Kantaten: BWV 4 / 21 / 90 / 140 / 147

~ Release by Johann Sebastian Bach; Fritz Werner (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Herz und Mund und Tat und Leben, BWV 147: I. Chor "Herz und Mund und Tat und Leben"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1963)
tenor vocals:
Helmut Krebs (tenor) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach5:04
2Herz und Mund und Tat und Leben, BWV 147: II. Rezitativ (Tenor) "Gebenedeiter Mund"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Helmut Krebs (tenor) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach1:42
3Herz und Mund und Tat und Leben, BWV 147: III. Arie "Schäme dich, O Seele, nicht"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
alto vocals:
Claudia Hellmann (contralto) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:21
4Herz und Mund und Tat und Leben, BWV 147: IV. Rezitativ (Bass) "Verstockung kann Gewaltige verblenden"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Prof. Jakob Stämpfli (operatic bass / recording engineer) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach1:57
5Herz und Mund und Tat und Leben, BWV 147: V. Arie (Sopran) "Bereite dir, Jesu, noch jetzo die Bahn"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
soprano vocals:
Agnes Giebel (soprano) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:30
6Herz und Mund und Tat und Leben, BWV 147: VI. Choral "Wohl mir, dass ich Jesum habe"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:00
7Herz und Mund und Tat und Leben, BWV 147: VII. Arie (Tenor) "Hilf, Jesu hilf"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Helmut Krebs (tenor) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:03
8Herz und Mund und Tat und Leben, BWV 147: VIII. Rezitativ "Der höchsten Allmacht Wunderhand"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
alto vocals:
Claudia Hellmann (contralto) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:36
9Herz und Mund und Tat und Leben, BWV 147: IX. Arie (Bass) "Ich will von Jesu Wunden singen"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Prof. Jakob Stämpfli (operatic bass / recording engineer) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:19
10Herz und Mund und Tat und Leben, BWV 147: X. Choral "Jesus bleibet meine Freude"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (in 1963)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach4:12
11Es reifet euch ein schrecklich Ende, BWV 90: I. Arie (Tenor) "Es reifet euch ein schrecklich Ende"
sound engineer:
Peter Willemoës (in 1963-06)
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Helmut Krebs (tenor) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": I. Aria (Tenor) "Es reißet euch ein schrecklich Ende" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach7:02
12Es reifet euch ein schrecklich Ende, BWV 90: II. Rezitativ (Alt) "Des Höchsten Güte wird von Tag zu Tag neu"
sound engineer:
Peter Willemoës (in 1963-06)
producer:
Michel Garcin (French producer) (task: recording supervision)
alto vocals:
Claudia Hellmann (contralto) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": II. Recitativo (Alt) "Des Höchsten Güte wird von Tag zu Tage neu" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach2:00
13Es reifet euch ein schrecklich Ende, BWV 90: III. Arie (Bass) "So löschet im Eifer der rächende Richter"
sound engineer:
Peter Willemoës (in 1963-06)
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Erich Wenk (bass-baritone) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": III. Aria (Bass) "So löschet im Eifer der rächende Richter" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach3:39
14Es reifet euch ein schrecklich Ende, BWV 90: IV. Recitativ (Tenor) "Doch Gottes Auge sieht auf uns"
sound engineer:
Peter Willemoës (in 1963-06)
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Helmut Krebs (tenor) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": IV. Recitativo (Tenor) "Doch Gottes Auge sieht auf uns" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach0:51
15Es reifet euch ein schrecklich Ende, BWV 90: V. Choral "Leit' uns mit deiner rechten Hand"
sound engineer:
Peter Willemoës (in 1963-06)
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": V. Choral "Leit uns mit deiner rechten Hand" (in 1963-06)
lyricist:
Martin Moller (german poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 319)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach1:13
16Christ lag in Todesbanden, BWV 4: I. Sinfonia
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1961)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (in 1961)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:38
17Christ lag in Todesbanden, BWV 4: II. Versus 1: Chor "Christ lag in Todesbanden"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1961)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1961)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (in 1961)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach5:35
18Christ lag in Todesbanden, BWV 4: III. Versus 2 (Sopran-Alt): "Den Tod niemand zwingen kunnt"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1961)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (in 1961)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:33
19Christ lag in Todesbanden, BWV 4: IV. Versus 3 (Tenor): "Jesus Christus, Gottes Sohn"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1961)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (in 1961)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:21
20Christ lag in Todesbanden, BWV 4: V. Versus 4: Chor "Es war ein wunderlicher Krieg"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1961)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1961)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (in 1961)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:53
21Christ lag in Todesbanden, BWV 4: VI. Versus 5 (Bass): "Hier ist des rechte Osterlamm"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1961)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (in 1961)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach5:30
22Christ lag in Todesbanden, BWV 4: V. Versus 6 (Sopran-Tenor): "So feiern wir das hohe Fest"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1961)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (in 1961)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:13
23Christ lag in Todesbanden, BWV 4: VI. Versus 7: Choral "Wir essen und leben wohl"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1961)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1961)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (in 1961)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:28

Credits

Release

editor:Françoise Garcin (editor)