Fetenhits: 25 Years

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Another One Bites the Dust
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Koproduzent(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) und Roger Taylor (Queen drummer)
Bass, Bassgitarre, Gitarre, Keyboard, Klavier [piano (reversed)] und Synthesizer [synthesizer (reversed)]:
John Deacon (von 1980-02 bis 1980-05)
E-Gitarre:
John Deacon (von 1980-02 bis 1980-05) und Brian May (Queen guitarist) (von 1980-02 bis 1980-05)
elektronische Instrumente [electronic percussion] und Schlagzeug:
Roger Taylor (Queen drummer) (von 1980-02 bis 1980-05)
Hintergrundgesang und Sologesang:
Freddie Mercury (von 1980-02 bis 1980-05)
phonographisches Urheberrecht (℗) von:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1980, in 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1980, in 2011) und Raincloud Productions Ltd. (in 1980, in 2014)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1979-06 bis 1980-05)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 48)
recording of:
Another One Bites the Dust (von 1980-02 bis 1980-05)
Texter und Komponist(in):
John Deacon
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. (, in 1980), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30), Beechwood Music Corp. (in 1980) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen4.153:36
2White Wedding
assistierende(r) Techniker(in):
Steve Bates (engineer)
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bassgitarre:
Phil Feit
Gitarre:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
Schlagzeug:
Steve Missal
Sologesang:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
aufgenommen bei und mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
White Wedding, Pt. 1 von Billy Idol (English rock singer‐songwriter)
recording of:
White Wedding
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rare Blue Music Inc
Billy Idol4.154:12
3Call Me
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Blondie4.23:30
4Born to Be Wild
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 129)
recording of:
Born to Be Wild
Texter und Komponist(in):
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:30
5Poison
recording engineer:
Sir Arthur Payson (von 1988 bis 1989)
Synthesizer-Programmierung:
Steve Deutsch
assistierende(r) Techniker(in):
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber und Mark Tanzer
Produzent(in):
Desmond Child
Mix:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) und Steve Thompson (producer)
Bassgitarre:
Hugh McDonald (bassist) (von 1988 bis 1989)
Gitarre:
John McCurry (von 1988 bis 1989)
Keyboard:
Alan St. John (von 1988 bis 1989)
Schlagzeug:
Bobby Chouinard (von 1988 bis 1989)
zusätzlich andere Instrumente [special effects]:
Gregg Mangiafico (von 1988 bis 1989)
zusätzlich Keyboard:
Paul Chiten (songwriter and producer) (von 1988 bis 1989) und Gregg Mangiafico (von 1988 bis 1989)
Hintergrundgesang:
Alan St. John (von 1988 bis 1989), Michael Anthony (US bassist, formerly of Van Halen) (von 1988 bis 1989), Desmond Child (von 1988 bis 1989), Diana Grasselli (von 1988 bis 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (von 1988 bis 1989), Louie Merlino (von 1988 bis 1989), Hugh McDonald (bassist) (von 1988 bis 1989), Jamie Sever (von 1988 bis 1989), Bernie Shanahan (von 1988 bis 1989), Stiv Bator (von 1988 bis 1989), Tom Teeley (von 1988 bis 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (von 1988 bis 1989), Myriam Valle (von 1988 bis 1989) und Maria Vidal (American singer-songwriter) (von 1988 bis 1989)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present) (von 1988 bis 1989)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten (von 1988 bis 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, Vereinigte Staaten (von 1988 bis 1989), Grog Kill Studio in Woodstock, New York, Vereinigte Staaten (von 1988 bis 1989), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1988 bis 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1988 bis 1989), Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten (von 1988 bis 1989), Sigma Sound Studios (New York) in New York, New York, Vereinigte Staaten (von 1988 bis 1989), The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989) und The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989)
recording of:
