The Complete Works

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

The 2016 75-CD reissue of the 2013 edition. Decca only has the 2013 edition listed on their site.

Annotation last modified on 2018-04-22 16:58 UTC.

Tracklist

1▶CD: Oberto (Atto I) (Marriner, 1966)
2▶CD: Oberto (Atto II, Appendix) (Marriner, 1966)
3▶CD: Un giorno di regno (Atto I) (Gardelli, 1973)
4▶CD: Un giorno di regno (Atto II) (Gardelli, 1973)
5▶CD: Nabucco (Parte I, Parte II beginning) (Gardelli, 1965)
6▶CD: Nabucco (Parte II conclusion, Parte III, Parte IV) (Gardelli, 1965)
7▶CD: I Lombardi (Atto I, Atto II) (Levine, 1996)
8▶CD: I Lombardi (Atto III, Atto IV) (Levine, 1996)
9▶CD: Ernani (Parte I, Parte II beginning) (Bonynge, 1987)
10▶CD: Ernani (Parte II conclusion, Parte III, Parte IV) (Bonynge, 1987)
11▶CD: I due Foscari (Atto I) (Gardelli, 1976)
12▶CD: I due Foscari (Atto II, Atto III) (Gardelli, 1976)
13▶CD: Giovanna d’Arco (Prologo, Atto I) (Carignani, 2013)
14▶CD: Giovanna d’Arco (Atto II, Atto III) (Carignani, 2013)
15▶CD: Alzira (Prologo, Atto I) (Luisi, 1999)
16▶CD: Alzira (Atto II) (Luisi, 1999)
17▼CD: Attila (Prologo, Atto I beginning) (Gardelli, 1972)
#TitleRatingLength
1Attila: Preludio
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: N°1 Preludio (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila
3:05
2Attila: Prologo. “Urli, rapine. gemiti, sangue" (Unni, Eruli, Ostrogoti, ecc.)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°2 Introduzione "Urli, rapine” (Unni, Eruli, Ostrogoti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
1:48
3Attila: Prologo. “Eroi, levatevi” (Attila, Unni, Ostrogoti, ecc.)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°3 Scena e cavatina “Eroi, levatevi” (Attila) (in 1972)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
2:22
4Attila: Prologo. “Di vergini straniere“ (Attila, Uldino)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°3 “Di vergini stranieri” (Attila, Uldino, Odabella, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
0:31
5Attila: Prologo. “Santo di patria indefinito amor!” (Odabella)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Prologo. N°3b Aria “Santo di patria indefinito amor!” … “Allor, che i forti corrono” (Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
recording of:
Attila: Prologo. N°3b Aria “Santo di patria indefinito amor!” … “Allor, che i forti corrono” (Odabella)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
0:31
6Attila: Prologo. “Allor che i forti corrono come leoni al brando” (Odabella, Attila)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Prologo. N°3b Aria “Santo di patria indefinito amor!” … “Allor, che i forti corrono” (Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
recording of:
Attila: Prologo. N°3b Aria “Santo di patria indefinito amor!” … “Allor, che i forti corrono” (Odabella)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
3:22
7Attila: Prologo. “Da te questo or m'è concesso, o giustizia alta” (Odabella, Attila, vergini d'Aquileia, Unni, Eruli, Ostrogoti, ecc.)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°3c “Da te questo or mè concesso” (Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
2:35
8Attila: Prologo. “Uldino, a me dinanzi l'inviato di Roma ora si guidi” (Attila)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Prologo. N°3 “Uldino, a me dinanzi l'inviato” … “Tardo per gli anni” (Attila, Ezio) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
recording of:
Attila: Prologo. N°3 “Uldino, a me dinanzi l'inviato” … “Tardo per gli anni” (Attila, Ezio)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
0:31
9Attila: Prologo. “Attila! - Oh, il nobil messo!” (Ezio, Attila)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Prologo. N°3 “Uldino, a me dinanzi l'inviato” … “Tardo per gli anni” (Attila, Ezio) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
1:34
