Now That’s What I Call Country

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Take Me Home, Country Roads
recording engineer:
Ray Hall (engineer)
assistant producer:
Jean Kaplow
producer:
Milt Okun
acoustic guitar [6-string guitar] and lead vocals:
John Denver
banjo and pedal steel guitar:
Eric Weissberg
double bass:
Dick Kniss
guitar:
Bill Danoff and Michael Taylor (Guitarist & former member of the John Denver Band)
membranophone:
Gary Chester (studio drummer and educator)
piano:
Frank Owens (American pianist)
background vocals:
Bill Danoff, Taffy Nivert and Starland Vocal Band
vocals:
John Denver
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 94) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 358)
recording of:
Take Me Home, Country Roads (on 1971-02-04)
anthem of:
West Virginia, United States
writer:
Bill Danoff, John Denver and Taffy Nivert
publisher:
BMG Ruby Songs, Cherry Lane Music Ltd., Dino Park Publishing, JD Legacy Publishing, My Pop’s Songs, Reservoir Media Music and Cherry Lane Music Publishing Company Inc. (in 1971)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
John Denver4.43:13
2Let Your Love Flow
producer:
Phil Gernhard (songwriter and producer) (in 1975-10) and Tony Scotti (in 1975-10)
bass guitar:
Emory Gordy (in 1975-10)
drums (drum set):
Dennis St. John (in 1975-10)
guitar:
David Bellamy (Bellamy Brothers) (in 1975-10), Howard Bellamy (Bellamy Brothers) (in 1975-10), Richard Bennett (American guitarist) (in 1975-10) and Doug Rhone (American guitarist, songwriter, touring and studio musician) (in 1975-10)
percussion:
King Errison (conguero) (in 1975-10)
synthesizer:
Alan Lindgren (American keyboardist, arranger, producer, studio & session musician) (in 1975-10)
lead vocals:
David Bellamy (Bellamy Brothers) (in 1975-10) and Howard Bellamy (Bellamy Brothers) (in 1975-10)
phonographic copyright (℗) by:
Curb Records (in 1975) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (in 1975-10)
recording of:
Let Your Love Flow (in 1975-10)
lyricist and composer:
Lawrence Eugene Williams (songwriter, "Let Your Love Flow") (in 1975)
The Bellamy Brothers3.653:14
3Blanket on the Ground
recording of:
Blanket on the Ground
lyricist and composer:
Roger Bowling
publisher:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Music Publishing (UK) Ltd.
Billie Jo Spears3:32
4Rose Garden
cover recording of:
Rose Garden (in 1970)
lyricist and composer:
Joe South
publisher:
BMG Music Publishing Ltd. and Sony/ATV Songs LLC
Lynn Anderson4.152:55
5Wichita Lineman
producer:
Al De Lory
lead vocals:
Glen Campbell (US country singer, guitarist & actor)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968) and Capitol Records Nashville (in 2016)
additionally recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1968-08-14)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1968-05-27)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 12), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 192) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 206)
recording of:
Wichita Lineman (on 1968-05-27)
lyricist:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer) (in 1968)
Glen Campbell3.653:05
6Islands in the Stream
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
vocals:
Dolly Parton and Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983)
produced for:
Karlbhy Productions
recording of:
Islands in the Stream
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crompton Songs, Gibb Brothers Music, Screen Gems–EMI Music, Summerhill Songs, Unichappel Music and Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dolly Parton & Kenny Rogers44:09
7Stand by Your Man
recording of:
Stand by Your Man
writer:
Billy Sherrill (US songwriter/producer/arranger) and Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. and EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette2:40
8Crazy
producer:
Owen Bradley
vocals:
Patsy Cline
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 85) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 195)
recording of:
Crazy (Willie Nelson song) (on 1961-08-21)
lyricist and composer:
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tree Publishing
Patsy Cline4.152:43
9You Needed Me
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978) and EMI Music Canada (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 63)
recording of:
You Needed Me (in 1978)
lyricist and composer:
Randy Goodrum
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Ironside Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Anne Murray4.653:36
10The Most Beautiful Girl
recording engineer:
Lou Bradley (American producer, engineer, also songwriter) (on 1973-02-09)
producer:
Billy Sherrill (US songwriter/producer/arranger)
background vocals:
The Nashville Edition (on 1973-02-09)
lead vocals:
Charlie Rich (US country singer) (on 1973-02-09)
vocals:
Charlie Rich (US country singer) (on 1973-02-09)
strings arranger:
Bill McElhiney
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1973-02-09)
cover recording of:
The Most Beautiful Girl (on 1973-02-09)
writer:
Rory Bourke, Billy Sherrill (US songwriter/producer/arranger) and Norris “Norro” Wilson
publisher:
Al Gallico Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) and Gallico Music Ltd.
version of:
Hey Mister
Charlie Rich4.352:43
11Don’t It Make My Brown Eyes Blue
phonographic copyright (℗) by:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1976) and Capitol Nashville (in 1977, in 1979)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
lyricist and composer:
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) and EMI United Partnership Ltd.
Crystal Gayle4.42:36
12How Do I Live
recording of:
How Do I Live
lyricist and composer:
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Realsongs (from 1997 to present)
part of:
The 70th Academy Award for Best Original Song (number: 2)
LeAnn Rimes4.54:25
13Need You Now
edit of:
Need You Now (video version) by Lady Antebellum (formerly Lady Antebellum)
part of:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (number: 10), Holler's Best 2000s Country Songs (number: 27), Billboard Year-End Hot Country Songs of 2009 (number: 48), Grammy Award: Best Country Performance by a Duo or Group nominees (number: 2011 winner) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 325)
recording of:
Need You Now
writer:
Dave Haywood, Josh Kear, Charles Kelley and Hillary Scott
publisher:
Darth Buddha Music, DWHaywood Music, EMI Foray Music, Hillary Down Songs, RADIOBULLETSPUBLISHING, Round Hill Songs Josh Kear, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Year of the Dog Music
Lady A3.93:52
14You’ve Got a Way
recording of:
You’ve Got a Way
writer:
Eilleen Regina Lange and Robert John Lange
publisher:
Out-of-Pocket Productions Ltd.
