Smash Hits Car‐aoke

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1We Are Family (single version)
recording of:
We Are Family
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge3:19
2Spinning Around
Produzent(in):
Mike Spencer (UK producer)
zusätzliche(r) Produzent(in):
7th District Inc.
Sologesang:
Kylie Minogue
remixer:
7th District Inc.
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2000)
Musikvideos:
Spinning Around von Kylie Minogue
recording of:
Spinning Around
Verfasser(in):
Paula Abdul (American singer), Osborne Bingham, Kara DioGuardi und Ira Schickman
publisher:
Dinkly B BMD Music, EMI Music Publishing (do not use as a release label!), Funktional What Music und K’Stuff Publishing
Kylie Minogue3.353:26
3Every 1’s a Winner
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Infinity Records Inc. (in 1978)
recording of:
Every 1’s a Winner
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated) und RAK Music Publishing Ltd.
Hot Chocolate4.154:04
4Everywhere
Programmierung:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Produzent(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer) und Richard Dashut
E-Bass:
John McVie (in 1987)
Gitarre und Sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987) und Christine McVie (in 1987)
Perkussion und Schlagzeug:
Mick Fleetwood (in 1987)
Hintergrundgesang:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987), Christine McVie (in 1987) und Stevie Nicks (in 1987)
Sologesang:
Christine McVie (in 1987)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) und Warner Music International (trademark of Warner Music International the company) (in 1988)
recording of:
Everywhere (in 1987)
Texter und Komponist(in):
Christine McVie
publisher:
Bright Music Ltd. (publisher)
Fleetwood Mac43:42
5Girls on Film
recording of:
Girls on Film
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Gloucester Place Music Ltd.
Version von:
Girls on Film (Pre-Le Bon version)
Duran Duran3:36
6Love Shack
recording of:
Love Shack
Verfasser(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland und Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52’s5:23
7Too Shy
Schlagzeug-Programmierung:
Jez Strode
Techniker(in):
Colin Thurston
Produzent(in):
Nick Rhodes und Colin Thurston
Bassgitarre:
Nick Beggs
E-Bow [e bow] und Gitarre:
Steve Askew
Synthesizer:
Stuart Croxford Neale
Sologesang:
Limahl
zusätzlich vocals:
Nick Beggs und Stuart Croxford Neale
arranger:
Kajagoogoo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
Musikvideos:
Too Shy von Kajagoogoo
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 9) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 27)
recording of:
Too Shy
Texter:
Nick Beggs und Christopher Hamill
Komponist(in):
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale und Jez Strode
publisher:
EMI Songs und Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:41
8Something Got Me Started
Techniker(in) und Mix:
Daren Klein (American sound/mixing engineer)
Koproduzent(in):
Mick Hucknall (lead singer of Simply Red)
Produzent(in):
Stewart Levine (record producer and saxophonist)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd (not for release label use!) (in 1991)
produced for:
Oliverea Productions Ltd. und Simply Red Records Ltd.
recording of:
Something Got Me Started
Texter:
Mick Hucknall (lead singer of Simply Red)
Komponist(in):
Hucknall (lead singer of Simply Red) und McIntyre
publisher:
EMI Songs und So What Ltd
Simply Red2.84:00
9The Sun Always Shines on T.V.
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 11) und The Downloader’s Music Source Book (Nummer: 283)
recording of:
The Sun Always Shines on T.V.
Texter und Komponist(in):
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und Sony ATV Publishing
a‐ha3.95:07
10Babooshka
assistierende(r) Techniker(in):
John Barratt (British audio engineer) (von 1979-09 bis 1980-05)
Techniker(in):
Jon Kelly (engineer at Air London Studios) (von 1979-09 bis 1980-05)
Produzent(in):
Kate Bush und Jon Kelly (engineer at Air London Studios)
Analoger Synthesizer [CS 80] und Sologesang:
Kate Bush (von 1979-09 bis 1980-05)
Balalaika:
Paddy Bush (von 1979-09 bis 1980-05)
E-Bass:
John Giblin (von 1979-09 bis 1980-05)
E-Gitarre:
Brian Bath (von 1979-09 bis 1980-05) und Alan Murphy (UK session guitarist) (von 1979-09 bis 1980-05)
Rhodes Piano [Fender Rhodes]:
Max Middleton (von 1979-09 bis 1980-05)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel) (von 1979-09 bis 1980-05)
Hintergrundgesang:
Paddy Bush (von 1979-09 bis 1980-05) und Gary Hurst (von 1979-09 bis 1980-05)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980), Novercia Ltd. (in 1980) und EMI America Records, Inc. (holding – file NO releases here!) (in 1982)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-09 bis 1980-05) und Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-09 bis 1980-05)
recording of:
Babooshka (von 1979-09 bis 1980-05)
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Kate Bush Music Ltd.
