Amy Winehouse's Jukebox: Gold Edition (Bonus Tracks)

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Embraceable You
producer:
Leonard Chess, Leonard & Phil Chess (legendary US production duo) and Phil Chess
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
I Just Wanna Make Love to You (in 1960-05)
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hoochie Coochie Music
Sarah Vaughan & Clifford Brown34:50
2Boulevard of Broken Dreams
producer:
Leonard Chess, Leonard & Phil Chess (legendary US production duo) and Phil Chess
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
I Just Wanna Make Love to You (in 1960-05)
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hoochie Coochie Music
Tony Bennett32:55
3I Should Care
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
cover recording of:
I Should Care (in 1955-08)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Julie London43:19
4I'm in the Mood for Love
recorded in:
Chicago, Illinois, United States (on 1956-12-14)
engineer:
Jack Weiner
producer:
Phil Chess
baritone saxophone:
Tate Houston (on 1956-12-14)
double bass [bass]:
John Latham (on 1956-12-14)
drums (drum set):
Clarence Johnston (on 1956-12-14)
flute:
James Moody (jazz saxophonist) (on 1956-12-14)
piano:
Benny Golson (American jazz saxophonist and composer) (on 1956-12-14)
trombone:
Donald Cole (on 1956-12-14)
vocals:
Eddie Jefferson (on 1956-12-14)
recording of:
Moody’s Mood for Love (1952 song, lyrics by Eddie Jefferson)
lyricist:
Eddie Jefferson
additional composer:
James Moody (jazz saxophonist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Hastings Catalog Inc, EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
is based on:
I’m in the Mood for Love
version of:
Moody’s Mood for Love (1949 jazz instrumental)
James Moody3:05
5Body and Soul (Live)
cover recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald4:28
6Ain't No Mountain High Enough (Live)
recording of:
Ain’t No Mountain High Enough
writer:
Nickolas Ashford and Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) and Jobete Music Co., Inc.
sub-publisher:
EMI Songs Australia Pty. Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye & Tammi Terrell2:21
7Be My Baby (Live)
recording of:
Be My Baby
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. and Trio Music Co., Inc. (in 1963)
sub-publisher:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Fujipacific Music inc. (until 2014-12-31), EMI Music Publishing Japan C.F. division (until 2021-06-30), Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1963), Fujipacific Music, Inc. (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Ronettes2:32
8Hey! Jealous Lover
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-09)
orchestra:
The Nelson Riddle Orchestra (on 1956-04-09)
conductor:
Nelson Riddle (on 1956-04-09)
arranger:
Nelson Riddle
recording of:
Hey! Jealous Lover (on 1956-04-09)
lyricist:
Sammy Cahn
writer:
Kay Twomey
composer:
Bee Walker
publisher:
Barton Music Corp. and Cahn Music Company
Frank Sinatra12:19
9Don't Go to Strangers
recording engineer:
Rudy van Gelder (on 1960-06-21)
double bass:
George Duvivier (on 1960-06-21)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-06-21)
guitar:
Skeeter Best (on 1960-06-21)
piano:
Richard Wyands (on 1960-06-21)
woodwind:
Frank Wess (on 1960-06-21)
vocals:
Etta Jones (vocals, jazz) (on 1960-06-21)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-06-21)
cover recording of:
Don’t Go to Strangers (on 1960-06-21)
lyricist:
Redd Evans
composer:
Arthur Kent and David Mann (American songwriter)
Etta Jones3:50
10Shimmy Shimmy Ko Ko Bop
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 36)
recording of:
Shimmy, Shimmy Ko-Ko Bop (on 1959-09-29)
lyricist and composer:
Robert Smith (composer of Shimmy Shimmy Koko Bop)
Little Anthony & the Imperials2:07
11Open Your Arms
Billy Fury1:58
12The Lonely Avenue
recorded in:
New York, New York, United States (on 1956-05-16)
baritone saxophone:
