GNR: More Where That Came From

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

The GNR Enhanced mod for the game Fallout 3 adds 100 songs from "GNR -- More Where That Came From" to the in-game Galaxy News Radio station

Annotation last modified on 2022-02-28 14:51 UTC.

Tracklist

1▼Digital Media: Songs
#TitleArtistRatingLength
1We Three (My Echo, My Shadow And Me)
recording of:
We Three (My Echo, My Shadow and Me)
writer:
Nelson Cogane (in 1939), Sammy Mysels (songwriter) (in 1939) and Dick Robertson (US jazz vocalist, 1920s-1940s) (in 1939)
composer:
Nelson Cogane and Sammy Mysels (songwriter)
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Penn Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 株式会社 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Ink Spots3:19
2Beat Me Daddy, Eight to the Bar
recording of:
Beat Me Daddy, Eight to the Bar (1940 song)
writer:
Hughie Prince, Don Raye and Eleanore Sheehy
Will Bradley5:07
3Dear Hearts and Gentle People
recording of:
Dear Hearts and Gentle People
lyricist:
Bob Hilliard
composer:
Sammy Fain
Bob Crosby and the Bob Cats2:09
4If I Knew You Were Comin’ I’d Have Baked a Cake
recording of:
If I Knew You Were Comin’ (I’d’ve Baked a Cake)
writer:
Clem Watts, Al Hoffman and Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
Bob Hope & Bing Crosby2:25
5Pistol Packin’ Mama
recorded in:
Hollywood, Los Angeles, California, United States (on 1943-09-27)
vocals:
The Andrews Sisters (on 1943-09-27) and Bing Crosby (on 1943-09-27)
orchestra:
Vic Schoen and His Orchestra (on 1943-09-27)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
cover recording of:
Pistol Packin’ Mama (on 1943-09-27)
publisher:
Albert Poindexter (on 1942-02-16)
lyricist and composer:
Al Dexter
publisher:
Universal–Songs of PolyGram International, Inc.
The Andrews Sisters & Bing Crosby3.352:58
6Big Foot Jump
recorded in:
New York, New York, United States (on 1938-03-14)
clarinet:
Irving Fazola (on 1938-03-14)
double bass:
Bob Haggart (on 1938-03-14)
drums (drum set):
Ray Bauduc (on 1938-03-14)
guitar:
Nappy Lamare (on 1938-03-14)
piano:
Bob Zurke (on 1938-03-14)
saxophone:
Eddie Miller (US jazz saxophonist) (on 1938-03-14)
trombone:
Warren Smith (jazz trombonist) (on 1938-03-14)
trumpet:
Yank Lawson (on 1938-03-14)
phonographic copyright (℗) by:
Decca Records
recording of:
Big Foot Jump (on 1938-03-14)
composer:
Bob Zurke
Bob Crosby and the Bob Cats2:29
7Old Man Mose
recording of:
Ol’ Man Mose
writer:
Louis Armstrong and Zilner Randolph
Louis Armstrong2:29
8Lamplighter’s Serenade
recording of:
Lamplighter’s Serenade
lyricist:
Paul Francis Webster
composer:
Hoagy Carmichael
publisher:
Frank Music Corp. and Webster Music Co.