Kate Bush3.453:29
11All Right
recording engineer und Mix:
Chet Himes
assistierende(r) Techniker(in):
Stuart Gitlin und Margaret Gwynne (engineer)
zusätzliche(r) Techniker(in):
John Guess, Lee Herschberg, Mark Linett und Richard Mullen
assistierende(r) Produzent(in):
Rob Meurer und Michael Ostin
Produzent(in):
Michael Omartian
Solo-Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Sologesang:
Christopher Cross (US singer‐songwriter)
zusätzlich vocals:
Michael McDonald (R&B & soul singer)
conductor:
Michael Omartian
Saiteninstrumente arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
concertmaster:
Assa Drori
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
produced for:
Free Flow Productions
aufgenommen bei:
Pop ’n’ Roll Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten, Studio South in Austin, Texas, Vereinigte Staaten, The Aspen Studios in Aspen, Colorado, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
All Right
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross54:15
12Cold as Ice (2012 collection)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
recording of:
Cold as Ice
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (bis 2014-12-31), Yamaha Music Publishing (bis 2017-03-31), Fujipacific Music, Inc. (vom 2015-01-01 bis heute) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Foreigner3:18
13Strong Enough
Programmierung und Mix:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
leitende(r) Produzent(in):
Rob Dickins
Produzent(in):
Brian Rawling und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Bass und Bassgitarre:
Winston Blissett
Gitarre [guitars]:
Adam Phillips (British guitarist and singer)
Keyboard [keyboards]:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Hintergrundgesang [backing vocals]:
Paul Barry (songwriter/musician), Hamish Stewart (Scottish guitarist, bassist, singer composer & producer) und Sylvia Mason James (British singer)
Sologesang:
Cher
Saiteninstrumente [Laughs And Lager Jeff "Duo" Taylor string] arranger:
Robin Smith (songwriter/pianist/conductor/producer) und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
arranger:
Na (Arranger)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) und Rive Droite Music Productions
aufgenommen bei und mixed at:
Dreamhouse Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Strong Enough
Verfasser(in):
Paul Michael Barry (songwriter/musician) und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
publisher:
Rive Droite Music
Cher2.653:44
14Superstar
Programmierung:
Joe Belmaati
Produzent(in):
Joe Belmaati und Mich Hansen
cover recording of:
Superstar
Verfasser(in):
Joe Belmaati, Mich Hansen und Remee (Danish producer, composer and songwriter)
publisher:
Cutfather & Joe Music Ltd., Remee Songs, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner/Chappell (Warner/Chappell Music, Inc.)