Emmett Dennis (on 1956-05-16)
bass:
Roosevelt Sheffield (on 1956-05-16)
drums (drum set):
William Peeples (on 1956-05-16)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1956-05-16)
saxophone:
David Newman (American jazz saxophonist) (on 1956-05-16)
trumpet:
Joe Bridgewater (on 1956-05-16) and John Hunt (trumpeter) (on 1956-05-16)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1956-05-16)
performer:
The Cookies (50s girl group) (on 1956-05-16)
recording of:
Lonely Avenue (on 1956-05-16)
lyricist and composer:
Doc Pomus
publisher:
Carlin Music Corporation, Great Moments in Music LLC, Pomus Songs Inc., Progressive Music (publisher), Spirit One Music, Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles32:34
13Moody's Mood for Love (Live)
James Moody3:14
14Cupid
producer:
Luigi Creatore and Hugo Peretti
banjo:
Joseph Gibbons (guitar player)
bass:
Clifford Hils (bass)
drums (drum set):
Earl Palmer
guitar:
Clifton White, Joseph Gibbons (guitar player) and René Hall
lead vocals:
Sam Cooke (American singer and songwriter, “King of Soul”)
conductor:
René Hall
arranger:
René Hall
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1961-04-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 18) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 452)
recording of:
Cupid
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
Sam Cooke3.652:36
15Party Lights
Claudine Clark2:22
16Will You Love Me Tomorrow
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (in 1960)
kettle drum:
Carole King (in 1960)
piano:
Paul Griffin (American pianist, session musician) (in 1960)
lead vocals:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (singer for The Shirelles) (in 1960)
phonographic copyright (℗) by:
HHO Licensing Ltd.
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Shirelles3.82:40
17I Feel the Earth Move (Live)
Carole King3:18
18Our Day Will Come
Ruby & the Romantics2:33
19Lollipop
producer:
Archie Bleyer
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1958)
cover recording of:
Lollipop
writer:
Julius Dixson and Beverly Ross (musician (piano) and songwriter)
publisher:
Anglo-Pic Music Co. Ltd. and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
recording of:
Lollipop
writer:
Julius Dixson and Beverly Ross (musician (piano) and songwriter)
publisher:
Anglo-Pic Music Co. Ltd. and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
The Chordettes42:10
20Something's Gotta Give
recording of:
Something’s Gotta Give (from “Daddy Long Legs”)
lyricist and composer:
Johnny Mercer (in 1954)
publisher:
WB Music Corp. (1929–2019)
part of:
The 28th Academy Award for Best Original Song (number: 2)
Sammy Davis Jr.2:03
21Black Coffee
cover recording of:
Black Coffee (1948 song)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Ray Charles5:42
22Just in Time
cover recording of:
Just in Time (Bells Are Ringing)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
Lena Horne2:53
23Little Girl Blue
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (US jazz saxophonist) (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Bob Cooper (US jazz saxophonist) (on 1956-08-30), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-30), Bud Shank (on 1956-08-30) and Maurice Stein (American jazz saxophonist) (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
recording of:
Little Girl Blue (on 1956-08-30)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
Ella Fitzgerald3:53
24Lullaby of Birdland
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
writer:
George David Weiss
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Sarah Vaughan & Clifford Brown3:58
25Coquette
live cover recording of:
Coquette
lyricist:
Gus Kahn
composer:
Johnny Green (composer and conductor, often credited as John Green) and Carmen Lombardo
Dinah Washington2:53
26I Just Want to Make Love to You
producer:
Leonard Chess, Leonard & Phil Chess (legendary US production duo) and Phil Chess
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