Bing Crosby2:53
9There’ll Be a Jubilee
recording of:
There’ll Be a Jubilee
lyricist and composer:
Phil Moore (composer, jazz pianist and orchestra leader)
The Andrews Sisters2:57
10Jingle, Jangle, Jingle
lead vocals:
Harry Babbitt and Julie Conway
recording of:
Jingle Jangle Jingle (on 1942-05-21)
writer:
Joseph J. Lilley
composer:
Frank Loesser
Kay Kyser and His Orchestra3:13
11Shortnin’ Bread
recording of:
Short’nin’ Bread (traditional song)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 4209)
Johnny Mercer & The Ink Spots3:01
12Let’s Fly Away
recording of:
Let’s Fly Away (The New Yorkers musical)
lyricist and composer:
Cole Porter (composer) (in 1930)
Lee Wiley2:57
13Life is Just a Bowl of Cherries
recording of:
Life Is Just a Bowl of Cherries
lyricist:
Lew Brown (in 1931) and Buddy DeSylva (in 1931)
composer:
Ray Henderson (in 1931)
Bing Crosby, The Boswell Sisters, The Mills Brothers & Al Jolson2:35
14My Time Done Come
recorded in:
New York, New York, United States (on 1942-03-25)
double bass:
Al Hall
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer)
guitar:
Carl Kress
piano:
Conrad Frederick (Jazz pianist)
bass-baritone vocals:
Willie Johnson (bass and baritone singer) and Orlandus Wilson
tenor vocals:
Henry Owens and Clyde Riddick
recording of:
My Time Done Come
writer:
Willie Johnson (bass and baritone singer)
The Golden Gate Quartet2:43
15A Kiss to Build a Dream On
recording of:
A Kiss to Build a Dream On
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) and Bert Kalmar (in 1935)
composer:
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
part of:
The 24th Academy Award for Best Original Song (number: 2)
part of:
Fallout 2: A Post Nuclear Role Playing Game
part of:
The Strip (1951 film)
Louis Armstrong3:00
16Ink a’Dink a’Doo
recording of:
Inka Dinka Doo
writer:
Jimmy Durante (comedian, actor, singer, pianist) and Ben Ryan (composer)
Jimmy Durante3:01
17In the Still of the Night
recording of:
In the Still of the Night (Cole Porter song)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) and Chappell & Co., Inc. (USA)
Cole Porter1:58
18I’m Making Believe
vocals:
Ella Fitzgerald (American jazz singer) (on 1944-08-30)
recording of:
I’m Making Believe (on 1944-08-30)
lyricist:
Mack Gordon
composer:
James V. Monaco
part of:
The 17th Academy Award for Best Original Song (number: 2)
Ella Fitzgerald & The Ink Spots3:14
19A Hundred and Sixty Acres
recording of:
A Hundred and Sixty Acres
writer:
David Kapp
publisher:
Leeds Music (MCA)
Bing Crosby & The Andrews Sisters2:39
20Boogie Woogie
recording of:
Boogie Woogie
composer:
Clarence “Pine Top” Smith
Tommy Dorsey and His Orchestra3:07
21Mr Sandman
recording of:
Mr. Sandman
lyricist and composer:
Pat Ballard
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
The Mills Brothers1:48
22Minnie the Moocher
recording of:
Minnie the Moocher
lyricist and composer:
Cab Calloway and Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and J. Albert & Son Pty. Ltd.
is based on:
Willie the Weeper
Danny Kaye2:55
23You’re the Top
recording of:
You’re the Top
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
Cole Porter3:17
24Don’t Call Me Boy
recorded in:
United States (on 1940-09-10)
clarinet:
Hank D'Amico (on 1940-09-10)
double bass:
Bob Haggart (on 1940-09-10)
drums (drum set):
Ray Bauduc (on 1940-09-10)
piano:
Jess Stacy (on 1940-09-10)
tenor saxophone:
Eddie Miller (US jazz saxophonist) (on 1940-09-10)
trombone:
Floyd O'Brien (on 1940-09-10)
trumpet:
Muggsy Spanier (on 1940-09-10)
guest vocals:
Nappy Lamare (on 1940-09-10)
vocals:
Bob Crosby (on 1940-09-10)
recording of:
Don't Call Me Boy (on 1940-09-10)
writer:
Max Bennett (US jazz bassist and session musician)
Bob Crosby and the Bob Cats2:29
25Strange Fruit
recording of:
Strange Fruit
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday3:09
26Big Town
recording of:
Big Town
lyricist and composer:
Roy Brown (blues musician) (until 1951-01-16)
Roy Brown2:52
27It Had to Be You
instrumental recording of:
It Had to Be You
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
Django Reinhardt2:52
28Ballin’ the Jack
recording of:
Ballin’ the Jack
lyricist:
Jim Burris
composer:
Chris Smith (Ragtime composer)
part of:
For Me and My Gal (1942 movie)
Danny Kaye2:18
29Daphne
recorded in:
Paris, Île-de-France, France (on 1937-09-29)
double bass:
Wilson Myers (on 1937-09-29)
guitar:
Roger Chaput (guitarist) (on 1937-09-29) and Django Reinhardt (French jazz guitarist and composer) (on 1937-09-29)
