Autumn in New York

~ Veröffentlichung von Oscar Peterson (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Anmerkung zuletzt geändert am 2025-02-09 10:58 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Autumn in New York
Oscar Peterson3:58
2A Foggy Day
Oscar Peterson2:55
3Stormy Weather
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Stormy Weather (von 1959-07-14 bis 1959-08-09)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
instrumental recording of:
Stormy Weather (in 1959)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
recording of:
Stormy Weather
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
Oscar Peterson2:43
4Manhattan
Oscar Peterson2:55
5Come Rain or Come Shine
Oscar Peterson2:37
6Lullaby of the Leaves
recording of:
Lullaby of the Leaves
Texter:
Joe Young (US lyricist)
Komponist(in):
Bernice Petkere
Oscar Peterson2:39
7Black Coffee
Oscar Peterson2:17
8Blue and Sentimental
Gitarre:
Herb Ellis (jazz guitarist) (am 1955-12-27)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1955-12-27)
Kontrabass:
Ray Brown (jazz bassist) (am 1955-12-27)
Schlagzeug:
Buddy Rich (am 1955-12-27)
recording of:
Blue and Sentimental (am 1955-12-27)
Komponist(in):
Count Basie (pianist), Mack David (American lyricist and songwriter) und Jerry Livingston (songwriter)
Oscar Peterson2:26
9Orange Colored Sky
Oscar Peterson2:15
10Great Day
Oscar Peterson3:13
11Tea for Two
Lester Young & The Oscar Peterson Trio7:45
12Turtle Neck
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-11-25)
Gitarre:
Barney Kessel (am 1951-11-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1951-11-25)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1951-11-25)
The Oscar Peterson Trio2:20
13Easy to Love
Oscar Peterson3:16
14Over the Rainbow
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
instrumental recording of:
Over the Rainbow (The Wizard of Oz) (von 1959-07-14 bis 1959-08-09)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
recording of:
Over the Rainbow (The Wizard of Oz)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
Oscar Peterson2:15
15Night Train (partial take / breakdown)
recording of:
Night Train (Jimmy Forrest’s original instrumental version)
Komponist(in):
Jimmy Forrest
basiert auf:
Happy Go Lucky Local
The Oscar Peterson Trio1:28
16Gravy Waltz
Bill Henderson & The Oscar Peterson Trio2:22
17Night and Day
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Oscar Peterson2:31
18The Way You Look Tonight
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1950-08)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (in 1950-08)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
Oscar Peterson2:59
19A Sunday Kind of Love
instrumental cover recording of:
A Sunday Kind of Love
Verfasser(in):
Barbara Belle, Anita Leonard (US pianist, composer and lyricist), Louis Prima und Stan Rhodes
publisher:
Leeds Music Inc.
Oscar Peterson2:33
20Laura
Oscar Peterson3:32
21On the Sunny Side of the Street
Oscar Peterson3:50
22Minor Blues
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1950-08)
recording of:
Minor Blues (in 1950-08)
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
The Oscar Peterson Trio3:39
23Yesterdays
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-06)
Gitarre:
Barney Kessel (am 1953-12-06)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-12-06)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-12-06)
recording of:
Yesterdays (am 1953-12-06)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Oscar Peterson2:36
24Come Sunday
Oscar Peterson3:21
25Let's Fall in Love
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Let’s Fall in Love (von 1959-07-14 bis 1959-08-09)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Francis, Day & Hunter Ltd.
recording of:
Let’s Fall in Love (von 1959-07-21 bis 1959-08-01)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Francis, Day & Hunter Ltd.
