Amy Winehouse's Jukebox: Gold Edition (Bonus Tracks)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Embraceable You
Produzent(in):
Leonard Chess, Leonard & Phil Chess (legendary US production duo) und Phil Chess
Sologesang:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
I Just Wanna Make Love to You (in 1960-05)
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hoochie Coochie Music
Sarah Vaughan & Clifford Brown34:50
2Boulevard of Broken Dreams
Produzent(in):
Leonard Chess, Leonard & Phil Chess (legendary US production duo) und Phil Chess
Sologesang:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
I Just Wanna Make Love to You (in 1960-05)
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hoochie Coochie Music
Tony Bennett32:55
3I Should Care
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
vocals:
Julie London (in 1955-08)
cover recording of:
I Should Care (in 1955-08)
Verfasser(in):
Sammy Cahn, Axel Stordahl und Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited und Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Julie London43:19
4I'm in the Mood for Love
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1956-12-14)
Techniker(in):
Jack Weiner
Produzent(in):
Phil Chess
baritone saxophone:
Tate Houston (am 1956-12-14)
flute:
James Moody (jazz saxophonist) (am 1956-12-14)
Klavier:
Benny Golson (American jazz saxophonist and composer) (am 1956-12-14)
Kontrabass [bass]:
John Latham (am 1956-12-14)
Posaune:
Donald Cole (am 1956-12-14)
Schlagzeug:
Clarence Johnston (am 1956-12-14)
vocals:
Eddie Jefferson (am 1956-12-14)
recording of:
Moody’s Mood for Love (1952 song, lyrics by Eddie Jefferson)
Texter:
Eddie Jefferson
Komponist(in):
Jimmy McHugh (songwriter)
zusätzliche(r) Komponist(in):
James Moody (jazz saxophonist)
publisher:
EMI Hastings Catalog Inc, EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
basiert auf:
I’m in the Mood for Love
Version von:
Moody’s Mood for Love (1949 jazz instrumental)
James Moody3:05
5Body and Soul (Live)
cover recording of:
Body and Soul
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald4:28
6Ain't No Mountain High Enough (Live)
recording of:
Ain’t No Mountain High Enough
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
sub-publisher:
EMI Songs Australia Pty. Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye & Tammi Terrell2:21
7Be My Baby (Live)
recording of:
Be My Baby
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. und Trio Music Co., Inc. (in 1963)
sub-publisher:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Fujipacific Music inc. (bis 2014-12-31), EMI Music Publishing Japan C.F. division (bis 2021-06-30), Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1963), Fujipacific Music, Inc. (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Ronettes2:32
8Hey! Jealous Lover
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-04-09)
Orchester:
The Nelson Riddle Orchestra (am 1956-04-09)
conductor:
Nelson Riddle (am 1956-04-09)
arranger:
Nelson Riddle
recording of:
Hey! Jealous Lover (am 1956-04-09)
Texter:
Sammy Cahn
Verfasser(in):
Kay Twomey
Komponist(in):
Bee Walker
publisher:
Barton Music Corp. und Cahn Music Company
Frank Sinatra12:19
9Don't Go to Strangers
recording engineer:
Rudy van Gelder (am 1960-06-21)
Gitarre:
Skeeter Best (am 1960-06-21)
Holzblasinstrumente:
Frank Wess (am 1960-06-21)
Klavier:
Richard Wyands (am 1960-06-21)
Kontrabass:
George Duvivier (am 1960-06-21)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1960-06-21)
vocals:
Etta Jones (vocals, jazz) (am 1960-06-21)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1960-06-21)
cover recording of:
Don’t Go to Strangers (am 1960-06-21)
Texter:
Redd Evans
Komponist(in):
Arthur Kent und David Mann (American songwriter)
Etta Jones3:50
10Shimmy Shimmy Ko Ko Bop
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 36)
recording of:
Shimmy, Shimmy Ko-Ko Bop (am 1959-09-29)
Texter und Komponist(in):
Robert Smith (composer of Shimmy Shimmy Koko Bop)
Little Anthony & the Imperials2:07
11Open Your Arms
Billy Fury1:58
12The Lonely Avenue
recorded in:
New York, New York, Vereinigte Staaten (am 1956-05-16)
baritone saxophone:
Emmett Dennis (am 1956-05-16)
Bass:
Roosevelt Sheffield (am 1956-05-16)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1956-05-16)
Saxophon:
David Newman (American jazz saxophonist) (am 1956-05-16)
Schlagzeug:
William Peeples (am 1956-05-16)
Trompete:
Joe Bridgewater (am 1956-05-16) und John Hunt (trumpeter) (am 1956-05-16)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1956-05-16)
Interpret(in):
The Cookies (50s girl group) (am 1956-05-16)
recording of:
Lonely Avenue (am 1956-05-16)
Texter und Komponist(in):
Doc Pomus
publisher:
Carlin Music Corporation, Great Moments in Music LLC, Pomus Songs Inc., Progressive Music (publisher), Spirit One Music, Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles32:34
13Moody's Mood for Love (Live)
James Moody3:14
14Cupid
Produzent(in):
Luigi Creatore und Hugo Peretti
Banjo:
Joseph Gibbons (guitar player)
Bass:
Clifford Hils (bass)
Gitarre:
Clifton White, Joseph Gibbons (guitar player) und René Hall
Schlagzeug:
Earl Palmer
Sologesang:
Sam Cooke (American singer and songwriter, “King of Soul”)
conductor:
René Hall
arranger:
René Hall
aufgenommen bei:
RCA Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-04-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 18) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 452)
recording of:
Cupid
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Kags Music Corp.
