Pure Easy

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1In the Cool, Cool, Cool of the Evening
vocals:
Dean Martin (American singer/actor) (am 1951-04-09)
conductor:
Dick Stabile (am 1951-04-09)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
recording of:
In the Cool, Cool, Cool of the Evening (from “Here Comes the Groom”) (am 1951-04-09)
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1951 winner)
Dean Martin3:00
2Hello Dolly
Bing Crosby2:34
3Fly Me to the Moon (In Other Words)
cover recording of:
Fly Me to the Moon
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Dinah Washington2:29
4Mad About the Boy
Techniker(in):
Ted Keep
Produzent(in):
Bobby Troup
vocals:
Julie London
Orchester:
Pete King and His Orchestra
cover recording of:
Mad About the Boy
Texter und Komponist(in):
Noël Coward
publisher:
Chappell & Co. und Chappell Music Ltd.
Teil von:
Words and Music
Julie London42:10
5It Had to Be You
arranger:
Gerald Wiggins
recording of:
It Had to Be You
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
Kay Starr2:51
6Can't Take My Eyes Off You
cover recording of:
Can’t Take My Eyes Off You (1967 song)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. und Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Al Martino3:23
7Teach Me Tiger
vocals:
April Stevens
conductor:
Don Ralke
arranger:
Don Ralke
April Stevens32:22
8The More I See You
Dick Haymes2:51
9Unchained Melody
Frankie Vaughan3:39
10No Other Love
cover recording of:
No Other Love
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1953)
Komponist(in):
Richard Rodgers (composer) (von 1952 bis 1953)
Version von:
Beneath the Southern Cross (Victory at Sea)
recording of:
No Other Love
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1953)
Komponist(in):
Richard Rodgers (composer) (von 1952 bis 1953)
Version von:
Beneath the Southern Cross (Victory at Sea)
Ronnie Hilton3:08
11Misty Blue
cover recording of:
Misty Blue
Texter und Komponist(in):
Bob Montgomery (USA)
publisher:
Reservoir One America und Talmont Music (publisher) (vom 1966 bis heute)
Ella Fitzgerald2:29
12The Girl From Ipanema
Eartha Kitt3:05
13Willow Weep for Me
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier und Sologesang:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
Willow Weep for Me (in 1959)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Nina Simone3.253:14
14She (Theme From TV Series 'The Seven Faces of Woman')
Pepe Jaramillo4:18
15Night and Day
recorded in:
New York, New York, Vereinigte Staaten (am 1933-06-22)
vocals:
Fred Astaire (am 1933-06-22)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1933-06-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Fred Astaire3:14
16Embraceable You
recorded in:
New York, New York, Vereinigte Staaten (am 1957-12-09)
Techniker(in):
Malcolm Addey
Produzent(in):
Richard Bock (record producer) und Michael Cuscuna
Bass:
Russ Savakus (am 1957-12-09)
Gitarre:
David Wheat (am 1957-12-09)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1957-12-09)
cover recording of:
Embraceable You (am 1957-12-09)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Chet Baker22:08
17I Just Want to Make Love to You
Lou Rawls3:29
18Guantanamera
Geoff Love & His Orchestra3:03
19I Got It Bad (And That Ain't Good)
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1961-04-03 bis 1961-04-04)
recording of:
I Got It Bad (and That Ain’t Good)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong & Duke Ellington5:33
20Till There Was You
instrumental cover recording of:
Till There Was You (The Music Man)
Texter und Komponist(in):
Meredith Willson (in 1950)
publisher:
Chappell Music Ltd., Frank Music Corp., Meredith Willson Music, Meredith Willson Music LLC, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing und Rinimer Corp.