Shania Twain3:27
15Desperado
engineer:
John Haeny
producer:
J.D. Souther
mixer:
Al Schmitt
bass:
Chris Ethridge
drums (drum set):
Dennis St. John
electric guitar:
J.D. Souther
piano:
Spooner Oldham
trombone:
Gail Martin
trumpet:
Darrell Leonard and Mac Johnson
background vocals:
Clydie King, Sherlie Matthews (US vocalist) and Marti McCall (session vocalist)
horn and strings arranger:
Jim Ed Norman
cover recording of:
Desperado
writer:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) and Don Henley
publisher:
Benchmark Music, Cass County Music, Kicking Bear, Neue Welt Musikverlag GmbH (2017 – present), Red Cloud Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Warner Bros. Music GmbH (publisher) (in 1981)
Linda Ronstadt3:34
16Sylvia’s Mother
producer:
Ron Haffkine
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recording of:
Sylvia’s Mother
lyricist and composer:
Shel Silverstein
publisher:
Essex Music, Essex Music of Australia Pty. Ltd. and Evil Eye Music Inc.
Dr. Hook & the Medicine Show43:49
17Way Down
engineer:
Mike Moran (American engineer, associated with RCA)
executive producer:
Elvis Presley (“The King of Rock and Roll”)
bass:
Jerry Scheff (from 1976-10-29 until 1976-10-30)
drums (drum set):
Ronnie Tutt (drummer) (from 1976-10-29 until 1976-10-30)
electric piano:
David Briggs (English organist and composer) (from 1976-10-29 until 1976-10-30)
guitar:
James Burton (guitarist) (from 1976-10-29 until 1976-10-30), Charlie Hodge (from 1976-10-29 until 1976-10-30), John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (from 1976-10-29 until 1976-10-30) and Chip Young (American session guitarist, bassist, producer in the genre of country) (from 1976-10-29 until 1976-10-30)
Moog:
Shane Keister (from 1976-10-29 until 1976-10-30)
piano:
Tony Brown (US producer, pianist and keyboardist) (from 1976-10-29 until 1976-10-30)
steel guitar:
Weldon Myrick (from 1976-10-29 until 1976-10-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1976-10-29)
vocals:
Sherrill Nielsen (American tenor singer) (on 1976-10-29, from 1976-10-29 until 1976-10-30), Myrna Smith (on 1976-10-29, from 1976-10-29 until 1976-10-30), J.D. Sumner & The Stamps (on 1976-10-29, from 1976-10-29 until 1976-10-30) and Kathy Westmoreland (on 1976-10-29, from 1976-10-29 until 1976-10-30)
phonographic copyright (℗) by:
BMG Music (in 1977), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1977) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Graceland in Memphis, Tennessee, United States (on 1976-10-29, from 1976-10-29 until 1976-10-30) and Creative Workshop in Nashville, Tennessee, United States (in 1977-01)
recording of:
Way Down (from 1976-10-29 until 1977-01)
lyricist and composer:
Layng Martine, Jr. (Nashville songwriter)
publisher:
MCS Music Ltd. and Ray Stevens Music
Elvis Presley22:37
18Ring of Fire
recording of:
Ring of Fire
writer:
June Carter Cash (American Country singer and songwriter) and Merle Kilgore
publisher:
Painted Desert Music Corporation
Johnny Cash2:38
19Blue Bayou
recorded in:
Nashville, Tennessee, United States (on 1961-11-15)
producer:
Fred Foster
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1961-11-15)
drums (drum set) [drums]:
John Greubel (US drummer) (on 1961-11-15)
guitar:
Fred Carter, Jr. (on 1961-11-15), Wayne Moss (on 1961-11-15) and Joe Tanner (producer, arranger and songwriter of Roy Orbison and others) (on 1961-11-15)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1961-11-15)
vocals:
Roy Orbison (on 1961-11-15)
phonographic copyright (℗) by:
Monument Records (company credits for Monument; do NOT use as release label) (in 1974)
recording of:
Blue Bayou (English) (on 1961-11-15)
lyricist:
Joe Melson (in 1963) and Roy Orbison (in 1963)
composer:
Joe Melson and Roy Orbison
publisher:
Acuff-Rose Publications, Inc. (BMI) (in 1961)
Roy Orbison42:30
20Always on My Mind
producer:
Chips Moman
bass:
Mike Leech (on 1981-10-11)
drums (drum set):
Gene Chrisman (on 1981-10-11)
guitar:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (on 1981-10-11), Willie Nelson (on 1981-10-11) and Reggie Young (guitarist and songwriter) (on 1981-10-11)
harmonica:
Mickey Raphael (on 1981-10-11)
keyboard:
Bobby Woods (American pianist, keyboard player and songwriter) (on 1981-10-11) and Bobby Emmons (on 1981-10-11)
vocals:
Willie Nelson (on 1981-10-11)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981, in 1982, in 2003) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1982)
recorded at:
Moman's Recording Studio in Nashville, Tennessee, United States (on 1981-10-11)
recording of:
Always on My Mind (on 1981-10-11)
writer:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) and Screen Gems–EMI Music Ltd.
