GNR: More Where That Came From

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

The GNR Enhanced mod for the game Fallout 3 adds 100 songs from "GNR -- More Where That Came From" to the in-game Galaxy News Radio station

Anmerkung zuletzt geändert am 2022-02-28 14:51 UTC.

Titelliste

1▼Digitales Medium: Songs
Nr.TitelKünstlerBewertungLänge
1We Three (My Echo, My Shadow And Me)
recording of:
We Three (My Echo, My Shadow and Me)
Verfasser(in):
Nelson Cogane (in 1939), Sammy Mysels (songwriter) (in 1939) und Dick Robertson (US jazz vocalist, 1920s-1940s) (in 1939)
Komponist(in):
Nelson Cogane und Sammy Mysels (songwriter)
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Penn Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 株式会社 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Ink Spots3:19
2Beat Me Daddy, Eight to the Bar
recording of:
Beat Me Daddy, Eight to the Bar (1940 song)
Verfasser(in):
Hughie Prince, Don Raye und Eleanore Sheehy
Will Bradley5:07
3Dear Hearts and Gentle People
recording of:
Dear Hearts and Gentle People
Texter:
Bob Hilliard
Komponist(in):
Sammy Fain
Bob Crosby and the Bob Cats2:09
4If I Knew You Were Comin’ I’d Have Baked a Cake
recording of:
If I Knew You Were Comin’ (I’d’ve Baked a Cake)
Verfasser(in):
Clem Watts, Al Hoffman und Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
Bob Hope & Bing Crosby2:25
5Pistol Packin’ Mama
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-09-27)
vocals:
The Andrews Sisters (am 1943-09-27) und Bing Crosby (am 1943-09-27)
Orchester:
Vic Schoen and His Orchestra (am 1943-09-27)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
cover recording of:
Pistol Packin’ Mama (am 1943-09-27)
publisher:
Albert Poindexter (am 1942-02-16)
Texter und Komponist(in):
Al Dexter
publisher:
Universal–Songs of PolyGram International, Inc.
The Andrews Sisters & Bing Crosby3.352:58
6Big Foot Jump
recorded in:
New York, New York, Vereinigte Staaten (am 1938-03-14)
Gitarre:
Nappy Lamare (am 1938-03-14)
Klarinette:
Irving Fazola (am 1938-03-14)
Klavier:
Bob Zurke (am 1938-03-14)
Kontrabass:
Bob Haggart (am 1938-03-14)
Posaune:
Warren Smith (jazz trombonist) (am 1938-03-14)
Saxophon:
Eddie Miller (US jazz saxophonist) (am 1938-03-14)
Schlagzeug:
Ray Bauduc (am 1938-03-14)
Trompete:
Yank Lawson (am 1938-03-14)
phonographisches Urheberrecht (℗) von:
Decca Records
recording of:
Big Foot Jump (am 1938-03-14)
Komponist(in):
Bob Zurke
Bob Crosby and the Bob Cats2:29
7Old Man Mose
recording of:
Ol’ Man Mose
Verfasser(in):
Louis Armstrong und Zilner Randolph
Louis Armstrong2:29
8Lamplighter’s Serenade
recording of:
Lamplighter’s Serenade
Texter:
Paul Francis Webster
Komponist(in):
Hoagy Carmichael
publisher:
Frank Music Corp. und Webster Music Co.