solo guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-09-29)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-09-29) and Eddie South (on 1937-09-29)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 2149-1) and Swing (by matrix number) (number: OLA 2149-1)
recording of:
Daphné (on 1937-09-29)
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer) (in 1938)
Django Reinhardt2:57
30As Time Goes By
recording of:
As Time Goes By (the song from “Casablanca”)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
Billie Holiday3:13
31I Like Bananas (Because They Have No Bones)
recording of:
I Like Bananas Because They Have No Bones
writer:
Lorraine Milne and Chris Yacich
Hoosier Hot Shots3:14
32Atomic Baby
baritone saxophone:
Willie Simpson Jr (US saxophonist)
bass:
Harper Cosby (US bassist)
drums (drum set):
Lawrence Norman
guitar:
Texas Johnny Brown (US blues guitarist, songwriter and singer)
piano:
Amos Milburn
tenor saxophone:
Don Wilkerson (US jazz/R&B saxophonist)
vocals:
Amos Milburn
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1950-01-04)
recording of:
Atomic Baby
writer:
Frank Haywood (blues vocalist and songwriter) and Ernest Monroe Tucker
Amos Milburn2:40
33Swingin’ the Jinx Away
recording of:
Swingin’ the Jinx Away (Born to Dance, 1936 film)
lyricist and composer:
Cole Porter (composer) (in 1936)
Cole Porter2:53
34Charleston
instrumental recording of:
Charleston
lyricist:
Cecil Mack (in 1923)
composer:
James P. Johnson (in 1923)
publisher:
Salabert
Django Reinhardt2:50
35Butcher Pete (Part 2)
recording of:
Butcher Pete
writer:
Roy Brown (blues musician) (until 1949-11-02) and Henry Bernard (until 1949-11-02)
Roy Brown2:39
36Mockingbird Hill
recording of:
Mockin’ Bird Hill
lyricist and composer:
Vaughn Horton (from 1929 until 1930)
publisher:
Southern Music Publ. Co. Ltd.
Les Paul & Mary Ford2:16
37Bei Mir Bist Du Schon
recording of:
Bei mir bist du schön (English version)
lyricist:
Sammy Cahn
additional composer:
Saul Chaplin
composer:
Sholom Secunda
translated version of:
בײַ מיר ביסטו שיין (Bay mir bistu sheyn)
The Andrews Sisters3:06
38Bless You (For Being an Angel)
recording of:
Bless You (For Being an Angel) (1939 song) (on 1939-10-11)
writer:
Don Baker (songwriter) and Eddie Lane (American songwriter)
The Ink Spots32:48
39I’d Like to Give My Dog to Uncle Sam
recording of:
I'd Like to Give My Dog to Uncle Sam
writer:
Red River Dave (in 1944)
Ozie Waters2:06
40You Always Hurt the One You Love
recording of:
You Always Hurt the One You Love
lyricist:
Allan Roberts (songwriter)
composer:
Doris Fisher
publisher:
Doris Fisher Music Corp.
The Mills Brothers3:19
41Bill Bailey Won’t You Please Come Home?
recording of:
Bill Bailey, Won’t You Please Come Home
lyricist:
Hughie Cannon
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) and Hughie Cannon
publisher:
Henrees Music co. and Shawnee Press Inc.
Danny Kaye & Louis Armstrong1:57
42Maybe
recording of:
Maybe
writer:
Allan Flynn and Frank Madden (US songwriter)
publisher:
Robbins (publisher)
The Ink Spots3:04
43La Vie en Rose
recording of:
La Vie en rose (English translation)
lyricist:
Édith Piaf
composer:
Louiguy (French composer Louis Guglielmi)
translator:
Mack David (American lyricist and songwriter)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
translated version of:
La Vie en rose (French original)
Louis Armstrong3:22
44Old Man of the Mountain
recording of:
The Old Man of the Mountain (credited to "Brown, Young")
lyricist:
George “Funky” Brown (US songwriter)
composer:
Victor Young (American composer, arranger, violinist & conductor)
Ambrose and His Orchestra2:29
45Buttons and Bows
recording of:
Buttons and Bows (1947 song)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (on 1948-02-25)
part of:
The 21st Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1948 winner)
Bob Hope & The Clark Sisters2:58
46Someone to Watch Over Me
producer:
Voyle Gilmore
vocals:
Keely Smith
orchestra:
Nelson Riddle and His Orchestra
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
Someone to Watch Over Me (Oh, Kay!) (in 1959)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
Keely Smith2:59
47He’s a Demon, He’s a Devil, He’s a Doll
recording of:
He’s a Demon – He’s a Devil – He’s a Doll
writer:
Don Raye and Harold Spina (composer/conductor)
Betty Hutton3:12
48On a Slow Boat to China
cover recording of:
On a Slow Boat to China (on 1947-11-09)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Kay Kyser3:16
49Are You Lonesome Tonight
recording of:
Are You Lonesome Tonight?
