Smash Hits Car‐aoke

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1We Are Family (single version)
registrazione di:
We Are Family
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge3:19
2Spinning Around
produttore:
Mike Spencer (UK producer)
produttore aggiunto:
7th District Inc.
voce principale:
Kylie Minogue
remixer:
7th District Inc.
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2000)
video musicali:
Spinning Around di Kylie Minogue
registrazione di:
Spinning Around
autore:
Paula Abdul (American singer), Osborne Bingham, Kara DioGuardi e Ira Schickman
editore:
Dinkly B BMD Music, EMI Music Publishing (do not use as a release label!), Funktional What Music e K’Stuff Publishing
Kylie Minogue3.353:26
3Every 1’s a Winner
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Infinity Records Inc. (nel 1978)
registrazione di:
Every 1’s a Winner
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
EMI Music Publishing (PRS‐affiliated) e RAK Music Publishing Ltd.
Hot Chocolate4.154:04
4Everywhere
programmazione:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987)
produttore:
Lindsey Buckingham (guitarist, singer, songwriter and producer) e Richard Dashut
basso elettrico :
John McVie (nel 1987)
batteria e percussione :
Mick Fleetwood (nel 1987)
campionatore [Fairlight CMI] e chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987)
tastiera :
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987) e Christine McVie (nel 1987)
voce di accompagnamento:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987), Christine McVie (nel 1987) e Stevie Nicks (nel 1987)
voce principale:
Christine McVie (nel 1987)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1987) e Warner Music International (trademark of Warner Music International the company) (nel 1988)
registrazione di:
Everywhere (nel 1987)
paroliere e compositore:
Christine McVie
editore:
Bright Music Ltd. (publisher)
Fleetwood Mac43:42
5Girls on Film
registrazione di:
Girls on Film
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Gloucester Place Music Ltd.
versione di:
Girls on Film (Pre-Le Bon version)
Duran Duran3:36
6Love Shack
registrazione di:
Love Shack
autore:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland e Cindy Wilson
editore:
Man-Woman Together, Now!
The B‐52’s5:23
7Too Shy
programmazione degli strumenti:
Jez Strode
tecnico:
Colin Thurston
produttore:
Nick Rhodes e Colin Thurston
chitarra e ebow [e bow] :
Steve Askew
chitarra basso :
Nick Beggs
sintetizzatore :
Stuart Croxford Neale
voce aggiuntiva:
Nick Beggs e Stuart Croxford Neale
voce principale:
Limahl
arrangiatore:
Kajagoogoo
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982, nel 1983)
video musicali:
Too Shy di Kajagoogoo
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 9) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 27)
registrazione di:
Too Shy
paroliere:
Nick Beggs e Christopher Hamill
compositore:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale e Jez Strode
editore:
EMI Songs e Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:41
8Something Got Me Started
tecnico e tecnico di missaggio:
Daren Klein (American sound/mixing engineer)
co-produttore:
Mick Hucknall (lead singer of Simply Red)
produttore:
Stewart Levine (record producer and saxophonist)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd (not for release label use!) (nel 1991)
è stato produttore per:
Oliverea Productions Ltd. e Simply Red Records Ltd.
registrazione di:
Something Got Me Started
paroliere:
Mick Hucknall (lead singer of Simply Red)
compositore:
Hucknall (lead singer of Simply Red) e McIntyre
editore:
EMI Songs e So What Ltd
Simply Red2.84:00
9The Sun Always Shines on T.V.
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 11) e The Downloader’s Music Source Book (numero: 283)
registrazione di:
The Sun Always Shines on T.V.
paroliere e compositore:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e Sony ATV Publishing
a‐ha3.95:07
10Babooshka
assistente tecnico:
John Barratt (British audio engineer) (dal 1979-09 al 1980-05)
tecnico:
Jon Kelly (engineer at Air London Studios) (dal 1979-09 al 1980-05)
produttore:
Kate Bush e Jon Kelly (engineer at Air London Studios)
balalaika :
Paddy Bush (dal 1979-09 al 1980-05)
basso elettrico :
John Giblin (dal 1979-09 al 1980-05)
batteria :
Stuart Elliott (session drummer, member of Cockney Rebel) (dal 1979-09 al 1980-05)
chitarra elettrica :
Brian Bath (dal 1979-09 al 1980-05) e Alan Murphy (UK session guitarist) (dal 1979-09 al 1980-05)
piano Rhodes [Fender Rhodes] :
Max Middleton (dal 1979-09 al 1980-05)
sintetizzatore analogico [CS 80] e voce principale:
Kate Bush (dal 1979-09 al 1980-05)
voce di accompagnamento:
Paddy Bush (dal 1979-09 al 1980-05) e Gary Hurst (dal 1979-09 al 1980-05)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1980), Novercia Ltd. (nel 1980) e EMI America Records, Inc. (holding – file NO releases here!) (nel 1982)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1979-09 al 1980-05) e Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1979-09 al 1980-05)
registrazione di:
Babooshka (dal 1979-09 al 1980-05)
paroliere e compositore:
Kate Bush
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Kate Bush Music Ltd.