Willie Nelson4.73:32
21Nothing Breaks Like a Heart
recording engineer:
Beatriz Artola, Joshua Blair, Riccardo Damian (recording engineer), Martin Hollis, Barry McCready and Todd Monfalcone
assistant engineer:
Tyler Beans (engineer), Rob Bisel, John Hanes (audio engineer, mixer), Rowan McIntosh (engineer), Dylan Neustadter and Josh Tyrrell
co-producer:
The Picard Brothers
producer:
Jamie XX (English DJ, record producer, and remixer) and Mark Ronson (British DJ and producer)
mixer:
Serban Ghenea
bass and piano:
Mark Ronson (British DJ and producer)
cello:
Katie Burke, Dave Daniels (cellist), Katherine Jenkinson (cellist) and Jo Knight (cellist)
double bass:
Roger Linley (double bassist)
drums (drum set):
Conor Szymanski
guitar:
Thomas Brenneck
viola:
Nick Barr (viola player), Reiad Chibah (violist), Virginia Slater (violist) and Katie Wilkinson (violist)
violin:
Daniel Bhattacharya, Fiona Brice, Chris Clad, Francis Grime, Marianne Haynes (violinist), Ian Humphries (violinist), Kirsty Mangan, Perry Montague‐Mason (violinist), Charles Mutter (British violinist), Amandla Stenberg, Chris Tombling (violinist), Matthew Ward (violinist), Honor Watson (violinist), Debbie Widdup (violinist) and Paul Willey (violinist)
conductor:
Chris Elliott (composer and arranger)
arranger:
Chris Elliott (composer and arranger)
phonographic copyright (℗) by:
Mark Ronson (British DJ and producer) (in 2018)
part of:
TheNeedleDrop: Top 50 Singles of 2018 (number: 32), Spotify: Top Hits of 2019 (number: 34) and BILLIONS CLUB
recording of:
Nothing Breaks Like a Heart
writer:
Thomas Brenneck, Miley Cyrus, Ilsey (US | pop singer), Clément Picard, Maxime Picard, Mark Ronson (British DJ and producer) and Conor Szymanski
Mark Ronson feat. Miley Cyrus3.93:37
22Dancing
phonographic copyright (℗) by:
Kylie Minogue (in 2018)
phonographic copyright (℗) by:
Darenote Limited (in 2018)
recording of:
Dancing
writer:
Nathan Chapman (American producer & songwriter), Steve McEwan (Scottish-born South African songwriter, artist and musician) and Kylie Minogue
Kylie Minogue32:59
23Can’t Fight the Moonlight
miscellaneous support:
Sara Lind (task: technical assistant) and Robert Orton (task: technical assistant)
additional engineer:
Austin Deptula, Greg Hunt (Texas based engineer), Gary Leach and Tim Weidner (engineer)
engineer and mixer:
Steve MacMillan
producer:
Trevor Horn
bass:
Lee Sklar (bassist, session musician) and Jamie Muhoberac
drums (drum set) [drums]:
Curt Bisquera and John Robinson (session drummer)
guitar:
Tim Pierce (US session guitarist)
keyboard [keyboards]:
Jamie Muhoberac
piano:
Alan Pasqua
background vocals:
Sue Ann Carwell and Niki Harris (US singer and dancer)
orchestrator:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographic copyright (℗) by:
Curb Records, Inc. (holding company - do not use as release label) (in 2000) and Curb Records, Inc. (holding company - do not use as release label) (in 2020)
recorded at:
Royal Tone Studios in North Hollywood, Los Angeles, California, United States and Sarm West Coast in Los Angeles, California, United States
music videos:
Can't Fight the Moonlight (longer version) by LeAnn Rimes (US country & pop singer)
part of:
Billboard Year-End Hot 100 singles of 2002 (number: 56)
recording of:
Can’t Fight the Moonlight
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), Realsongs and Universal/MCA Music Ltd. (not for release label use!)
LeAnn Rimes2.853:35
24Bartender
producer:
Nathan Chapman (American producer & songwriter) and Lady A (formerly Lady Antebellum)
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 81)
recording of:
Bartender
writer:
Rodney Clawson (American country songwriter), Dave Haywood, Charles Kelley and Hillary Scott
publisher:
Big Red Toe Music and Round Hill Works
Lady A3.53:17
25Before He Cheats
recording engineer and mixer:
Derek Bason
assistant engineer:
Chris Ashburn, Mike Boden and Nick Holman
producer:
Mark Bright
acoustic guitar:
Bryan Sutton
bass guitar [bass]:
Jimmie Lee Sloas
drums (drum set):
Lonnie Wilson (drummer, songwriter, and producer)
electric guitar:
Tom Bukovac and JT Corenflos
fiddle:
Jonathan Yudkin
keyboard:
Steve Nathan
percussion:
Eric Darken
steel guitar:
Mike Johnson (steel guitarist)
background vocals:
Lisa Cochran and Wes Hightower
phonographic copyright (℗) by:
19 Recordings Ltd. (not for release label use! record company founded by Simon Fuller) (in 2005)
recorded at:
Electrokitty Recording in Seattle, Washington, United States, Starstruck Studios in Nashville, Tennessee, United States and The Plant Recording Studios (1981–2008) in Sausalito, California, United States
mixed at:
Starstruck Studios in Nashville, Tennessee, United States
music videos:
Before He Cheats by Carrie Underwood
commentary:
Before He Cheats (commentary) by Carrie Underwood
part of:
Billboard Decade End Chart: Country (2000's) (number: 14), Holler's Best 2000s Country Songs (number: 30), Rolling Stone: The 200 Greatest Country Songs of All Time (number: 67) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 381)
recording of:
Before He Cheats
writer:
Josh Kear and Chris Tompkins (American songwriter based in Nashville)
publisher:
Mighty Underdog Music, Sony/ATV Cross Keys Publishing and That Little House Music
Carrie Underwood3.93:19
26All I Wanna Do
engineer:
Blair Lamb
producer:
Bill Bottrell
phonographic copyright (℗) by:
A&M Records, Inc. (in 1993) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 405)
recording of:
All I Wanna Do
writer:
David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow (American singer-songwriter and musician) and Kevin Gilbert (singer‐songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Old Crow Music (Sheryl Crow’s publishing label), Reservoir One America, Sony/ATV Tunes LLC (ASCAP), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), WC Music Corp. and Zen of Iniquity
Sheryl Crow3.94:33
27Love Me Anyway
additional producer:
Simon Gooding and Sal Oliveri (US musician, songwriter, and producer.)