Bing Crosby2:53
9There’ll Be a Jubilee
recording of:
There’ll Be a Jubilee
Texter und Komponist(in):
Phil Moore (composer, jazz pianist and orchestra leader)
The Andrews Sisters2:57
10Jingle, Jangle, Jingle
Sologesang:
Harry Babbitt und Julie Conway
recording of:
Jingle Jangle Jingle (am 1942-05-21)
Verfasser(in):
Joseph J. Lilley
Komponist(in):
Frank Loesser
Kay Kyser and His Orchestra3:13
11Shortnin’ Bread
recording of:
Short’nin’ Bread (traditional song)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 4209)
Johnny Mercer & The Ink Spots3:01
12Let’s Fly Away
recording of:
Let’s Fly Away (The New Yorkers musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
Lee Wiley2:57
13Life is Just a Bowl of Cherries
recording of:
Life Is Just a Bowl of Cherries
Texter:
Lew Brown (in 1931) und Buddy DeSylva (in 1931)
Komponist(in):
Ray Henderson (in 1931)
Bing Crosby, The Boswell Sisters, The Mills Brothers & Al Jolson2:35
14My Time Done Come
recorded in:
New York, New York, Vereinigte Staaten (am 1942-03-25)
Gitarre:
Carl Kress
Klavier:
Conrad Frederick (Jazz pianist)
Kontrabass:
Al Hall
Schlagzeug:
Jimmy Crawford (US swing-era jazz drummer)
bass-baritone vocals:
Willie Johnson (bass and baritone singer) und Orlandus Wilson
Tenor-Gesang:
Henry Owens und Clyde Riddick
recording of:
My Time Done Come
Verfasser(in):
Willie Johnson (bass and baritone singer)
The Golden Gate Quartet2:43
15A Kiss to Build a Dream On
recording of:
A Kiss to Build a Dream On
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) und Bert Kalmar (in 1935)
Komponist(in):
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Fallout 2: A Post Nuclear Role Playing Game
Teil von:
The Strip (1951 film)
Louis Armstrong3:00
16Ink a’Dink a’Doo
recording of:
Inka Dinka Doo
Verfasser(in):
Jimmy Durante (comedian, actor, singer, pianist) und Ben Ryan (composer)
Jimmy Durante3:01
17In the Still of the Night
recording of:
In the Still of the Night (Cole Porter song)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) und Chappell & Co., Inc. (USA)
Cole Porter1:58
18I’m Making Believe
vocals:
Ella Fitzgerald (American jazz singer) (am 1944-08-30)
recording of:
I’m Making Believe (am 1944-08-30)
Texter:
Mack Gordon
Komponist(in):
James V. Monaco
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
Ella Fitzgerald & The Ink Spots3:14
19A Hundred and Sixty Acres
recording of:
A Hundred and Sixty Acres
Verfasser(in):
David Kapp
publisher:
Leeds Music (MCA)
Bing Crosby & The Andrews Sisters2:39
20Boogie Woogie
recording of:
Boogie Woogie
Komponist(in):
Clarence “Pine Top” Smith
Tommy Dorsey and His Orchestra3:07
21Mr Sandman
recording of:
Mr. Sandman
Texter und Komponist(in):
Pat Ballard
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
The Mills Brothers1:48
22Minnie the Moocher
recording of:
Minnie the Moocher
Texter und Komponist(in):
Cab Calloway und Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und J. Albert & Son Pty. Ltd.
