The Ultimate Movie Music Collection

~ Release by Erich Kunzel, Cincinnati Pops Orchestra (see all versions of this release, 1 available)

Annotation

All selections have previously been released on Telarc.

Annotation last modified on 2019-05-08 15:21 UTC.

Tracklist

1▶CD
2▶CD
3▶CD
4▼CD
#TitleRatingLength
1Iceberg! (SFX)
recording engineer:
Michael Bishop (Telarc engineer/producer) (on 1999-06-07)
producer:
Robert Woods (classical music producer, founder of TELARC) (on 1999-06-07)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (on 1999-06-07)
partial recording of:
Titanic
composer:
James Horner (American score composer)
0:43
2Back to Titanic
recording engineer:
Michael Bishop (Telarc engineer/producer) (on 1999-06-07)
producer:
Robert Woods (classical music producer, founder of TELARC) (on 1999-06-07)
orchestra:
Cincinnati Pops Orchestra (on 1999-06-07)
conductor:
Erich Kunzel (conductor) (on 1999-06-07)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (on 1999-06-07)
recording of:
Back to Titanic (Titanic)
composer:
James Horner (American score composer)
4:57
3Main Themes from ‘Hook’
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer) and Rosalind Ilett (Telarc editor)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1993-11-01 until 1994-01-16)
cover recording of:
Main Theme (Hook)
composer:
John Williams (American score composer and conductor)
part of:
Hook
4:13
4Theme from ‘The Pink Panther’
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
The Pink Panther Theme
orchestrator and composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
part of:
Classic 100: Piano (2025) (number: 61)
2:33
5Lara’s Theme from ‘Doctor Zhivago’
recording engineer:
Jack Renner (engineer for Telarc) and Robert Woods (classical music producer, founder of TELARC)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1987-05-10 until 1987-09-15)
conductor:
Erich Kunzel (conductor) (from 1987-05-10 until 1987-09-15)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1987-05-10 until 1987-09-15)
recording of:
Lara’s Theme (original without lyrics) (from 1987-05-10 until 1987-09-15)
composer:
Maurice Jarre (composer and conductor)
publisher:
Big 3 Music Ltd. and EMI United Publishers
part of:
Doctor Zhivago
cover recording of:
Lara’s Theme (original without lyrics)
composer:
Maurice Jarre (composer and conductor)
publisher:
Big 3 Music Ltd. and EMI United Publishers
part of:
Doctor Zhivago
5:48
6Theme from ‘Love Story’
recording engineer:
Jack Renner (engineer for Telarc) and Robert Woods (classical music producer, founder of TELARC)
producer:
Robert Woods (classical music producer, founder of TELARC)
piano:
William Tritt
orchestra:
Cincinnati Pops Orchestra (from 1987-05-10 until 1987-09-15)
conductor:
Erich Kunzel (conductor) (from 1987-05-10 until 1987-09-15)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1987-05-10 until 1987-09-15)
recording of:
Theme From Love Story (Instrumental) (from 1987-05-10 until 1987-09-15)
composer:
Francis Lai (French composer)
2:34
7Music from ‘The Right Stuff’
recording engineer:
Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Rosalind Ilett (Telarc editor) and Elaine Martone (engineer)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States
recording of:
The Right Stuff: Yeager’s Triumph
composer:
Bill Conti
54:46
8Theme from ‘Jaws’
orchestra:
Cincinnati Pops Orchestra (from 1987-05-10 until 1987-09-15)
conductor:
Erich Kunzel (conductor) (from 1987-05-10 until 1987-09-15)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States
cover recording of:
Main Theme (Jaws)
composer:
John Williams (American score composer and conductor)
included in:
Trail Mix‐Up
part of:
Jaws (1975 film score)
recording of:
Theme (Jaws)
composer:
John Williams (American score composer and conductor)
2:30
9When You Believe from ‘The Prince of Egypt’
recording engineer:
Michael Bishop (Telarc engineer/producer) (on 1999-06-07)
producer:
Robert Woods (classical music producer, founder of TELARC) (on 1999-06-07)
orchestra:
Cincinnati Pops Orchestra (on 1999-06-07)
conductor:
Erich Kunzel (conductor) (on 1999-06-07)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (on 1999-06-07)
instrumental recording of:
When You Believe (The Prince of Egypt)
lyricist and composer:
Stephen Schwartz (musical theatre lyricist/composer)
additional composer:
Hans Zimmer (German score composer)
part of:
The 71st Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1998 winner)
part of:
The Prince of Egypt (soundtrack from the 1998 musical animated film)
5:24
10Smile from ‘Modern Times’
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
arranger:
Crafton Beck
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (in 1992-12)
recording of:
Smile (Modern Times; original instrumental version) (in 1992-12)
writer:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
3:14
11The Apollo 13 Mission (SFX)
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
arranger:
Joseph D. Price
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1996-06-02 until 1996-09-03)
partial recording of:
Apollo 13 (part of soundtrack)
composer:
James Horner (American score composer)
part of:
Apollo 13
1:36
12Re‐Entry and Splashdown from ‘Apollo 13’
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
arranger:
Joseph D. Price
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1996-06-02 until 1996-09-03)
recording of:
Apollo 13 (part of soundtrack)
composer:
James Horner (American score composer)
part of:
Apollo 13
4:38
13Main Titles from ‘Beetlejuice’
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer) and Rosalind Ilett (Telarc editor)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
arranger:
Crafton Beck and Mark McGurty
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1993-11-01 until 1994-01-16)
cover recording of:
Main Theme (Beetlejuice)
composer:
Danny Elfman (American singer and score composer)
part of:
Beetlejuice
2:08
14War from ‘Pearl Harbor’
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
arranger:
Suzette Moriarty
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States
recording of:
War (Pearl Harbor)
composer:
Hans Zimmer (German score composer)
part of:
Pearl Harbor (2001 film soundtrack)
5:01
15Cavatina from ‘The Deer Hunter’
recording engineer:
Jack Renner (engineer for Telarc)
assistant engineer:
Michael Bishop (Telarc engineer/producer) and Thomas Knab (editor)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Erica Brenner (producer/editor), Rosalind Ilett (Telarc editor) and Thomas Knab (editor)
guitar:
Ángel Romero (guitarist/conductor)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
arranger:
Steven Bernstein (American Orchestrator)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1990-12-15 until 1990-12-16)
recording of:
Cavatina (theme from The Deer Hunter, for guitar)
composer:
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.
3:32
16Throne Room and End Title from ‘Star Wars: Episode IV: A New Hope’
recording engineer:
Jack Renner (engineer for Telarc) (on 1984-09-17)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (on 1984-09-17)
conductor:
Erich Kunzel (conductor) (on 1984-09-17)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (on 1984-09-17)
recording of:
Throne Room / Finale (Star Wars, Episode IV: A New Hope) (on 1984-09-17)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
57:46

Credits

Release

ASIN:US: B000BFH26Y [info]