producer:
P!nk (American singer/songwriter)
mixer:
Simon Gooding
bass and piano:
Sal Oliveri (US musician, songwriter, and producer.)
strings:
Stevie Blacke (British‐American producer and multi‐instrumentalist)
guest lead vocals:
Chris Stapleton (American singer‐songwriter)
lead vocals:
P!nk (American singer/songwriter)
recording of:
Love Me Anyway (in 2019)
writer:
Alecia Moore (American singer/songwriter), Tom Douglas and James Shamblin
P!nk feat. Chris Stapleton3.53:08
28(You Want to) Make a Memory
recording of:
(You Want to) Make a Memory
writer:
Jon Bon Jovi, Desmond Child and Richie Sambora
publisher:
Desmobile Inc., Kobalt Music Publishing America, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Aggressive Music (in 2007), Bon Jovi Publishing (in 2007), Destonia (in 2007), Sony/ATV Tunes LLC (ASCAP) (in 2007) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 2007)
Bon Jovi4:07
29Amazed (Captain mix)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2000)
part of:
Grammy Award: Best Country Performance by a Duo or Group nominees (number: 2000)
recording of:
Amazed
writer:
Marv Green (American country singer / songwriter and composer), Chris Lindsey (Country music songwriter) and Aimee Mayo (American songwriter)
publisher:
Careers–BMG Music Publishing, Inc., Chrysalis One Publishing UK Ltd., Kobalt Music Publishing Ltd. (UK), Reservoir Media Management, Inc., Round Hill Music, Silverkiss Music, Songs of Nashville DreamWorks, Universal Music Publishing MGB Ltd. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lonestar4:27
30Lady (remastered)
lead vocals:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1980) and Liberty Records, Inc. (in 1980)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 67)
recording of:
Lady (in 1980)
lyricist and composer:
Lionel Richie, Jr.
publisher:
Brockman Music
Kenny Rogers33:52
31Deep River Woman
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2003) and Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Deep River Woman
lyricist and composer:
Lionel Richie
publisher:
Brockman Music
Lionel Richie54:37
32Beautiful Crazy
assistant engineer:
Dan Davis (engineer) and Seth Morton (engineer)
engineer:
Alex Gilson (engineer)
producer and mixer:
Scott Moffatt
acoustic guitar:
Carl Miner
bass guitar:
Jimmie Lee Sloas
drums (drum set) and percussion:
Jerry Roe (drummer)
electric guitar:
Scott Moffatt and Sol Philcox-Littlefield
fiddle:
Aubrey Haynie
keyboard:
Wil Houchens
pedal steel guitar and steel guitar:
Gary Morse
background vocals:
Scott Moffatt
vocals:
Luke Combs (country music singer)
phonographic copyright (℗) by:
River House Artists LLC (in 2018)
mixed at:
Travelling Home Studios
engineered at:
Blackbird Studio in Nashville, Tennessee, United States, Gold Cassette Studios in Nashville, Tennessee, United States and Southern Ground in Nashville, Tennessee, United States
part of:
Billboard Year-End Hot Country Songs of 2019 (number: 4), Billboard Decade End Chart: Hot Country Songs (2010's) (number: 13), Billboard Year-End Hot 100 singles of 2019 (number: 46) and Top Songs of 2024: Global (number: 94)
recording of:
Beautiful Crazy
writer:
Luke Combs (country music singer), Robert Williford (American singer, songwriter and guitarist) and Wyatt B. Durrette III
Luke Combs3.53:13
33The House That Built Me
part of:
Billboard Decade End Chart: Hot Country Songs (2010's) (number: 38), Rolling Stone: The 200 Greatest Country Songs of All Time (number: 77), Billboard Year-End Hot 100 singles of 2010 (number: 91) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 441)
recording of:
The House That Built Me
writer:
Tom Douglas and Allen Shamblin
Miranda Lambert3.53:56
34Girl Crush
part of:
Billboard Decade End Chart: Hot Country Songs (2010's) (number: 21), Grammy Award: Best Country Duo/Group Performance nominees (number: 2016 winner), Rolling Stone: The 100 Best Songs of the 2010s (number: 48), Billboard Year-End Hot 100 singles of 2015 (number: 63) and Rolling Stone: The 200 Greatest Country Songs of All Time (number: 80)
recording of:
Girl Crush
writer:
Hillary Lindsey, Lori McKenna (American folk singer/songwriter) and Liz Rose
Little Big Town3.93:14
35The Bones
producer:
Greg Kurstin
drums (drum set):
Greg Kurstin
background vocals:
Maren Morris and Laura Veltz (American country music songwriter and singer)
part of:
Billboard Year-End Hot 100 singles of 2020 (number: 9) and Billboard Year-End Hot Country Songs of 2019 (number: 25)
recording of:
The Bones
writer:
Maren Morris, Jimmy Robbins (country music record producer / songwriter) and Laura Veltz (American country music songwriter and singer)
publisher:
