| # | Title | Artist | Rating | Length |
|---|
| 1 | Another One Bites the Dust- engineer:
- Mack
- co-producer:
- Mack
- producer:
- Mack , Brian May , Queen and Roger Taylor
- bass, bass guitar, guitar, keyboard, piano [piano (reversed)] and synthesizer [synthesizer (reversed)]:
- John Deacon (from 1980-02 until 1980-05)
- drums (drum set) and electronic instruments [electronic percussion]:
- Roger Taylor (from 1980-02 until 1980-05)
- electric guitar:
- John Deacon (from 1980-02 until 1980-05) and Brian May (from 1980-02 until 1980-05)
- background vocals and lead vocals:
- Freddie Mercury (from 1980-02 until 1980-05)
- phonographic copyright (℗) by:
- Hollywood Records, Inc. (in 1980, in 2014), Queen Productions Ltd. (in 1980, in 2011) and Raincloud Productions Ltd. (in 1980, in 2014)
- recorded at:
- Musicland Studios in München , Bayern , Germany (from 1979-06 until 1980-05)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 48)
- recording of:
- Another One Bites the Dust (from 1980-02 until 1980-05)
- lyricist and composer:
- John Deacon
- publisher:
- EMI Music Ltd., EMI Music Publishing Ltd. , Queen Music Ltd. (, in 1980), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Beechwood Music Corp. (in 1980) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- included in:
- We Will Rock You
- included in:
- We Will Rock You
| Queen | 4.15 | 3:36 |
| 2 | White Wedding- assistant engineer:
- Steve Bates
- engineer:
- Brian Reeves
- producer:
- Keith Forsey
- bass guitar:
- Phil Feit
- drums (drum set):
- Steve Missal
- guitar:
- Billy Idol and Steve Stevens
- lead vocals:
- Billy Idol
- arranger:
- Billy Idol and Steve Stevens
- phonographic copyright (℗) by:
- Capitol Records (in 1982), Capitol Records, Inc. (in 1982), Capitol Records, LLC (in 1982) and Chrysalis Records, Inc. (in 1982, in 2002)
- recorded at and mixed at:
- Westlake Audio in Los Angeles, California, United States
- music videos:
- White Wedding, Pt. 1 by Billy Idol
- recording of:
- White Wedding
- lyricist and composer:
- Billy Idol
- publisher:
- Boneidol Music, Chrysalis Music , Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH , Chrysalis Music Ltd. , Chrysalis Music Publishing Ltd., Copyright Control and Rare Blue Music Inc
| Billy Idol | 4.15 | 4:12 |
| 3 | Call Me- engineer:
- Harold Faltermeyer
- producer:
- Giorgio Moroder
- additional synthesizer:
- Giorgio Moroder (in 1980-01)
- bass guitar [bass]:
- Nigel Harrison (in 1980-01)
- drums (drum set) [drums]:
- Clem Burke (in 1980-01)
- electric piano:
- Jimmy Destri (in 1980-01)
- guitar:
- Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
- lead vocals:
- Debbie Harry (in 1980-01)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) and Capitol Records, LLC (in 2002)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (number: 78) and Billboard: The 500 Best Pop Songs (number: 157)
- recording of:
- Call Me (in 1980-01)
- lyricist:
- Deborah Harry
- composer:
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.2 | 3:30 |
| 4 | Born to Be Wild- producer:
- Gabriel Mekler
- phonographic copyright (℗) by:
- Geffen Records (in 1968), MCA Records, Inc. (in 1968) and UMG Recordings, Inc. (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
- recording of:
- Born to Be Wild
- lyricist and composer:
- Mars Bonfire
- publisher:
- Duchess Music Corporation , Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 4.15 | 3:30 |
| 5 | Poison- recording engineer:
- Sir Arthur Payson (from 1988 until 1989)
- synthesizer programming:
- Steve Deutsch
- assistant engineer:
- George Cowan , Ben Fowler, Lolly Grodner, Robert Hart , John Herman , Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
- producer:
- Desmond Child
- mixer:
- Michael Barbiero and Steve Thompson
- additional keyboard:
- Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
- additional other instruments [special effects]:
- Gregg Mangiafico (from 1988 until 1989)
- bass guitar:
- Hugh McDonald (from 1988 until 1989)
- drums (drum set):
- Bobby Chouinard (from 1988 until 1989)
- guitar:
- John McCurry (from 1988 until 1989)
- keyboard:
- Alan St. John (from 1988 until 1989)
- background vocals:
- Alan St. John (from 1988 until 1989), Michael Anthony (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (from 1988 until 1989)
- lead vocals:
