100 Hits: Drivetime

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Baby I Love Your Way
producer:
Peter Frampton
bass guitar:
Stanley Sheldon (bass player)
drums (drum set) [drums]:
John Siomos
grand piano, organ and Rhodes piano:
Bob Mayo (US session keyboardist & guitarist)
guitar:
Peter Frampton and Bob Mayo (US session keyboardist & guitarist)
talkbox:
Peter Frampton
vocals:
Peter Frampton, Bob Mayo (US session keyboardist & guitarist) and Stanley Sheldon (bass player)
arranger:
Peter Frampton
phonographic copyright (℗) by:
A&M Records (in 1975) and A&M Records, Inc. (in 1975)
live recording of:
Baby, I Love Your Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Peter Frampton3.654:42
2How Long
producer:
John Anthony (British producer and record executive)
phonographic copyright (℗) by:
Anchor Records (UK 70s indie label), Cavalcade Records Ltd, Minder Records (in 1974) and Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2015)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 7), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 31) and The Downloader’s Music Source Book (number: 121)
recording of:
How Long?
lyricist and composer:
Paul Carrack
publisher:
Anchor Music Ltd. and Minder Music Ltd.
Ace3.653:23
3Johnny & Mary
engineer and mixer:
Alex Sadkin
producer:
Robert Palmer (English singer‐songwriter)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
recording of:
Johnny and Mary
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Island Music (Island Music Ltd.) and Warner/Chappell (Warner/Chappell Music, Inc.)
Robert Palmer4.43:58
4I Want Your LoveTransvision Vamp2.53:32
5Just Like Jesse James
recording engineer:
Sir Arthur Payson
additional engineer:
Bruce Robb
assistant engineer:
George Cowan (US engineer), Bridget Daly, Debbie Johnson (engineer), Jay Lean, Richard McKernan, Craig Porteils (producer, engineer) and Duane Seykora
producer:
Desmond Child
mixer:
Mick Guzauski
acoustic guitar and electric guitar:
John Putnam
bass guitar:
Hugh McDonald (bassist)
drums (drum set):
Bobby Chouinard
guitar:
John McCurry
keyboard:
Alan St. Jon
background vocals:
Desmond Child, Brenda Russell (US singer-songwriter & keyboardist) and Diane Warren (US songwriter)
lead vocals:
Cher
phonographic copyright (℗) by:
Geffen Records (in 1989) and The David Geffen Company (legal rights relating to Geffen Records) (in 1989, in 1990)
recorded at:
Bearsville Studios in Bearsville, New York, United States, Cherokee Studios in Hollywood, Los Angeles, California, United States, Electric Lady Studios in Greenwich Village, New York, New York, United States and The Complex Studios in Los Angeles, California, United States
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
Just Like Jesse James
writer:
Desmond Child and Diane Warren (US songwriter)
publisher:
April Music Inc., Desmobile Music Co., Inc. (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), SBK April Music Inc. (from 1989 to ????), Desmobile Inc. (from 1989 to present) and Realsongs (from 1989 to present)
Cher44:05
6Somewhere Down the Crazy River
engineer:
Jim Scott (US recording engineer and producer)
associate producer:
Jim Scott (US recording engineer and producer)
producer:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter) and Robbie Robertson
mixer:
Bob Clearmountain
bass guitar [bass]:
Tony Levin (US rock bassist/Chapman stick player)
drums (drum set) [drums]:
Manu Katché
guitar:
Bill Dillon and Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
omnichord:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
background vocals:
Robbie Robertson and Sammy BoDean
lead vocals [vocal]:
Robbie Robertson
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1987)
recording of:
Somewhere Down the Crazy River
lyricist and composer:
Robbie Robertson
publisher:
Medicine Hat Music and SBK Songs (publisher)
Robbie Robertson4.54:54
7Take Me to the River
recording of:
Take Me to the River
writer:
Al Green (US soul singer, songwriter, pastor and record producer) and Mabon Hodges (“Teenie”, soul guitarist)
publisher:
Al Green Music Inc. (BMI-affiliated), Burlington Music, Irving Music, Inc. and JEC Publishing
Al Green4.153:45
8Mmmbop
programming and engineer:
Mac Quale (US composer)
additional producer:
Stephen Lironi
producer:
The Dust Brothers (production duo John King & Mike Simpson)
recording of:
MMMBop
writer:
Isaac Hanson, Taylor Hanson and Zachary Hanson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Hanson3.23:56
9First Time
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1988) and The Coca-Cola Company (in 1988)
music videos:
First Time ("concept" version) by Robin Beck and First Time (band version) by Robin Beck
recording of:
First Time
lyricist:
Tom Anthony (wrote "First Time") and Terry Boyle
composer:
Gavin Spencer
publisher:
EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Music Publishing Scandinavia AB
Robin Beck33:19
10What I Am
engineer:
Pat Moran (UK male singer, keyboardist sound engineer and producer)
producer:
Pat Moran (UK male singer, keyboardist sound engineer and producer) (in 1988)
lead vocals:
Edie Brickell (American singer-songwriter) (in 1988)
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom (in 1988)
recording of:
What I Am (in 1988)
lyricist:
Edie Brickell (American singer-songwriter)
composer:
Edie Brickell (American singer-songwriter) and Kenny Withrow
publisher:
MCA Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Edie Brickell & New Bohemians4.854:51
11Running in the Family
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
recording of:
Running in the Family
writer:
Wally Badarou, Phil Gould and Mark King (bass guitarist and vocalist)
Level 4233:58
12Ocean Drive
phonographic copyright (℗) by:
The Wild Card Label Ltd (in 1995)
recording of:
Ocean Drive
lyricist and composer:
Paul Tucker
publisher:
PolyGram Music Publishing
was commissioned by:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family13:59
13Breakfast at Tiffany’s
engineer, producer and mixer:
David Castell
acoustic guitar and electric guitar:
Toby Pipes, Todd Pipes and Kirk Tatom
bass guitar:
Todd Pipes and Kirk Tatom
drums (drum set) and percussion:
John Kirtland (Drummer, head of Kirtland Records)
keyboard:
Toby Pipes and Todd Pipes
lap steel guitar:
Toby Pipes
organ and piano:
Kirk Tatom
vocals:
Toby Pipes, Todd Pipes and Kirk Tatom
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1995) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1995)
recording of:
Breakfast at Tiffany’s
lyricist and composer:
Todd Pipes
publisher:
Warner Chappell North America and WC Music Corp.
Deep Blue Something3.74:19
14You Get What You Give
producer:
Gregg Alexander
bass:
John Pierce (US session bassist)
guitar:
Gregg Alexander and Rusty Anderson
membranophone:
Gary Ferguson (Session drummer)
percussion:
Juliet Prater
piano:
Rick Nowels
arranger:
Gregg Alexander
additional vocals arranger:
Richard Podolor
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1998)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 390) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 453)
recording of:
You Get What You Give
writer:
Gregg Alexander and Rick Nowels
publisher:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. and Grosse Point Harlem
New Radicals4.655:02
15Runaway Train
assistant engineer:
David Michael Dill (engineer) and Dan Gellert (sound engineer)
producer:
Michael Beinhorn
assistant mixer:
Craig Doubet (recording engineer) and Steve Sisco
mixer:
Andy Wallace (engineer)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1992) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1992)
recording of:
Runaway Train
lyricist and composer:
Dave Pirner
publisher:
EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), LFR Music, Standing Water Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
Soul Asylum4.44:22
16Save Tonight
phonographic copyright (℗) by:
Diesel Music AB (in 1998)
recording of:
Save Tonight
lyricist and composer:
Eagle‐Eye Cherry
publisher:
Diesel 2 Publishing and Warner Chapell
Eagle‐Eye Cherry44:00
17Concrete and Clay
engineer:
Victor Smith
producer:
John Barker (producer)
performer:
Unit 4+2
recording of:
Concrete and Clay
writer:
Tommy Moeller and Brian Parker
publisher:
Apollo Music Ltd. (UK work publisher), EMI Longitude Music, Universal/MCA Music Publishing Pty Ltd, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Unit 4+23.52:19
18Hitchin’ a Ride
recording of:
Hitchin’ a Ride
lyricist:
Peter Callander
composer:
Mitch Murray
publisher:
Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Vanity Fare3:07
19You Keep It All In
additional membranophone programming:
Mel Wesson
engineer:
Ian Grimble and Dave Meegan (producer)
producer:
Mike Hedges (UK producer/recording engineer)
bass guitar:
Sean Welch
drums (drum set):
David Stead
flugelhorn and trumpet:
John Thirkell (British trumpet and flugelhorn player)
flute and saxophone:
Gary Barnacle
guitar:
Dave Rotheray
keyboard:
Mel Wesson
keyboard and piano:
Pete Wingfield (keyboardist, singer, producer, songwriter)
percussion:
Martin Ditcham
trombone:
Peter Thoms (trombone)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1989)
recording of:
You Keep It All In
lyricist:
Paul Heaton
composer:
Paul Heaton and Dave Rotheray
publisher:
Island Music Ltd.
The Beautiful South3.352:55
20California Dreamin’
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan (in 1965)
solo alto flute:
Bud Shank (in 1965)
phonographic copyright (℗) by:
Geffen Records and Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:40

Credits

Release group

part of:100 Hits (UK Demon Music Group) (number: 26) (order: 57)