Die kompletten Werke, Volume 15: Kantaten, BWV 188, 190-200

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 43 available)

Annotation

CD1 Aufnahme: Gedächtniskirche Stuttgart. Juni/Oktober 1983 (BWV 188); Dezember 1977/Januar 1978 (BWV 190); Februar/Mai 1971 (BWV 191); Januar/Februar 1974 (BWV 192)
CD2 Aufnahme: Gedächtniskirche Stuttgart. Juni/Juli/Oktober 1983 (BWV 193); Januar 1977 (BWV 194)
CD3 Aufnahme: Gedächtniskirche Stuttgart. Oktober 1983/Februar 1984 (BWV 195); Januar 1976 (BWV 196); Februar/März 1984 (BWV 197)
CD4 Aufnahme: Gedächtniskirche Stuttgart. September/Oktober 1983 (BWV 198); April 1976 (BWV 199); Februar 1984 (BWV 200)

Annotation last modified on 2014-06-19 18:14 UTC.

Tracklist

1▼CD: BWV 188,190-192
#TitleArtistRatingLength
1Kantate, BWV 188 "Ich habe meine Zuversicht": I. Sinfonia
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-09)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": I. Sinfonia (in 1983-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
arrangement of:
Keyboard Concerto in D minor, BWV 1052: III. Allegro
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach7:39
2Kantate, BWV 188 "Ich habe meine Zuversicht": II. Aria (Tenor) "Ich habe meine Zuversicht"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-09)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": II. Aria (Tenor) "Ich habe meine Zuversicht" (in 1983-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach6:17
3Kantate, BWV 188 "Ich habe meine Zuversicht": III. Recitativo (Bass) "Gott meint es gut mit jedermann"
bass vocals:
Walter Heldwein
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-09)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": III. Recitativo (Bass) "Gott meint es gut mit jedermann" (in 1983-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach2:16
4Kantate, BWV 188 "Ich habe meine Zuversicht": IV. Aria (Alt) "Unerforschlich ist die Weise"
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-09)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": IV. Aria (Alt) "Unerforschlich ist die Weise" (in 1983-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach5:37
5Kantate, BWV 188 "Ich habe meine Zuversicht": V. Recitativo (Sopran) "Die Macht der Welt verlieret sich"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-09)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": V. Recitativo (Sopran) "Die Macht der Welt verlieret sich" (in 1983-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach0:58
6Kantate, BWV 188 "Ich habe meine Zuversicht": VI. Choral "Auf meinen lieben Gott"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-09)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": VI. Choral "Auf meinen lieben Gott" (in 1983-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
[anonymous] (special purpose artist)
part of:
Breitkopf 389 Choralgesänge (number: 25)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach1:01
7Kantate, BWV 190 "Singet dem Herrn ein neues Lied": I. Coro "Singet dem Herrn ein neues Lied"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1988-01)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": I. Coro "Singet dem Herrn ein neues Lied" (from 1977-12 until 1988-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach5:21
8Kantate, BWV 190 "Singet dem Herrn ein neues Lied": II. Choral e Recitativo (Bass, Tenor, Alt) "Herr Gott, dich loben wir"
alto vocals:
Helen Watts (contralto)
bass vocals:
Niklaus Tuller (bass-baritone)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1988-01)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": II. Choral e Recitativo (Bass, Tenor, Alt) "Herr Gott, dich loben wir" (from 1977-12 until 1988-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach1:46
9Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1988-01)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (from 1977-12 until 1988-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach3:11
10Kantate, BWV 190 "Singet dem Herrn ein neues Lied": IV. Recitativo (Bass) "Es wünsche sich die Welt"
bass vocals:
Niklaus Tuller (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1988-01)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": IV. Recitativo (Bass) "Es wünsche sich die Welt" (from 1977-12 until 1988-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach1:27
11Kantate, BWV 190 "Singet dem Herrn ein neues Lied": V. Duetto (Tenor, Bass) "Jesus soll mein alles sein"
bass vocals:
Niklaus Tuller (bass-baritone)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1988-01)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": V. Duetto (Tenor, Bass) "Jesus soll mein alles sein" (from 1977-12 until 1988-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach2:57
12Kantate, BWV 190 "Singet dem Herrn ein neues Lied": VI. Recitativo (Tenor) "Nun, Jesus, gebe"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1988-01)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": VI. Recitativo (Tenor) "Nun, Jesus, gebe" (from 1977-12 until 1988-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach1:23
13Kantate, BWV 190 "Singet dem Herrn ein neues Lied": VII. Choral "Laß uns das Jahr vollbringen"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1988-01)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": VII. Choral "Laß uns das Jahr vollbringen" (from 1977-12 until 1988-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
lyricist:
Johannes Hermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 205)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach1:52
14Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1971-02 until 1971-05)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo" (from 1974-01 until 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
is based on:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach6:40
15Kantate, BWV 191 "Gloria in excelsis Deo": II. Duetto (Sopran, Tenor) "Gloria Patri et Filio et Spiritui sancto"
soprano vocals:
Nobuko Gamo-Yamamoto (soprano)
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1971-02 until 1971-05)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": II. Duetto (Sopran, Tenor) "Gloria Patri et Filio et Spiritui sancto" (from 1974-01 until 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach5:33
16Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1971-02 until 1971-05)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio" (from 1974-01 until 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach4:29
17Kantate, BWV 192 "Nun danket alle Gott": I. Coro "Nun danket alle Gott"
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 192 "Nun danket alle Gott": I. Coro "Nun danket alle Gott" (from 1974-01 until 1974-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1730)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Kantate, BWV 192 "Nun danket alle Gott"
Johann Sebastian Bach6:55
18Kantate, BWV 192 "Nun danket alle Gott": II. Duetto (Sopran, Bass) "Der ewig reiche Gott"
bass vocals:
Niklaus Tuller (bass-baritone)
soprano vocals:
Helen Donath (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 192 "Nun danket alle Gott": II. Duetto (Sopran, Bass) "Der ewig reiche Gott" (from 1974-01 until 1974-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1730)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Kantate, BWV 192 "Nun danket alle Gott"
Johann Sebastian Bach3:47
19Kantate, BWV 192 "Nun danket alle Gott": III. Coro "Lob, Ehr und Preis sei Gott"
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 192 "Nun danket alle Gott": III. Coro "Lob, Ehr und Preis sei Gott" (from 1974-01 until 1974-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1730)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Kantate, BWV 192 "Nun danket alle Gott"
Johann Sebastian Bach4:05
2▶CD: BWV 193-194
3▶CD: BWV 195-197
4▶CD: BWV 198-200