Kate Bush3.453:29
11All Right
tecnico di registrazione e tecnico di missaggio:
Chet Himes
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
assistente produttore:
Rob Meurer e Michael Ostin
produttore:
Michael Omartian
chitarra solista :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
voce aggiuntiva:
Michael McDonald (R&B & soul singer)
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1983) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983)
è stato produttore per:
Free Flow Productions
registrata presso:
Pop ’n’ Roll Studios in Santa Monica, California, Stati Uniti, Studio South in Austin, Texas, Stati Uniti, The Aspen Studios in Aspen, Colorado, Stati Uniti e Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
All Right
paroliere e compositore:
Christopher Cross (US singer‐songwriter)
editore:
Pop ’n’ Roll Music (US work publisher), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross54:15
12Cold as Ice (2012 collection)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977)
registrazione di:
Cold as Ice
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (fino al 2014-12-31), Yamaha Music Publishing (fino al 2017-03-31), Fujipacific Music, Inc. (dal 2015-01-01 a oggi) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
Foreigner3:18
13Strong Enough
programmazione e tecnico di missaggio:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
produttore:
Brian Rawling e Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
produttore esecutivo:
Rob Dickins
basso e chitarra basso :
Winston Blissett
chitarra [guitars] :
Adam Phillips (British guitarist and singer)
tastiera [keyboards] :
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
voce di accompagnamento [backing vocals]:
Paul Barry (songwriter/musician), Hamish Stewart (Scottish guitarist, bassist, singer composer & producer) e Sylvia Mason James (British singer)
voce principale:
Cher
arrangiatore archi [Laughs And Lager Jeff "Duo" Taylor string] :
Robin Smith (songwriter/pianist/conductor/producer) e Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
arrangiatore:
Na (Arranger)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1998)
è stato produttore per:
Metro (production company) e Rive Droite Music Productions
registrata presso e mixata presso:
Dreamhouse Studios in London (Greater London), England, Regno Unito
registrazione di:
Strong Enough
autore:
Paul Michael Barry (songwriter/musician) e Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
editore:
Rive Droite Music
Cher2.653:44
14Superstar
programmazione:
Joe Belmaati
produttore:
Joe Belmaati e Mich Hansen
registrazione cover di:
Superstar
autore:
Joe Belmaati, Mich Hansen e Remee (Danish producer, composer and songwriter)
editore:
Cutfather & Joe Music Ltd., Remee Songs, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner/Chappell (Warner/Chappell Music, Inc.)