lyricist:
Roy Turk
composer:
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music and Redwood Music Ltd. (Carlin)
Al Jolson3:02
50Blues in the Night
recording of:
Blues in the Night (My Mama Done Tol’ Me)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
Dinah Shore & The Pied Pipers3:08
51At Last
cover recording of:
At Last
writer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Ella Fitzgerald2:58
52Scotch and Soda
recording of:
Scotch and Soda
lyricist and composer:
Dave Guard
Charlie Barnet and His Orchestra2:38
53My Sugar is So Refined
recording of:
My Sugar Is So Refined
lyricist:
Sylvia Dee (American lyricist)
composer:
Sidney Lippman (American songwriter)
Johnny Mercer and The Pied Pipers2:39
54The Gold Digger’s Song (We’re in the Money)
vocals:
The Boswell Sisters (on 1933-06-13)
orchestra:
The Dorsey Brothers Orchestra (on 1933-06-13)
recording of:
We’re in the Money (The Gold Digger’s Song)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
part of:
42nd Street (full musical)
The Boswell Sisters2:30
55Mack the Knife
recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin3:04
56The Scat Song
Cab Calloway2:44
57Ezekiel Saw the Wheel
recording of:
Ezekiel Saw de Wheel
lyricist and composer:
[traditional] (special purpose artist)
Charioteers2:40
58Don’t Fence Me In
recording of:
Don’t Fence Me In
lyricist:
Robert Fletcher (US poet) (in 1934) and Cole Porter (composer) (in 1934)
composer:
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
Roy Rogers2:46
59Long Ago and Far Away
recording of:
Long Ago (and Far Away)
lyricist:
Ira Gershwin
composer:
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and T.B. Harms Co. (in 1944)
part of:
The 17th Academy Award for Best Original Song (number: 2)
included in:
Cover Girl (1944)
Connee Boswell & The Paul Whiteman Orchestra3:32
60Miss Annabelle Lee
recording of:
Miss Annabelle Lee
lyricist:
Sidney Clare
composer:
Lew Pollack
Whispering Jack Smith, Bert Ambrose & The Whispering Orchestra3:07
61Drum Boogie
recording of:
Drum Boogie (Krupa jazz song)
writer:
Roy Eldridge and Gene Krupa
Gene Krupa and His Orchestra3:05
62When the Sun Goes Down
recording of:
In the Evening (When the Sun Goes Down)
lyricist and composer:
Leroy Carr
The Ink Spots3:14
63Bugle Call Rag
recording of:
Bugle Call Rag
composer:
Billy Meyers (US jazz songwriter), Jack Pettis and Elmer Schoebel
Big Time Operator2:54
64On the Atchison, Topeka and Santa Fe
recording of:
On the Atchison, Topeka and the Santa Fe (The Harvey Girls, 1946 film)
lyricist:
Johnny Mercer
composer:
Harry Warren (US composer and lyricist)
part of:
The 19th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1946 winner)
part of:
The Harvey Girls (1946 film)
Johnny Mercer and The Pied Pipers3:04
65If I Didn’t Care
recording of:
If I Didn’t Care
lyricist and composer:
Jack Lawrence (US songwriter)
publisher:
Chappell Music Ltd. and Range Road Music Inc.