- Alice Cooper (from 1988 until 1989)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1989), Epic Records (in 1989), Sony BMG Music Entertainment (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder in Los Angeles, California, United States (from 1988 until 1989)
- recording of:
- Poison (from 1988 until 1989)
- writer:
- Desmond Child, Alice Cooper and John McCurry
- publisher:
- Desmobile Inc., Desmobile Music Co., Inc. , EMI April Music Inc., EMI Music Publishing Australia Pty. Limited , EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. , Sony Music Publishing , Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal , Universal Music Publishing , Universal Music Publishing Group, Universal Music Publishing Ltd. , Universal PolyGram International Publishing, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB , Warner–Tamerlane Publishing Corp. and Ezra Music Corp. (from 1989 to present)
- sub-publisher:
- シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4.4 | 4:28 |
| 6 | Don’t Look Back in Anger | Oasis | 4.35 | 4:48 |
| 7 | Kryptonite- recording engineer:
- Matt Martone and Paul Ebersold
- producer:
- Paul Ebersold
- assistant mixer:
- Mike Butler
- mixer:
- Toby Wright
- editor:
- Andrew Garver
- bass guitar:
- Todd Harrell
- drums (drum set) and lead vocals:
- Brad Arnold
- guitar:
- Chris Henderson and Matt Roberts
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1999), Universal Motown Records (in 1999), Universal Records Inc. (in 1999) and Universal Republic Records (in 2012)
- recorded at:
- Ardent Studios in Memphis, Tennessee, United States
- mixed at:
- The Record Plant in Hollywood, Los Angeles, California, United States
- part of:
- The Village Voice – The 50 Worst Songs of the ’00s (number: 42) and BILLIONS CLUB
- recording of:
- Kryptonite
- lyricist:
- Brad Arnold
- composer:
- Brad Arnold , Todd Harrell and Matt Roberts
- publisher:
- Escatawpa Songs, Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
| 3 Doors Down | 4 | 3:54 |
| 8 | Believer- engineer and producer:
- Mattman & Robin
- mixer:
- John Hanes
- phonographic copyright (℗) by:
- Interscope Records (in 2017) and KIDinaKORNER (in 2017)
- a cappella versions:
- Believer (Live at Dolby Studios) by Tufts Beelzebubs
- part of:
- Billboard Year-End Hot 100 singles of 2017 (number: 9), Billboard Year-End Hot 100 singles of 2018 (number: 100) and Indie 88: Top 500 Indie Rock Songs (number: 401)
- recording of:
- Believer
- writer:
- Robin Fredriksson , Justin Drew Tranter , Mattias Larsson , Ben McKee , Daniel Platzman, Dan Reynolds and Wayne Sermon
- publisher:
- Imagine Dragons Publishing, Justin’s School for Girls, KIDinaKORNER, Ma-Jay Publishing, Neue Welt Musikverlag GmbH & Co. KG , Universal MCA Music Publishing , Warner Bros., Inc. , Warner Chappell Music Scandinavia, Warner–Tamerlane Music Corp. and Wolf Cousins
| Imagine Dragons | 3.4 | 3:23 |
| 9 | Counting Stars- assistant recording engineer:
- Matthew Tryba
- recording engineer:
- Smith Carlson
- producer:
- Ryan Tedder and Noel Zancanella
- assistant mixer:
- Ryan Lipman
- mixer:
- Joe Zook
- bass:
- Brent Kutzle
- drums (drum set):
- Eddie Fisher
- guitar:
- Drew Brown and Zachary Filkins
- harp:
- HarpEri
- keyboard and lead vocals:
- Ryan Tedder
- background vocals:
- Bobbie Gordon, Brent Kutzle, David McGlohon and Zach Filkins
- additionally recorded at:
- Patriot Studios in Denver, Colorado, United States
- recorded at:
- Black Rock Studios in Santorini, Notio Aigaio , Greece and RAK Studios in London , England, United Kingdom
- part of:
- Billboard Year-End Hot 100 singles of 2014 (number: 5), Billboard Decade End Chart: Adult Contemporary Songs (number: 35) and Billboard Year-End Hot 100 singles of 2013 (number: 63)
- recording of:
- Counting Stars
- lyricist and composer:
- Ryan Tedder
- publisher:
- Midnite Miracle Music, Sony/ATV Music LLC, Sony/ATV Pop Music Publishing and ソニー・ミュージックパブリッシング A事業部
| OneRepublic | 4.35 | 4:16 |
| 10 | The Bad Touch | Bloodhound Gang | 3.75 | 4:21 |
| 11 | Call Me Maybe- engineer and producer:
- Josh Ramsay
- assistant mixer:
- Zach Blackstone and Brock McFarlane
- mixer:
- Dave Ogilvie
- additional editor:
- Nik Pesut
- bass guitar, drums (drum set), guitar, keyboard, strings and background vocals:
- Tavish Crowe
- lead vocals:
- Carly Rae Jepsen
- phonographic copyright (℗) by:
- Interscope Records (in 2012) and School Boy (in 2012)
- recorded at:
- Umbrella Studio in Richmond, British Columbia, Canada
- mixed at:
- Mushroom Studios in Vancouver, British Columbia, Canada and Warehouse Studios in Vancouver, British Columbia, Canada
- music videos:
- Call Me Maybe by Carly Rae Jepsen
- part of:
- Billboard Year-End Hot 100 singles of 2012 (number: 2), Billboard: The 500 Best Pop Songs (number: 8), The Gummy Awards: Your Top 20 Tracks of 2012 (number: 10), Huffington Post: 100 Best Canadian Songs Ever (number: 35), Stereogum: The 200 Best Songs of the 2010s (number: 36), Rolling Stone: The 100 Best Songs of the 2010s (number: 43), Billboard: Greatest of All Time Hot 100 Songs (number: 56) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 436)
- recording of:
- Call Me Maybe
- publisher:
- Tavish Crowe
- writer:
- Tavish Crowe, Carly Rae Jepsen and Josh Ramsay
- publisher:
- BMG Gold Songs, BMG Platinum Songs US, BMG Rights Management , Charlie Rae Music, Crowe Music Publishing, Jepsen Music Publishing, Regular Monkey Productions, Inc., Regular Monkey Publishing, Universal Music Corp. and Universal Music Publishing Canada I
| Carly Rae Jepsen | 4.1 | 3:14 |
| 12 | All Star | Smash Mouth | 4.6 | 3:19 |
| 13 | London Calling | The Clash | 4.1 | 3:19 |
| 14 | Wild Thing | The Troggs | | 2:35 |
| 15 | All the Small Things- recording engineer:
- Sean O’Dwyer
- assistant engineer:
- Darrell Harvey , John Nelson and Robert Read
- producer:
- Jerry Finn
- mixer:
- Tom Lord‐Alge
- bass guitar and background vocals:
- Mark “Fish Guts” Hoppus
- drums (drum set):
- Travis “Fuck Boy” Barker
- guitar and lead vocals:
- Tom “Hot Pants” DeLonge
- keyboard:
- Roger Joseph Manning Jr.
- arranger:
- blink‐182
- drums (drum set) technician:
- Mike Fasano
- phonographic copyright (℗) by:
- Geffen Records (in 1999), MCA Records, Inc. (in 1999), MCA Records (in 2000), Union Square Music Ltd. (in 2018) and Universal Music Operations Ltd. (in 2018)
- mixed at:
- South Beach Studios in Miami Beach, Florida, United States
- music videos:
- All the Small Things by blink‐182
- part of:
- BILLIONS CLUB, Indie 88: Top 500 Indie Rock Songs (number: 59) and Billboard: The 500 Best Pop Songs (number: 365)
- recording of:
- All the Small Things
- writer:
- Tom DeLonge and Mark Hoppus
- publisher:
- Fun With Goats (ended), Beat Poet Music, EMI April Music Inc., HMNIM Music, Jolly Old Saint Dick and Kobalt Songs Music Publishing
| blink‐182 | 4.2 | 2:48 |
| 16 | Last Resort | Papa Roach | 3.6 | 3:20 |
| 17 | What’s Up?- recording engineer:
- David Tickle (in 1992) and Mark Hensley (in 1992)
- additional engineer:
- Jessie Kanner , Kent Mactke, Laurent Tardy and Paul Dieter
- producer and mixer:
- David Tickle
- acoustic guitar and electric guitar:
- Linda Perry (in 1992)
- bass and background vocals:
- Christa Hillhouse (in 1992)
- drums (drum set):
- Dawn Richardson (in 1992)
- guitar:
- Louis Metoyer (in 1992) and Roger Rocha (in 1992)
- piano:
- Laurent Tardy (in 1992)
- lead vocals:
- Linda Perry (in 1992)
- phonographic copyright (℗) by:
- Interscope Records (in 1992)
- recorded at:
- Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios in Sausalito, California, United States (in 1992)
- mixed at:
- The Bunker
- music videos:
- What’s Up? by 4 Non Blondes
- part of:
- Paste: The 50 Greatest One-Hit Wonders of All Time (number: 46), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 486)
- recording of:
- What’s Up? (in 1992)
- lyricist and composer:
- Linda Perry
- publisher:
- Famous Music Corporation , Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC , Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
| 4 Non Blondes | 3.85 | 4:52 |
| 18 | The Final Countdown- producer:
- Kevin Elson
- phonographic copyright (℗) by:
- CBS Records AB (in 1986), CBS, Inc. (in 1986), Sony Music Entertainment Inc. (in 1986), Epic Records (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- The Final Countdown
- lyricist and composer:
- Joey Tempest
- publisher:
- Copyright Control , EMI , EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. , EMI Music Sweden AB , Screen Gems–EMI Music, Inc. and Seven Doors Music
| Europe | 4.05 | 3:57 |
| 19 | Tage wie diese | Die Toten Hosen | | 4:28 |
| 20 | Born Slippy (Nuxx) | Underworld | 3.9 | 4:22 |
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