Big Music Machine, Extraordinary Alien Publishing, International Dog Music, Oh Denise Publishing (BMI-affiliated), Purple Hayes Publishing Worldwide, Round Hill Songs Jimmy Robbins and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
BMI Pop Awards: Song of the Year (number: 2021)
Maren Morris3.33:16
36Follow Your Arrow
part of:
Rolling Stone: The 100 Best Songs of the 2010s (number: 8) and Rolling Stone: The 200 Greatest Country Songs of All Time (number: 36)
Kacey Musgraves3.353:19
37Carry You Home
recording of:
Carry You Home
writer:
Rebekah Powell, Glen Scott (British producer, arranger, mixing engineer, singer-songwriter, and musician), Jessica Sharman, Lizzy Ward Thomas and Catherine Ward-Thomas
Ward Thomas3:34
38Stuck Like Glue
part of:
Billboard Year-End Hot 100 singles of 2010 (number: 81)
recording of:
Stuck Like Glue
writer:
Kristian Bush, Shy Carter, Kevin Griffin (member of Better Than Ezra) and Jennifer Nettles
Sugarland3.954:07
39I Hope You Dance
recording engineer:
Jeff Balding
producer:
Mark Wright (country music producer & songwriter)
mixer:
Greg Droman (American producer, mixing and audio engineer)
accordion:
Michael Omartian
acoustic guitar:
Mark Casstevens and Pat Flynn (US bluegrass/country guitarist)
bass guitar:
Michael Rhodes
drums (drum set):
Chad Cromwell (drummer)
electric guitar:
Brent Mason
keyboard:
Steve Nathan
percussion:
Eric Darken
steel guitar:
Paul Franklin (steel guitarist)
strings:
Nashville String Machine
background vocals:
Lisa Cochran, Lisa Silver and Bergen White (American arranger, producer, conductor, musician, composer and singer)
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
guest performer:
Sons of the Desert (US country band)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
recorded at:
Javelina Recording Studio in Nashville, Tennessee, United States
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 75)
recording of:
I Hope You Dance
writer:
Mark D. Sanders (American Country Music songwriter) and Tia Sillers
publisher:
Choice is Tragic Music (from 2000 to present), Ensign Music Corporation (from 2000 to present), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (from 2000 to present) and Soda Creek Songs (from 2000 to present)
Lee Ann Womack feat. Sons of the Desert4.254:55
40From a Distance
vocals:
Nanci Griffith
recording of:
From a Distance
lyricist and composer:
Julie Gold (in 1985)
publisher:
Grow Your Own Music, Wing and Wheel Music, ビクターミュージックアーツ 第四事業部, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Nanci Griffith44:10
2▼Digital Media
#TitleArtistRatingLength
1Rhinestone Cowboy
phonographic copyright (℗) by:
Capitol Records Nashville (in 1975)
cover recording of:
Rhinestone Cowboy
lyricist and composer:
Larry Weiss (American singer-songwriter)
publisher:
House of Weiss Music Co, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
Glen Campbell4.53:13
2If I Said You Had a Beautiful Body (Would You Hold It Against Me)
engineer:
Jim Crosby (engineer) (in 1978) and Michael Lloyd (US guitarist/singer producer) (in 1978)
producer:
Michael Lloyd (US guitarist/singer producer) (in 1978)
acoustic guitar and lead vocals:
David Bellamy (Bellamy Brothers) (in 1978) and Howard Bellamy (Bellamy Brothers) (in 1978)
bass guitar:
Jesse Chambers (in 1978)
drums (drum set):
Rodney Price (drummer) (in 1978)
electric guitar:
Carl Chambers (in 1978)
keyboard:
Joe LaFrandre (in 1978)
steel guitar:
Danny Jones (US steel guitarist) (in 1978)
part of:
Grammy Award: Best Country Performance by a Duo or Group nominees (number: 1980)
recording of:
If I Said You Had a Beautiful Body Would You Hold It Against Me (in 1978)
lyricist and composer:
David Bellamy (Bellamy Brothers)
The Bellamy Brothers33:15
3When You’re in Love With a Beautiful Woman
producer:
Ron Haffkine
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
When You’re in Love With a Beautiful Woman
lyricist and composer:
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:50
4Mississippi
phonographic copyright (℗) by:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1975)
recording of:
Mississippi
lyricist and composer:
Werner Theunissen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:35
5Sing Me an Old Fashioned Song
recording of:
Sing Me an Old-Fashioned Song
writer:
Larry Henley (singer songwriter) and Johnny Slate
Billie Jo Spears3:29
6Snowbird
producer:
Brian Ahern
arranger:
Brian Ahern
phonographic copyright (℗) by:
EMI Music Canada (in 1970)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 36)
recording of:
Snowbird
lyricist and composer:
Gene MacLellan
publisher:
Beechwood Music Canada and EMI Blackwood Music Inc.