The Ink Spots2:37
66Rosie the Riveter
recording of:
Rosie the Riveter
lyricist:
Redd Evans
composer:
John Jacob Loeb
publisher:
Fred Ahlert Music Corporation (in 1942), John Jacob Loeb Co. Music Publishers (in 1942) and Music Sales Corporation (American copyright holder in both popular and classical music) (in 1942)
Redd Evans & John Jacob Loeb2:17
67Boogie Woogie Bugle Boy
recording of:
Boogie Woogie Bugle Boy
writer:
Hughie Prince and Don Raye
publisher:
A4V Digital, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
The Andrews Sisters2:43
68Dream a Little Dream of Me
recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music and Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong3:14
69Ghost of Smokey Joe
double bass:
Milt Hinton (on 1939-03-28)
drums (drum set):
Cozy Cole (on 1939-03-28)
guitar:
Danny Barker (on 1939-03-28)
piano:
Benny Payne (jazz pianist and vocalist) (on 1939-03-28)
reeds:
Andrew Brown (jazz saxophonist) (on 1939-03-28) and Chauncey Haughton (on 1939-03-28)
tenor saxophone:
Leon “Chu” Berry (on 1939-03-28) and Walter Thomas (on 1939-03-28)
trombone:
Keg Johnson (jazz trombonist) (on 1939-03-28), Claude Jones (on 1939-03-28) and DePriest Wheeler (on 1939-03-28)
trumpet:
Shad Collins (on 1939-03-28), Irving Randolph (on 1939-03-28) and Lammar Wright (on 1939-03-28)
vocals:
Cab Calloway (on 1939-03-28)
part of:
Master Records, Inc. (by matrix number) (number: WM-1011)
recording of:
The Ghost of Smokey Joe (on 1939-03-28)
lyricist:
Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist)
Cab Calloway2:45
70Sugar
recording of:
Sugar (That Sugar Baby o’ Mine)
writer:
Edna Pinkard, Sidney Mitchell and Maceo Pinkard
composer:
Edna Alexander, Sidney Mitchell and Maceo Pinkard
publisher:
EMI Robbins Catalog (ASCAP) and Robbins Music Corp.
Lee Wiley3:03
71It’s a Quiet Town
vocals:
The Andrews Sisters and Danny Kaye
orchestra:
Vic Schoen’s Orchestra
recording of:
It's a Quiet Town (In Crossbone County)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1947)
composer:
Harold Spina (composer/conductor) (in 1947)
Danny Kaye & The Andrews Sisters2:41
72The One I Love Belongs to Al Jolson
recording of:
The One I Love (Belongs to Somebody Else)
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company, Gus Kahn Music Co., The Songwriters Guild, WB Music Corp. (1929–2019) and Milton Weil Music Co. (on 1924-01-07)
Bing Crosby & Al Jolson1:36
73Minnie the Moocher’s Wedding Day
recording of:
Minnie The Moocher's Wedding Day
lyricist:
Ted Koehler
composer:
Harold Arlen
Mills Blue Rhythm Band3:00
74Sweet Georgia Brown
recording of:
Sweet Georgia Brown
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Bing Crosby3:03
75Personality
recording of:
Personality (1946 song)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
Johnny Mercer2:46
76La Mer
instrumental recording of:
La Mer
lyricist:
Charles Trenet (in 1945)
composer:
Albert Lasry (French pianist, orchestra leader and composer) (in 1945) and Charles Trenet (in 1945)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Django Reinhardt4:13
77If I Didn’t Care
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
If I Didn’t Care (on 1939-01-12)
lyricist and composer:
Jack Lawrence (US songwriter)
publisher:
Chappell Music Ltd. and Range Road Music Inc.
The Ink Spots3.353:04
78I Still Suits Me
recording of:
Ah Still Suits Me (Show Boat, 1936 film)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
Bing Crosby & Lee Wiley3:00
79Body and Soul
recorded in:
Paris, Île-de-France, France (on 1937-04-22)
double bass:
Louis Vola (on 1937-04-22)
guitar:
Marcel Bianchi (on 1937-04-22) and Pierre “Baro” Ferret (on 1937-04-22)
solo guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-04-22)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-22)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1710-1)
instrumental recording of:
Body and Soul (on 1937-04-22)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Django Reinhardt3:25
80Putting on the Ritz
cover recording of:
Puttin’ on the Ritz
lyricist and composer:
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
Idiot’s Delight (film)
Ella Fitzgerald2:14
81Address Unknown
cover recording of:
Address Unknown (on 1939-08-17)
writer:
Dedette Lee Hill, Carmen Lombardo and Johnny Marks (American songwriter)
recording of:
Address Unknown
writer:
Dedette Lee Hill, Carmen Lombardo and Johnny Marks (American songwriter)
The Ink Spots3.52:55
82Praise the Lord and Pass the Ammunition
recording of:
Praise the Lord and Pass the Ammunition
lyricist and composer:
Frank Loesser
The Southern Sons Quartet3:12
83Yes Suh
recording of:
Yes Suh!