Poison (von 1988 bis 1989)
Verfasser(in):
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975‐present) und John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, vom 1989 bis heute), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, vom 1989 bis ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Ezra Music Corp. (vom 1989 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.44:28
6Don’t Look Back in Anger
recording engineer:
Owen Morris
Produzent(in):
Noel Gallagher und Owen Morris
Bassgitarre:
Paul McGuigan (Oasis)
E-Gitarre [lead guitar] und Sologesang:
Noel Gallagher
E-Gitarre [rhythm guitar] und Hammond-Orgel:
Paul Arthurs ("Bonehead", Oasis)
Klavier:
Paul Arthurs ("Bonehead", Oasis) und Noel Gallagher
Perkussion und Schlagzeug:
Alan White (Oasis drummer)
Tamburin:
Liam Gallagher (English musician, lead singer of Oasis)
aufgenommen bei:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Vereinigtes Königreich
Musikvideos:
Don’t Look Back in Anger von Oasis (Noel & Liam Gallagher)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 14) und Indie 88: Top 500 Indie Rock Songs (Nummer: 45)
recording of:
Don’t Look Back in Anger
Texter und Komponist(in):
Noel Gallagher
Oasis4.354:48
7Kryptonite
recording engineer:
Matt Martone (recording engineer) und Paul Ebersold
Produzent(in):
Paul Ebersold
assistierende(r) Mix:
Mike Butler (engineer)
Mix:
Toby Wright (producer & engineer)
Editing:
Andrew Garver
Bassgitarre:
Todd Harrell
Gitarre:
Chris Henderson (member of 3 Doors Down) und Matt Roberts (guitarist for 3 Doors Down)
Schlagzeug und Sologesang:
Brad Arnold (vocalist for 3 Doors Down)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1999), Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 1999), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1999) und Universal Republic Records (2006–2012) (in 2012)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
The Village Voice – The 50 Worst Songs of the ’00s (Nummer: 42) und BILLIONS CLUB
recording of:
Kryptonite
Texter:
Brad Arnold (vocalist for 3 Doors Down)
Komponist(in):
Brad Arnold (vocalist for 3 Doors Down), Todd Harrell und Matt Roberts (guitarist for 3 Doors Down)
publisher:
Escatawpa Songs, Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
3 Doors Down43:54
8Believer
Techniker(in) und Produzent(in):
Mattman & Robin (Swedish songwriting and production duo)
Mix:
John Hanes (audio engineer, mixer)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2017) und KIDinaKORNER (in 2017)
a cappella versions:
Believer (Live at Dolby Studios) von Tufts Beelzebubs (Tufts University all-male a cappella group)
Teil von:
Billboard Year-End Hot 100 singles of 2017 (Nummer: 9), Billboard Year-End Hot 100 singles of 2018 (Nummer: 100) und Indie 88: Top 500 Indie Rock Songs (Nummer: 401)
recording of:
Believer
Verfasser(in):
Robin Fredriksson (of Mattman & Robin), Justin Drew Tranter (singer and songwriter), Mattias Larsson (of Mattman & Robin), Ben McKee (American bassist, Imagine Dragons), Daniel Platzman, Dan Reynolds (American singer/songwriter, producer) und Wayne Sermon
publisher:
Imagine Dragons Publishing, Justin’s School for Girls, KIDinaKORNER, Ma-Jay Publishing, Neue Welt Musikverlag GmbH & Co. KG (– 2017), Universal MCA Music Publishing (France), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Scandinavia, Warner–Tamerlane Music Corp. und Wolf Cousins
Imagine Dragons3.43:23
9Counting Stars
Assistent recording engineer:
Matthew Tryba
recording engineer:
Smith Carlson
Produzent(in):
Ryan Tedder (American singer, songwriter, and producer) und Noel Zancanella
assistierende(r) Mix:
Ryan Lipman
Mix:
Joe Zook (engineer)
Bass:
Brent Kutzle
Gitarre:
Drew Brown (Canadian singer/songwriter) und Zachary Filkins
Harfe:
HarpEri
Keyboard und Sologesang:
Ryan Tedder (American singer, songwriter, and producer)
Schlagzeug:
Eddie Fisher (OneRepublic drummer and percussionist)
Hintergrundgesang:
Bobbie Gordon, Brent Kutzle, David McGlohon und Zach Filkins
aufgenommen bei:
Black Rock Studios in Santorini, Notio Aigaio (South Aegean), Griechenland und RAK Studios in London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Patriot Studios in Denver, Colorado, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 5), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 35) und Billboard Year-End Hot 100 singles of 2013 (Nummer: 63)