basiert auf:
Willie the Weeper
Danny Kaye2:55
23You’re the Top
recording of:
You’re the Top
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
Teil von:
Anything Goes
Cole Porter3:17
24Don’t Call Me Boy
recorded in:
Vereinigte Staaten (am 1940-09-10)
Klarinette:
Hank D'Amico (am 1940-09-10)
Klavier:
Jess Stacy (am 1940-09-10)
Kontrabass:
Bob Haggart (am 1940-09-10)
Posaune:
Floyd O'Brien (am 1940-09-10)
Schlagzeug:
Ray Bauduc (am 1940-09-10)
Tenorsaxophon:
Eddie Miller (US jazz saxophonist) (am 1940-09-10)
Trompete:
Muggsy Spanier (am 1940-09-10)
Gast vocals:
Nappy Lamare (am 1940-09-10)
vocals:
Bob Crosby (am 1940-09-10)
recording of:
Don't Call Me Boy (am 1940-09-10)
Verfasser(in):
Max Bennett (US jazz bassist and session musician)
Bob Crosby and the Bob Cats2:29
25Strange Fruit
recording of:
Strange Fruit
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
Billie Holiday3:09
26Big Town
recording of:
Big Town
Texter und Komponist(in):
Roy Brown (blues musician) (bis 1951-01-16)
Roy Brown2:52
27It Had to Be You
instrumental recording of:
It Had to Be You
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
Django Reinhardt2:52
28Ballin’ the Jack
recording of:
Ballin’ the Jack
Texter:
Jim Burris
Komponist(in):
Chris Smith (Ragtime composer)
Teil von:
For Me and My Gal (1942 movie)
Danny Kaye2:18
29Daphne
recorded in:
Paris, Île-de-France, Frankreich (am 1937-09-29)
Geige / Violine:
Stéphane Grappelli (jazz violinist) (am 1937-09-29) und Eddie South (am 1937-09-29)
Gitarre:
Roger Chaput (guitarist) (am 1937-09-29) und Django Reinhardt (French jazz guitarist and composer) (am 1937-09-29)
Kontrabass:
Wilson Myers (am 1937-09-29)
Solo-Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1937-09-29)
Teil von:
The Gramophone Company Limited (by matrix number) (Nummer: 0LA 2149-1) und Swing (by matrix number) (Nummer: OLA 2149-1)
recording of:
Daphné (am 1937-09-29)
Komponist(in):
Stéphane Grappelli (jazz violinist) und Django Reinhardt (French jazz guitarist and composer) (in 1938)
Django Reinhardt2:57
30As Time Goes By
recording of:
As Time Goes By (the song from “Casablanca”)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
Billie Holiday3:13
31I Like Bananas (Because They Have No Bones)
recording of:
I Like Bananas Because They Have No Bones
Verfasser(in):
Lorraine Milne und Chris Yacich
Hoosier Hot Shots3:14
32Atomic Baby
baritone saxophone:
Willie Simpson Jr (US saxophonist)
Bass:
Harper Cosby (US bassist)
Gitarre:
Texas Johnny Brown (US blues guitarist, songwriter and singer)
Klavier:
Amos Milburn
Schlagzeug:
Lawrence Norman
Tenorsaxophon:
Don Wilkerson (US jazz/R&B saxophonist)
vocals:
Amos Milburn
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1950-01-04)
recording of:
Atomic Baby
Verfasser(in):
Frank Haywood (blues vocalist and songwriter) und Ernest Monroe Tucker
Amos Milburn2:40
33Swingin’ the Jinx Away
recording of:
Swingin’ the Jinx Away (Born to Dance, 1936 film)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Cole Porter2:53
34Charleston
instrumental recording of:
Charleston
Texter:
Cecil Mack (in 1923)
Komponist(in):
James P. Johnson (in 1923)
publisher:
Salabert
Django Reinhardt2:50
35Butcher Pete (Part 2)
recording of:
Butcher Pete
Verfasser(in):
Roy Brown (blues musician) (bis 1949-11-02) und Henry Bernard (bis 1949-11-02)
Roy Brown2:39
36Mockingbird Hill
recording of:
Mockin’ Bird Hill
Texter und Komponist(in):
Vaughn Horton (von 1929 bis 1930)
publisher:
Southern Music Publ. Co. Ltd.
Les Paul & Mary Ford2:16
37Bei Mir Bist Du Schon
recording of:
Bei mir bist du schön (English version)
Texter:
Sammy Cahn
Komponist(in):
Sholom Secunda
zusätzliche(r) Komponist(in):
Saul Chaplin
übersetzte Version von:
בײַ מיר ביסטו שיין (Bay mir bistu sheyn)
The Andrews Sisters3:06
38Bless You (For Being an Angel)
recording of:
Bless You (For Being an Angel) (1939 song) (am 1939-10-11)
Verfasser(in):
Don Baker (songwriter) und Eddie Lane (American songwriter)
The Ink Spots32:48
39I’d Like to Give My Dog to Uncle Sam
recording of:
I'd Like to Give My Dog to Uncle Sam
Verfasser(in):
Red River Dave (in 1944)
Ozie Waters2:06
40You Always Hurt the One You Love
recording of:
You Always Hurt the One You Love
Texter:
Allan Roberts (songwriter)
Komponist(in):
Doris Fisher
publisher:
Doris Fisher Music Corp.
