Autumn in New York

~ Release by Oscar Peterson (see all versions of this release, 1 available)

Annotation

Countries excluded (Spotify + Deezer + iTunes)

(As of 2025-02-09).

  • Northern America: 🇧🇲 Bermuda (bm)
  • Central America: 🇧🇿 Belize (bz)
  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇧🇧 Barbados (bb) 🇧🇸 Bahamas (bs) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇭🇹 Haiti (ht) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇱🇨 Saint Lucia (lc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇦🇮 Anguilla (ai) 🇰🇾 Cayman Islands (ky) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇬 British Virgin Islands (vg)
  • South America: 🇬🇾 Guyana (gy) 🇸🇷 Suriname (sr) 🇫🇰 Falkland Islands (fk)
  • Western Europe: 🇱🇮 Liechtenstein (li) 🇲🇨 Monaco (mc)
  • Northern Europe: 🇸🇯 Svalbard and Jan Mayen (sj)
  • Southern Europe: 🇦🇩 Andorra (ad) 🇸🇲 San Marino (sm)
  • Eastern Europe: 🇧🇾 Belarus (by) 🇲🇩 Moldova (md) 🇷🇺 Russia (ru)
  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
  • Western Asia: 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇬🇪 Georgia (ge)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇰🇿 Kazakhstan (kz) 🇺🇿 Uzbekistan (uz) 🇹🇯 Tajikistan (tj) 🇹🇲 Turkmenistan (tm)
  • Southern Asia: 🇧🇩 Bangladesh (bd) 🇧🇹 Bhutan (bt) 🇲🇻 Maldives (mv) 🇳🇵 Nepal (np) 🇵🇰 Pakistan (pk) 🇦🇫 Afghanistan (af)
  • Eastern Asia: 🇲🇳 Mongolia (mn) 🇲🇴 Macao (mo)
  • South-Eastern Asia: 🇧🇳 Brunei (bn) 🇱🇦 Laos (la) 🇹🇱 Timor-Leste (tl) 🇲🇲 Myanmar (mm)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇹🇴 Tonga (to) 🇹🇻 Tuvalu (tv) 🇼🇸 Samoa (ws) 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇵🇳 Pitcairn (pn) 🇹🇰 Tokelau (tk)
  • Melanesia: 🇫🇯 Fiji (fj) 🇵🇬 Papua New Guinea (pg) 🇸🇧 Solomon Islands (sb) 🇻🇺 Vanuatu (vu)
  • Micronesia: 🇫🇲 Federated States of Micronesia (fm) 🇰🇮 Kiribati (ki) 🇲🇭 Marshall Islands (mh) 🇳🇷 Nauru (nr) 🇵🇼 Palau (pw)
Annotation last modified on 2025-02-09 10:58 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Autumn in New York
Oscar Peterson3:58
2A Foggy Day
Oscar Peterson2:55
3Stormy Weather
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
double bass [bass]:
Ray Brown (jazz bassist) (from 1959-07-21 until 1959-08-01)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09, from 1959-07-21 until 1959-08-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09, from 1959-07-21 until 1959-08-01)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09, from 1959-07-21 until 1959-08-01)
instrumental recording of:
Stormy Weather (from 1959-07-14 until 1959-08-09)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
instrumental recording of:
Stormy Weather (in 1959)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
recording of:
Stormy Weather
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Oscar Peterson2:43
4Manhattan
Oscar Peterson2:55
5Come Rain or Come Shine
Oscar Peterson2:37
6Lullaby of the Leaves
recording of:
Lullaby of the Leaves
lyricist:
Joe Young (US lyricist)
composer:
Bernice Petkere
Oscar Peterson2:39
7Black Coffee
Oscar Peterson2:17
8Blue and Sentimental
double bass:
Ray Brown (jazz bassist) (on 1955-12-27)
drums (drum set):
Buddy Rich (on 1955-12-27)
guitar:
Herb Ellis (jazz guitarist) (on 1955-12-27)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1955-12-27)
recording of:
Blue and Sentimental (on 1955-12-27)
composer:
Count Basie (pianist), Mack David (American lyricist and songwriter) and Jerry Livingston (songwriter)
Oscar Peterson2:26
9Orange Colored Sky
Oscar Peterson2:15
10Great Day
Oscar Peterson3:13
11Tea for Two
Lester Young & The Oscar Peterson Trio7:45
12Turtle Neck
recorded in:
Los Angeles, California, United States (on 1951-11-25)
double bass [bass]:
Ray Brown (jazz bassist) (on 1951-11-25)
guitar:
Barney Kessel (on 1951-11-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1951-11-25)
The Oscar Peterson Trio2:20
13Easy to Love
Oscar Peterson3:16
14Over the Rainbow
producer:
Norman Granz
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
Over the Rainbow (The Wizard of Oz) (from 1959-07-14 until 1959-08-09)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Oscar Peterson2:15
15Night Train (partial take / breakdown)
recording of:
Night Train (Jimmy Forrest’s original instrumental version)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
The Oscar Peterson Trio1:28
16Gravy Waltz
Bill Henderson & The Oscar Peterson Trio2:22
17Night and Day
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (from 1959-07-21 until 1959-08-01)
drums (drum set):
Ed Thigpen (from 1959-07-21 until 1959-08-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-21 until 1959-08-01)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-21 until 1959-08-01)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (from 1959-07-21 until 1959-08-01)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Oscar Peterson2:31
18The Way You Look Tonight
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1950-08)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (in 1950-08)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
Oscar Peterson2:59
19A Sunday Kind of Love
instrumental cover recording of:
A Sunday Kind of Love
writer:
Barbara Belle, Anita Leonard (US pianist, composer and lyricist), Louis Prima and Stan Rhodes
publisher:
Leeds Music Inc.