10Attila: Prologo. “Tardo per gli anni, e tremulo, è il regnator d'Oriente” (Ezio, Attila)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°4 Duetto “Tardo per gli anni, e tremulo” (Attila, Ezio) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
3:57
11Attila: Prologo. “Vanitosi!” (Attila, Ezio)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°4 Duetto “Vanitosi!” (Ezio, Attila) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
2:21
12Attila: Prologo. “Qual notte!” (Eremiti)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°5 Scena e cavatina “Qual notte!” (Eremiti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
2:51
13Attila: Prologo. “L'alito del mattin già l'alure appura, Preghiam!” (Eremiti, voci interne)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°5 “L'alito del mattin … Preghiam!” (Eremiti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
1:46
14Attila: Prologo. “Quai voci!” (Eremiti, popolo d'Aquileia, Foresto)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°5 “Quai voci!” … “Oh! Tutto di navicelle” … “Qui, qui, sostiamo” (Eremiti, Aquilejesi, Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
2:17
15Attila: Prologo. “Ella in poter del barbaro!” (Foresto, popolo d'Aquileia, eremiti)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Prologo. N°5 “Ella in poter del barbaro … Cessato alfine il turbine … Cara patria” (Foresto, Eremiti, Aquilejesi) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
3:20
16Attila: Prologo. “Cara patria” (Foresto, popolo d'Aquileia, eremiti)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Prologo. N°5 “Ella in poter del barbaro … Cessato alfine il turbine … Cara patria” (Foresto, Eremiti, Aquilejesi) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
3:24
17Attila: Atto I. “Liberamente or piangi” (Odabella)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto I. N°6 Scena e romanza “Liberamente or piangi” … “Oh! Nel fuggente nuvolo” (Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
2:35
18Attila: Atto I. “Oh! nel fuggente nuvolo non sei tu, padre, impresso?” (Odabella)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto I. N°6 Scena e romanza “Liberamente or piangi” … “Oh! Nel fuggente nuvolo” (Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
3:12
19Attila: Atto I. “Qual suon di passi!” (Odabella, Foresto)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°7 Scena e duetto “Qual suon di passi!” (Odabella, Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
1:37
20Attila: Atto I. “Sì, quell'io son” (Foresto, Odabella)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°7 “Sì, quell'io son” (Foresto, Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
3:35
21Attila: Atto I. “Va! Racconta al sacrilego infame, ch'io sol resto” (Foresto, Odabella)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°7 “Va! Racconta al sacrilego” (Foresto, Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
1:17
22Attila: Atto I. “Oh, t'inebria nell'amplesso” (Foresto, Odabella)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°7 Duetto “Oh! t'inebria nell'amplesso” (Odabella, Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
2:19
18▶CD: Attila (Atto I conclusion, Atto II, Atto III) (Gardelli, 1972)
19▶CD: Macbeth (Atto I, Atto II) (Abbado, 1976)
20▶CD: Macbeth (Atto III, Atto IV) (Abbado, 1976)
21▶CD: I masnadieri (Atto I, Atto II) (Bonynge, 1982)
22▶CD: I masnadieri (Atto III, Atto IV) (Bonynge, 1982)
23▶CD: Jérusalem (Acte I) (Luisi, 1998)
24▶CD: Jérusalem (Acte II) (Luisi, 1998)
25▶CD: Jérusalem (Acte III, Acte IV) (Luisi, 1998)
26▶CD: Il corsaro (Atto I, Atto II) (Gardelli, 1975)
27▶CD: Il corsaro (Atto III) (Gardelli, 1975)
28▶CD: La battaglia di Legnano (Atto I, Atto II) (Gardelli, 1977)
29▶CD: La battaglia di Legnano (Atto III, Atto IV) (Gardelli, 1977)
30▶CD: Luisa Miller (Atto I, Atto II beginning) (Maag, 1975)
31▶CD: Luisa Miller (Atto II conclusion, Atto III) (Maag, 1975)
32▶CD: Stiffelio (Atto I) (Gardelli, 1979)
33▶CD: Stiffelio (Atto II, Atto III) (Gardelli, 1979)