Anne Murray4.52:09
7Annie’s Song
assistant engineer:
Artie Torgersen
engineer:
Mickey Crofford
additional producer and assistant producer:
Kris O'Connor
producer:
Milton Okun
bass:
Dick Kniss
guitar:
John Denver and Steve Weisberg
mandolin:
John Sommers (country music songwriter and multi- instrumentalist)
percussion:
Jim Gordon (US drummer with Derek and the Dominos)
lead vocals:
John Denver
conductor:
Lee Holdridge
arranger:
Lee Holdridge
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
recording of:
Annie’s Song (John Denver song) (on 1974-03-08)
lyricist:
John Denver (in 1973-01)
composer:
John Denver
dedicated to:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
lyrics written at:
Aspen Mountain in Aspen, Colorado, United States (in 1973-01)
John Denver3.652:59
8You Light Up My Life
producer:
Joseph Brooks (US songwriter/film director)
arranger:
Joseph Brooks (US songwriter/film director)
produced for:
Mike Curb Productions
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 3) and Billboard: Greatest of All Time Hot 100 Songs (number: 12)
recording of:
You Light Up My Life
lyricist and composer:
Joseph Brooks (US songwriter/film director)
publisher:
Curb Songs, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 電通ミュージック・アンド・エンタテインメント PR第3事業部
part of:
The 50th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1977 winner)
Debby Boone53:37
9Talking in Your Sleep
phonographic copyright (℗) by:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1978)
recording of:
Talking in Your Sleep (in 1978)
writer:
Roger Cook (US‐based British singer, songwriter and producer) and Bobby Wood (American pianist, keyboard player and songwriter)
publisher:
G.O.A.L. Music Ltd. (publisher), Roger Cook Music and The International Music Network
Crystal Gayle22:54
10Angel of the Morning
recording engineer:
Joe Chiccarelli
associate producer:
Otha Young
producer:
Richard Landis
mixer:
Michael Verdick
arranger:
Charles Calello
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981) and Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, United States
cover recording of:
Angel of the Morning (on 1980-09-04)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. and Unichappell Music
Juice Newton4.354:12
11Every Which Way but Loose
Eddie Rabbitt2:51
12Ode to Billie Joe
phonographic copyright (℗) by:
Capitol Records Nashville (in 1967)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 51), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 191) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 412)
recording of:
Ode to Billie Joe (in 1967-03)
lyricist and composer:
Bobbie Gentry (Roberta Lee Streeter - American singer-songwriter)
publisher:
Larry Shayne Music, Inc. and Universal/MCA Music Publishing Pty Ltd
Bobbie Gentry54:14
13I Can Help
engineer:
Chip Young (American session guitarist, bassist, producer in the genre of country)
producer:
Billy Swan and Chip Young (American session guitarist, bassist, producer in the genre of country)
acoustic guitar:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (in 1974)
bass:
Mike Leech (in 1974)
drums (drum set):
Hayward Bishop (in 1974)
electric guitar:
Chip Young (American session guitarist, bassist, producer in the genre of country) (in 1974) and Reggie Young (guitarist and songwriter) (in 1974)
instruments:
Paul Richmond (engineer) (in 1974)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
Youngun Sound Studio in Murfreesboro, Tennessee, United States (in 1974)
recording of:
I Can Help (in 1974)
lyricist and composer:
Billy Swan
publisher:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Billy Swan43:58
14I Walk the Line (stereo version)
recorded in:
Nashville, Tennessee, United States (on 1964-03-04)
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
acoustic guitar and lead vocals:
Johnny Cash (country music legend) (on 1964-03-04)
bass:
Marshall Grant (on 1964-03-04)
drums (drum set):
W.S. Holland (on 1964-03-04)
electric guitar:
Luther Perkins (on 1964-03-04)
guitar:
Norman Blake (bluegrass guitarist) (on 1964-03-04) and Bob Johnson (American banjo player from Chattanooga, Tennessee) (on 1964-03-04)
phonographic copyright (℗) by:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) (in 1964) and Don Law (in 1964)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-03-04)
recording of:
I Walk the Line (on 1964-03-04)
lyricist and composer:
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) and House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash4.352:34
15King of the Road
recorded in:
Tennessee, United States (on 1964-11-03)
producer:
Jerry Kennedy
vocals:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (on 1964-11-03)
phonographic copyright (℗) by:
Smash (in 1965)
recording of:
King of the Road (on 1964-11-03)
lyricist:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
composer:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964)
publisher:
Burlington Music Co., Ltd.
Roger Miller4.52:26
16Kiss an Angel Good Mornin’
producer:
Jack Clement
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 19)
recording of:
Kiss an Angel Good Mornin' (1971 song) (in 1971)
lyricist and composer:
Ben Peters (country music songwriter)
recording of:
Kiss an Angel Good Mornin' (1971 song) (in 1994)
lyricist and composer:
Ben Peters (country music songwriter)
Charley Pride4.22:02
17Behind Closed Doors
recording of:
Behind Closed Doors
lyricist and composer:
Kenny O’Dell
publisher:
House of Gold Music, Inc.
Charlie Rich2:56
18D‐I‐V‐O‐R‐C‐E
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 59)
recording of:
D-I-V-O-R-C-E (1968 song) (in 1968)
lyricist:
Claude “Curly” Putman, Jr.
composer:
Bobby Braddock
Tammy Wynette3.252:56
19The End of the World
engineer:
Bill Porter (engineer)
producer:
Chet Atkins
vocals:
Skeeter Davis
recording of:
The End of the World (in 1962)
lyricist:
Sylvia Dee (American lyricist)
composer:
Arthur Kent
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Summit Music Corp, (ASCAP-affiliated)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Skeeter Davis4.152:38
20No Charge
J.J. Barrie3:43
21The Devil Went Down to Georgia
assistant recording engineer:
Steve Goostree (audio engineer, producer, mixer/ AV production)
recording engineer, engineer and mixer:
Paul Grupp
producer:
John Boylan
assistant mixer:
Dave Rideau (engineer) and Erik Zobler
bass guitar:
Charlie Hayward (Member of The Charlie Daniels Band)
drums (drum set):
Fred Edwards (drummer and songwriter) and Jim Marshall (photographer)
fiddle and lead vocals:
Charlie Daniels
guitar and background vocals:
Tom Crain
keyboard [keyboards]:
Joel "Taz" DiGregorio
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1979), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
produced for:
Sir Charles Productions
recorded at:
Woodland Studios in Nashville, Tennessee, United States
music videos:
The Devil Went Down to Georgia by The Charlie Daniels Band
recording of:
The Devil Went Down to Georgia
writer:
Charlie Daniels, Joel "Taz" DiGregorio, Fred Edwards (drummer and songwriter), Charlie Hayward (Member of The Charlie Daniels Band), John Crain and James W. Marshall
publisher:
Songs of Universal, Inc. (BMI) and Hat Band Music (in 1979)
The Charlie Daniels Band4.73:36
22Man! I Feel Like a Woman!