Oscar Peterson2:19
26Stella by Starlight
Anita O’Day & The Oscar Peterson Quartet2:04
27Moonglow
Oscar Peterson2:39
28Chattanooga Choo Choo
recording of:
Chattanooga Choo Choo
Texter:
Mack Gordon (in 1941)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1941)
publisher:
EMI Feist Catalog Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
Oscar Peterson2:09
29Ac‐cent‐tchu‐ate the Positive
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
instrumental recording of:
Ac‐cent‐tchu‐ate the Positive (von 1959-07-14 bis 1959-08-09)
Texter:
Johnny Mercer (in 1944)
Komponist(in):
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
Oscar Peterson2:01
30Don Cha Go Way Mad (live at the Shrine Auditorium, 1957)
Ella Fitzgerald & The Oscar Peterson Trio2:32
31I've Got the World on a String
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
instrumental recording of:
I’ve Got the World on a String (von 1959-07-14 bis 1959-08-09)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Oscar Peterson2:29
32It's All Right With Me (live at the Chicago Opera House, 1957)
Ella Fitzgerald & The Oscar Peterson Trio2:32
33The Lady Is a Tramp
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
Oscar Peterson2:06
34(Ad Lib) Medium Dance
Fred Astaire & Oscar Peterson2:03
35It's Only a Paper Moon
recording of:
It’s Only a Paper Moon
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
The Oscar Peterson Trio2:32
36Thou Swell
recording of:
Thou Swell
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises und Warner Bros. (holding: file NO releases)
Oscar Peterson2:29
37The Man That Got Away
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
instrumental recording of:
The Man That Got Away (A Star Is Born) (von 1959-07-14 bis 1959-08-09)
Texter:
Ira Gershwin (in 1953)
Komponist(in):
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 2)
instrumental recording of:
The Man That Got Away (A Star Is Born) (in 1959)
Texter:
Ira Gershwin (in 1953)
Komponist(in):
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 2)
recording of:
The Man That Got Away (A Star Is Born)
Texter:
Ira Gershwin (in 1953)
Komponist(in):
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 2)
Oscar Peterson2:39
38Drums in My Heart
Oscar Peterson1:43
39I Love You
recorded in:
New York, New York, Vereinigte Staaten (am 1962-06-14)
alto saxophone:
Cannonball Adderley (am 1962-06-14) und Norris Turney (am 1962-06-14)
baritone saxophone:
George Dorsey (am 1962-06-14) und Seldon Powell (am 1962-06-14)
Flügelhorn und Trompete:
Clark Terry (American swing trumpeter) (am 1962-06-14)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1962-06-14)
Kontrabass:
Ray Brown (jazz bassist) (am 1962-06-14)
Kornett:
Nat Adderley (am 1962-06-14)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-06-14), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (am 1962-06-14), Slide Hampton (am 1962-06-14), Melba Liston (US jazz trombonist) (am 1962-06-14) und Britt Woodman (am 1962-06-14)
Schlagzeug:
Ed Thigpen (am 1962-06-14)
Tenorsaxophon:
James Moody (jazz saxophonist) (am 1962-06-14) und Jerome Richardson (am 1962-06-14)
Trompete:
Roy Eldridge (am 1962-06-14), Jimmy Nottingham (am 1962-06-14), Ernie Royal (am 1962-06-14) und Snooky Young (am 1962-06-14)
Tuba:
Don Butterfield (am 1962-06-14)
Waldhorn:
Ray Alonge (french horn) (am 1962-06-14), Jim Buffington (US jazz, studio and classical hornist) (am 1962-06-14), Willie Ruff (am 1962-06-14), Morris Secon (am 1962-06-14) und Julius Watkins (am 1962-06-14)
conductor:
Ernie Wilkins (am 1962-06-14)
arranger:
Ernie Wilkins
recording of:
I Love You (Mexican Hayride musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Oscar Peterson2:39
40I Get a Kick Out of You (Run Through)
Louis Armstrong & Oscar Peterson0:38
41Sophisticated Lady
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
recording of:
Sophisticated Lady (von 1959-07-14 bis 1959-08-09)
Texter:
Mitchell Parish und Irving Mills (in 1932)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (beendet), Mills Music, Inc. (beendet), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (bis 2007-05) und Sony/ATV Harmony (vom 2007-05 bis heute)
Teil von:
Sophisticated Ladies (1981 musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Oscar Peterson2:24
42Everytime We Say Goodbye
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oscar Peterson2:18
43The Boy Next Door
Oscar Peterson2:20
44The Things We Did Last Summer
The Oscar Peterson Trio3:59
45I Hear Music
recorded in:
New York, New York, Vereinigte Staaten (am 1953-05-21)
Gitarre:
Barney Kessel (am 1953-05-21)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-05-21)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
I Hear Music (Dancing on a Dime) (am 1953-05-21)
Texter:
Frank Loesser
Komponist(in):
Burton Lane
recording of:
I Hear Music (Dancing on a Dime)
Texter:
Frank Loesser
Komponist(in):
Burton Lane
The Oscar Peterson Trio2:28
46Johnny One Note
recording of:
Johnny One Note
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co.
