Now That’s What I Call Country

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Take Me Home, Country Roads
recording engineer:
Ray Hall (engineer)
assistierende(r) Produzent(in):
Jean Kaplow
Produzent(in):
Milt Okun
Akustikgitarre [6-string guitar] und Sologesang:
John Denver
Banjo und Pedal-Steel-Gitarre:
Eric Weissberg
Gitarre:
Bill Danoff und Michael Taylor (Guitarist & former member of the John Denver Band)
Klavier:
Frank Owens (American pianist)
Kontrabass:
Dick Kniss
membranophone:
Gary Chester (studio drummer and educator)
Hintergrundgesang:
Bill Danoff, Taffy Nivert und Starland Vocal Band
vocals:
John Denver
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 94) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 358)
recording of:
Take Me Home, Country Roads (am 1971-02-04)
Nationalhymne von:
West Virginia, Vereinigte Staaten
Verfasser(in):
Bill Danoff, John Denver und Taffy Nivert
publisher:
BMG Ruby Songs, Cherry Lane Music Ltd., Dino Park Publishing, JD Legacy Publishing, My Pop’s Songs, Reservoir Media Music und Cherry Lane Music Publishing Company Inc. (in 1971)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
John Denver4.43:13
2Let Your Love Flow
Produzent(in):
Phil Gernhard (songwriter and producer) (in 1975-10) und Tony Scotti (in 1975-10)
Bassgitarre:
Emory Gordy (in 1975-10)
Gitarre:
David Bellamy (Bellamy Brothers) (in 1975-10), Howard Bellamy (Bellamy Brothers) (in 1975-10), Richard Bennett (American guitarist) (in 1975-10) und Doug Rhone (American guitarist, songwriter, touring and studio musician) (in 1975-10)
Perkussion:
King Errison (conguero) (in 1975-10)
Schlagzeug:
Dennis St. John (in 1975-10)
Synthesizer:
Alan Lindgren (American keyboardist, arranger, producer, studio & session musician) (in 1975-10)
Sologesang:
David Bellamy (Bellamy Brothers) (in 1975-10) und Howard Bellamy (Bellamy Brothers) (in 1975-10)
phonographisches Urheberrecht (℗) von:
Curb Records (in 1975) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1975-10)
recording of:
Let Your Love Flow (in 1975-10)
Texter und Komponist(in):
Lawrence Eugene Williams (songwriter, "Let Your Love Flow") (in 1975)
The Bellamy Brothers3.653:14
3Blanket on the Ground
recording of:
Blanket on the Ground
Texter und Komponist(in):
Roger Bowling
publisher:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Music Publishing (UK) Ltd.
Billie Jo Spears3:32
4Rose Garden
cover recording of:
Rose Garden (in 1970)
Texter und Komponist(in):
Joe South
publisher:
BMG Music Publishing Ltd. und Sony/ATV Songs LLC
Lynn Anderson4.152:55
5Wichita Lineman
Produzent(in):
Al De Lory
Sologesang:
Glen Campbell (US country singer, guitarist & actor)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968) und Capitol Records Nashville (in 2016)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-05-27)
zusätzlich aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-08-14)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 12), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 192) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 206)
recording of:
Wichita Lineman (am 1968-05-27)
Texter:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer) (in 1968)
Glen Campbell3.653:05
6Islands in the Stream
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
vocals:
Dolly Parton und Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983)
produced for:
Karlbhy Productions
recording of:
Islands in the Stream
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crompton Songs, Gibb Brothers Music, Screen Gems–EMI Music, Summerhill Songs, Unichappel Music und Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dolly Parton & Kenny Rogers44:09
7Stand by Your Man
recording of:
Stand by Your Man
Verfasser(in):
Billy Sherrill (US songwriter/producer/arranger) und Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette2:40
8Crazy
Produzent(in):
Owen Bradley
vocals:
Patsy Cline
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 85) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 195)
recording of:
Crazy (Willie Nelson song) (am 1961-08-21)
Texter und Komponist(in):
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tree Publishing
Patsy Cline4.152:43
9You Needed Me
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978) und EMI Music Canada (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 63)
recording of:
You Needed Me (in 1978)
Texter und Komponist(in):
Randy Goodrum
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Ironside Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Anne Murray4.653:36
10The Most Beautiful Girl
recording engineer:
Lou Bradley (American producer, engineer, also songwriter) (am 1973-02-09)
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Hintergrundgesang:
The Nashville Edition (am 1973-02-09)
Sologesang:
Charlie Rich (US country singer) (am 1973-02-09)
vocals:
Charlie Rich (US country singer) (am 1973-02-09)
Saiteninstrumente arranger:
Bill McElhiney
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1973-02-09)
cover recording of:
The Most Beautiful Girl (am 1973-02-09)
Verfasser(in):
Rory Bourke, Billy Sherrill (US songwriter/producer/arranger) und Norris “Norro” Wilson
publisher:
Al Gallico Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) und Gallico Music Ltd.