recording of:
Counting Stars
Texter und Komponist(in):
Ryan Tedder (American singer, songwriter, and producer)
publisher:
Midnite Miracle Music, Sony/ATV Music LLC, Sony/ATV Pop Music Publishing und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
OneRepublic4.354:16
10The Bad Touch
Produzent(in):
Jimmy Pop (member of Bloodhound Gang)
Mix:
Raahu
Gitarre:
Lüpüs Thünder
Moog und Sologesang und Sprecher:
Jimmy Pop (member of Bloodhound Gang)
Schlagzeug:
Spanky G
Hintergrundgesang:
DJ Q-Ball
Musikvideos:
The Bad Touch von Bloodhound Gang
recording of:
The Bad Touch
Texter und Komponist(in):
James Franks
publisher:
Universal–Songs of PolyGram International, Inc., PolyGram Music Publishing (vom 2000 bis ????), Hey Rudy Music Publishing (publishing company for rock band Bloodhound Gang) (vom 2000 bis heute) und The Jimmy Franks Publishing Company (vom 2000 bis heute)
Bloodhound Gang3.754:21
11Call Me Maybe
Techniker(in) und Produzent(in):
Josh Ramsay
assistierende(r) Mix:
Zach Blackstone und Brock McFarlane
Mix:
Dave Ogilvie (Canadian producer, engineer, and musician)
zusätzliches Editing:
Nik Pesut
Bassgitarre, Gitarre, Keyboard, Saiteninstrumente, Schlagzeug und Hintergrundgesang:
Tavish Crowe
Sologesang:
Carly Rae Jepsen
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2012) und School Boy (American label) (in 2012)
aufgenommen bei:
Umbrella Studio in Richmond, British Columbia, Kanada
mixed at:
Mushroom Studios in Vancouver, British Columbia, Kanada und Warehouse Studios in Vancouver, British Columbia, Kanada
Musikvideos:
Call Me Maybe von Carly Rae Jepsen
Teil von:
Billboard Year-End Hot 100 singles of 2012 (Nummer: 2), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 8), The Gummy Awards: Your Top 20 Tracks of 2012 (Nummer: 10), Huffington Post: 100 Best Canadian Songs Ever (Nummer: 35), Stereogum: The 200 Best Songs of the 2010s (Nummer: 36), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 43), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 56) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 436)
recording of:
Call Me Maybe
publisher:
Tavish Crowe
Verfasser(in):
Tavish Crowe, Carly Rae Jepsen und Josh Ramsay
publisher:
BMG Gold Songs, BMG Platinum Songs US, BMG Rights Management (see annotation), Charlie Rae Music, Crowe Music Publishing, Jepsen Music Publishing, Regular Monkey Productions, Inc., Regular Monkey Publishing, Universal Music Corp. (USA, affiliated with ASCAP) und Universal Music Publishing Canada I
Carly Rae Jepsen4.13:14
12All Star
A&R-Management:
Tom Whalley
assistierende(r) Techniker(in):
Trevor Adkinson (engineer for Smash Mouth)
Techniker(in), Produzent(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
zusätzliches Editing:
Jacquire King
Bassgitarre:
Paul De Lisle
elektronische Instrumente:
Mark Camp (Smash Mouth collaborator) und Chris Racine
Gitarre:
Greg Camp
Keyboard:
Michael Klooster
Schlagzeug:
Kevin Coleman
zusätzlich Keyboard:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Hintergrundgesang:
Greg Camp und Paul De Lisle
Sologesang:
Steve Harwell
Musikvideos:
All Star von Smash Mouth (US rock band from San Jose, CA)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 339)
recording of:
All Star
Texter und Komponist(in):
Greg Camp
publisher:
Songs by Greg Camp, Spirit One Music, Squish Moth Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Smash Mouth4.63:19
13London Calling
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Guy Stevens
Bassgitarre:
Paul Simonon (von 1979-01 bis 1979-03)
Gitarre:
Mick Jones (The Clash/Big Audio Dynamite) (von 1979-01 bis 1979-03) und Joe Strummer (von 1979-01 bis 1979-03)
Schlagzeug und Perkussion:
Topper Headon (von 1979-01 bis 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) (von 1979-01 bis 1979-03) und Joe Strummer (von 1979-01 bis 1979-03)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich (von 1979-01 bis 1979-03)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 15), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 42), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 63), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 143)
recording of:
London Calling (von 1979-01 bis 1979-03)
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
publisher:
Nineden Ltd., Nineden Music (publisher) und Virgin Music (Publishers) Ltd.