Jamelia3.653:34
15Hand in My Pocket
recording engineer, Produzent(in) und Mix:
Glen Ballard
Gitarre [guitars] und Keyboard:
Glen Ballard
Mundharmonika:
Alanis Morissette
vocals:
Alanis Morissette
phonographisches Urheberrecht (℗) von:
Maverick Recording Company (not for release label use, for copyrights use only) (in 1995)
Musikvideos:
Hand in My Pocket von Alanis Morissette
recording of:
Hand in My Pocket
Texter:
Alanis Morissette
Komponist(in):
Glen Ballard und Alanis Morissette
publisher:
Songs of Universal, Inc. (BMI) und Vanhurst Place Music
Teil von:
Jagged Little Pill (the musical)
Alanis Morissette3.953:41
16Everybody Hurts (MTV Unplugged live version)
assistierende(r) Techniker(in):
David Boucher und Richard McCullough (Irish engineer)
Techniker(in):
Tim Martin (engineer) und Tim Summerhayes
leitende(r) Produzent(in):
Andy Murray
Produzent(in):
The Corrs und Mitchell Froom
zusätzliche(r) leitende(r) Produzent(in):
Richard Godfrey
Mix:
Bob Clearmountain
aufgenommen bei:
Ardmore Studios in Bray, County Wicklow, Leinster, Irland (am 1999-10-05)
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California (Kalifornien), Vereinigte Staaten
live cover recording of:
Everybody Hurts (am 1999-10-05)
Verfasser(in):
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) und Michael Stipe
publisher:
Night Garden Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Corrs45:49
17What’s Love Got to Do With It
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith und Billy Livsey
Perkussion:
Simon Morton
Schlagzeug:
Graham Jarvis (UK session drummer)
Hintergrundgesang:
Terry Britten und Tessa Niles
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 160) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 309)
recording of:
What’s Love Got to Do With It
Verfasser(in):
Graham Lyle und Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (von 1984 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
recording of:
What’s Love Got to Do With It (Kygo version)
Verfasser(in):
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) und Graham Lyle
publisher:
Kobalt Music (publisher) (vom 2020 bis heute) und WC Music Corp. (vom 2020 bis heute)
basiert auf:
What’s Love Got to Do With It
Tina Turner4.153:46
18Walking in Memphis
recording engineer, Techniker(in) und Mix:
Ben Wisch
Produzent(in):
Marc Cohn und Ben Wisch
Bass und Orgel:
John Leventhal
Gitarre:
Marc Cohn und John Leventhal
Hammond-Orgel:
Chris Palmaro
Keyboard:
Eric Rehl
Schlagzeug:
Dennis McDermott
Gast Hintergrundgesang:
James Taylor (singer-songwriter and guitarist)
Hintergrundgesang:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) und Darryl Tookes
vocals:
Marc Cohn
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) und Warner Music H.K. Ltd. (in 1997)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 415)
recording of:
Walking in Memphis
Texter und Komponist(in):
Marc Cohn
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:15
19Never Ever (radio edit)
recording of:
Never Ever
Verfasser(in):
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis und Sean Mather (US DJ and producer Sean Mather)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. und STL Songs Ltd.
All Saints5:12
20Little Lies
recording of:
Little Lies
Texter und Komponist(in):
Christine McVie und Eddy Quintela
publisher:
BMG Songs, Inc. und Careers–BMG Music Publishing, Inc.
Fleetwood Mac3:39
21Brass in Pocket
zusätzlich recording engineer:
Steve Nye (producer, engineer and pianist)
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Michael Paul Stavrou (producer/engineer)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 389)
recording of:
Brass in Pocket
Verfasser(in):
James Honeyman‐Scott und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music und Modern Music Publishing Co., Inc.
Pretenders4.43:04
22Black Velvet
Produzent(in):
David Tyson (Canadian producer/songwriter)
Mix:
Kevin Doyle (award-winning sound engineer, producer)
Sologesang:
Alannah Myles
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 6)
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4.54:47
23Waiting for a Girl Like You
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) und Warner Music International (trademark of Warner Music International the company) (in 1981)
recording of:
Waiting for a Girl Like You
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner3.54:47
24True (single edit)
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Interpret(in):
Spandau Ballet
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1983) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
Musikvideos:
True von Spandau Ballet
recording of:
True
Texter und Komponist(in):
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. und Reformation Publishing Inc.
Spandau Ballet3.655:28
25Please Don’t Go
Produzent(in):
Harry Wayne Casey und Richard Finch
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Please Don’t Go
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs und EMI Songs Ltd.
KC & the Sunshine Band43:50
26I Love You Always Forever
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 408)
recording of:
I Love You Always Forever
Texter und Komponist(in):
Donna Lewis
publisher:
donna lewis ltd und Warner/Chappell Music, Inc.