Version von:
Hey Mister
Charlie Rich4.352:43
11Don’t It Make My Brown Eyes Blue
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1976) und Capitol Nashville (in 1977, in 1979)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
Texter und Komponist(in):
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Crystal Gayle4.42:36
12How Do I Live
recording of:
How Do I Live
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Realsongs (vom 1997 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 2)
LeAnn Rimes4.54:25
13Need You Now
Bearbeitung von:
Need You Now (video version) von Lady Antebellum (formerly Lady Antebellum)
Teil von:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 10), Holler's Best 2000s Country Songs (Nummer: 27), Billboard Year-End Hot Country Songs of 2009 (Nummer: 48), Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 2011 winner) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 325)
recording of:
Need You Now
Verfasser(in):
Dave Haywood, Josh Kear, Charles Kelley und Hillary Scott
publisher:
Darth Buddha Music, DWHaywood Music, EMI Foray Music, Hillary Down Songs, RADIOBULLETSPUBLISHING, Round Hill Songs Josh Kear, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Year of the Dog Music
Lady A3.93:52
14You’ve Got a Way
recording of:
You’ve Got a Way
Verfasser(in):
Eilleen Regina Lange und Robert John Lange
publisher:
Out-of-Pocket Productions Ltd.
Shania Twain3:27
15Desperado
Techniker(in):
John Haeny
Produzent(in):
J.D. Souther
Mix:
Al Schmitt
Bass:
Chris Ethridge
E-Gitarre:
J.D. Souther
Klavier:
Spooner Oldham
Posaune:
Gail Martin
Schlagzeug:
Dennis St. John
Trompete:
Darrell Leonard und Mac Johnson
Hintergrundgesang:
Clydie King, Sherlie Matthews (US vocalist) und Marti McCall (session vocalist)
Horn und Saiteninstrumente arranger:
Jim Ed Norman
cover recording of:
Desperado
Verfasser(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Don Henley
publisher:
Benchmark Music, Cass County Music, Kicking Bear, Neue Welt Musikverlag GmbH (2017 – present), Red Cloud Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Warner Bros. Music GmbH (publisher) (in 1981)
Linda Ronstadt3:34
16Sylvia’s Mother
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recording of:
Sylvia’s Mother
Texter und Komponist(in):
Shel Silverstein
publisher:
Essex Music, Essex Music of Australia Pty. Ltd. und Evil Eye Music Inc.
Dr. Hook & the Medicine Show43:49
17Way Down
Techniker(in):
Mike Moran (American engineer, associated with RCA)
leitende(r) Produzent(in):
Elvis Presley (“The King of Rock and Roll”)
Bass:
Jerry Scheff (von 1976-10-29 bis 1976-10-30)
Gitarre:
James Burton (guitarist) (von 1976-10-29 bis 1976-10-30), Charlie Hodge (von 1976-10-29 bis 1976-10-30), John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (von 1976-10-29 bis 1976-10-30) und Chip Young (American session guitarist, bassist, producer in the genre of country) (von 1976-10-29 bis 1976-10-30)
Hybrid-Piano:
David Briggs (English organist and composer) (von 1976-10-29 bis 1976-10-30)
Klavier:
Tony Brown (US producer, pianist and keyboardist) (von 1976-10-29 bis 1976-10-30)
Moog:
Shane Keister (von 1976-10-29 bis 1976-10-30)
Schlagzeug:
Ronnie Tutt (drummer) (von 1976-10-29 bis 1976-10-30)
Steel-Gitarre:
Weldon Myrick (von 1976-10-29 bis 1976-10-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1976-10-29)
vocals:
Sherrill Nielsen (American tenor singer) (am 1976-10-29, von 1976-10-29 bis 1976-10-30), Myrna Smith (am 1976-10-29, von 1976-10-29 bis 1976-10-30), J.D. Sumner & The Stamps (am 1976-10-29, von 1976-10-29 bis 1976-10-30) und Kathy Westmoreland (am 1976-10-29, von 1976-10-29 bis 1976-10-30)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1977), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1977) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Graceland in Memphis, Tennessee, Vereinigte Staaten (am 1976-10-29, von 1976-10-29 bis 1976-10-30) und Creative Workshop in Nashville, Tennessee, Vereinigte Staaten (in 1977-01)
recording of:
Way Down (von 1976-10-29 bis 1977-01)
Texter und Komponist(in):
Layng Martine, Jr. (Nashville songwriter)