Sam Cooke3.652:36
15Party Lights
Claudine Clark2:22
16Will You Love Me Tomorrow
kettle drum:
Carole King (in 1960)
Klavier:
Paul Griffin (American pianist, session musician) (in 1960)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (in 1960)
Sologesang:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (singer for The Shirelles) (in 1960)
phonographisches Urheberrecht (℗) von:
HHO Licensing Ltd.
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles3.82:40
17I Feel the Earth Move (Live)
Carole King3:18
18Our Day Will Come
Ruby & the Romantics2:33
19Lollipop
Produzent(in):
Archie Bleyer
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1958)
cover recording of:
Lollipop
Verfasser(in):
Julius Dixson und Beverly Ross (musician (piano) and songwriter)
publisher:
Anglo-Pic Music Co. Ltd. und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
recording of:
Lollipop
Verfasser(in):
Julius Dixson und Beverly Ross (musician (piano) and songwriter)
publisher:
Anglo-Pic Music Co. Ltd. und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
The Chordettes42:10
20Something's Gotta Give
recording of:
Something’s Gotta Give (from “Daddy Long Legs”)
Texter und Komponist(in):
Johnny Mercer (in 1954)
publisher:
WB Music Corp. (1929–2019)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
Sammy Davis Jr.2:03
21Black Coffee
cover recording of:
Black Coffee (1948 song)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
Ray Charles5:42
22Just in Time
cover recording of:
Just in Time (Bells Are Ringing)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
Lena Horne2:53
23Little Girl Blue
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-30)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-30) und Edgar Lustgarten (am 1956-08-30)
Englischhorn [English horn] und Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-08-30)
flute:
Bob Cooper (US jazz saxophonist) (am 1956-08-30), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-30), Bud Shank (am 1956-08-30) und Maurice Stein (American jazz saxophonist) (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Harfe:
Corky Hale (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
Waldhorn:
Vince DeRosa (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
conductor:
Buddy Bregman (am 1956-08-30)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-30)
recording of:
Little Girl Blue (am 1956-08-30)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
Ella Fitzgerald3:53
24Lullaby of Birdland
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
Texter:
B. Y. Forster (pseudonym of George David Weiss)
Verfasser(in):
George David Weiss
Komponist(in):
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited und Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Sarah Vaughan & Clifford Brown3:58
25Coquette
live cover recording of:
Coquette
Texter:
Gus Kahn
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green) und Carmen Lombardo
Dinah Washington2:53
26I Just Want to Make Love to You
Produzent(in):
Leonard Chess, Leonard & Phil Chess (legendary US production duo) und Phil Chess
Sologesang:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
I Just Wanna Make Love to You (in 1960-05)
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hoochie Coochie Music
Etta James33:07
27You Go to My Head
recording of:
You Go to My Head
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
Frank Sinatra3:00
28Tenderly
Klavier:
Kirk Stuart (am 1963-07-18)
Kontrabass:
Charles Williams (US jazz bassist) (am 1963-07-18)
Schlagzeug:
George Hughes (am 1963-07-18)
vocals:
Sarah Vaughan (am 1963-07-18)
aufgenommen bei:
Tivoli (Danish amusement park) in Copenhagen (Kopenhagen), Capital Region of Denmark (Region Hovedstaden), Dänemark (am 1963-07-18)
live cover recording of:
Tenderly (am 1963-07-18)
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
cover recording of:
Tenderly
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
Sarah Vaughan2:29
29Love Me or Leave Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-05)
Produzent(in):
Norman Granz
recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
Anita O’Day2:31
30If I Could Be With You One Hour Tonight
vocals:
Dinah Washington (in 1958)
cover recording of:
If I Could Be With You (One Hour Tonight)
Texter:
Henry Creamer (Lyricist) (in 1926)
Komponist(in):
James P. Johnson (in 1926)
Dinah Washington2:47
31To Know Him Is to Love Him
Techniker(in):
Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Phil Spector
Instrumente:
Phil Spector (in 1958-07)
membranophone:
Sandy Nelson (in 1958-07)
arranger:
Phil Spector
engineered at:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1958-07)
recording of:
To Know Him Is to Love Him (in 1958-07)
Texter und Komponist(in):
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Bourne Music Ltd., Mother Bertha Music Inc. und Vogue Music
The Teddy Bears2:23
32Come See About Me (Live)
recording of:
Come See About Me
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
The Supremes2:30
33I Ain't Got Nobody
Bass:
Ed Jones (US jazz double bassist)
Gitarre:
Freddie Green
Klavier:
George Rhodes
membranophone:
Sonny Payne
Posaune:
Henderson Chambers, Henry Coker (jazz trombonist), Al Grey (trombone) und Benny Powell (jazz trombonist)
Rohrblattinstrumente:
Frank Foster (saxophonist), Charlie Fowlkes (baritone saxophonist), Billy Mitchell (US jazz saxophonist), Marshall Royal und Frank Wess
Trompete:
John Anderson (US jazz trumpeter), Thad Jones (American jazz trumpeter), Joe Newman (US jazz trumpeter), Ernie Royal und Snookie Young
cover recording of:
I Got a Woman
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sammy Davis Jr.2:21
34Goodbye Pork Pie Hat
recorded in:
New York, New York, Vereinigte Staaten (am 1959-05-12)
Klavier:
Horace Parlan (American‐Danish jazz pianist) (am 1959-05-12)
Kontrabass [bass]:
Charles Mingus (am 1959-05-12)
Schlagzeug:
Dannie Richmond (drummer) (am 1959-05-12)
Tenorsaxophon:
Booker Ervin (tenor saxophonist) (am 1959-05-12) und John Handy (US jazz alto saxophonist, born 1933) (am 1959-05-12)
Bearbeitung von:
Goodbye Pork Pie Hat (unedited, from “Ah Um”) von Charles Mingus
recording of:
Goodbye Pork Pie Hat (instrumental) (am 1959-05-12)
Komponist(in):
Charles Mingus
publisher:
Adams Avenue, Flying Red Rhino, Jazz Workshop, Inc., Songs of Kobalt Music Publishing und The Mingus Music Werkshop
Charles Mingus44:46
35Loving You
Mastering:
Kent Duncan
Techniker(in):
Malcolm Cecil und Robert Margouleff
zusätzliche(r) Techniker(in):
Gary Olazabal
Bassgitarre:
Reggie McBride
Conga:
Rocki Dzidzornu
Gitarre:
Michael Sembello
große Trommel, Becken, Mundharmonika, membranophone und Klavier:
El Toro Negro
membranophone:
Ollie E. Brown (US drummer, session musician & record producer)
Hintergrundgesang:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) und Yvonne Wright
Sologesang:
Minnie Riperton
arranger:
Wonderlove (Stevie Wonder alias used to do work outside of Motown)
recording of:
Lovin’ You
Verfasser(in):
Minnie Riperton und Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton23:50
36Stagger Lee
recording of:
Stagger Lee (Lloyd Price version)
Verfasser(in):
Harold Logan und Lloyd Price (US R&B/soul singer)
publisher:
EMI Catalogue Partnership, Irving Music (BMI) und Travis Music Co.