I Just Wanna Make Love to You (in 1960-05)
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hoochie Coochie Music
Etta James33:07
27You Go to My Head
recording of:
You Go to My Head
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
Frank Sinatra3:00
28Tenderly
double bass:
Charles Williams (US jazz bassist) (on 1963-07-18)
drums (drum set):
George Hughes (on 1963-07-18)
piano:
Kirk Stuart (on 1963-07-18)
vocals:
Sarah Vaughan (on 1963-07-18)
recorded at:
Tivoli (Danish amusement park) in Copenhagen, Capital Region of Denmark, Denmark (on 1963-07-18)
live cover recording of:
Tenderly (on 1963-07-18)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
cover recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Sarah Vaughan2:29
29Love Me or Leave Me
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Love Me or Leave Me
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
Anita O’Day2:31
30If I Could Be With You One Hour Tonight
vocals:
Dinah Washington (in 1958)
cover recording of:
If I Could Be With You (One Hour Tonight)
lyricist:
Henry Creamer (Lyricist) (in 1926)
composer:
James P. Johnson (in 1926)
Dinah Washington2:47
31To Know Him Is to Love Him
engineer:
Stan Ross (recording engineer, mixer & producer)
producer:
Phil Spector
instruments:
Phil Spector (in 1958-07)
membranophone:
Sandy Nelson (in 1958-07)
arranger:
Phil Spector
engineered at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1958-07)
recording of:
To Know Him Is to Love Him (in 1958-07)
lyricist and composer:
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Bourne Music Ltd., Mother Bertha Music Inc. and Vogue Music
The Teddy Bears2:23
32Come See About Me (Live)
recording of:
Come See About Me
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
writer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
The Supremes2:30
33I Ain't Got Nobody
bass:
Ed Jones (US jazz double bassist)
guitar:
Freddie Green
membranophone:
Sonny Payne
piano:
George Rhodes
reeds:
Frank Foster (saxophonist), Charlie Fowlkes (baritone saxophonist), Billy Mitchell (US jazz saxophonist), Marshall Royal and Frank Wess
trombone:
Henderson Chambers, Henry Coker (jazz trombonist), Al Grey (trombone) and Benny Powell (jazz trombonist)
trumpet:
John Anderson (US jazz trumpeter), Thad Jones (American jazz trumpeter), Joe Newman (US jazz trumpeter), Ernie Royal and Snookie Young
cover recording of:
I Got a Woman
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sammy Davis Jr.2:21
34Goodbye Pork Pie Hat
recorded in:
New York, New York, United States (on 1959-05-12)
double bass [bass]:
Charles Mingus (on 1959-05-12)
drums (drum set):
Dannie Richmond (drummer) (on 1959-05-12)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1959-05-12)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1959-05-12) and John Handy (US jazz alto saxophonist, born 1933) (on 1959-05-12)
edit of:
Goodbye Pork Pie Hat (unedited, from “Ah Um”) by Charles Mingus
recording of:
Goodbye Pork Pie Hat (instrumental) (on 1959-05-12)
composer:
Charles Mingus
publisher:
Adams Avenue, Flying Red Rhino, Jazz Workshop, Inc., Songs of Kobalt Music Publishing and The Mingus Music Werkshop
Charles Mingus44:46
35Loving You
mastering:
Kent Duncan
additional engineer:
Gary Olazabal
engineer:
Malcolm Cecil and Robert Margouleff
bass drum, cymbal, harmonica, membranophone and piano:
El Toro Negro
bass guitar:
Reggie McBride
congas:
Rocki Dzidzornu
guitar:
Michael Sembello
membranophone:
Ollie E. Brown (US drummer, session musician & record producer)
background vocals:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) and Yvonne Wright
lead vocals:
Minnie Riperton
arranger:
Wonderlove (Stevie Wonder alias used to do work outside of Motown)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton23:50
36Stagger Lee
recording of:
Stagger Lee (Lloyd Price version)
writer:
Harold Logan and Lloyd Price (US R&B/soul singer)
publisher:
EMI Catalogue Partnership, Irving Music (BMI) and Travis Music Co.