The Mills Brothers3:19
41Bill Bailey Won’t You Please Come Home?
recording of:
Bill Bailey, Won’t You Please Come Home
Texter:
Hughie Cannon
Komponist(in):
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) und Hughie Cannon
publisher:
Henrees Music co. und Shawnee Press Inc.
Danny Kaye & Louis Armstrong1:57
42Maybe
recording of:
Maybe
Verfasser(in):
Allan Flynn und Frank Madden (US songwriter)
publisher:
Robbins (publisher)
The Ink Spots3:04
43La Vie en Rose
recording of:
La Vie en rose (English translation)
Texter:
Édith Piaf
Komponist(in):
Louiguy (French composer Louis Guglielmi)
Übersetzer:
Mack David (American lyricist and songwriter)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
übersetzte Version von:
La Vie en rose (French original)
Louis Armstrong3:22
44Old Man of the Mountain
recording of:
The Old Man of the Mountain (credited to "Brown, Young")
Texter:
George “Funky” Brown (US songwriter)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
Ambrose and His Orchestra2:29
45Buttons and Bows
recording of:
Buttons and Bows (1947 song)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (am 1948-02-25)
Teil von:
The 21st Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1948 winner)
Bob Hope & The Clark Sisters2:58
46Someone to Watch Over Me
Produzent(in):
Voyle Gilmore
vocals:
Keely Smith
Orchester:
Nelson Riddle and His Orchestra
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
Someone to Watch Over Me (Oh, Kay!) (in 1959)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
Keely Smith2:59
47He’s a Demon, He’s a Devil, He’s a Doll
recording of:
He’s a Demon – He’s a Devil – He’s a Doll
Verfasser(in):
Don Raye und Harold Spina (composer/conductor)
Betty Hutton3:12
48On a Slow Boat to China
cover recording of:
On a Slow Boat to China (am 1947-11-09)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Kay Kyser3:16
49Are You Lonesome Tonight
recording of:
Are You Lonesome Tonight?
Texter:
Roy Turk
Komponist(in):
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music und Redwood Music Ltd. (Carlin)
Al Jolson3:02
50Blues in the Night
recording of:
Blues in the Night (My Mama Done Tol’ Me)
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
Dinah Shore & The Pied Pipers3:08
51At Last
cover recording of:
At Last
Verfasser(in):
Mack Gordon und Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Ella Fitzgerald2:58
52Scotch and Soda
recording of:
Scotch and Soda
Texter und Komponist(in):
Dave Guard
Charlie Barnet and His Orchestra2:38
53My Sugar is So Refined
recording of:
My Sugar Is So Refined
Texter:
Sylvia Dee (American lyricist)
Komponist(in):
Sidney Lippman (American songwriter)
Johnny Mercer and The Pied Pipers2:39
54The Gold Digger’s Song (We’re in the Money)
vocals:
The Boswell Sisters (am 1933-06-13)
Orchester:
The Dorsey Brothers Orchestra (am 1933-06-13)
recording of:
We’re in the Money (The Gold Digger’s Song)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
Teil von:
42nd Street (full musical)
The Boswell Sisters2:30
55Mack the Knife
recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin3:04
56The Scat Song
Cab Calloway2:44
57Ezekiel Saw the Wheel
recording of:
Ezekiel Saw de Wheel
Texter und Komponist(in):
[traditional] (special purpose artist)
Charioteers2:40
58Don’t Fence Me In
recording of:
Don’t Fence Me In
Texter:
Robert Fletcher (US poet) (in 1934) und Cole Porter (composer) (in 1934)
Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
Roy Rogers2:46
59Long Ago and Far Away
recording of:
Long Ago (and Far Away)
Texter:
Ira Gershwin
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und T.B. Harms Co. (in 1944)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
enthalten in:
Cover Girl (1944)
Connee Boswell & The Paul Whiteman Orchestra3:32
60Miss Annabelle Lee
recording of:
Miss Annabelle Lee
Texter:
Sidney Clare
Komponist(in):
Lew Pollack
Whispering Jack Smith, Bert Ambrose & The Whispering Orchestra3:07
61Drum Boogie
recording of:
Drum Boogie (Krupa jazz song)
Verfasser(in):
Roy Eldridge und Gene Krupa
Gene Krupa and His Orchestra3:05
62When the Sun Goes Down
recording of:
In the Evening (When the Sun Goes Down)
Texter und Komponist(in):
Leroy Carr
The Ink Spots3:14
63Bugle Call Rag
recording of:
Bugle Call Rag
Komponist(in):
Billy Meyers (US jazz songwriter), Jack Pettis und Elmer Schoebel
Big Time Operator2:54
64On the Atchison, Topeka and Santa Fe
recording of:
On the Atchison, Topeka and the Santa Fe (The Harvey Girls, 1946 film)
Texter:
Johnny Mercer
Komponist(in):
Harry Warren (US composer and lyricist)
Teil von:
The 19th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1946 winner)
Teil von:
The Harvey Girls (1946 film)
Johnny Mercer and The Pied Pipers3:04
65If I Didn’t Care
recording of:
If I Didn’t Care
Texter und Komponist(in):
Jack Lawrence (US songwriter)
publisher:
Chappell Music Ltd. und Range Road Music Inc.
The Ink Spots2:37
66Rosie the Riveter
recording of:
Rosie the Riveter
Texter:
Redd Evans
Komponist(in):
John Jacob Loeb
publisher:
Fred Ahlert Music Corporation (in 1942), John Jacob Loeb Co. Music Publishers (in 1942) und Music Sales Corporation (American copyright holder in both popular and classical music) (in 1942)
Redd Evans & John Jacob Loeb2:17
67Boogie Woogie Bugle Boy
recording of:
Boogie Woogie Bugle Boy
Verfasser(in):
Hughie Prince und Don Raye
publisher:
A4V Digital, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
The Andrews Sisters2:43
68Dream a Little Dream of Me
recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong3:14
69Ghost of Smokey Joe
Gitarre:
Danny Barker (am 1939-03-28)
Klavier:
Benny Payne (jazz pianist and vocalist) (am 1939-03-28)
Kontrabass:
Milt Hinton (am 1939-03-28)
Posaune:
Keg Johnson (jazz trombonist) (am 1939-03-28), Claude Jones (am 1939-03-28) und DePriest Wheeler (am 1939-03-28)
Rohrblattinstrumente:
Andrew Brown (jazz saxophonist) (am 1939-03-28) und Chauncey Haughton (am 1939-03-28)
Schlagzeug:
Cozy Cole (am 1939-03-28)
Tenorsaxophon:
Leon “Chu” Berry (am 1939-03-28) und Walter Thomas (am 1939-03-28)
Trompete:
Shad Collins (am 1939-03-28), Irving Randolph (am 1939-03-28) und Lammar Wright (am 1939-03-28)
vocals:
Cab Calloway (am 1939-03-28)
Teil von:
Master Records, Inc. (by matrix number) (Nummer: WM-1011)
recording of:
The Ghost of Smokey Joe (am 1939-03-28)
Texter:
Ted Koehler
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist)
Cab Calloway2:45
70Sugar
recording of:
Sugar (That Sugar Baby o’ Mine)
Verfasser(in):
Edna Pinkard, Sidney Mitchell und Maceo Pinkard
Komponist(in):
Edna Alexander, Sidney Mitchell und Maceo Pinkard
publisher:
EMI Robbins Catalog (ASCAP) und Robbins Music Corp.