Version von:
Stagger Lee (“Stackolee” etc., traditional)
Lloyd Price2:52
37My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Chet Baker2:16
38Give Him a Great Big Kiss
recording of:
Give Him a Great Big Kiss
Texter und Komponist(in):
George “Shadow” Morton
The Shangri‐Las41:42
39Must Have That Man
recording of:
I Must Have That Man
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
Billie Holiday3:02
40The Nearness of You
cover recording of:
The Nearness of You
Texter:
Ned Washington (in 1938)
Komponist(in):
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
Sarah Vaughan3:21
41When Your Lover Has Gone
recording of:
When Your Lover Has Gone
Texter und Komponist(in):
Einar Aaron Swan
publisher:
Remick Music Corp. und Warner Bros., Inc. (Warner Bros. Music Division)
Frank Sinatra3:06
42You Don't Know What Love Is
Bass:
Milt Hinton (am 1958-02-19)
Bassposaune:
Tom Mitchell (US jazz trombonist) (am 1958-02-19)
Bratsche / Viola:
Sidney Brecher (am 1958-02-19) und Richard Dickler (am 1958-02-19)
Cello:
Maurice Brown (jazz cellist) (am 1958-02-19) und David Soyer (am 1958-02-19)
flute:
Danny Bank (reeds) (am 1958-02-19), Phil Bodner (Woodwind player) (am 1958-02-19), Thomas Parshley (am 1958-02-19) und Romeo Penque (am 1958-02-19)
Geige / Violine:
Emmanual Green (am 1958-02-19), Harry Hoffman (violinist) (am 1958-02-19), Harry Katzman (am 1958-02-19), Leo Kruczek (am 1958-02-19), Milton Lomask (am 1958-02-19), Harry Melnikoff (am 1958-02-19), George Ockner (am 1958-02-19) und Sam Rand (violinist) (am 1958-02-19)
Gitarre:
Barry Galbraith (am 1958-02-19)
Harfe:
Janet Putnam (harpist) (am 1958-02-19)
Klavier:
Mal Waldron (American jazz pianist) (am 1958-02-19)
Posaune:
Jack Green (am 1958-02-19), Urbie Green (am 1958-02-19) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1958-02-19)
Schlagzeug:
Osie Johnson (am 1958-02-19)
Solo-Trompete:
Mel Davis (US jazz trumpeter) (am 1958-02-19)
Trompete:
Billy Butterfield (am 1958-02-19) und Bernie Glow (am 1958-02-19)
Hintergrundgesang:
Elise Bretton (am 1958-02-19) und Miriam Workman (am 1958-02-19)
Sologesang:
Billie Holiday (am 1958-02-19)
Orchester:
Ray Ellis and His Orchestra (am 1958-02-19)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1958-02-19)
recording of:
You Don’t Know What Love Is
Texter:
Don Raye
Komponist(in):
Gene de Paul
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billie Holiday3:47
43Oh Carolina
recording of:
Oh Carolina
Texter und Komponist(in):
John Folkes
Folkes Brothers2:44
44I Got a Women
Bass:
Ed Jones (US jazz double bassist)
Gitarre:
Freddie Green
Klavier:
George Rhodes
membranophone:
Sonny Payne
Posaune:
Henderson Chambers, Henry Coker (jazz trombonist), Al Grey (trombone) und Benny Powell (jazz trombonist)
Rohrblattinstrumente:
Frank Foster (saxophonist), Charlie Fowlkes (baritone saxophonist), Billy Mitchell (US jazz saxophonist), Marshall Royal und Frank Wess
Trompete:
John Anderson (US jazz trumpeter), Thad Jones (American jazz trumpeter), Joe Newman (US jazz trumpeter), Ernie Royal und Snookie Young
cover recording of:
I Got a Woman
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sammy Davis Jr.4:29
45Round Midnight
recording of:
’Round Midnight
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Thelonious Monk3:11
46Girl from Ipanema
recording of:
Garota de Ipanema
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim und Vinicius de Moraes (O poetinha)
publisher:
Universal Duchess Music Corp.
Pery Ribeiro2:13
47Lover Man
Produzent(in):
Milt Gabler
alto saxophone:
Jack Cressey (am 1944-10-04) und Hymie Shertzer (am 1944-10-04)
Gitarre:
Carl Kress (am 1944-10-04)
Klavier:
Dave Bowman (jazz pianist) (am 1944-10-04)
Kontrabass [bass]:
Haig Stephens (am 1944-10-04)
Schlagzeug:
Johnny Blowers (am 1944-10-04)
Tenorsaxophon:
Larry Binyon (am 1944-10-04) und Paul Ricci (American big-band jazz saxophonist and clarinetist, 1914–2001) (am 1944-10-04)
Trompete:
Russ Case (US trumpeter & bandleader)
Sologesang:
Billie Holiday (am 1944-10-04)
Orchester:
Toots Camarata and His Orchestra (am 1944-10-04)
conductor:
Tutti Camarata
arranger:
Tutti Camarata (am 1944-10-04)
recording of:
Lover Man (am 1944-10-04)
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
Billie Holiday43:18
48Every Time We Say Goodbye
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3:26
49100 Miles and Runnin
N.W.A3:48
50There Is No Greater Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-08-15)
live cover recording of:
There Is No Greater Love (am 1954-08-15)
Texter:
Marty Symes (lyricist)
Komponist(in):
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) und World Music, Inc.
Dinah Washington2:15