version of:
Stagger Lee (“Stackolee” etc., traditional)
Lloyd Price2:52
37My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
Chet Baker2:16
38Give Him a Great Big Kiss
recording of:
Give Him a Great Big Kiss
lyricist and composer:
George “Shadow” Morton
The Shangri‐Las41:42
39Must Have That Man
recording of:
I Must Have That Man
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
Billie Holiday3:02
40The Nearness of You
cover recording of:
The Nearness of You
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
Sarah Vaughan3:21
41When Your Lover Has Gone
recording of:
When Your Lover Has Gone
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
Frank Sinatra3:06
42You Don't Know What Love Is
bass:
Milt Hinton (on 1958-02-19)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1958-02-19)
cello:
Maurice Brown (jazz cellist) (on 1958-02-19) and David Soyer (on 1958-02-19)
drums (drum set):
Osie Johnson (on 1958-02-19)
flute:
Danny Bank (reeds) (on 1958-02-19), Phil Bodner (Woodwind player) (on 1958-02-19), Thomas Parshley (on 1958-02-19) and Romeo Penque (on 1958-02-19)
guitar:
Barry Galbraith (on 1958-02-19)
harp:
Janet Putnam (harpist) (on 1958-02-19)
piano:
Mal Waldron (American jazz pianist) (on 1958-02-19)
solo trumpet:
Mel Davis (US jazz trumpeter) (on 1958-02-19)
trombone:
Jack Green (on 1958-02-19), Urbie Green (on 1958-02-19) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1958-02-19)
trumpet:
Billy Butterfield (on 1958-02-19) and Bernie Glow (on 1958-02-19)
viola:
Sidney Brecher (on 1958-02-19) and Richard Dickler (on 1958-02-19)
violin:
Emmanual Green (on 1958-02-19), Harry Hoffman (violinist) (on 1958-02-19), Harry Katzman (on 1958-02-19), Leo Kruczek (on 1958-02-19), Milton Lomask (on 1958-02-19), Harry Melnikoff (on 1958-02-19), George Ockner (on 1958-02-19) and Sam Rand (violinist) (on 1958-02-19)
background vocals:
Elise Bretton (on 1958-02-19) and Miriam Workman (on 1958-02-19)
lead vocals:
Billie Holiday (on 1958-02-19)
orchestra:
Ray Ellis and His Orchestra (on 1958-02-19)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1958-02-19)
recording of:
You Don’t Know What Love Is
lyricist:
Don Raye
composer:
Gene de Paul
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billie Holiday3:47
43Oh Carolina
recording of:
Oh Carolina
lyricist and composer:
John Folkes
Folkes Brothers2:44
44I Got a Women
bass:
Ed Jones (US jazz double bassist)
guitar:
Freddie Green
membranophone:
Sonny Payne
piano:
George Rhodes
reeds:
Frank Foster (saxophonist), Charlie Fowlkes (baritone saxophonist), Billy Mitchell (US jazz saxophonist), Marshall Royal and Frank Wess
trombone:
Henderson Chambers, Henry Coker (jazz trombonist), Al Grey (trombone) and Benny Powell (jazz trombonist)
trumpet:
John Anderson (US jazz trumpeter), Thad Jones (American jazz trumpeter), Joe Newman (US jazz trumpeter), Ernie Royal and Snookie Young
cover recording of:
I Got a Woman
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sammy Davis Jr.4:29
45Round Midnight
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Thelonious Monk3:11
46Girl from Ipanema
recording of:
Garota de Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim and Vinicius de Moraes (O poetinha)
publisher:
Universal Duchess Music Corp.
Pery Ribeiro2:13
47Lover Man
producer:
Milt Gabler
alto saxophone:
Jack Cressey (on 1944-10-04) and Hymie Shertzer (on 1944-10-04)
double bass [bass]:
Haig Stephens (on 1944-10-04)
drums (drum set):
Johnny Blowers (on 1944-10-04)
guitar:
Carl Kress (on 1944-10-04)
piano:
Dave Bowman (jazz pianist) (on 1944-10-04)
tenor saxophone:
Larry Binyon (on 1944-10-04) and Paul Ricci (American big-band jazz saxophonist and clarinetist, 1914–2001) (on 1944-10-04)
trumpet:
Russ Case (US trumpeter & bandleader)
lead vocals:
Billie Holiday (on 1944-10-04)
orchestra:
Toots Camarata and His Orchestra (on 1944-10-04)
conductor:
Tutti Camarata
arranger:
Tutti Camarata (on 1944-10-04)
recording of:
Lover Man (on 1944-10-04)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Billie Holiday43:18
48Every Time We Say Goodbye
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3:26
49100 Miles and Runnin
N.W.A3:48
50There Is No Greater Love
recorded in:
Los Angeles, California, United States (on 1954-08-15)
live cover recording of:
There Is No Greater Love (on 1954-08-15)
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
Dinah Washington2:15