publisher:
MCS Music Ltd. und Ray Stevens Music
Elvis Presley22:37
18Ring of Fire
recording of:
Ring of Fire
Verfasser(in):
June Carter Cash (American Country singer and songwriter) und Merle Kilgore
publisher:
Painted Desert Music Corporation
Johnny Cash2:38
19Blue Bayou
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1961-11-15)
Produzent(in):
Fred Foster
Gitarre:
Fred Carter, Jr. (am 1961-11-15), Wayne Moss (am 1961-11-15) und Joe Tanner (producer, arranger and songwriter of Roy Orbison and others) (am 1961-11-15)
Kontrabass [bass]:
Bob Moore (U.S. bassist and bandleader) (am 1961-11-15)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1961-11-15)
Schlagzeug [drums]:
John Greubel (US drummer) (am 1961-11-15)
vocals:
Roy Orbison (am 1961-11-15)
phonographisches Urheberrecht (℗) von:
Monument Records (company credits for Monument; do NOT use as release label) (in 1974)
recording of:
Blue Bayou (English) (am 1961-11-15)
Texter:
Joe Melson (in 1963) und Roy Orbison (in 1963)
Komponist(in):
Joe Melson und Roy Orbison
publisher:
Acuff-Rose Publications, Inc. (BMI) (in 1961)
Roy Orbison42:30
20Always on My Mind
Produzent(in):
Chips Moman
Bass:
Mike Leech (am 1981-10-11)
Gitarre:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (am 1981-10-11), Willie Nelson (am 1981-10-11) und Reggie Young (guitarist and songwriter) (am 1981-10-11)
Keyboard:
Bobby Woods (American pianist, keyboard player and songwriter) (am 1981-10-11) und Bobby Emmons (am 1981-10-11)
Mundharmonika:
Mickey Raphael (am 1981-10-11)
Schlagzeug:
Gene Chrisman (am 1981-10-11)
vocals:
Willie Nelson (am 1981-10-11)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981, in 1982, in 2003) und CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1982)
aufgenommen bei:
Moman's Recording Studio in Nashville, Tennessee, Vereinigte Staaten (am 1981-10-11)
recording of:
Always on My Mind (am 1981-10-11)
Verfasser(in):
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) und Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) und Screen Gems–EMI Music Ltd.
Willie Nelson4.73:32
21Nothing Breaks Like a Heart
recording engineer:
Beatriz Artola, Joshua Blair, Riccardo Damian (recording engineer), Martin Hollis, Barry McCready und Todd Monfalcone
assistierende(r) Techniker(in):
Tyler Beans (engineer), Rob Bisel, John Hanes (audio engineer, mixer), Rowan McIntosh (engineer), Dylan Neustadter und Josh Tyrrell
Koproduzent(in):
The Picard Brothers
Produzent(in):
Jamie XX (English DJ, record producer, and remixer) und Mark Ronson (British DJ and producer)
Mix:
Serban Ghenea
Bass und Klavier:
Mark Ronson (British DJ and producer)
Bratsche / Viola:
Nick Barr (viola player), Reiad Chibah (violist), Virginia Slater (violist) und Katie Wilkinson (violist)
Cello:
Katie Burke, Dave Daniels (cellist), Katherine Jenkinson (cellist) und Jo Knight (cellist)
Geige / Violine:
Daniel Bhattacharya, Fiona Brice, Chris Clad, Francis Grime, Marianne Haynes (violinist), Ian Humphries (violinist), Kirsty Mangan, Perry Montague‐Mason (violinist), Charles Mutter (British violinist), Amandla Stenberg, Chris Tombling (violinist), Matthew Ward (violinist), Honor Watson (violinist), Debbie Widdup (violinist) und Paul Willey (violinist)
Gitarre:
Thomas Brenneck
Kontrabass:
Roger Linley (double bassist)
Schlagzeug:
Conor Szymanski
conductor:
Chris Elliott (composer and arranger)
arranger:
Chris Elliott (composer and arranger)
phonographisches Urheberrecht (℗) von:
Mark Ronson (British DJ and producer) (in 2018)
Teil von:
TheNeedleDrop: Top 50 Singles of 2018 (Nummer: 32), Spotify: Top Hits of 2019 (Nummer: 34) und BILLIONS CLUB
recording of:
Nothing Breaks Like a Heart
Verfasser(in):
Thomas Brenneck, Miley Cyrus, Ilsey (US | pop singer), Clément Picard, Maxime Picard, Mark Ronson (British DJ and producer) und Conor Szymanski
Mark Ronson feat. Miley Cyrus3.93:37
22Dancing
phonographisches Urheberrecht (℗) von:
Kylie Minogue (in 2018)
phonographisches Urheberrecht (℗) von:
Darenote Limited (in 2018)
recording of:
Dancing
Verfasser(in):
Nathan Chapman (American producer & songwriter), Steve McEwan (Scottish-born South African songwriter, artist and musician) und Kylie Minogue