Donna Lewis3.93:59
27Ain’t Nobody
alto saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Bass:
Bobby Watson (bassist)
flute:
Gary Herbig, Ernie Watts (jazz and blues saxophonist) und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Gitarre:
Tony Maiden
Keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) und David “Hawk” Wolinski
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Tenorsaxophon:
Gary Herbig und Ernie Watts (jazz and blues saxophonist)
Trompete:
Jerry Hey
zusätzlich Synthesizer:
James Newton Howard (American score composer)
vocals:
Chaka Khan und Tony Maiden
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 88) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 403)
recording of:
Ain’t Nobody
Texter und Komponist(in):
David Wolinski
publisher:
Overdue Music
Rufus3.74:41
28In Your Eyes
recording engineer und Programmierung:
Martin Harrington, Ash Howes (British mixer, writer and musician) und Alvin Sweeney
Produzent(in):
Julian Gallagher (songwriter, producer) und Richard “Biff” Stannard
Mix:
Ash Howes (British mixer, writer and musician)
Bassgitarre:
Steve Lewinson
Gitarre:
Martin Harrington
Keyboard:
Julian Gallagher (songwriter, producer)
Hintergrundgesang:
Kylie Minogue und Richard “Biff” Stannard
Sologesang:
Kylie Minogue
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
mixed at:
Biffco Studios (Dublin) in Dublin, County Dublin, Leinster, Irland
recording of:
In Your Eyes
Verfasser(in):
Julian Gallagher (songwriter, producer), Ash Howes (British mixer, writer and musician), Kylie Minogue und Richard “Biff” Stannard
publisher:
Biffco Music, EMI Music Publishing (do not use as a release label!), Mushroom Music International und Sony Music Publishing (1995–2020)
Kylie Minogue3.93:17
29Don’t Let Go (Love) (radio edit)
recording of:
Don't Let Go (Love)
Verfasser(in):
Marqueze Ethridge, Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Organized Noize (Atlanta hip-hop production group), Patrick Brown, Raymon Murray (American producer, songwriter & multi-instrumentalist) und Rico Wade
En Vogue44:04
30I Wanna Be Down (single version)
Brandy44:07
31I Wanna Sex You Up (single mix)
Techniker(in):
Angela Piva und Warren Woods
Produzent(in):
Elliot Straite
Mix:
Elliot Straite und Howie Tee
Samples:
La-Di-Da-Di von Doug E. Fresh & M.C. Ricky D (earlier name of hip hop MC Slick Rick) und Tonight Is the Night von Betty Wright (American soul and R&B singer)
recording of:
I Wanna Sex You Up
Verfasser(in):
Bryan Abrams, Bessie Regina Norris (American soul and R&B singer), Mark Calderon, Willie Clarke, Elliot Straite, Kevin Thornton und Sam Watters
publisher:
Boybig Publishing, Color Me Blessed Music, EMI Full Keel Music, EMI Longitude Music, EMI Songs Ltd., Hifrost Publishing und Hip City Music Inc.
Color Me Badd4.63:56
32Just a Friend
Techniker(in):
Ivan “Doc” Rodriguez
Koproduzent(in):
Cutmaster Cool V (hip hop DJ Vaughan Lee)
Produzent(in) und Mix:
The Diabolical Biz Markie
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 477) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 480)
recording of:
Just a Friend
Texter:
Joe Flizzow, Leaflizard, Malique und Biz Markie
Komponist(in):
Biz Markie
Biz Markie3.653:58
33Return of the Mack (C & J radio edit)
Produzent(in):
Phil Chill und Mark Morrison (r&b vocalist)
zusätzliche(r) Produzent(in):
Cutfather & Joe
remixer:
Cutfather & Joe
recording of:
Return of the Mack
Texter und Komponist(in):
Mark Morrison (r&b vocalist)
Mark Morrison3.63:31
34Crazy (single version)
Techniker(in):
Ben H. Allen
Produzent(in):
Danger Mouse (Brian Burton)
Mix:
Ben H. Allen und Danger Mouse (Brian Burton)
zusätzliche(r) Mix:
Kennie Takahashi
Musikvideos:
Crazy von Gnarls Barkley
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 307), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 355) und Indie 88: Top 500 Indie Rock Songs (Nummer: 357)
recording of:
Crazy (Gnarls Barkley song)
Texter:
Thomas DeCarlo Callaway
Verfasser(in):
Gian Franco Reverberi und Gian Piero Reverberi
Komponist(in):
Brian Burton
Gnarls Barkley4.13:00
35The Wild Boys
Techniker(in), Audio-Engineering und Mix:
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
Duran Duran (English rock band) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984, in 1998)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 54)
recording of:
The Wild Boys
Verfasser(in):
Andrew Taylor (of Duran Duran), Nicholas James Bates, Nigel John Taylor (UK bassist for Duran Duran), Roger Andrew Taylor (Duran Duran drummer) und Simon John Charles Le Bon (singer for Duran Duran)
publisher:
EMI Music Publishing (do not use as a release label!), Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. und Noticevale Ltd.
