100 Hits: Drivetime

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Baby I Love Your Way
Produzent(in):
Peter Frampton
Bassgitarre:
Stanley Sheldon (bass player)
Flügel, Orgel und Rhodes Piano:
Bob Mayo (US session keyboardist & guitarist)
Gitarre:
Peter Frampton und Bob Mayo (US session keyboardist & guitarist)
Schlagzeug [drums]:
John Siomos
Talkbox:
Peter Frampton
vocals:
Peter Frampton, Bob Mayo (US session keyboardist & guitarist) und Stanley Sheldon (bass player)
arranger:
Peter Frampton
phonographisches Urheberrecht (℗) von:
A&M Records (in 1975) und A&M Records, Inc. (in 1975)
live recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Peter Frampton3.654:42
2How Long
Produzent(in):
John Anthony (British producer and record executive)
phonographisches Urheberrecht (℗) von:
Anchor Records (UK 70s indie label), Cavalcade Records Ltd, Minder Records (in 1974) und Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2015)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 7), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 31) und The Downloader’s Music Source Book (Nummer: 121)
recording of:
How Long?
Texter und Komponist(in):
Paul Carrack
publisher:
Anchor Music Ltd. und Minder Music Ltd.
Ace3.653:23
3Johnny & Mary
Techniker(in) und Mix:
Alex Sadkin
Produzent(in):
Robert Palmer (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
recording of:
Johnny and Mary
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Island Music (Island Music Ltd.) und Warner/Chappell (Warner/Chappell Music, Inc.)
Robert Palmer4.43:58
4I Want Your Love
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 99)
recording of:
I Want Your Love
Texter und Komponist(in):
Nick Christian Sayer
publisher:
Notting Hill Music (UK) Ltd.
sub-publisher:
Kobalt Music Publishing France
Transvision Vamp2.53:32
5Just Like Jesse James
recording engineer:
Sir Arthur Payson
assistierende(r) Techniker(in):
George Cowan (US engineer), Bridget Daly, Debbie Johnson (engineer), Jay Lean, Richard McKernan, Craig Porteils (producer, engineer) und Duane Seykora
zusätzliche(r) Techniker(in):
Bruce Robb
Produzent(in):
Desmond Child
Mix:
Mick Guzauski
Akustikgitarre und E-Gitarre:
John Putnam
Bassgitarre:
Hugh McDonald (bassist)
Gitarre:
John McCurry
Keyboard:
Alan St. Jon
Schlagzeug:
Bobby Chouinard
Hintergrundgesang:
Desmond Child, Brenda Russell (US singer-songwriter & keyboardist) und Diane Warren (US songwriter)
Sologesang:
Cher
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1989) und The David Geffen Company (legal rights relating to Geffen Records) (in 1989, in 1990)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten, Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten und The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Just Like Jesse James
Verfasser(in):
Desmond Child und Diane Warren (US songwriter)
publisher:
April Music Inc., Desmobile Music Co., Inc. (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), SBK April Music Inc. (vom 1989 bis ????), Desmobile Inc. (vom 1989 bis heute) und Realsongs (vom 1989 bis heute)
Cher44:05
6Somewhere Down the Crazy River
Techniker(in):
Jim Scott (US recording engineer and producer)
Partner-Produzent(in):
Jim Scott (US recording engineer and producer)
Produzent(in):
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter) und Robbie Robertson
Mix:
Bob Clearmountain
Bassgitarre [bass]:
Tony Levin (US rock bassist/Chapman stick player)
Gitarre:
Bill Dillon und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Omnichord:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Schlagzeug [drums]:
Manu Katché
Hintergrundgesang:
Robbie Robertson und Sammy BoDean
Sologesang [vocal]:
Robbie Robertson
phonographisches Urheberrecht (℗) von:
The David Geffen Company (legal rights relating to Geffen Records) (in 1987)
recording of:
Somewhere Down the Crazy River
Texter und Komponist(in):
Robbie Robertson
publisher:
Medicine Hat Music und SBK Songs (publisher)
Robbie Robertson4.54:54
7Take Me to the River
recording of:
Take Me to the River
Verfasser(in):
Al Green (US soul singer, songwriter, pastor and record producer) und Mabon Hodges (“Teenie”, soul guitarist)
publisher:
Al Green Music Inc. (BMI-affiliated), Burlington Music, Irving Music, Inc. und JEC Publishing
Al Green4.153:45
8Mmmbop
Programmierung und Techniker(in):
Mac Quale (US composer)
Produzent(in):
The Dust Brothers (production duo John King & Mike Simpson)
zusätzliche(r) Produzent(in):
Stephen Lironi
recording of:
MMMBop
Verfasser(in):
Isaac Hanson, Taylor Hanson und Zachary Hanson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Hanson3.23:56
9First Time
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1988) und The Coca-Cola Company (in 1988)
Musikvideos:
First Time ("concept" version) von Robin Beck und First Time (band version) von Robin Beck
recording of:
First Time
Texter:
Tom Anthony (wrote "First Time") und Terry Boyle
Komponist(in):
Gavin Spencer
publisher:
EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Music Publishing Scandinavia AB
Robin Beck33:19
10What I Am
Techniker(in):
Pat Moran (UK male singer, keyboardist sound engineer and producer)
Produzent(in):
