The Beat Goes On: The Greatest Hits of the 60’s and 70’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Small box, separate CDs in card sleeves
CD1 CatNo: BX 887312
CD2 CatNo: BX 887322
CD3 CatNo: BX 887332
CD4 CatNo: BX 887342
CD5 CatNo: BX 887352
CD6 CatNo: BX 887362
CD7 CatNo: BX 887372
CD8 CatNo: BX 887382
CD9 CatNo: BX 887392
CD10 CatNo: BX 887302

Anmerkung zuletzt geändert am 2022-09-17 12:48 UTC.

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Brother Louie
Interpret(in):
Ian Lloyd (of Stories)
phonographisches Urheberrecht (℗) von:
Kama Sutra (in 1973) und Kama Sutra Records (in 1973)
cover recording of:
Brother Louie
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated), Finchley Music und RAK Publishing Ltd.
The Stories4.353:58
2Look What They’ve Done to My Song Ma
recording of:
What Have They Done to My Song, Ma?
Texter und Komponist(in):
Melanie Safka (US singer‐songwriter Melanie Safka)
Melanie44:04
3La La (Peace Song)
recording of:
La La Peace Song
Verfasser(in):
Johnny Bristol und Elisabeth Martin
Al Wilson3:49
4Anyone Who Had a Heart
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd. (Parlophon) (in 1964)
cover recording of:
Anyone Who Had a Heart
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Carlin Music Corp., WB Music Corp. (1929–2019), Blue Seas Music, Inc. (in 1963), JAC Music Co., Inc. (in 1963) und U.S. Songs, Inc. (in 1963)
Cilla Black2:51
5Tap Turns on the Water
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
RAK Records Ltd. (in 1971)
recording of:
Tap Turns on the Water
Verfasser(in):
John Cameron (British composer, arranger and conductor) und Alexis Korner
CCS23:43
6Let It Be Me
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1960)
cover recording of:
Let It Be Me (am 1959-12-15)
Texter:
Pierre Delanoë
Komponist(in):
Gilbert Bécaud
Übersetzer:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Je t’appartiens
The Everly Brothers2:36
7Sideshow
recording of:
Sideshow
Verfasser(in):
Bobby Eli und Gwendolyn Hines Woolfolk
publisher:
Poo Poo Publishing Co., Reservoir One America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Zella Music
Barry Biggs3:30
8Daydream
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) und Kama Sutra (in 1966)
recording of:
Daydream (in 1966-02)
Texter und Komponist(in):
John B. Sebastian
publisher:
Robbins Music Corp. Ltd.
Lovin’ Spoonful3.752:20
9Sugar Me
Techniker(in):
Pete Coleman
Produzent(in):
Lynsey de Paul
phonographisches Urheberrecht (℗) von:
MAM Records Ltd. (in 1972)
recording of:
Sugar Me
Verfasser(in):
Barry Ian Green (singer, producer, and songwriter) und Lynsey de Paul
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und ATV Kirshner (publisher) (in 1972)
Lynsey de Paul3:54
10House of the Rising Sun
Produzent(in):
Mickie Most (English record producer)
Bassgitarre:
Chas Chandler
E-Gitarre:
Hilton Valentine
Orgel:
Alan Price
Schlagzeug:
John Steel (English musician)
Sologesang:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964), Columbia Pictures Industries, Inc. (in 1964) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 122), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Arrangement von:
House of the Rising Sun
The Animals4.24:29
1110538 Overture
Techniker(in):
Peter Olliff und Roger Wake (engineer)
Produzent(in):
Bob Irwin, Jeff Lynne und Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
Bass:
Jeff Lynne (von 1970-07-12 bis 1971-06) und Rick Price (the Move and Electric Light Orchestra bassist) (von 1970-07-12 bis 1971-06)
Cello:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (von 1970-07-12 bis 1971-06)
Geige / Violine:
Steve Woolam (von 1970-07-12 bis 1971-06)
Gitarre:
Jeff Lynne (von 1970-07-12 bis 1971-06) und Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (von 1970-07-12 bis 1971-06)
Schlagzeug:
Bev Bevan (English rock drummer) (von 1970-07-12 bis 1971-06)
Waldhorn:
Bill Hunt (UK keyboards, horn player) (von 1970-07-12 bis 1971-06)
Sologesang:
Jeff Lynne (von 1970-07-12 bis 1971-06)
vocals:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (von 1970-07-12 bis 1971-06)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971, in 2001), Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (in 1971) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (von 1971 bis 1972)
aufgenommen bei:
Philips Studios in London (Greater London), England, Vereinigtes Königreich (von 1970-07-12 bis 1971-06)
recording of:
10538 Overture (von 1970-07-12 bis 1971-06)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
E.L.O.3.55:30
12Darlin’
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
cover recording of:
Darlin’
Texter und Komponist(in):
Oscar Stewart Blandamer
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Frankie Miller3:06
13Let’s Dance
recording of:
Let’s Dance
Texter und Komponist(in):
Jim Lee (“Let’s Dance” writer/producer)
publisher:
Chappell Morris Ltd., DeVorzon Music, Rondell Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chris Montez2:14
14This Is It
remixer:
Tom Moulton
recording of:
This Is It
Texter und Komponist(in):
Van McCoy
Melba Moore4.353:32
15Keep Searchin’ (We’ll Follow the Sun)
recording of:
Keep Searching (We’ll Follow the Sun)
Texter und Komponist(in):
Del Shannon
Del Shannon2:08
16Goldfinger
Techniker(in):
John Richards (engineer)
Produzent(in):
John Barry (English score composer) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Goldfinger (in 1964-07)
Texter:
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. und Sony/ATV Songs LLC
Teil von:
James Bond themes
Teil von:
Goldfinger
Shirley Bassey4.252:49
17Sloop John B.
Techniker(in):
Chuck Britz (am 1965-07-12)
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
bass saxophone:
Jack Nimitz (American saxophonist and clarinet player) (am 1965-07-12)
E-Bass:
Carol Kaye (am 1965-07-12)
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (am 1965-07-12) und Jay Migliori (am 1965-07-12)
Gitarre:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (am 1965-07-12), Jerry Cole (am 1965-07-12) und Billy Strange (am 1965-07-12)
Glockenspiel:
Frank Capp (am 1965-07-12)
Kontrabass:
Lyle Ritz (am 1965-07-12)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1965-07-12)
tack piano:
Al De Lory (am 1965-07-12)
Templeblocks:
Steve Douglas (American saxophonist, flautist and clarinetist) (am 1965-07-12)
zwölfsaitige Gitarre [12-string electric guitar]:
Billy Strange (am 1965-12-29)
Sologesang:
Mike Love (Beach Boys) (von 1965-12-22 bis 1965-12-29) und Brian Wilson (Beach Boys co‐founder) (von 1965-12-22 bis 1965-12-29)
arranger:
Brian Wilson (Beach Boys co‐founder)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-07-12, am 1965-12-22, am 1965-12-29)
recording of:
Sloop John B (von 1965-07-12 bis 1965-12-29)
Texter und Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. und New Executive Music
Version von:
The John B. Sails
The Beach Boys3.92:54
18Do Wah Diddy Diddy
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) und HMV Records Ltd. (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 35)
cover recording of:
Do Wah Diddy Diddy
Verfasser(in):
Jeff Barry und Ellie Greenwich
publisher:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann42:23
19I’m the Leader of the Gang
phonographisches Urheberrecht (℗) von:
Bell (50s-70s US/UK pop, later became Arista) (in 1973), Snapper Music (in 1973) und Snapper Music plc (parent company of Snapper Music) (in 1973)
recording of:
I’m the Leader of the Gang (I Am!) (in 1973)
Komponist(in):
Gary Glitter und Mike Leander
publisher:
Dutchess (BMI, started c. 1949), MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Ltd. (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Gary Glitter3.53:30
20Sexy Eyes
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979)
recording of:
Sexy Eyes
Verfasser(in):
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) und Chris Waters (Country music singer and songwriter)
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. und EMI Songs Ltd.
cover recording of:
Sexy Eyes
Verfasser(in):
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) und Chris Waters (Country music singer and songwriter)
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. und EMI Songs Ltd.
Dr. Hook42:56
3▶CD
4▶CD
5▶CD
6▶CD
7▶CD
8▶CD
9▶CD
10▶CD