Jamelia3.653:34
15Hand in My Pocket
tecnico di registrazione, produttore e tecnico di missaggio:
Glen Ballard
armonica (a bocca) :
Alanis Morissette
chitarra [guitars] e tastiera :
Glen Ballard
voce:
Alanis Morissette
diritti fonografici (℗) detenuti da:
Maverick Recording Company (not for release label use, for copyrights use only) (nel 1995)
video musicali:
Hand in My Pocket di Alanis Morissette
registrazione di:
Hand in My Pocket
paroliere:
Alanis Morissette
compositore:
Glen Ballard e Alanis Morissette
editore:
Songs of Universal, Inc. (BMI) e Vanhurst Place Music
parte di:
Jagged Little Pill (the musical)
Alanis Morissette3.953:41
16Everybody Hurts (MTV Unplugged live version)
assistente tecnico:
David Boucher e Richard McCullough (Irish engineer)
tecnico:
Tim Martin (engineer) e Tim Summerhayes
produttore:
The Corrs e Mitchell Froom
produttore esecutivo:
Andy Murray
produttore esecutivo aggiunto:
Richard Godfrey
tecnico di missaggio:
Bob Clearmountain
registrata presso:
Ardmore Studios in Bray, County Wicklow, Leinster, Irlanda (il 1999-10-05)
mixata presso:
Mix This! in Pacific Palisades, Los Angeles, California, Stati Uniti
registrazione dal vivo cover di:
Everybody Hurts (il 1999-10-05)
autore:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) e Michael Stipe
editore:
Night Garden Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Corrs45:49
17What’s Love Got to Do With It
tecnico e tecnico di missaggio:
John Hudson (producer, recording and mixing engineer)
produttore:
Terry Britten
batteria :
Graham Jarvis (UK session drummer)
chitarra :
Terry Britten
percussione :
Simon Morton
tastiera :
Nick Glennie‐Smith e Billy Livsey
voce di accompagnamento:
Terry Britten e Tessa Niles
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1984, nel 1997) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 160) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 309)
registrazione di:
What’s Love Got to Do With It
autore:
Graham Lyle e Terence Ernest Britten
editore:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (nel 1984), Irving Music, Inc. (nel 1984), Rondor Music (London) Ltd. (nel 1984), WB Music Corp. (1929–2019) (dal 1984 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
registrazione di:
What’s Love Got to Do With It (Kygo version)
autore:
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) e Graham Lyle
editore:
Kobalt Music (publisher) (dal 2020 a oggi) e WC Music Corp. (dal 2020 a oggi)
si basa su:
What’s Love Got to Do With It
Tina Turner4.153:46
18Walking in Memphis
tecnico di registrazione, tecnico e tecnico di missaggio:
Ben Wisch
produttore:
Marc Cohn e Ben Wisch
basso e organo :
John Leventhal
batteria :
Dennis McDermott
chitarra :
Marc Cohn e John Leventhal
organo Hammond :
Chris Palmaro
tastiera :
Eric Rehl
voce:
Marc Cohn
voce di accompagnamento:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) e Darryl Tookes
voce di accompagnamento ospite:
James Taylor (singer-songwriter and guitarist)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1991) e Warner Music H.K. Ltd. (nel 1997)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 415)
registrazione di:
Walking in Memphis
paroliere e compositore:
Marc Cohn
editore:
BMG Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:15
19Never Ever (radio edit)
registrazione di:
Never Ever
autore:
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis e Sean Mather (US DJ and producer Sean Mather)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. e STL Songs Ltd.
All Saints5:12
20Little Lies
registrazione di:
Little Lies
paroliere e compositore:
Christine McVie e Eddy Quintela
editore:
BMG Songs, Inc. e Careers–BMG Music Publishing, Inc.
Fleetwood Mac3:39
21Brass in Pocket
tecnico di registrazione aggiunto:
Steve Nye (producer, engineer and pianist)
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Michael Paul Stavrou (producer/engineer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
registrata in aggiunta presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
Pretenders4.43:04
22Black Velvet
produttore:
David Tyson (Canadian producer/songwriter)
tecnico di missaggio:
Kevin Doyle (award-winning sound engineer, producer)
voce principale:
Alannah Myles
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 6)
registrazione di:
Black Velvet
autore:
David Tyson (Canadian producer/songwriter) e Christopher Ward (Canadian songwriter & veejay)
editore:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP e Zomba Music Publishing Ltd.
Alannah Myles4.54:47
23Waiting for a Girl Like You
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981) e Warner Music International (trademark of Warner Music International the company) (nel 1981)
registrazione di:
Waiting for a Girl Like You
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Evansongs Ltd. (publisher) (nel 1981), Somerset Songs Publishing Inc. (nel 1981) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner3.54:47
24True (single edit)
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:28
25Please Don’t Go
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1979)
registrazione di:
Please Don’t Go
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs e EMI Songs Ltd.
KC & the Sunshine Band43:50
26I Love You Always Forever
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 408)
registrazione di:
I Love You Always Forever
paroliere e compositore:
Donna Lewis
editore:
donna lewis ltd e Warner/Chappell Music, Inc.