lyricist:
Andy Razaf
composer:
Edgar Dowell
The Ink Spots2:17
84Chiti‐Bee
recording of:
Chidabee-Ch-Ch (Yah-Yah-Yah)
writer:
Jimmy Durante (comedian, actor, singer, pianist) (in 1948), Harry Harris (writer) (in 1948) and Harry Crane (in 1948)
Jimmy Durante1:50
85Gone Fishin’
recording of:
Gone Fishin’
writer:
Charles Kenny (songwriter, violinist) and Nick Kenny
publisher:
Bourne Co. (not for release label use, this is a music publisher) and EMI Feist Catalog Inc.
Louis Armstrong & Bing Crosby2:28
86Everybody Loves My Baby
recording of:
Everybody Loves My Baby
composer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
publisher:
Pickwick Music Corp. and Salabert
The Boswell Sisters2:19
87Rock and Roll
recording of:
Rock and Roll (on 1934-10-04)
lyricist:
Sidney Clare
composer:
Richard A. Whiting (composer)
The Boswell Sisters2:42
88Stardust
cover recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
Keely Smith2:52
89Just a Gigolo – I Ain’t Got Nobody
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1956-04-19)
drums (drum set):
Bobby Morris (on 1956-04-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-04-19)
piano:
Willie McCumber Jr. (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
Jimmy 'Little Red' Blount (on 1956-04-19) and Lou Sineaux (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (on 1956-04-19)
lyricist:
Julius Brammer and Roger Graham
composer:
Leonello Casucci and Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
translator:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America and Wiener Bohème Verlag GmbH
medley of:
Just a Gigolo (English version)
medley of:
I Ain’t Got Nobody
Louis Prima44:40
90In the Mood
recording of:
In the Mood
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller & The Andrews Sisters2:47
91That Old Black Magic
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-08-25)
drums (drum set):
Paul Ferrara (on 1958-08-25)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-08-25)
piano:
Willie McCumber Jr. (on 1958-08-25)
tenor saxophone:
Sam Butera (on 1958-08-25)
trombone:
Lou Sino (on 1958-08-25)
trumpet:
Louis Prima (on 1958-08-25)
vocals:
Louis Prima (on 1958-08-25) and Keely Smith (on 1958-08-25)
orchestra:
The Witnesses (on 1958-08-25)
recorded at:
Sahara Theater in Winchester, Nevada, United States (on 1958-08-25)
live cover recording of:
That Old Black Magic (on 1958-08-25)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Louis Prima & Keely Smith42:53
92Battery Bounce
recorded in:
New York, New York, United States (on 1941-01-21)
recording of:
Battery Bounce
composer:
Art Tatum (US jazz pianist) (in 1941)
Art Tatum and His Band2:29
93I’ll See You in My Dreams
instrumental recording of:
I’ll See You in My Dreams
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company and Leo Feist, Inc. (on 1924-12-19)
Django Reinhardt2:29
94Beatin’, Bangin’ and Scratchin’
recording of:
Beatin’, Bangin’, ’n Scratchin’
Danny Kaye & The Andrews Sisters2:50
95Moonburn
recording of:
Moonburn
lyricist:
Edward Heyman
composer:
Hoagy Carmichael
Bing Crosby3:07
96Atom and Evil
recording of:
Atom and Evil
writer:
Louis C. Singer (pianist) and Hy Zaret
The Golden Gate Quartet3:15
97Keepin’ Out of Mischief Now
recording of:
Keepin’ Out of Mischief Now
lyricist:
Andy Razaf
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Razaf Music
Lee Wiley2:44
98Swingin’ on a Star
recording of:
Swinging on a Star
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Inc. and Music Sales Corporation (American copyright holder in both popular and classical music)
part of:
The 17th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1944 winner)
Bing Crosby2:21
99Tic, Tic, Tic
recording of:
Tick Tick Tick
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
Doris Day2:32
100Stormy Weather
cover recording of:
Stormy Weather
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Louis Armstrong & Ella Fitzgerald3:12
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