-17)
Margaret Pomeranz & David Stratton9:55
16Casablanca: As Time Goes By (orchestral version)
Orchester:
Prague Philharmonia
conductor:
Nick Ingman
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
As Time Goes By (the song from “Casablanca”)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
Herman Hupfeld3:11

Nennungen

Veröffentlichung

hergestellt in:Australien
art direction:Oxygen Design Pty. Ltd.
leitende(r) Produzent(in):John Derry
Cyrus Meher‐Homji
Zusammensteller:Matthew Cowling
John Derry
Cyrus Meher‐Homji
David Wood (compiler)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 2004)
lizensiert von:BMG Australia Limited (not for release label use!)
vermarkted von:Universal Classics & Jazz (Japanese label division - read the annotation before using!)
Discogs:https://www.discogs.com/release/14430778 [Info]
ASIN:UK: B0001VWPCE [Info]