Oscar Peterson2:33
20Laura
Oscar Peterson3:32
21On the Sunny Side of the Street
Oscar Peterson3:50
22Minor Blues
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1950-08)
recording of:
Minor Blues (in 1950-08)
composer:
Django Reinhardt (French jazz guitarist and composer)
The Oscar Peterson Trio3:39
23Yesterdays
recorded in:
Los Angeles, California, United States (on 1953-12-06)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-06)
guitar:
Barney Kessel (on 1953-12-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-06)
recording of:
Yesterdays (on 1953-12-06)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Oscar Peterson2:36
24Come Sunday
Oscar Peterson3:21
25Let's Fall in Love
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
double bass [bass]:
Ray Brown (jazz bassist) (from 1959-07-21 until 1959-08-01)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09, from 1959-07-21 until 1959-08-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09, from 1959-07-21 until 1959-08-01)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09, from 1959-07-21 until 1959-08-01)
instrumental recording of:
Let’s Fall in Love (from 1959-07-14 until 1959-08-09)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
recording of:
Let’s Fall in Love (from 1959-07-21 until 1959-08-01)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
Oscar Peterson2:19
26Stella by Starlight
Anita O’Day & The Oscar Peterson Quartet2:04
27Moonglow
Oscar Peterson2:39
28Chattanooga Choo Choo
recording of:
Chattanooga Choo Choo
lyricist:
Mack Gordon (in 1941)
composer:
Harry Warren (US composer and lyricist) (in 1941)
publisher:
EMI Feist Catalog Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
Oscar Peterson2:09
29Ac‐cent‐tchu‐ate the Positive
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
Ac‐cent‐tchu‐ate the Positive (from 1959-07-14 until 1959-08-09)
lyricist:
Johnny Mercer (in 1944)
composer:
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 18th Academy Award for Best Original Song (number: 2)
Oscar Peterson2:01
30Don Cha Go Way Mad (live at the Shrine Auditorium, 1957)
Ella Fitzgerald & The Oscar Peterson Trio2:32
31I've Got the World on a String
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
I’ve Got the World on a String (from 1959-07-14 until 1959-08-09)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
recording of:
I’ve Got the World on a String
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Oscar Peterson2:29
32It's All Right With Me (live at the Chicago Opera House, 1957)
Ella Fitzgerald & The Oscar Peterson Trio2:32
33The Lady Is a Tramp
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Oscar Peterson2:06
34(Ad Lib) Medium Dance
Fred Astaire & Oscar Peterson2:03
35It's Only a Paper Moon
recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
The Oscar Peterson Trio2:32
36Thou Swell
recording of:
Thou Swell
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: file NO releases)
Oscar Peterson2:29
37The Man That Got Away
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
double bass [bass]:
Ray Brown (jazz bassist) (from 1959-07-21 until 1959-08-01)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09, from 1959-07-21 until 1959-08-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09, from 1959-07-21 until 1959-08-01)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09, from 1959-07-21 until 1959-08-01)
instrumental recording of:
The Man That Got Away (A Star Is Born) (from 1959-07-14 until 1959-08-09)
lyricist:
Ira Gershwin (in 1953)
composer:
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and WB Music Corp. (1929–2019)
part of:
The 27th Academy Award for Best Original Song (number: 2)
instrumental recording of:
The Man That Got Away (A Star Is Born) (in 1959)
lyricist:
Ira Gershwin (in 1953)
composer:
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and WB Music Corp. (1929–2019)
part of:
The 27th Academy Award for Best Original Song (number: 2)
recording of:
The Man That Got Away (A Star Is Born)
lyricist:
Ira Gershwin (in 1953)
composer:
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and WB Music Corp. (1929–2019)
part of:
The 27th Academy Award for Best Original Song (number: 2)
Oscar Peterson2:39
38Drums in My Heart
Oscar Peterson1:43
39I Love You
recorded in:
New York, New York, United States (on 1962-06-14)
alto saxophone:
Cannonball Adderley (on 1962-06-14) and Norris Turney (on 1962-06-14)
baritone saxophone:
George Dorsey (on 1962-06-14) and Seldon Powell (on 1962-06-14)
cornet:
Nat Adderley (on 1962-06-14)
double bass:
Ray Brown (jazz bassist) (on 1962-06-14)
drums (drum set):
Ed Thigpen (on 1962-06-14)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1962-06-14)
French horn:
Ray Alonge (french horn) (on 1962-06-14), Jim Buffington (US jazz, studio and classical hornist) (on 1962-06-14), Willie Ruff (on 1962-06-14), Morris Secon (on 1962-06-14) and Julius Watkins (on 1962-06-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1962-06-14)
tenor saxophone:
James Moody (jazz saxophonist) (on 1962-06-14) and Jerome Richardson (on 1962-06-14)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-06-14), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1962-06-14), Slide Hampton (on 1962-06-14), Melba Liston (US jazz trombonist) (on 1962-06-14) and Britt Woodman (on 1962-06-14)
trumpet:
Roy Eldridge (on 1962-06-14), Jimmy Nottingham (on 1962-06-14), Ernie Royal (on 1962-06-14) and Snooky Young (on 1962-06-14)
tuba:
Don Butterfield (on 1962-06-14)
conductor:
Ernie Wilkins (on 1962-06-14)
arranger:
Ernie Wilkins
recording of:
I Love You (Mexican Hayride musical)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Oscar Peterson2:39
40I Get a Kick Out of You (Run Through)
Louis Armstrong & Oscar Peterson0:38
41Sophisticated Lady
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
recording of:
Sophisticated Lady (from 1959-07-14 until 1959-08-09)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, volume I)
Oscar Peterson2:24
42Everytime We Say Goodbye
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (from 1959-07-21 until 1959-08-01)
drums (drum set):
Ed Thigpen (from 1959-07-21 until 1959-08-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-21 until 1959-08-01)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-21 until 1959-08-01)
instrumental recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (from 1959-07-21 until 1959-08-01)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oscar Peterson2:18
43The Boy Next Door
Oscar Peterson2:20
44The Things We Did Last Summer
The Oscar Peterson Trio3:59
45I Hear Music
recorded in:
New York, New York, United States (on 1953-05-21)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-05-21)
guitar:
Barney Kessel (on 1953-05-21)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
I Hear Music (Dancing on a Dime) (on 1953-05-21)
lyricist:
Frank Loesser
composer:
Burton Lane
recording of:
I Hear Music (Dancing on a Dime)
lyricist:
Frank Loesser
composer:
Burton Lane
The Oscar Peterson Trio2:28
46Johnny One Note
recording of:
Johnny One Note
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co.
part of:
Babes in Arms (full musical)
Oscar Peterson2:30
47You Took Advantage of Me
Oscar Peterson1:58
48Ol' Man River
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
Ol’ Man River (Show Boat) (from 1959-07-14 until 1959-08-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co. (on 1927-11-30)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
recording of:
Ol’ Man River (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co. (on 1927-11-30)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
Oscar Peterson2:35
49Here Come de Honey Man
recorded in:
Los Angeles, California, United States (on 1959-10-12)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1959-10-12)
drums (drum set):
Ed Thigpen (on 1959-10-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-10-12)
instrumental cover recording of:
Porgy and Bess: Act I, Scene I. “Here Come de Honey Man”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act I, Scene I
Oscar Peterson1:08
50What's New?