34▶CD: Rigoletto (Atto I) (Giulini, 1979)
35▶CD: Rigoletto (Atto II, Atto III) (Giulini, 1979)
36▶CD: Il trovatore (Parte I, Parte II) (Giulini, 1984)
37▶CD: Il trovatore (Parte III, Parte IV) (Giulini, 1984)
38▶CD: La traviata (Atto I, Atto II beginning) (Kleiber, 1976)
39▶CD: La traviata (Atto II conclusion, Atto III) (Kleiber, 1976
40▶CD: I vespri siciliani (Atto I, Atto II) (Muti, 1989 & 1990)
41▶CD: I vespri siciliani (Atto III) (Muti, 1989 & 1990)
42▶CD: I vespri siciliani (Atto IV, Atto V) (Muti, 1989 & 1990)
43▶CD: Simon Boccanegra (Prologo, Atto I) (Abbado, 1977)
44▶CD: Simon Boccanegra (Atto II, Atto III) (Abbado, 1977)
45▶CD: Aroldo (Atto I, Atto II) (Luisi, 1997)
46▶CD: Aroldo (Atto III, Atto IV) (Luisi, 1997)
47▶CD: Un ballo in maschera (Atto I, Atto II beginning) (Solti, 1982 & 1983)
48▶CD: Un ballo in maschera (Atto II conclusion, Atto III) (Solti, 1982 & 1983)
49▶CD: La forza del destino (1862 St. Petersburg version) (Atto I, Atto II) (Gergiev, 1995)
50▶CD: La forza del destino (1862 St. Petersburg version) (Atto III) (Gergiev, 1995)
51▶CD: La forza del destino (1862 St. Petersburg version) (Atto IV) (Gergiev, 1995)
52▶CD: La forza del destino (1869 Milan version) (Atto I, Atto II beginning) (Sinopoli, 1985)
53▶CD: La forza del destino (1869 Milan version) (Atto II conclusion, Atto III beginning) (Sinopoli, 1985)
54▶CD: La forza del destino (1869 Milan version) (Atto III conclusion, Atto IV) (Sinopoli, 1985)
55▶CD: Don Carlos (Acte I, Acte II beginning) (Abbado, 1983 & 1984)
56▶CD: Don Carlos (Acte II conclusion, Acte III) (Abbado, 1983 & 1984)
57▶CD: Don Carlos (Acte IV) (Abbado, 1983 & 1984)
58▶CD: Don Carlos (Acte V, Appendix) (Abbado, 1983 & 1984)
59▶CD: Don Carlo (Atto I, Atto II beginning) (Solti, 1965)
60▶CD: Don Carlo (Atto II conclusion, Atto III) (Solti, 1965)
61▶CD: Don Carlo (Atto IV, Atto V) (Solti, 1965)
62▶CD: Aida (Atto I, Atto II beginning) (Karajan, 1959)
63▶CD: Aida (Atto II conclusion, Atto III, Atto IV) (Karajan, 1959)
64▶CD: Otello (Atto I, Atto II) (Chung, 1993)
65▶CD: Otello (Atto III, Atto IV) (Chung, 1993)
66▶CD: Falstaff (Atto I; Atto II, Parte 1) (Giulini, 1982)
67▶CD: Falstaff (Atto II, Parte 2; Atto III) (Giulini, 1982)
68▶CD: Requiem (Requiem, Dies irae) (Solti, 1967)
69▶CD: Requiem (Offertorium, Sanctus, Agnus Dei, Libera me) (Solti, 1967) / Quattro pezzi sacri (Solti, 1977 & 1978)
70▶CD: Messa Solenne & Other Sacred Works (Riccardo Chailly, 2000)
71▶CD: Discoveries (Riccardo Chailly, 2002)
72▶CD: Songs (Margaret Price, Geoffrey Parsons, 1986)
73▶CD: Songs, Arias & Other Rarities (Renato Scotto, Paolo Washington, Plácido Domingo, Luciano Pavarotti, Valery Gergiev, Claudio Abbado, James Levine)
74▶CD: String Quartet & Ballet Music (Quartetto Italiano, 1950; de Almeida, 1973; Bonynge, 1976)
75▶CD: Ballet Music (Chailly, 1986 & 1988)

Credits

Release

ASIN:US: B0197GJMZ6 [info]

Release group

includes:Il trovatore (1983 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer), Coro (Chorus of the National Academy of Santa Cecilia) e Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Carlo Maria Giulini (conductor)
La forza del destino (1985 studio cast) by Giuseppe Verdi (Italian opera composer); Rosalind Plowright (soprano / mezzo soprano), Agnes Baltsa (mezzo-soprano), José Carreras (Spanish tenor), Renato Bruson (baritone), Paata Burchuladze (operatic bass), Juan Pons (baritone), John Tomlinson (English operatic bass), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
Luisa Miller (1975 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Pavarotti (tenor), Caballé (soprano), Milnes (baritone), Giaiotti (operatic bass), Reynolds (alto), van Allan (operatic bass-baritone), National Philharmonic (fka the London Promenade Orchestra until 1971, mostly film music and opera), Maag (conductor)
Otello (1993 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) et Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)