Kylie Minogue32:59
23Can’t Fight the Moonlight
sonstige Unterstützung:
Sara Lind (Aufgabe: technical assistant) und Robert Orton (Aufgabe: technical assistant)
Techniker(in) und Mix:
Steve MacMillan
zusätzliche(r) Techniker(in):
Austin Deptula, Greg Hunt (Texas based engineer), Gary Leach und Tim Weidner (engineer)
Produzent(in):
Trevor Horn
Bass:
Lee Sklar (bassist, session musician) und Jamie Muhoberac
Gitarre:
Tim Pierce (US session guitarist)
Keyboard [keyboards]:
Jamie Muhoberac
Klavier:
Alan Pasqua
Schlagzeug [drums]:
Curt Bisquera und John Robinson (session drummer)
Hintergrundgesang:
Sue Ann Carwell und Niki Harris (US singer and dancer)
Orchestrator(in):
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographisches Urheberrecht (℗) von:
Curb Records, Inc. (holding company - do not use as release label) (in 2000) und Curb Records, Inc. (holding company - do not use as release label) (in 2020)
aufgenommen bei:
Royal Tone Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sarm West Coast in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Can't Fight the Moonlight (longer version) von LeAnn Rimes (US country & pop singer)
Teil von:
Billboard Year-End Hot 100 singles of 2002 (Nummer: 56)
recording of:
Can’t Fight the Moonlight
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), Realsongs und Universal/MCA Music Ltd. (not for release label use!)
LeAnn Rimes2.853:35
24Bartender
Produzent(in):
Nathan Chapman (American producer & songwriter) und Lady A (formerly Lady Antebellum)
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 81)
recording of:
Bartender
Verfasser(in):
Rodney Clawson (American country songwriter), Dave Haywood, Charles Kelley und Hillary Scott
publisher:
Big Red Toe Music und Round Hill Works
Lady A3.53:17
25Before He Cheats
recording engineer und Mix:
Derek Bason
assistierende(r) Techniker(in):
Chris Ashburn, Mike Boden und Nick Holman
Produzent(in):
Mark Bright
Akustikgitarre:
Bryan Sutton
Bassgitarre [bass]:
Jimmie Lee Sloas
E-Gitarre:
Tom Bukovac und JT Corenflos
Fiddle:
Jonathan Yudkin
Keyboard:
Steve Nathan
Perkussion:
Eric Darken
Schlagzeug:
Lonnie Wilson (drummer, songwriter, and producer)
Steel-Gitarre:
Mike Johnson (steel guitarist)
Hintergrundgesang:
Lisa Cochran und Wes Hightower
phonographisches Urheberrecht (℗) von:
19 Recordings Ltd. (not for release label use! record company founded by Simon Fuller) (in 2005)
aufgenommen bei:
Electrokitty Recording in Seattle, Washington, Vereinigte Staaten, Starstruck Studios in Nashville, Tennessee, Vereinigte Staaten und The Plant Recording Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Starstruck Studios in Nashville, Tennessee, Vereinigte Staaten
Musikvideos:
Before He Cheats von Carrie Underwood
commentary:
Before He Cheats (commentary) von Carrie Underwood
Teil von:
Billboard Decade End Chart: Country (2000's) (Nummer: 14), Holler's Best 2000s Country Songs (Nummer: 30), Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 67) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 381)
recording of:
Before He Cheats
Verfasser(in):
Josh Kear und Chris Tompkins (American songwriter based in Nashville)
publisher:
Mighty Underdog Music, Sony/ATV Cross Keys Publishing und That Little House Music
Carrie Underwood3.93:19
26All I Wanna Do
Techniker(in):
Blair Lamb
Produzent(in):
Bill Bottrell
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1993) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 405)
recording of:
All I Wanna Do
Verfasser(in):
David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow (American singer-songwriter and musician) und Kevin Gilbert (singer‐songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Old Crow Music (Sheryl Crow’s publishing label), Reservoir One America, Sony/ATV Tunes LLC (ASCAP), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), WC Music Corp. und Zen of Iniquity
Sheryl Crow3.94:33
27Love Me Anyway
Produzent(in):
P!nk (American singer/songwriter)
zusätzliche(r) Produzent(in):
Simon Gooding und Sal Oliveri (US musician, songwriter, and producer.)