Teil von:
The Music Man
Billy May2:43
2▼CD
Nr.TitelKünstlerBewertungLänge
1From Russia With Love
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Sologesang:
Matt Monro
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
From Russia With Love
Texter und Komponist(in):
Lionel Bart
publisher:
EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
Matt Monro3.352:36
2Chicago
Produzent(in):
Teddy Reig
alto saxophone:
Marshall Royal (in 1959-01) und Frank Wess (in 1959-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (in 1959-01)
Gitarre:
Freddie Green (in 1959-01)
Klavier:
Ralph Sharon und Count Basie (pianist) (in 1959-01)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1959-01)
Posaune:
Henry Coker (jazz trombonist) (in 1959-01), Al Grey (trombone) (in 1959-01) und Benny Powell (jazz trombonist) (in 1959-01)
Schlagzeug:
Sonny Payne (in 1959-01)
Tenorsaxophon:
Frank Foster (saxophonist) (in 1959-01) und Billy Mitchell (US jazz saxophonist) (in 1959-01)
Trompete:
Wendell Culley (jazz trumpeter) (in 1959-01), Thad Jones (American jazz trumpeter) (in 1959-01), Joe Newman (US jazz trumpeter) (in 1959-01) und Snooky Young (in 1959-01)
vocals:
Tony Bennett (US jazz/standards vocalist) (in 1959-01)
Interpret(in):
Tony Bennett (US jazz/standards vocalist)
arranger:
Ralph Sharon
live cover recording of:
Chicago (That Toddlin’ Town) (in 1959-01)
Texter und Komponist(in):
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. und Salabert
Tony Bennett42:08
3Spanish Eyes
Produzent(in):
Tom Morgan (producer)
conductor:
Peter de Angelis (in 1965)
arranger:
Peter de Angelis
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1965)
cover recording of:
Spanish Eyes (Moon Over Naples) (in 1965)
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Version von:
Moon Over Naples
Al Martino2.52:47
4Begin the Beguine
recorded in:
New York, New York, Vereinigte Staaten (am 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1938-07-24) und Les Robinson (am 1938-07-24)
Gitarre:
Al Avola (am 1938-07-24)
Klarinette:
Artie Shaw (am 1938-07-24)
Klavier:
Les Burness (am 1938-07-24)
Kontrabass:
Sid Weiss (am 1938-07-24)
Posaune:
George Arus (am 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (am 1938-07-24) und Ted Vesely (am 1938-07-24)
Schlagzeug:
Cliff Leeman (am 1938-07-24)
Tenorsaxophon:
Tony Pastor (am 1938-07-24) und Ronnie Perry (am 1938-07-24)
Trompete:
Claude Bowen (am 1938-07-24), John Best (jazz trumpeter) (am 1938-07-24) und Chuck Peterson (trumpet) (am 1938-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1938-07-24)
conductor:
Artie Shaw (am 1938-07-24)
arranger:
Jerry Gray (US big band arranger and conductor)
aufgenommen bei und engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1938-07-24)
instrumental recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
Artie Shaw33:17
5Crazy Rhythm
recording of:
Crazy Rhythm
Texter:
Irving Caesar
Komponist(in):
Roger Wolfe Kahn und Joseph Meyer (US songwriter)
Harry James3:12
6Lover Man (Oh Where Can You Be?)
recording of:
Lover Man
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
Kay Starr2:45
7Softly as I Leave You
Produzent(in):
Ray Ellis (US producer, arranger and conductor) (in 1965)
vocals:
Lena Horne (in 1965)
conductor:
Ray Ellis (US producer, arranger and conductor) (in 1965)
arranger:
Ray Ellis (US producer, arranger and conductor) (in 1965)
cover recording of:
Softly, as I Leave You (in 1965)
Texter:
Giorgio Calabrese
Komponist(in):
Antonio DeVita
Übersetzer:
Hal Shaper
publisher:
Curci USA Corp., EMI Miller Catalog, Inc. und Miller Music (publisher)
übersetzte Version von:
Piano
Lena Horne3:03
8The Way You Look Tonight
Les Brown All Stars3:29
9Little Things Mean a Lot
cover recording of:
Little Things Mean a Lot
Texter:
Edith Lindeman
Komponist(in):
Carl Stutz
Alma Cogan3:17
10I Wonder Who's Kissing Her Now
Michael Holliday2:09
11What Kind of Fool Am I?
cover recording of:
What Kind of Fool Am I?
Texter und Komponist(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Essex Music und Ludlow Music
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 1963 winner)
Teil von:
Stop the World – I Want to Get Off
Nancy Wilson2:12
12Softly Softly
recording of:
Softly Softly
Texter:
Pierre Dudan und Paddy Roberts (singer/songwriter)
Komponist(in):
Mark Paul (1950s song composer)
Ruby Murray2:28
13Sunshine (Soleil)
vocals:
Françoise Hardy
recording of:
Sunshine (in 1969)
Verfasser(in):
Sandra Alpert und Tash Howard
Françoise Hardy3:43
14What Is This Thing Called Love?
George Shearing Trio4:02
15Stranger in Paradise
Manuel & the Music of the Mountains3:09
16I Say a Little Prayer
Ron Goodwin and His Concert Orchestra1:57
17Magic Moments
cover recording of:
Magic Moments
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
BMG Music Publishing Ltd. und MCA Music Ltd.