live recording of:
The Wild Boys
Verfasser(in):
Andrew Taylor (of Duran Duran), Nicholas James Bates, Nigel John Taylor (UK bassist for Duran Duran), Roger Andrew Taylor (Duran Duran drummer) und Simon John Charles Le Bon (singer for Duran Duran)
publisher:
EMI Music Publishing (do not use as a release label!), Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. und Noticevale Ltd.
Duran Duran4.14:17
36Peaches
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
assistierende(r) Mix:
Benny King (engineer)
Mix:
Doug Bennett (producer, engineer)
Bassgitarre:
Jean‐Jacques Burnel (von 1976-12-20 bis 1977-01-28)
Gitarre und Sologesang:
Hugh Cornwell (English rock musician) (von 1976-12-20 bis 1977-01-28)
Keyboard:
Dave Greenfield (von 1976-12-20 bis 1977-01-28)
Schlagzeug:
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (von 1976-12-20 bis 1977-01-28)
Herausgeber:
EMI April Music Inc.
aufgenommen bei:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1976-12-20 bis 1977-01-28)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
produced at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1977-01 bis 1977-02)
recording of:
Peaches (von 1976-12-20 bis 1977-01-28)
Verfasser(in):
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Albion Music Ltd., April Music Ltd., Complete Music, Complete Music Ltd., Musik-Edition Discoton GmbH und Universal Music Publishing MGB Ltd.
The Stranglers4.154:07
37People Are Strange
cover recording of:
People Are Strange
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music und Rondor Music (London) Ltd.
Echo and the Bunnymen4:33
38Love Will Tear Us Apart
Produzent(in):
Joy Division und Martin Hannett
Bass:
Peter Hook
Gitarre:
Bernard Albrecht
Schlagzeug:
Stephen Morris (New Order)
vocals:
Bernard Albrecht und Ian Curtis
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (Nummer: 5), Q50 – December 2005 (Nummer: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 14), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 179)
recording of:
Love Will Tear Us Apart
Texter:
Ian Curtis
Komponist(in):
Ian Curtis, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:26
39Stars
Techniker(in) und Mix:
Daren Klein (American sound/mixing engineer)
Koproduzent(in):
Mick Hucknall (lead singer of Simply Red)
Produzent(in):
Stewart Levine (record producer and saxophonist)
recording of:
Stars
Texter und Komponist(in):
Mick Hucknall (lead singer of Simply Red)
Simply Red34:08
40Age of Consent
assistierende(r) Techniker(in):
Mark Boyne und Barry Sage (sound engineer)
Techniker(in):
Michael Johnson (UK recording engineer and producer)
Produzent(in):
New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1983)
recording of:
Age of Consent
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
New Order4.255:15
41Moving
Produzent(in):
John Cornfield und Supergrass
Bassgitarre:
Mick Quinn
Bratsche / Viola:
Bill Benham und Andrew Parker (viola)
Cello:
Martin Loveday (cellist) und Frank Schaefer (cellist)
Geige / Violine:
Patrick Kieran, Boguslaw Kostecki (violinist), Jackie Shave und Gavyn Wright (UK violinist, conductor)
Gitarre:
Gaz Coombes
Keyboard:
Rob Coombes
Schlagzeug:
Danny Goffey
vocals:
Gaz Coombes, Danny Goffey und Mick Quinn
recording of:
Moving
Verfasser(in):
Gaz Coombes, Rob Coombes, Danny Goffey und Mick Quinn
Supergrass3.154:27
42Viva Las Vegas
Techniker(in):
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others)
Produzent(in):
Bill Ham (manager of ZZ Top)
E-Bass:
Dusty Hill
E-Gitarre:
Billy Gibbons
Perkussion und Schlagzeug:
Frank Beard (ZZ Top drummer)
vocals:
Billy Gibbons und Dusty Hill
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
cover recording of:
Viva Las Vegas
Texter:
Doc Pomus
Komponist(in):
Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Felder Pomus Entertainment, Intersong GmbH (publisher; do NOT use as release label), Mort Shuman Songs, Pomus Songs Inc., Sharoonie Songs und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
recording of:
Viva Las Vegas
Texter:
Doc Pomus
Komponist(in):
Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Felder Pomus Entertainment, Intersong GmbH (publisher; do NOT use as release label), Mort Shuman Songs, Pomus Songs Inc., Sharoonie Songs und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
ZZ Top3.654:46
43La bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) und Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.152:55
44I’m on My Way
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
recording of:
I’m on My Way
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Proclaimers4.353:45
45Chevrolet
Foghat3:21
46California Girls
Techniker(in):
Jeff Hendrickson (sound engineer)
Produzent(in):
Ted Templeman
Bassgitarre:
Willie Weeks (US bass player)
Gitarre:
Eddie Martinez (guitar) und Sid McGinnis (American musician and guitarist)
Keyboard und Saxophon:
Edgar Winter
Perkussion:
Sammy Figueroa
Schlagzeug:
John “JR” Robinson (session drummer)
Synthesizer:
Brian Mann (keyboardist, accordionist, composer)
Hintergrundgesang:
Christopher Cross (US singer‐songwriter), Carl Wilson (Beach Boys) und Edgar Winter
Sologesang:
David Lee Roth
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1985)
cover recording of:
California Girls
Texter und Komponist(in):
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. und Rondor Music (London) Ltd.
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
David Lee Roth4.752:48
47Semi‐Charmed Life
Programmierung:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind) und Eric Valentine (Eric Dodd, producer and instrumentalist)
assistierende(r) Techniker(in):
Jaquire King und Kevin Scott (engineer)
Techniker(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Koproduzent(in):
Eric Valentine (Eric Dodd, producer and instrumentalist)
Produzent(in):
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
zusätzliche(r) Produzent(in):
Kevin Cadogan und Arion Salazar
Bassgitarre:
Arion Salazar
Besen und Sologesang:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
Gitarre:
Kevin Cadogan und Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
Schlagzeug:
Brad Hargreaves
Hintergrundgesang:
Kevin Cadogan
arranger:
Kevin Cadogan und Arion Salazar
zusätzlich arranger:
Ren Klyce
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 138) und Indie 88: Top 500 Indie Rock Songs (Nummer: 347)
recording of:
Semi‐Charmed Life
Texter und Komponist(in):
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
publisher:
3EB Publishing
Third Eye Blind44:28
48My Best Friend’s Girl
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer), Jay Faires und Tricia Holloway
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978, in 1979)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
recording of:
My Best Friend’s Girl (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc., Universal/MCA Music Publishing Pty Ltd und Lido Music (not for release label use!) (in 1978)
The Cars4.353:43
49My Sharona
Boycott2:39
50Space Oddity
Saigon Kick5:23
51Somewhere in My Heart
Produzent(in):
Michael Jonzun
recording of:
Somewhere in My Heart
Texter und Komponist(in):
Roddy Frame
publisher:
Complete Music Ltd.
Aztec Camera3.654:00
52Sweet Harmony
recording of:
Sweet Harmony
Texter und Komponist(in):
Helena Marsh und Jon Marsh
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Downtown Music UK Ltd. und Eagle-i Music
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division)
The Beloved3:22
53Mulder and Scully
assistierende(r) Techniker(in):
Jason Harris (engineer)
Techniker(in):
Joe Gibb
Produzent(in):
Catatonia (Welsh alternative rock band, ~1992–2001) und TommyD
Mix:
Roland Herrington und TommyD
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1998)
aufgenommen bei:
Monnow Valley Studio in Rockfield, Monmouthshire, Wales, Vereinigtes Königreich
recording of:
Mulder and Scully
Texter und Komponist(in):
Cerys Matthews (lead singer, Catatonia) und Mark Roberts (Welsh guitarist, Catatonia)
Catatonia3.54:11
54Geno
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
Verfasser(in):
Al Archer und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:26

Nennungen

Veröffentlichung

kostenlos streamen:https://www.deezer.com/album/49136782 [Info]