Donna Lewis3.93:59
27Ain’t Nobody
basso :
Bobby Watson (bassist)
batteria :
John “JR” Robinson (session drummer)
chitarra :
Tony Maiden
flauto :
Gary Herbig, Ernie Watts (jazz and blues saxophonist) e Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
percussione :
Paulinho da Costa (Brazilian percussionist)
sassofono contralto :
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
sassofono tenore :
Gary Herbig e Ernie Watts (jazz and blues saxophonist)
sintetizzatore aggiunto:
James Newton Howard (American score composer)
tastiera :
Kevin Murphy (American keyboardist, Rufus & The American Breed) e David “Hawk” Wolinski
tromba :
Jerry Hey
voce:
Chaka Khan e Tony Maiden
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 88) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 403)
registrazione di:
Ain’t Nobody
paroliere e compositore:
David Wolinski
editore:
Overdue Music
Rufus3.74:41
28In Your Eyes
tecnico di registrazione e programmazione:
Martin Harrington, Ash Howes (British mixer, writer and musician) e Alvin Sweeney
produttore:
Julian Gallagher (songwriter, producer) e Richard “Biff” Stannard
tecnico di missaggio:
Ash Howes (British mixer, writer and musician)
chitarra :
Martin Harrington
chitarra basso :
Steve Lewinson
tastiera :
Julian Gallagher (songwriter, producer)
voce di accompagnamento:
Kylie Minogue e Richard “Biff” Stannard
voce principale:
Kylie Minogue
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001)
mixata presso:
Biffco Studios (Dublin) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
In Your Eyes
autore:
Julian Gallagher (songwriter, producer), Ash Howes (British mixer, writer and musician), Kylie Minogue e Richard “Biff” Stannard
editore:
Biffco Music, EMI Music Publishing (do not use as a release label!), Mushroom Music International e Sony Music Publishing (1995–2020)
Kylie Minogue3.93:17
29Don’t Let Go (Love) (radio edit)
registrazione di:
Don't Let Go (Love)
autore:
Marqueze Ethridge, Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Organized Noize (Atlanta hip-hop production group), Patrick Brown, Raymon Murray (American producer, songwriter & multi-instrumentalist) e Rico Wade
En Vogue44:04
30I Wanna Be Down (single version)
Brandy44:07
31I Wanna Sex You Up (single mix)
tecnico:
Angela Piva e Warren Woods
produttore:
Elliot Straite
tecnico di missaggio:
Elliot Straite e Howie Tee
campionamenti:
La-Di-Da-Di di Doug E. Fresh & M.C. Ricky D (earlier name of hip hop MC Slick Rick) e Tonight Is the Night di Betty Wright (American soul and R&B singer)
registrazione di:
I Wanna Sex You Up
autore:
Bryan Abrams, Bessie Regina Norris (American soul and R&B singer), Mark Calderon, Willie Clarke, Elliot Straite, Kevin Thornton e Sam Watters
editore:
Boybig Publishing, Color Me Blessed Music, EMI Full Keel Music, EMI Longitude Music, EMI Songs Ltd., Hifrost Publishing e Hip City Music Inc.
Color Me Badd4.63:56
32Just a Friend
tecnico:
Ivan “Doc” Rodriguez
co-produttore:
Cutmaster Cool V (hip hop DJ Vaughan Lee)
produttore e tecnico di missaggio:
The Diabolical Biz Markie
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 477) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 480)
registrazione di:
Just a Friend
paroliere:
Joe Flizzow, Leaflizard, Malique e Biz Markie
compositore:
Biz Markie
Biz Markie3.653:58
33Return of the Mack (C & J radio edit)
produttore:
Phil Chill e Mark Morrison (r&b vocalist)
produttore aggiunto:
Cutfather & Joe
remixer:
Cutfather & Joe
registrazione di:
Return of the Mack
paroliere e compositore:
Mark Morrison (r&b vocalist)
Mark Morrison3.63:31
34Crazy (single version)
tecnico:
Ben H. Allen
produttore:
Danger Mouse (Brian Burton)
tecnico di missaggio:
Ben H. Allen e Danger Mouse (Brian Burton)
tecnico di missaggio aggiunto:
Kennie Takahashi
video musicali:
Crazy di Gnarls Barkley
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 307), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 355) e Indie 88: Top 500 Indie Rock Songs (numero: 357)
registrazione di:
Crazy (Gnarls Barkley song)
paroliere:
Thomas DeCarlo Callaway
autore:
Gian Franco Reverberi e Gian Piero Reverberi
compositore:
Brian Burton
Gnarls Barkley4.13:00
35The Wild Boys
tecnico, tecnico audio e tecnico di missaggio:
Jason Corsaro (U.S. music engineer, and record producer)
produttore:
Duran Duran (English rock band) e Nile Rodgers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1984, nel 1998)
parte di:
Cachitos Nochevieja 2022 (numero: 54)
registrazione di:
The Wild Boys
autore:
Andrew Taylor (of Duran Duran), Nicholas James Bates, Nigel John Taylor (UK bassist for Duran Duran), Roger Andrew Taylor (Duran Duran drummer) e Simon John Charles Le Bon (singer for Duran Duran)
editore:
EMI Music Publishing (do not use as a release label!), Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. e Noticevale Ltd.