Ronnie Hilton2:48
18Something
recording engineer:
John Kurlander (engineer) (von 1984-07 bis 1984-08)
assistierende(r) Techniker(in):
Toby Alington (in 1984)
Produzent(in):
Tony Colton, Johnny Harris (Scottish composer, conductor) und Norman Newell (in 1984)
vocals:
Shirley Bassey (Welsh singer) (von 1984-07 bis 1984-08)
Orchester:
London Symphony Orchestra (von 1984-07 bis 1984-08)
conductor:
Johnny Harris (Scottish composer, conductor) und Carl Davis (conductor and composer) (von 1984-07 bis 1984-08)
arranger:
Johnny Harris (Scottish composer, conductor)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC. (not for release label use! fka Capitol Records, Inc. until 2007) (in 1970) und Towerbell Records (in 1984)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1984-07 bis 1984-08)
cover recording of:
Something (von 1984-07 bis 1984-08)
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Harrisongs Ltd. und Nichion Synch Division (NICHION, INC. Synch Division)
Shirley Bassey33:36
19Stormy Weather
cover recording of:
Stormy Weather
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
Sarah Vaughan feat. Jimmy Jones and His Orchestra3:29
20I Can't Give You Anything but Love
cover recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Verfasser(in):
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Judy Garland3:54
3▼CD
Nr.TitelKünstlerBewertungLänge
1I'm Just a Lucky So and So
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter) (am 1961-04-04)
Klarinette:
Barney Bigard (am 1961-04-04)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1961-04-04)
Kontrabass:
Mort Herbert (am 1961-04-04)
Posaune:
Trummy Young (am 1961-04-04)
Schlagzeug:
Danny Barcelona (am 1961-04-04)
Trompete:
Louis Armstrong (am 1961-04-04)
vocals:
Louis Armstrong (am 1961-04-04)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1961-04-04)
recording of:
I’m Just a Lucky So and So (am 1961-04-04)
Texter:
Mack David (American lyricist and songwriter) (in 1945)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation und PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Louis Armstrong & Duke Ellington43:10
2The Best Things in Life Are Free
Bing Crosby52:26
3Angel Eyes
recording of:
Angel Eyes (1946 jazz standard)
Texter:
Earl Brent (in 1946)
Komponist(in):
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) und Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Jack Jones3:13
4Let's Face the Music and Dance
Nelson Riddle and His Orchestra2:33
5Anything Goes
Produzent(in):
Teddy Reig
Klavier:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
arranger:
Ralph Sharon
cover recording of:
Anything Goes
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
Count Basie and Tony Bennett2:21
6I Get a Kick Out of You
cover recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Shirley Bassey2:48
7I've Got You Under My Skin
Danny Williams3:16
8Love Me Tender
Vince Hill2:57
9(I'll Be With You in) Apple Blossom Time
vocals:
The Andrews Sisters (am 1940-11-14)
Orchester:
Vic Schoen and His Orchestra (am 1940-11-14)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1940)
recording of:
(I’ll Be With You) In Apple Blossom Time (am 1940-11-14)
Texter:
Neville Fleeson
Komponist(in):
Albert Von Tilzer
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd. und Jerry Vogel Music
The Andrews Sisters2:54
10You Don't Have to Say You Love Me
Vikki Carr2:38
11Georgia on My Mind
cover recording of:
Georgia on My Mind
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
Lou Rawls3:20
12's Wonderful
Ray Anthony2:44
13Words (Based on Last Movement of Symphony 9 by Beethoven)
Andy Williams & Royal Philharmonic Orchestra4:32
14April in Paris
Produzent(in):
Voyle Gilmore
Klavier:
André Previn (pianist, conductor, composer, arranger)
vocals:
Dinah Shore
arranger:
André Previn (pianist, conductor, composer, arranger)
recording of:
April in Paris
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dinah Shore2:57
15Let's Fly Away
recording of:
Let’s Fly Away (The New Yorkers musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
Jeri Southern2:31
16Ev'ry Time We Say Goodbye
Bass:
George Duvivier (am 1961-07-18)
Gitarre:
Mundell Lowe (am 1961-07-18)
vocals:
Sarah Vaughan (am 1961-07-18)
aufgenommen bei:
RKO-Pathé Studios in New York, New York, Vereinigte Staaten (am 1961-07-18)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (am 1961-07-18)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sarah Vaughan2:26
17The Very Thought of You
The Four Freshmen2:22
18Call Me Irresponsible
cover recording of:
Call Me Irresponsible
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Paramount Music Corporation
Teil von:
The 36th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1963 winner)
Dinah Washington2:19
19Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:49
20Yesterday
cover recording of:
Yesterday (original by The Beatles)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc., Northern Songs, Sony/ATV, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) und Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (vom 1965 bis heute)
Matt Monro2:48

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