Mix:
Simon Gooding
Bass und Klavier:
Sal Oliveri (US musician, songwriter, and producer.)
Saiteninstrumente:
Stevie Blacke (British‐American producer and multi‐instrumentalist)
Gast Sologesang:
Chris Stapleton (American singer‐songwriter)
Sologesang:
P!nk (American singer/songwriter)
recording of:
Love Me Anyway (in 2019)
Verfasser(in):
Alecia Moore (American singer/songwriter), Tom Douglas und James Shamblin
P!nk feat. Chris Stapleton3.53:08
28(You Want to) Make a Memory
recording of:
(You Want to) Make a Memory
Verfasser(in):
Jon Bon Jovi, Desmond Child und Richie Sambora
publisher:
Desmobile Inc., Kobalt Music Publishing America, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Aggressive Music (in 2007), Bon Jovi Publishing (in 2007), Destonia (in 2007), Sony/ATV Tunes LLC (ASCAP) (in 2007) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 2007)
Bon Jovi4:07
29Amazed (Captain mix)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2000)
Teil von:
Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 2000)
recording of:
Amazed
Verfasser(in):
Marv Green (American country singer / songwriter and composer), Chris Lindsey (Country music songwriter) und Aimee Mayo (American songwriter)
publisher:
Careers–BMG Music Publishing, Inc., Chrysalis One Publishing UK Ltd., Kobalt Music Publishing Ltd. (UK), Reservoir Media Management, Inc., Round Hill Music, Silverkiss Music, Songs of Nashville DreamWorks, Universal Music Publishing MGB Ltd. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lonestar4:27
30Lady (remastered)
Sologesang:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographisches Urheberrecht (℗) von:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1980) und Liberty Records, Inc. (in 1980)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 67)
recording of:
Lady (in 1980)
Texter und Komponist(in):
Lionel Richie, Jr.
publisher:
Brockman Music
Kenny Rogers33:52
31Deep River Woman
phonographisches Urheberrecht (℗) von:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2003) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Deep River Woman
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music
Lionel Richie54:37
32Beautiful Crazy
assistierende(r) Techniker(in):
Dan Davis (engineer) und Seth Morton (engineer)
Techniker(in):
Alex Gilson (engineer)
Produzent(in) und Mix:
Scott Moffatt
Akustikgitarre:
Carl Miner
Bassgitarre:
Jimmie Lee Sloas
E-Gitarre:
Scott Moffatt und Sol Philcox-Littlefield
Fiddle:
Aubrey Haynie
Keyboard:
Wil Houchens
Pedal-Steel-Gitarre und Steel-Gitarre:
Gary Morse
Perkussion und Schlagzeug:
Jerry Roe (drummer)
Hintergrundgesang:
Scott Moffatt
vocals:
Luke Combs (country music singer)
phonographisches Urheberrecht (℗) von:
River House Artists LLC (in 2018)
mixed at:
Travelling Home Studios
engineered at:
Blackbird Studio in Nashville, Tennessee, Vereinigte Staaten, Gold Cassette Studios in Nashville, Tennessee, Vereinigte Staaten und Southern Ground in Nashville, Tennessee, Vereinigte Staaten
Teil von:
Billboard Year-End Hot Country Songs of 2019 (Nummer: 4), Billboard Decade End Chart: Hot Country Songs (2010's) (Nummer: 13), Billboard Year-End Hot 100 singles of 2019 (Nummer: 46) und Top Songs of 2024: Global (Nummer: 94)
recording of:
Beautiful Crazy
Verfasser(in):
Luke Combs (country music singer), Robert Williford (American singer, songwriter and guitarist) und Wyatt B. Durrette III
Luke Combs3.53:13
33The House That Built Me
Teil von:
Billboard Decade End Chart: Hot Country Songs (2010's) (Nummer: 38), Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 77), Billboard Year-End Hot 100 singles of 2010 (Nummer: 91) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 441)
recording of:
The House That Built Me
Verfasser(in):
Tom Douglas und Allen Shamblin
Miranda Lambert3.53:56
34Girl Crush
Teil von:
Billboard Decade End Chart: Hot Country Songs (2010's) (Nummer: 21), Grammy Award: Best Country Duo/Group Performance nominees (Nummer: 2016 winner), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 48), Billboard Year-End Hot 100 singles of 2015 (Nummer: 63) und Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 80)
recording of:
Girl Crush
Verfasser(in):
Hillary Lindsey, Lori McKenna (American folk singer/songwriter) und Liz Rose
Little Big Town3.93:14
35The Bones
Produzent(in):
Greg Kurstin
Schlagzeug:
Greg Kurstin
Hintergrundgesang:
Maren Morris und Laura Veltz (American country music songwriter and singer)
Teil von:
Billboard Year-End Hot 100 singles of 2020 (Nummer: 9) und Billboard Year-End Hot Country Songs of 2019 (Nummer: 25)
recording of:
The Bones
Verfasser(in):
Maren Morris, Jimmy Robbins (country music record producer / songwriter) und Laura Veltz (American country music songwriter and singer)
publisher:
Big Music Machine, Extraordinary Alien Publishing, International Dog Music, Oh Denise Publishing (BMI-affiliated), Purple Hayes Publishing Worldwide, Round Hill Songs Jimmy Robbins und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teil von:
BMI Pop Awards: Song of the Year (Nummer: 2021)
Maren Morris3.33:16
36Follow Your Arrow
Teil von:
Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 8) und Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 36)
Kacey Musgraves3.353:19
37Carry You Home
recording of:
Carry You Home
Verfasser(in):
Rebekah Powell, Glen Scott (British producer, arranger, mixing engineer, singer-songwriter, and musician), Jessica Sharman, Lizzy Ward Thomas und Catherine Ward-Thomas
Ward Thomas3:34
38Stuck Like Glue
Teil von:
Billboard Year-End Hot 100 singles of 2010 (Nummer: 81)
recording of:
Stuck Like Glue
Verfasser(in):
Kristian Bush, Shy Carter, Kevin Griffin (member of Better Than Ezra) und Jennifer Nettles
Sugarland3.954:07
39I Hope You Dance
recording engineer:
Jeff Balding
Produzent(in):
Mark Wright (country music producer & songwriter)
Mix:
Greg Droman (American producer, mixing and audio engineer)
accordion:
Michael Omartian
Akustikgitarre:
Mark Casstevens und Pat Flynn (US bluegrass/country guitarist)
Bassgitarre:
Michael Rhodes
E-Gitarre:
Brent Mason
Keyboard:
Steve Nathan
Perkussion:
Eric Darken
Saiteninstrumente:
Nashville String Machine
Schlagzeug:
Chad Cromwell (drummer)
Steel-Gitarre:
Paul Franklin (steel guitarist)
Hintergrundgesang:
Lisa Cochran, Lisa Silver und Bergen White (American arranger, producer, conductor, musician, composer and singer)
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Gast-Interpret(in):
Sons of the Desert (US country band)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
aufgenommen bei:
Javelina Recording Studio in Nashville, Tennessee, Vereinigte Staaten
mixed at:
The Sound Kitchen in Franklin, Tennessee, Vereinigte Staaten
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 75)
recording of:
I Hope You Dance
Verfasser(in):
Mark D. Sanders (American Country Music songwriter) und Tia Sillers
publisher:
Choice is Tragic Music (vom 2000 bis heute), Ensign Music Corporation (vom 2000 bis heute), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (vom 2000 bis heute) und Soda Creek Songs (vom 2000 bis heute)
Lee Ann Womack feat. Sons of the Desert4.254:55
40From a Distance
vocals:
Nanci Griffith
recording of:
From a Distance
Texter und Komponist(in):
Julie Gold (in 1985)
publisher:
Grow Your Own Music, Wing and Wheel Music, ビクターミュージックアーツ 第四事業部, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Nanci Griffith44:10
2▶Digitales Medium

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:NOW That's What I Call Music LLP (British holding company) (in 2021)
Streaming-Seite:https://music.apple.com/gb/album/1552462372 [Info]

Veröffentlichungsgruppe

Teil von:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (Reihenfolge: 99)