Teil von:
Babes in Arms (full musical)
Oscar Peterson2:30
47You Took Advantage of Me
Oscar Peterson1:58
48Ol' Man River
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
instrumental recording of:
Ol’ Man River (Show Boat) (von 1959-07-14 bis 1959-08-09)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co. (am 1927-11-30)
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
recording of:
Ol’ Man River (Show Boat)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co. (am 1927-11-30)
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
Oscar Peterson2:35
49Here Come de Honey Man
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-10-12)
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-10-12)
Kontrabass:
Ray Brown (jazz bassist) (am 1959-10-12)
Schlagzeug:
Ed Thigpen (am 1959-10-12)
instrumental cover recording of:
Porgy and Bess: Act I, Scene I. “Here Come de Honey Man”
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
Teil von:
Porgy and Bess: Act I, Scene I
Oscar Peterson1:08
50What's New?
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1957-10-14)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-14)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-14)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-10-14)
Schlagzeug:
Louie Bellson (am 1957-10-14)
Trompete:
Louis Armstrong (am 1957-10-14)
vocals:
Louis Armstrong (am 1957-10-14)
recording of:
What’s New? (am 1957-10-14)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Warner Bros., Inc. (not for release label use!)
Louis Armstrong & Oscar Peterson2:40
51They All Laughed
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
instrumental recording of:
They All Laughed (from “Shall We Dance”) (von 1959-07-14 bis 1959-08-09)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Gershwin Publishing Corp (in 1937)
Teil von:
Shall We Dance (1937 film soundtrack)
recording of:
They All Laughed (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Gershwin Publishing Corp (in 1937)
Teil von:
Shall We Dance (1937 film soundtrack)
Oscar Peterson32:31
52Oh, Lawd, I'm on My Way
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-10-12)
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-10-12)
Kontrabass:
Ray Brown (jazz bassist) (am 1959-10-12)
Schlagzeug:
Ed Thigpen (am 1959-10-12)
instrumental cover recording of:
Porgy and Bess: Act III, Scene III. “Oh Lawd, I’m on My Way”
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer) (von 1934 bis 1935)
Teil von:
Porgy and Bess: Act III, Scene III
Oscar Peterson2:33
53But Not for Me
recording of:
But Not for Me
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
The Oscar Peterson Quartet2:28
54Billy Boy (live at the London House, Chicago, 7/28/1961; version 2)
Produzent(in):
Jim Davis (jazz producer)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1961-07-28)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1961-07-28)
Schlagzeug:
Ed Thigpen (am 1961-07-28)
aufgenommen bei:
London House in Chicago, Illinois, Vereinigte Staaten (am 1961-07-28)
live recording of:
Billy Boy (am 1961-07-28)
Verfasser(in):
[traditional] (special purpose artist)
Komponist(in):
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Teil von:
Roud Folk Song Index (Nummer: 326)
The Oscar Peterson Trio2:37
55I Didn't Know What Time It Was
recording of:
I Didn’t Know What Time It Was (Pal Joey)
Texter:
Lorenz Hart (in 1939)
Komponist(in):
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. und Williamson Music Company
Teil von:
Pal Joey
Oscar Peterson2:38
56Rockin' in Rhythm
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
recording of:
Rockin’ in Rhythm (von 1959-07-14 bis 1959-08-09)
Komponist(in):
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader) und Irving Mills
basiert auf:
Kinda Dukish
Oscar Peterson2:15
57Autumn Leaves (live at the London House, Chicago, 1961)
The Oscar Peterson Trio5:07
58I Couldn't Sleep a Wink Last Night
recording of:
I Couldn’t Sleep a Wink Last Night
Texter:
Harold Adamson
Komponist(in):
Jimmy McHugh (songwriter)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Higher and Higher (1944 film)
Oscar Peterson2:40
59Stranger on the Shore
Bill Henderson & The Oscar Peterson Trio2:34
60A Lot of Livin to Do
Bill Henderson & The Oscar Peterson Trio2:28
61On the Outside Looking In
Oscar Peterson2:32
62Goody, Goody (live at the Chicago Opera House, 1957)
Ella Fitzgerald & The Oscar Peterson Trio1:55
63Let's Call the Whole Thing Off
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
instrumental recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (von 1959-07-14 bis 1959-08-09)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
Oscar Peterson2:20
64Look for the Silver Lining
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-07)
Gitarre:
Barney Kessel (am 1953-12-07)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-12-07)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-12-07)
recording of:
Look for the Silver Lining (am 1953-12-07)
Texter:
Buddy DeSylva
Komponist(in):
Jerome Kern
publisher:
Chappell & Co. und T.B. Harms Co.