Lee Wiley3:03
71It’s a Quiet Town
vocals:
The Andrews Sisters und Danny Kaye
Orchester:
Vic Schoen’s Orchestra
recording of:
It's a Quiet Town (In Crossbone County)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1947)
Komponist(in):
Harold Spina (composer/conductor) (in 1947)
Danny Kaye & The Andrews Sisters2:41
72The One I Love Belongs to Al Jolson
recording of:
The One I Love (Belongs to Somebody Else)
Texter:
Gus Kahn
Komponist(in):
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company, Gus Kahn Music Co., The Songwriters Guild, WB Music Corp. (1929–2019) und Milton Weil Music Co. (am 1924-01-07)
Bing Crosby & Al Jolson1:36
73Minnie the Moocher’s Wedding Day
recording of:
Minnie The Moocher's Wedding Day
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
Mills Blue Rhythm Band3:00
74Sweet Georgia Brown
recording of:
Sweet Georgia Brown
Texter:
Kenneth Casey (in 1925)
Komponist(in):
Ben Bernie (in 1925) und Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. und Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Bing Crosby3:03
75Personality
recording of:
Personality (1946 song)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
Johnny Mercer2:46
76La Mer
instrumental recording of:
La Mer
Texter:
Charles Trenet (in 1945)
Komponist(in):
Albert Lasry (French pianist, orchestra leader and composer) (in 1945) und Charles Trenet (in 1945)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Django Reinhardt4:13
77If I Didn’t Care
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
If I Didn’t Care (am 1939-01-12)
Texter und Komponist(in):
Jack Lawrence (US songwriter)
publisher:
Chappell Music Ltd. und Range Road Music Inc.
The Ink Spots3.353:04
78I Still Suits Me
recording of:
Ah Still Suits Me (Show Boat, 1936 film)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
Bing Crosby & Lee Wiley3:00
79Body and Soul
recorded in:
Paris, Île-de-France, Frankreich (am 1937-04-22)
Geige / Violine:
Stéphane Grappelli (jazz violinist) (am 1937-04-22)
Gitarre:
Marcel Bianchi (am 1937-04-22) und Pierre “Baro” Ferret (am 1937-04-22)
Kontrabass:
Louis Vola (am 1937-04-22)
Solo-Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1937-04-22)
Teil von:
The Gramophone Company Limited (by matrix number) (Nummer: 0LA 1710-1)
instrumental recording of:
Body and Soul (am 1937-04-22)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Django Reinhardt3:25
80Putting on the Ritz
cover recording of:
Puttin’ on the Ritz
Texter und Komponist(in):
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
Idiot’s Delight (film)
Ella Fitzgerald2:14
81Address Unknown
cover recording of:
Address Unknown (am 1939-08-17)
Verfasser(in):
Dedette Lee Hill, Carmen Lombardo und Johnny Marks (American songwriter)
recording of:
Address Unknown
Verfasser(in):
Dedette Lee Hill, Carmen Lombardo und Johnny Marks (American songwriter)
The Ink Spots3.52:55
82Praise the Lord and Pass the Ammunition
recording of:
Praise the Lord and Pass the Ammunition
Texter und Komponist(in):
Frank Loesser
The Southern Sons Quartet3:12
83Yes Suh
recording of:
Yes Suh!
Texter:
Andy Razaf
Komponist(in):
Edgar Dowell
The Ink Spots2:17
84Chiti‐Bee
recording of:
Chidabee-Ch-Ch (Yah-Yah-Yah)
Verfasser(in):
Jimmy Durante (comedian, actor, singer, pianist) (in 1948), Harry Harris (writer) (in 1948) und Harry Crane (in 1948)
Jimmy Durante1:50
85Gone Fishin’
recording of:
Gone Fishin’
Verfasser(in):
Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne Co. (not for release label use, this is a music publisher) und EMI Feist Catalog Inc.