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
What’s New? (on 1957-10-14)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
Louis Armstrong & Oscar Peterson2:40
51They All Laughed
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
They All Laughed (from “Shall We Dance”) (from 1959-07-14 until 1959-08-09)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
recording of:
They All Laughed (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
Oscar Peterson32:31
52Oh, Lawd, I'm on My Way
recorded in:
Los Angeles, California, United States (on 1959-10-12)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1959-10-12)
drums (drum set):
Ed Thigpen (on 1959-10-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-10-12)
instrumental cover recording of:
Porgy and Bess: Act III, Scene III. “Oh Lawd, I’m on My Way”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act III, Scene III
Oscar Peterson2:33
53But Not for Me
recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
The Oscar Peterson Quartet2:28
54Billy Boy (live at the London House, Chicago, 7/28/1961; version 2)
producer:
Jim Davis (jazz producer)
double bass [bass]:
Ray Brown (jazz bassist) (on 1961-07-28)
drums (drum set):
Ed Thigpen (on 1961-07-28)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1961-07-28)
recorded at:
London House in Chicago, Illinois, United States (on 1961-07-28)
live recording of:
Billy Boy (on 1961-07-28)
writer:
[traditional] (special purpose artist)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
part of:
Roud Folk Song Index (number: 326)
The Oscar Peterson Trio2:37
55I Didn't Know What Time It Was
recording of:
I Didn’t Know What Time It Was (Pal Joey)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
Oscar Peterson2:38
56Rockin' in Rhythm
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
recording of:
Rockin’ in Rhythm (from 1959-07-14 until 1959-08-09)
composer:
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
is based on:
Kinda Dukish
Oscar Peterson2:15
57Autumn Leaves (live at the London House, Chicago, 1961)
The Oscar Peterson Trio5:07
58I Couldn't Sleep a Wink Last Night
recording of:
I Couldn’t Sleep a Wink Last Night
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Higher and Higher (1944 film)
Oscar Peterson2:40
59Stranger on the Shore
Bill Henderson & The Oscar Peterson Trio2:34
60A Lot of Livin to Do
Bill Henderson & The Oscar Peterson Trio2:28
61On the Outside Looking In
Oscar Peterson2:32
62Goody, Goody (live at the Chicago Opera House, 1957)
Ella Fitzgerald & The Oscar Peterson Trio1:55
63Let's Call the Whole Thing Off
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (from 1959-07-14 until 1959-08-09)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
translated version of:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
part of:
Shall We Dance (1937 film soundtrack)
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
translated version of:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
part of:
Shall We Dance (1937 film soundtrack)
Oscar Peterson2:20
64Look for the Silver Lining
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
recording of:
Look for the Silver Lining (on 1953-12-07)
lyricist:
Buddy DeSylva
composer:
Jerome Kern
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Sally (1920 musical)
The Oscar Peterson Trio2:30
65You're Laughing at Me
instrumental recording of:
You’re Laughing at Me
lyricist and composer:
Irving Berlin (in 1937)
recording of:
You’re Laughing at Me
lyricist and composer:
Irving Berlin (in 1937)
Oscar Peterson2:21
66Taking a Chance on Love
Anita O’Day & The Oscar Peterson Quartet2:23
67'S Wonderful
recorded in:
Los Angeles, California, United States (from 1952-11 until 1952-12)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
instrumental recording of:
’S Wonderful (in 1952)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
Oscar Peterson42:38
68Them There Eyes
Anita O’Day & The Oscar Peterson Quartet2:36
69Between the Devil and the Deep Blue Sea
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
double bass [bass]:
Ray Brown (jazz bassist) (from 1959-07-21 until 1959-08-01)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09, from 1959-07-21 until 1959-08-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09, from 1959-07-21 until 1959-08-01)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09, from 1959-07-21 until 1959-08-01)
instrumental recording of:
Between the Devil and the Deep Blue Sea (from 1959-07-14 until 1959-08-09)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
recording of:
Between the Devil and the Deep Blue Sea (from 1959-07-21 until 1959-08-01)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
Oscar Peterson2:42
70I Feel a Song Coming On
Oscar Peterson2:29
71Come Dance With Me
recorded in:
Paris, Île-de-France, France (on 1959-05-18)
double bass and guest double bass:
Ray Brown (jazz bassist) (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
instrumental recording of:
Come Dance With Me (on 1959-05-18)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and フジパシフィックミュージック (Fujipacific Music, Inc.)
recording of:
Come Dance With Me
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and フジパシフィックミュージック (Fujipacific Music, Inc.)
The Oscar Peterson Trio42:19
72Honey Dripper
recorded in:
Los Angeles, California, United States (on 1962-12-15, from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1962-12-15, from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (on 1962-12-15, from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1962-12-15, from 1962-12-15 until 1962-12-16)
instrumental recording of:
The Honeydripper (on 1962-12-15)
lyricist and composer:
Joe Liggins
recording of:
The Honeydripper (from 1962-12-15 until 1962-12-16)
lyricist and composer:
Joe Liggins
The Oscar Peterson Trio2:22
73There's a Small Hotel
recorded in:
Los Angeles, California, United States (on 1952-01-26)
double bass [bass]:
Ray Brown (jazz bassist) (on 1952-01-26)
guitar:
Irving Ashby (on 1952-01-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-01-26)
instrumental recording of:
There’s a Small Hotel (from “On Your Toes”) (on 1952-01-26)
lyricist:
Lorenz Hart (in 1936)
composer:
Richard Rodgers (composer) (in 1936)
part of:
On Your Toes
part of:
Pal Joey
recording of:
There’s a Small Hotel (from “On Your Toes”)
lyricist:
Lorenz Hart (in 1936)
composer:
Richard Rodgers (composer) (in 1936)
part of:
On Your Toes
part of:
Pal Joey
Oscar Peterson2:26
74This Can't Be Love
recording of:
This Can’t Be Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
Oscar Peterson2:33
75Soft Winds
Oscar Peterson6:19