Plácido Domingo: The Opera Collection

~ Release by Plácido Domingo (see all versions of this release, 1 available)

Tracklist

1CD: Carmen: Acts 1 & 2 (beg.)
2CD: Carmen: Acts 2 (cont.) & 3
3CD: Lucia di Lammermoor: Parts 1 & 2 (beg.)
4CD: Lucia di Lammermoor: Part 2 (cont.)
5CD: Pagliacci
6CD: Cavalleria rusticana
7CD: Les Contes d’Hoffmann: Prologue, Acts 1 & 2 (beg.)
8CD: Les Contes d’Hoffmann: Acts 2 (cont.) & 3, Epilogue
9CD: Tosca: Act 1
10CD: Tosca: Acts 2 & 3
11CD: Turandot: Acts 1 & 2 (beg.)
12CD: Turandot: Acts 2 (cont.) & 3
13CD: Il barbiere di Siviglia: Acts 1 & 2 (beg.)
14CD: Il barbiere di Siviglia: Act 2 (cont.)
15CD: Samson et Dalila: Act 1
16CD: Samson et Dalila: Acts 2 & 3
17CD: Il trovatore: Parts 1 & 2
18CD: Il trovatore: Parts 3 & 4
#TitleArtistRatingLength
1Il trovatore: Act III, Scene I: “Or co’ dadi” (Coro, Ferrando)
bass vocals [Ferrando]:
Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:56
2Il trovatore: Act III, Scene I: “In braccio al mio rival!” (Conte, Ferrando, Azucena, Coro)
baritone vocals [Conte Luna]:
Giorgio Zancanaro (baritone)
bass vocals [Ferrando]:
Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
mezzo-soprano vocals [Azucena]:
Brigitte Fassbaender (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:18
3Il trovatore: Act III, Scene I: “Giorni poveri vivea” (Azucena, Ferrando, Conte, Coro)
baritone vocals [Conte Luna]:
Giorgio Zancanaro (baritone)
bass vocals [Ferrando]:
Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
mezzo-soprano vocals [Azucena]:
Brigitte Fassbaender (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi5:18
4Il trovatore: Act III, Scene II: “Quale d’armi fragor poc’anzi intesi?” (Loonora, Manrico)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
tenor vocals [Manrico]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:09
5Il trovatore: Act III, Scene II: “Ah! sì, ben mio” (Manrico)
tenor vocals [Manrico]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:25
6Il trovatore: Act III, Scene II: “L’onda de' suoni mistici” (Leonora, Manrico)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
tenor vocals [Manrico]:
Plácido Domingo (tenor)
tenor vocals [Ruiz]:
Walter Gullino (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
partial recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi0:50
7Il trovatore: Act III, Scene II: “Manrico? – Che? – La zingara” (Ruiz, Manrico, Leonora)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
tenor vocals [Manrico]:
Plácido Domingo (tenor)
tenor vocals [Ruiz]:
Walter Gullino (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
partial recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi0:47
8Il trovatore: Act III, Scene II: “Di quella pira” (Manrico, Leonora, Ruiz, Coro)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
tenor vocals [Manrico]:
Plácido Domingo (tenor)
tenor vocals [Ruiz]:
Walter Gullino (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:49
9Il trovatore: Act IV, Scene I: “Siam giunti” (Ruiz Leonora)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
tenor vocals [Ruiz]:
Walter Gullino (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:58
10Il trovatore: Act IV, Scene I: “D’amor sull’ali rosee” (Leonora)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:05
11Il trovatore: Act IV, Scene I: “Miserere” (Coro, Leonora, Manrico)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
tenor vocals [Manrico]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:29
12Il trovatore: Act IV, Scene I: “Tu vedrai che amore in terra” (Leonora)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto IV, scena 1. “Tu vedrai che amore in terra” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:17
13Il trovatore: Act IV, Scene I: “Udiste? Come albeggi” (Conte, Leonora)
baritone vocals [Conte Luna]:
Giorgio Zancanaro (baritone)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
partial recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:00
14Il trovatore: Act IV, Scene I: “Qual voce!… Mira, di acerbe lagrime” (Conte, Leonora)
baritone vocals [Conte Luna]:
Giorgio Zancanaro (baritone)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
partial recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi7:08
15Il trovatore: Act IV, Scene II: “Madre, non dormi?… Ai nostri monti” (Manrico, Azucena)Giuseppe Verdi9:29
16Il trovatore: Act IV, Scene II: “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena)
baritone vocals [Conte Luna] and baritone vocals [Luna]:
Giorgio Zancanaro (baritone)
mezzo-soprano vocals [Azucena]:
Brigitte Fassbaender (mezzo-soprano)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
tenor vocals [Manrico]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:59
17Il trovatore: Act IV, Scene II: “Ti scosta! – Non respingermi” (Manrico, Leonora, Conte, Azucena)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
tenor vocals [Manrico]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:56
19CD: La traviata: Acts 1 & 2 (beg.)
20CD: La traviata: Acts 2 (cont.) & 3
21CD: Otello: Acts 1 & 2
22CD: Otello: Acts 3 & 4
23CD: Lohengrin: Act 1
24CD: Lohengrin: Act 2 (beg.)
25CD: Lohengrin: Act 2 (cont.)
26CD: Lohengrin: Act 3

Credits

Release

ASIN:DE: B0048JGQR0 [info]

Release group

includes:Il trovatore (1983 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer), Coro (Chorus of the National Academy of Santa Cecilia) e Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Carlo Maria Giulini (conductor)
Les Contes D'Hoffmann - Highlights (1971 or 1972 studio cast) by Offenbach (German-French composer, cellist and impresario)
Otello (1993 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) et Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)