Pat Moran (UK male singer, keyboardist sound engineer and producer) (in 1988)
Sologesang:
Edie Brickell (American singer-songwriter) (in 1988)
phonographisches Urheberrecht (℗) von:
The David Geffen Company (legal rights relating to Geffen Records)
aufgenommen bei:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Vereinigtes Königreich (in 1988)
recording of:
What I Am (in 1988)
Texter:
Edie Brickell (American singer-songwriter)
Komponist(in):
Edie Brickell (American singer-songwriter) und Kenny Withrow
publisher:
MCA Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Edie Brickell & New Bohemians4.854:51
11Running in the Family
Techniker(in) und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
recording of:
Running in the Family
Verfasser(in):
Wally Badarou, Phil Gould und Mark King (bass guitarist and vocalist)
Level 4233:58
12Ocean Drive
phonographisches Urheberrecht (℗) von:
The Wild Card Label Ltd (in 1995)
recording of:
Ocean Drive
Texter und Komponist(in):
Paul Tucker
publisher:
PolyGram Music Publishing
was commissioned by:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family13:59
13Breakfast at Tiffany’s
Techniker(in), Produzent(in) und Mix:
David Castell
Akustikgitarre und E-Gitarre:
Toby Pipes, Todd Pipes und Kirk Tatom
Bassgitarre:
Todd Pipes und Kirk Tatom
Keyboard:
Toby Pipes und Todd Pipes
Klavier und Orgel:
Kirk Tatom
Lap-Steel-Gitarre:
Toby Pipes
Perkussion und Schlagzeug:
John Kirtland (Drummer, head of Kirtland Records)
vocals:
Toby Pipes, Todd Pipes und Kirk Tatom
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 1995) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1995)
recording of:
Breakfast at Tiffany’s
Texter und Komponist(in):
Todd Pipes
publisher:
Warner Chappell North America und WC Music Corp.
Deep Blue Something3.74:19
14You Get What You Give
Produzent(in):
Gregg Alexander
Bass:
John Pierce (US session bassist)
Gitarre:
Gregg Alexander und Rusty Anderson
Klavier:
Rick Nowels
membranophone:
Gary Ferguson (Session drummer)
Perkussion:
Juliet Prater
arranger:
Gregg Alexander
zusätzlich vocals arranger:
Richard Podolor
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1998)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 390) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 453)
recording of:
You Get What You Give
Verfasser(in):
Gregg Alexander und Rick Nowels
publisher:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. und Grosse Point Harlem
New Radicals4.655:02
15Runaway Train
assistierende(r) Techniker(in):
David Michael Dill (engineer) und Dan Gellert (sound engineer)
Produzent(in):
Michael Beinhorn
assistierende(r) Mix:
Craig Doubet (recording engineer) und Steve Sisco
Mix:
Andy Wallace (engineer)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1992) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1992)
recording of:
Runaway Train
Texter und Komponist(in):
Dave Pirner
publisher:
EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), LFR Music, Standing Water Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
Soul Asylum4.44:22
16Save Tonight
phonographisches Urheberrecht (℗) von:
Diesel Music AB (in 1998)
recording of:
Save Tonight
Texter und Komponist(in):
Eagle‐Eye Cherry
publisher:
Diesel 2 Publishing und Warner Chapell
Eagle‐Eye Cherry44:00
17Concrete and Clay
Techniker(in):
Victor Smith
Produzent(in):
John Barker (producer)
Interpret(in):
Unit 4+2
recording of:
Concrete and Clay
Verfasser(in):
Tommy Moeller und Brian Parker
publisher:
Apollo Music Ltd. (UK work publisher), EMI Longitude Music, Universal/MCA Music Publishing Pty Ltd, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Unit 4+23.52:19
18Hitchin’ a Ride
recording of:
Hitchin’ a Ride
Texter:
Peter Callander
Komponist(in):
Mitch Murray
publisher:
Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Vanity Fare3:07
19You Keep It All In
zusätzliche membranophone-Programmierung:
Mel Wesson
Techniker(in):
Ian Grimble und Dave Meegan (producer)
Produzent(in):
Mike Hedges (UK producer/recording engineer)
Bassgitarre:
Sean Welch
Flügelhorn und Trompete:
John Thirkell (British trumpet and flugelhorn player)
flute und Saxophon:
Gary Barnacle
Gitarre:
Dave Rotheray
Keyboard:
Mel Wesson
Keyboard und Klavier:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Perkussion:
Martin Ditcham
Posaune:
Peter Thoms (trombone)
Schlagzeug:
David Stead
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1989)
recording of:
You Keep It All In
Texter:
Paul Heaton
Komponist(in):
Paul Heaton und Dave Rotheray
publisher:
Island Music Ltd.
The Beautiful South3.352:55
20California Dreamin’
Techniker(in):
Bones Howe
Produzent(in):
Lou Adler
Gitarre:
P.F. Sloan (in 1965)
Solo-Altflöte:
Bud Shank (in 1965)
phonographisches Urheberrecht (℗) von:
Geffen Records und Dunhill Records (in 1966)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 420)
recording of:
California Dreamin’ (in 1965)
Verfasser(in):
John Phillips (The Mamas & The Papas) und Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) und Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:40

Nennungen

Veröffentlichungsgruppe

Teil von:100 Hits (UK Demon Music Group) (Nummer: 26) (Reihenfolge: 57)