Louis Armstrong & Bing Crosby2:28
86Everybody Loves My Baby
recording of:
Everybody Loves My Baby
Komponist(in):
Jack Palmer (Jazz pianist and composer) und Spencer Williams (US jazz composer, pianist & singer)
publisher:
Pickwick Music Corp. und Salabert
The Boswell Sisters2:19
87Rock and Roll
recording of:
Rock and Roll (am 1934-10-04)
Texter:
Sidney Clare
Komponist(in):
Richard A. Whiting (composer)
The Boswell Sisters2:42
88Stardust
cover recording of:
Stardust (the jazz standard)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
Keely Smith2:52
89Just a Gigolo – I Ain’t Got Nobody
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1956-04-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber Jr. (am 1956-04-19)
Posaune:
Jimmy 'Little Red' Blount (am 1956-04-19) und Lou Sineaux (am 1956-04-19)
Schlagzeug:
Bobby Morris (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
vocals:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (am 1956-04-19)
Texter:
Julius Brammer und Roger Graham
Komponist(in):
Leonello Casucci und Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
Übersetzer:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America und Wiener Bohème Verlag GmbH
Medley von:
Just a Gigolo (English version)
Medley von:
I Ain’t Got Nobody
Louis Prima44:40
90In the Mood
recording of:
In the Mood
Texter:
Andy Razaf
Komponist(in):
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
basiert auf:
Tar Paper Stomp
Teil von:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller & The Andrews Sisters2:47
91That Old Black Magic
Produzent(in):
Voyle Gilmore
Bass:
Tony Liuzza (am 1958-08-25)
Gitarre:
Bobby Roberts (1950-60s guitarist, The Witnesses) (am 1958-08-25)
Klavier:
Willie McCumber Jr. (am 1958-08-25)
Posaune:
Lou Sino (am 1958-08-25)
Schlagzeug:
Paul Ferrara (am 1958-08-25)
Tenorsaxophon:
Sam Butera (am 1958-08-25)
Trompete:
Louis Prima (am 1958-08-25)
vocals:
Louis Prima (am 1958-08-25) und Keely Smith (am 1958-08-25)
Orchester:
The Witnesses (am 1958-08-25)
aufgenommen bei:
Sahara Theater in Winchester, Nevada, Vereinigte Staaten (am 1958-08-25)
live cover recording of:
That Old Black Magic (am 1958-08-25)
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Louis Prima & Keely Smith42:53
92Battery Bounce
recorded in:
New York, New York, Vereinigte Staaten (am 1941-01-21)
recording of:
Battery Bounce
Komponist(in):
Art Tatum (US jazz pianist) (in 1941)
Art Tatum and His Band2:29
93I’ll See You in My Dreams
instrumental recording of:
I’ll See You in My Dreams
Texter:
Gus Kahn
Komponist(in):
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company und Leo Feist, Inc. (am 1924-12-19)
Django Reinhardt2:29
94Beatin’, Bangin’ and Scratchin’
recording of:
Beatin’, Bangin’, ’n Scratchin’
Danny Kaye & The Andrews Sisters2:50
95Moonburn
recording of:
Moonburn
Texter:
Edward Heyman
Komponist(in):
Hoagy Carmichael
Bing Crosby3:07
96Atom and Evil
recording of:
Atom and Evil
Verfasser(in):
Louis C. Singer (pianist) und Hy Zaret
The Golden Gate Quartet3:15
97Keepin’ Out of Mischief Now
recording of:
Keepin’ Out of Mischief Now
Texter:
Andy Razaf
Komponist(in):
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Razaf Music
Lee Wiley2:44
98Swingin’ on a Star
recording of:
Swinging on a Star
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
Komponist(in):
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Inc. und Music Sales Corporation (American copyright holder in both popular and classical music)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1944 winner)
Bing Crosby2:21
99Tic, Tic, Tic
recording of:
Tick Tick Tick
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Doris Day2:32
100Stormy Weather
cover recording of:
Stormy Weather
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
Louis Armstrong & Ella Fitzgerald3:12
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