Pure Easy

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1In the Cool, Cool, Cool of the Evening
voce:
Dean Martin (American singer/actor) (il 1951-04-09)
direttore d'orchestra:
Dick Stabile (il 1951-04-09)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1951)
registrazione di:
In the Cool, Cool, Cool of the Evening (from “Here Comes the Groom”) (il 1951-04-09)
paroliere:
Johnny Mercer
compositore:
Hoagy Carmichael
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 24th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1951 winner)
Dean Martin3:00
2Hello Dolly
Bing Crosby2:34
3Fly Me to the Moon (In Other Words)
registrazione cover di:
Fly Me to the Moon
paroliere e compositore:
Bart Howard (nel 1954)
eseguita per la prima volta da:
Kaye Ballard (nel 1954)
editore:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC e TRO Essex Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Dinah Washington2:29
4Mad About the Boy
tecnico:
Ted Keep
produttore:
Bobby Troup
voce:
Julie London
orchestra:
Pete King and His Orchestra
registrazione cover di:
Mad About the Boy
paroliere e compositore:
Noël Coward
editore:
Chappell & Co. e Chappell Music Ltd.
parte di:
Words and Music
Julie London42:10
5It Had to Be You
arrangiatore:
Gerald Wiggins
registrazione di:
It Had to Be You
paroliere:
Gus Kahn (nel 1924)
compositore:
Isham Jones (nel 1924)
editore:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) e Jerome H. Remick & Co. (il 1924-05-09)
Kay Starr2:51
6Can't Take My Eyes Off You
registrazione cover di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Al Martino3:23
7Teach Me Tiger
voce:
April Stevens
direttore d'orchestra:
Don Ralke
arrangiatore:
Don Ralke
April Stevens32:22
8The More I See You
Dick Haymes2:51
9Unchained Melody
Frankie Vaughan3:39
10No Other Love
registrazione cover di:
No Other Love
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1953)
compositore:
Richard Rodgers (composer) (dal 1952 al 1953)
versione di:
Beneath the Southern Cross (Victory at Sea)
registrazione di:
No Other Love
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1953)
compositore:
Richard Rodgers (composer) (dal 1952 al 1953)
versione di:
Beneath the Southern Cross (Victory at Sea)
Ronnie Hilton3:08
11Misty Blue
registrazione cover di:
Misty Blue
paroliere e compositore:
Bob Montgomery (USA)
editore:
Reservoir One America e Talmont Music (publisher) (dal 1966 a oggi)
Ella Fitzgerald2:29
12The Girl From Ipanema
Eartha Kitt3:05
13Willow Weep for Me
tecnico di registrazione:
Rudy van Gelder (nel 1959)
produttore:
Hecky Krasnow
pianoforte e voce principale:
Nina Simone (nel 1959)
arrangiatore:
Robert Mersey
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1969)
registrata presso:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Stati Uniti (nel 1959)
registrazione cover di:
Willow Weep for Me (nel 1959)
paroliere e compositore:
Ann Ronell (nel 1932)
editore:
Ann Ronell Music e Bourne Co. (not for release label use, this is a music publisher)
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
Nina Simone3.253:14
14She (Theme From TV Series 'The Seven Faces of Woman')
Pepe Jaramillo4:18
15Night and Day
registrata a:
New York, New York, Stati Uniti (il 1933-06-22)
voce:
Fred Astaire (il 1933-06-22)
registrazione di:
Night and Day (Cole Porter; from “The Gay Divorce”) (il 1933-06-22)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
Fred Astaire3:14
16Embraceable You
registrata a:
New York, New York, Stati Uniti (il 1957-12-09)
tecnico:
Malcolm Addey
produttore:
Richard Bock (record producer) e Michael Cuscuna
basso :
Russ Savakus (il 1957-12-09)
chitarra :
David Wheat (il 1957-12-09)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1957-12-09)
registrazione cover di:
Embraceable You (il 1957-12-09)
paroliere:
Ira Gershwin (nel 1928)
compositore:
George Gershwin (composer) (nel 1928)
editore:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 al 2024-01-01)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
Chet Baker22:08
17I Just Want to Make Love to You
Lou Rawls3:29
18Guantanamera
Geoff Love & His Orchestra3:03
19I Got It Bad (And That Ain't Good)
tecnico di registrazione:
Ray Hall (engineer)
produttore:
Bob Thiele (producer & songwriter)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (dal 1961-04-03 al 1961-04-04)
registrazione di:
I Got It Bad (and That Ain’t Good)
paroliere:
Paul Francis Webster (nel 1941)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1941)
editore:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony e Webster Music Co.
parte di:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong & Duke Ellington5:33
20Till There Was You
registrazione strumentale cover di:
Till There Was You (The Music Man)
paroliere e compositore:
Meredith Willson (nel 1950)
editore:
Chappell Music Ltd., Frank Music Corp., Meredith Willson Music, Meredith Willson Music LLC, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing e Rinimer Corp.
parte di:
The Music Man
Billy May2:43
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