registrazione dal vivo di:
The Wild Boys
autore:
Andrew Taylor (of Duran Duran), Nicholas James Bates, Nigel John Taylor (UK bassist for Duran Duran), Roger Andrew Taylor (Duran Duran drummer) e Simon John Charles Le Bon (singer for Duran Duran)
editore:
EMI Music Publishing (do not use as a release label!), Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. e Noticevale Ltd.
Duran Duran4.14:17
36Peaches
tecnico:
Alan Winstanley (English record producer)
produttore:
Martin Rushent
assistente tecnico di missaggio:
Benny King (engineer)
tecnico di missaggio:
Doug Bennett (producer, engineer)
batteria :
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (dal 1976-12-20 al 1977-01-28)
chitarra e voce principale:
Hugh Cornwell (English rock musician) (dal 1976-12-20 al 1977-01-28)
chitarra basso :
Jean‐Jacques Burnel (dal 1976-12-20 al 1977-01-28)
tastiera :
Dave Greenfield (dal 1976-12-20 al 1977-01-28)
editore:
EMI April Music Inc.
registrata presso:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Regno Unito (dal 1976-12-20 al 1977-01-28)
mixata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
prodotta presso:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Regno Unito (dal 1977-01 al 1977-02)
registrazione di:
Peaches (dal 1976-12-20 al 1977-01-28)
autore:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Albion Music Ltd., April Music Ltd., Complete Music, Complete Music Ltd., Musik-Edition Discoton GmbH e Universal Music Publishing MGB Ltd.
The Stranglers4.154:07
37People Are Strange
registrazione cover di:
People Are Strange
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music e Rondor Music (London) Ltd.
Echo and the Bunnymen4:33
38Love Will Tear Us Apart
produttore:
Joy Division e Martin Hannett
basso :
Peter Hook
batteria :
Stephen Morris (New Order)
chitarra :
Bernard Albrecht
voce:
Bernard Albrecht e Ian Curtis
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1988)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (numero: 5), Q50 – December 2005 (numero: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 14), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 179)
registrazione di:
Love Will Tear Us Apart
paroliere:
Ian Curtis
compositore:
Ian Curtis, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:26
39Stars
tecnico e tecnico di missaggio:
Daren Klein (American sound/mixing engineer)
co-produttore:
Mick Hucknall (lead singer of Simply Red)
produttore:
Stewart Levine (record producer and saxophonist)
registrazione di:
Stars
paroliere e compositore:
Mick Hucknall (lead singer of Simply Red)
Simply Red34:08
40Age of Consent
assistente tecnico:
Mark Boyne e Barry Sage (sound engineer)
tecnico:
Michael Johnson (UK recording engineer and producer)
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1983)
registrazione di:
Age of Consent
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
New Order4.255:15
41Moving
produttore:
John Cornfield e Supergrass
batteria :
Danny Goffey
chitarra :
Gaz Coombes
chitarra basso :
Mick Quinn
tastiera :
Rob Coombes
viola :
Bill Benham e Andrew Parker (viola)
violino :
Patrick Kieran, Boguslaw Kostecki (violinist), Jackie Shave e Gavyn Wright (UK violinist, conductor)
violoncello :
Martin Loveday (cellist) e Frank Schaefer (cellist)
voce:
Gaz Coombes, Danny Goffey e Mick Quinn
registrazione di:
Moving
autore:
Gaz Coombes, Rob Coombes, Danny Goffey e Mick Quinn
Supergrass3.154:27
42Viva Las Vegas
tecnico:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others)
produttore:
Bill Ham (manager of ZZ Top)
basso elettrico :
Dusty Hill
batteria e percussione :
Frank Beard (ZZ Top drummer)
chitarra elettrica :
Billy Gibbons
voce:
Billy Gibbons e Dusty Hill
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti
registrazione cover di:
Viva Las Vegas
paroliere:
Doc Pomus
compositore:
Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Felder Pomus Entertainment, Intersong GmbH (publisher; do NOT use as release label), Mort Shuman Songs, Pomus Songs Inc., Sharoonie Songs e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
registrazione di:
Viva Las Vegas
paroliere:
Doc Pomus
compositore:
Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Felder Pomus Entertainment, Intersong GmbH (publisher; do NOT use as release label), Mort Shuman Songs, Pomus Songs Inc., Sharoonie Songs e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