additional programming:
Bjorn Thornsrud
assistant programming:
Jay Alvarez and James Somberg
programming, mixer and editor:
Olle Romo (Swedish music producer, songwriter, and drummer)
producer:
Robert John “Mutt” Lange (Robert John Lange)
fiddle:
Glen Duncan (bluegrass multi-instrument musician), Rob Hajacos, Aubrey Haynie and Joe Spivey
arranger:
Robert John “Mutt” Lange (Robert John Lange)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) and Mercury Records (the holding company; for use as ℗&© credits only!) (in 2022)
music videos:
Man! I Feel Like a Woman! by Shania Twain
recording of:
Man! I Feel Like a Woman!
writer:
Eilleen Regina Lange and Robert John Lange
publisher:
Out-of-Pocket Productions Ltd.
Shania Twain43:55
23Achy Breaky Heart
producer:
Jim Cotton and Joe Scaife
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 2011)
music videos:
Achy Breaky Heart by Billy Ray Cyrus
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 464)
cover recording of:
Achy Breaky Heart
lyricist and composer:
Donald L. Tress
Billy Ray Cyrus2.53:24
24Pontoon
part of:
Taste Of Country: Top Songs of 2012 (number: 3), Grammy Award: Best Country Duo/Group Performance nominees (number: 2013 winner) and Billboard Year-End Hot 100 singles of 2012 (number: 67)
recording of:
Pontoon
writer:
Barry Dean (US pop/country songwriter), Natalie Hemby and Luke Laird (country music songwriter)
Little Big Town2.13:31
25Redneck Woman
additional recording engineer:
Todd Gunnerson and Steve Marcantonio
assistant recording engineer:
Paul Hart (country producer)
recording engineer and mixer:
Bart Pursley
associate producer:
John Rich (US country musician, Big & Rich, Lonestar)
producer:
Joe Scaife and Mark Wright (country music producer & songwriter)
assistant mixer:
Paul Hart (country producer) and Lowell Reynolds
part of:
Holler's Best 2000s Country Songs (number: 5) and Rolling Stone: The 200 Greatest Country Songs of All Time (number: 197)
recording of:
Redneck Woman
writer:
John Rich (US country musician, Big & Rich, Lonestar) and Gretchen Wilson
Gretchen Wilson53:42
26Boot Scootin’ Boogie
producer:
Don Cook (US country producer/songwriter) and Scott Hendricks (producer)
mixer:
Scott Hendricks (producer)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1991)
mixed at:
Castle Recording Studios in Franklin, Tennessee, United States
music videos:
Boot Scootin’ Boogie by Brooks & Dunn
part of:
Grammy Award: Best Country Performance by a Duo or Group nominees (number: 1993)
recording of:
Boot Scootin’ Boogie
lyricist and composer:
Ronnie Dunn (American country music singer-songwriter and record producer)
Brooks & Dunn3.753:17
27Dance the Night Away
producer:
Don Cook (US country producer/songwriter) and Raul Malo (The Mavericks lead singer, country music)
phonographic copyright (℗) by:
MCA Records Nashville (a division of MCA Records Inc.) (in 1997)
part of:
Grammy Award: Best Country Performance by a Duo or Group nominees (number: 1999)
recording of:
Dance the Night Away
lyricist and composer:
Raul Malo (The Mavericks lead singer, country music)
publisher:
EMI Blackwood Music Inc. and Rumbalo Music
The Mavericks3.44:22
28Queen of Hearts
recording engineer:
Joe Chiccarelli
associate producer:
Otha Young
producer:
Richard Landis
mixer:
Michael Verdick
arranger:
Charles Calello
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, United States
cover recording of:
Queen of Hearts (on 1980-10-21)
lyricist and composer:
Hank DeVito
publisher:
Bug Music (music publishing) and Drunk Monkey Music (in 1979)
Juice Newton3.83:24
29Foggy Mountain Breakdown
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1965-09-03)
double bass:
Jake Tullock (country stand-up bass) (on 1965-09-03) and Joe Zinkan (on 1965-09-03)
fiddle:
Paul Warren (US fiddler) (on 1965-09-03)
guitar:
Lester Flatt (on 1965-09-03)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-09-03)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-03)
resonator guitar:
Josh Graves (on 1965-09-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-03)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 57)
recording of:
Foggy Mountain Breakdown (on 1965-09-03)
composer:
Earl Scruggs
Flatt & Scruggs2:20
30Theme From “The Dukes of Hazzard” (Good Ol’ Boys)
producer:
Richie Albright
bass:
Jerry Bridges (from 1980 until 1980-06-23)
drums (drum set):
Richie Albright (from 1980 until 1980-06-23)
guitar:
Waylon Jennings (US country musician) (from 1980 until 1980-06-23), Gordon Payne (from 1980 until 1980-06-23) and Randy Scruggs (from 1980 until 1980-06-23)
piano:
Clifford Barny Robertson (from 1980 until 1980-06-23)
resonator guitar:
Ralph Mooney (from 1980 until 1980-06-23)
background vocals:
Carter Robertson (from 1980 until 1980-06-23)
lead vocals:
Waylon Jennings (US country musician) (from 1980 until 1980-06-23)
phonographic copyright (℗) by:
BMG Music (in 1980), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1980) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
recorded at:
American Studios in Nashville, Tennessee, United States (in 1980, on 1980-06-23)
recording of:
Theme From the Dukes of Hazzard (Good Ol’ Boys) (from 1980 until 1980-06-23)
composer:
Waylon Jennings (US country musician)
publisher:
Rich Way Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Waylon Jennings3.52:07
31Convoy
bass:
Brian Sampson
drums (drum set):
Chip Davis (founder of Mannheim Steamroller)
five-string banjo:
Steve Hanson (banjo player with C.W. McCall)
guitar:
Ron Cooley
arranger:
Chip Davis (founder of Mannheim Steamroller)
recording of:
Convoy
lyricist:
C.W. McCall
composer:
Chip Davis (founder of Mannheim Steamroller)
C.W. McCall53:48
32Margaritaville
producer:
Norbert Putnam
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 106)
recording of:
Margaritaville (in 1976-11)
lyricist and composer:
Jimmy Buffett
Jimmy Buffett4.654:10
33Games People Play (remastered)
vocals:
Joe South (in 1968)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Games People Play (in 1968)
lyricist and composer:
Joe South
publisher:
Bike Music
sub-publisher:
Sweden Music (publisher, founded in 1960) (in 1988)
Joe South33:32
34I Recall a Gypsy Woman
producer:
Allen Reynolds and Don Williams (country singer-songwriter)
vocals:
Don Williams (country singer-songwriter)
phonographic copyright (℗) by:
ABC Records, Inc (in 1973)
recording of:
I Recall a Gypsy Woman (1973 song)
writer:
Bob McDill and Allen Reynolds
publisher:
Jack Music, Inc., Morning Music and PolyGram Music Publishing Ltd.