The Clash4.13:19
14Wild Thing
cover recording of:
Wild Thing
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH und April Music (in 1981)
The Troggs2:35
15All the Small Things
recording engineer:
Sean O’Dwyer (US producer & engineer)
assistierende(r) Techniker(in):
Darrell Harvey (engineer), John Nelson (engineer) und Robert Read (engineer)
Produzent(in):
Jerry Finn
Mix:
Tom Lord‐Alge
Bassgitarre und Hintergrundgesang:
Mark “Fish Guts” Hoppus
Gitarre und Sologesang:
Tom “Hot Pants” DeLonge
Keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
Schlagzeug:
Travis “Fuck Boy” Barker (American producer and drummer of blink-182)
arranger:
blink‐182
Schlagzeug-Techniker:
Mike Fasano (drummer, drum tech)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1999), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1999), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
mixed at:
South Beach Studios in Miami Beach, Florida, Vereinigte Staaten
Musikvideos:
All the Small Things (music video) von blink‐182
Teil von:
BILLIONS CLUB, Indie 88: Top 500 Indie Rock Songs (Nummer: 59) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 365)
recording of:
All the Small Things
Verfasser(in):
Tom DeLonge und Mark Hoppus
publisher:
Fun With Goats (beendet), Beat Poet Music, EMI April Music Inc., HMNIM Music, Jolly Old Saint Dick und Kobalt Songs Music Publishing (USA, ASCAP affiliated)
blink‐1824.22:48
16Last Resort
Techniker(in):
David Dominguez
Produzent(in) und Mix:
Jay Baumgardner
assistierende(r) Mix:
D Rock
Editing:
James Murray (US engineer)
phonographisches Urheberrecht (℗) von:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 2000), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei und mixed at:
NRG Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Last Resort von Papa Roach
recording of:
Last Resort
Texter und Komponist(in):
David Buckner, Tobin Esperance, Jerry Horton und Jacoby Shaddix
publisher:
BMG Gold Songs, I Make Dumb Music, Reservoir Media Music und Viva La Cucaracha Music
Papa Roach3.63:20
17What’s Up?
recording engineer:
David Tickle (in 1992) und Mark Hensley (in 1992)
zusätzliche(r) Techniker(in):
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy und Paul Dieter (American sound engineer and producer.)
Produzent(in) und Mix:
David Tickle
Akustikgitarre und E-Gitarre:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
Bass und Hintergrundgesang:
Christa Hillhouse (in 1992)
Gitarre:
Louis Metoyer (in 1992) und Roger Rocha (in 1992)
Klavier:
Laurent Tardy (in 1992)
Schlagzeug:
Dawn Richardson (in 1992)
Sologesang:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
aufgenommen bei:
Groove Masters in Santa Monica, California (Kalifornien), Vereinigte Staaten (in 1992), The Bunker (in 1992) und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten (in 1992)
mixed at:
The Bunker
Musikvideos:
What’s Up? von 4 Non Blondes
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 46), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 486)
recording of:
What’s Up? (in 1992)
Texter und Komponist(in):
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat und Stuck in the Throat Music
4 Non Blondes3.854:52
18The Final Countdown
Produzent(in):
Kevin Elson
phonographisches Urheberrecht (℗) von:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1987) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
The Final Countdown
Texter und Komponist(in):
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Seven Doors Music
Europe4.053:57
19Tage wie diese
recording of:
Tage wie diese
Texter:
Birgit Minichmayr (Austrian actress) und Andreas Frege
Komponist(in):
Andreas von Holst
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) und Patricks Kleiner Musikverlag GmbH
Die Toten Hosen4:28
20Born Slippy (Nuxx)
Produzent(in) und Mix:
Underworld (UK electronic music group)
phonographisches Urheberrecht (℗) von:
Junior Boy’s Own (in 1996) und Junior Recordings (in 1996)
recording of:
Born Slippy .NUXX (vocal version associated with Trainspotting)
Texter:
Karl Hyde
Verfasser(in):
Darren Emerson, Karl Hyde und Rick Smith (electronic producer, member of Underworld)
publisher:
Mute Song (either subsidiary of Mute Song Ltd., or brand that refers to itself), Sherlock Holmes Music Ltd. und Underworld (legal entity for the band)
Underworld3.94:22
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Discogs:https://www.discogs.com/master/2557535 [Info]