ZZ Top3.654:46
43La bamba
produttore:
Mitchell Froom
esecutore:
Los Lobos (Chicano rock band)
arrangiatore:
Ritchie Valens
diritti fonografici (℗) detenuti da:
FFRR Records Ltd. (company name, NOT a label!) (nel 1987) e Slash Records (company, do not use as release label!) (nel 1987)
registrazione cover di:
La bamba (additional lyrics by Ritchie Valens)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Los Lobos4.152:55
44I’m on My Way
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
registrazione di:
I’m on My Way
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Proclaimers4.353:45
45Chevrolet
Foghat3:21
46California Girls
tecnico:
Jeff Hendrickson (sound engineer)
produttore:
Ted Templeman
batteria :
John “JR” Robinson (session drummer)
chitarra :
Eddie Martinez (guitar) e Sid McGinnis (American musician and guitarist)
chitarra basso :
Willie Weeks (US bass player)
percussione :
Sammy Figueroa
sassofono e tastiera :
Edgar Winter
sintetizzatore :
Brian Mann (keyboardist, accordionist, composer)
voce di accompagnamento:
Christopher Cross (US singer‐songwriter), Carl Wilson (Beach Boys) e Edgar Winter
voce principale:
David Lee Roth
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1985)
registrazione cover di:
California Girls
paroliere e compositore:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc. e Rondor Music (London) Ltd.
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
David Lee Roth4.752:48
47Semi‐Charmed Life
programmazione:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind) e Eric Valentine (Eric Dodd, producer and instrumentalist)
assistente tecnico:
Jaquire King e Kevin Scott (engineer)
tecnico e tecnico di missaggio:
Eric Valentine (Eric Dodd, producer and instrumentalist)
co-produttore:
Eric Valentine (Eric Dodd, producer and instrumentalist)
produttore:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
produttore aggiunto:
Kevin Cadogan e Arion Salazar
batteria :
Brad Hargreaves
chitarra :
Kevin Cadogan e Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
chitarra basso :
Arion Salazar
spazzole e voce principale:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
voce di accompagnamento:
Kevin Cadogan
arrangiatore:
Kevin Cadogan e Arion Salazar
arrangiatore aggiunto:
Ren Klyce
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 138) e Indie 88: Top 500 Indie Rock Songs (numero: 347)
registrazione di:
Semi‐Charmed Life
paroliere e compositore:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
editore:
3EB Publishing
Third Eye Blind44:28
48My Best Friend’s Girl
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Geoff Workman
produttore:
Roy Thomas Baker (producer), Jay Faires e Tricia Holloway
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978, nel 1979)
registrata presso e mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1978-02)
registrazione di:
My Best Friend’s Girl (nel 1978-02)
paroliere e compositore:
Ric Ocasek
editore:
Lido Music, Inc., Universal/MCA Music Publishing Pty Ltd e Lido Music (not for release label use!) (nel 1978)
The Cars4.353:43
49My Sharona
Boycott2:39
50Space Oddity
Saigon Kick5:23
51Somewhere in My Heart
produttore:
Michael Jonzun
registrazione di:
Somewhere in My Heart
paroliere e compositore:
Roddy Frame
editore:
Complete Music Ltd.
Aztec Camera3.654:00
52Sweet Harmony
registrazione di:
Sweet Harmony
paroliere e compositore:
Helena Marsh e Jon Marsh
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Downtown Music UK Ltd. e Eagle-i Music
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division)
The Beloved3:22
53Mulder and Scully
assistente tecnico:
Jason Harris (engineer)
tecnico:
Joe Gibb
produttore:
Catatonia (Welsh alternative rock band, ~1992–2001) e TommyD
tecnico di missaggio:
Roland Herrington e TommyD
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1998)
registrata presso:
Monnow Valley Studio in Rockfield, Monmouthshire, Wales, Regno Unito
registrazione di:
Mulder and Scully
paroliere e compositore:
Cerys Matthews (lead singer, Catatonia) e Mark Roberts (Welsh guitarist, Catatonia)
Catatonia3.54:11
54Geno
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
registrazione di:
Geno
autore:
Al Archer e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:26

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