Don Williams33:24
35Good Year for the Roses
producer:
Billy Sherrill (US songwriter/producer/arranger)
lead vocals:
Elvis Costello
cover recording of:
A Good Year for the Roses
lyricist and composer:
Jerry Chesnut
Elvis Costello & The Attractions4.253:07
36Labelled With Love
producer:
Roger Bechirian and Elvis Costello
bass:
John Bentley (UK bassist, member of Squeeze)
drums (drum set):
Gilson Lavis
guitar:
Chris Difford and Glenn Tilbrook
keyboard:
Paul Carrack
lead vocals:
Glenn Tilbrook
recording of:
Labelled With Love
lyricist:
Chris Difford
composer:
Glenn Tilbrook
Squeeze3.54:31
37Me and Bobby McGee
engineer:
Phil Macy (50s-70s engineer)
producer:
Paul Rothchild
acoustic guitar and lead vocals:
Janis Joplin (on 1970-09-25)
bass guitar:
Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-09-25)
drums (drum set):
Clark Pierson (on 1970-09-25)
guest bongos and guest congas:
Bobbye Hall
guest bongos and congas:
Bobbye Hall (on 1970-09-25)
guest tambourine:
Sandra Crouch (on 1970-09-25)
guitar:
John Till (rock guitarist) (on 1970-09-25)
organ:
Ken Pearson (on 1970-09-25)
piano:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-09-25)
background vocals:
Phil Badella (on 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-09-25), John Cooke (on 1970-09-25), Janis Joplin (on 1970-09-25), Vince Mitchell (on 1970-09-25), Ken Pearson (on 1970-09-25), Clark Pierson (on 1970-09-25) and John Till (rock guitarist) (on 1970-09-25)
performer:
Full Tilt Boogie (on 1970-09-25)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1970-09-25)
part of:
New York Post: 100 Greatest Covers (2007) (number: 31) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 148)
cover recording of:
Me and Bobby McGee (on 1970-09-25)
lyricist and composer:
Fred Foster and Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. and Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:28
38Blue Eyes Crying in the Rain
engineer:
Phil York
producer:
Willie Nelson
bass:
Bee Spears (in 1975-02)
drums (drum set):
Billy English (US drummer/percussionist for Willie Nelson) (in 1975-02) and Paul English (US drummer for Willie Nelson) (in 1975-02)
guitar:
Bucky Meadows (American session musician) (in 1975-02), Willie Nelson (in 1975-02) and Jody Payne (in 1975-02)
harmonica:
Mickey Raphael (in 1975-02)
mandolin:
Jody Payne (in 1975-02)
piano:
Bobbie Nelson (in 1975-02)
vocals:
Willie Nelson (in 1975-02)
arranger:
Willie Nelson
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
recorded at:
Autumn Sound Studios in Garland, Texas, United States (in 1975-02)
part of:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (number: 16), Rolling Stone: The 200 Greatest Country Songs of All Time (number: 27), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 253) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 302)
cover recording of:
Blue Eyes Crying in the Rain (in 1975-02)
lyricist and composer:
Fred Rose (songwriter)
publisher:
Campbell Connelly & Co. Ltd., Milene Music (publisher) and Sony/ATV Milene Music
Willie Nelson3.82:19
39Help Me Make It Through the Night
engineer:
Tommy Strong
producer:
Fred Foster
vocals:
Kris Kristofferson
recorded at:
Monument Recording Studio in Nashville, Tennessee, United States
recording of:
Help Me Make It Through the Night (in 1969)
lyricist and composer:
Kris Kristofferson
publisher:
BMG Songs Ltd., Combine Music Corp., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd. and KPM (music publisher)
sub-publisher:
Air Music Scandinavia AB
Kris Kristofferson4.52:21
40I Love You Because
engineer:
Bill Porter (engineer)
producer:
Chet Atkins and Anita Kerr
arranger:
Anita Kerr
recording of:
I Love You Because (on 1962-10-12)
lyricist and composer:
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and Acuff-Rose Publications, Inc. (BMI) (on 1949-10-12)
Jim Reeves32:46

Credits

Release

phonographic copyright (℗) by:NOW That's What I Call Music LLP (British holding company) (in 2021)
streaming page:https://music.apple.com/gb/album/1552462372 [info]

Release group

part of:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (order: 99)