Nennungen

Veröffentlichung

design:Studio van Dijken (ICT, media and graphic design studio)
vertrieben von und vermarkted von:Disky Communications Europe B.V. (Copyright holder. File NO releases.)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Disky Communications Europe B.V. (Copyright holder. File NO releases.) (in 1998)
lizensiert von:A.T. Hiller
Antoine Domino
Barnaby Records, Inc.
Broadley Records Ltd.
Buddah Records (revived/renamed in 1998 as Buddha Records)
Celebrity Licensing, Inc.
Chelsea/Roxbury/Wes Sky Industries Inc.
Chrysalis Copyrights Ltd.
Creole Records Ltd.
EMI (EMI Records, or EMI Music only if there is no other imprint)
Janus Records Inc.
Jimmy Joe Lee
Jonathan King Enterprises Ltd.
K-Tel Entertainment Ltd. (multinational budget record label, do not use for copyrights, distribution, etc. label-release relationships)
Laurence Myers Ltd.
Mole Records
Munnycroft Ltd.
Negus Fancey Co. Ltd.
Nestshare Ltd.
Red Bullet (Dutch independent label)
Repertoire Records (Hamburg‐based multinational reissue label)
Roadshow Music Corp.
State Records Ltd.
Templemill Ltd.
The Hit Label
Tree Productions, Inc. (Nashville, TN)
Trojan Records
Valdene Records
Discogs:https://www.discogs.com/release/469039 [Info]
ASIN:DE: B0000242OY [Info]