Teil von:
Sally (1920 musical)
The Oscar Peterson Trio2:30
65You're Laughing at Me
instrumental recording of:
You’re Laughing at Me
Texter und Komponist(in):
Irving Berlin (in 1937)
recording of:
You’re Laughing at Me
Texter und Komponist(in):
Irving Berlin (in 1937)
Oscar Peterson2:21
66Taking a Chance on Love
Anita O’Day & The Oscar Peterson Quartet2:23
67'S Wonderful
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1952-11 bis 1952-12)
Gitarre:
Barney Kessel (in 1952)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1952)
instrumental recording of:
’S Wonderful (in 1952)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
Oscar Peterson42:38
68Them There Eyes
Anita O’Day & The Oscar Peterson Quartet2:36
69Between the Devil and the Deep Blue Sea
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Between the Devil and the Deep Blue Sea (von 1959-07-14 bis 1959-08-09)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
recording of:
Between the Devil and the Deep Blue Sea (von 1959-07-21 bis 1959-08-01)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
Oscar Peterson2:42
70I Feel a Song Coming On
Oscar Peterson2:29
71Come Dance With Me
recorded in:
Paris, Île-de-France, Frankreich (am 1959-05-18)
Gast-Kontrabass und Kontrabass:
Ray Brown (jazz bassist) (am 1959-05-18)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-05-18)
Schlagzeug:
Ed Thigpen (am 1959-05-18)
instrumental recording of:
Come Dance With Me (am 1959-05-18)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und フジパシフィックミュージック (Fujipacific Music, Inc.)
recording of:
Come Dance With Me
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und フジパシフィックミュージック (Fujipacific Music, Inc.)
The Oscar Peterson Trio42:19
72Honey Dripper
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-12-15, von 1962-12-15 bis 1962-12-16)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1962-12-15, von 1962-12-15 bis 1962-12-16)
Kontrabass:
Ray Brown (jazz bassist) (am 1962-12-15, von 1962-12-15 bis 1962-12-16)
Schlagzeug:
Ed Thigpen (am 1962-12-15, von 1962-12-15 bis 1962-12-16)
instrumental recording of:
The Honeydripper (am 1962-12-15)
Texter und Komponist(in):
Joe Liggins
recording of:
The Honeydripper (von 1962-12-15 bis 1962-12-16)
Texter und Komponist(in):
Joe Liggins
The Oscar Peterson Trio2:22
73There's a Small Hotel
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-01-26)
Gitarre:
Irving Ashby (am 1952-01-26)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-01-26)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1952-01-26)
instrumental recording of:
There’s a Small Hotel (from “On Your Toes”) (am 1952-01-26)
Texter:
Lorenz Hart (in 1936)
Komponist(in):
Richard Rodgers (composer) (in 1936)
Teil von:
On Your Toes
Teil von:
Pal Joey
recording of:
There’s a Small Hotel (from “On Your Toes”)
Texter:
Lorenz Hart (in 1936)
Komponist(in):
Richard Rodgers (composer) (in 1936)
Teil von:
On Your Toes
Teil von:
Pal Joey
Oscar Peterson2:26
74This Can't Be Love
recording of:
This Can’t Be Love
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
Oscar Peterson2:33
75Soft Winds
Oscar Peterson6:19