The Beat Goes On: The Greatest Hits of the 60’s and 70’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Small box, separate CDs in card sleeves
CD1 CatNo: BX 887312
CD2 CatNo: BX 887322
CD3 CatNo: BX 887332
CD4 CatNo: BX 887342
CD5 CatNo: BX 887352
CD6 CatNo: BX 887362
CD7 CatNo: BX 887372
CD8 CatNo: BX 887382
CD9 CatNo: BX 887392
CD10 CatNo: BX 887302

Annotazione modificata l'ultima volta il 2022-09-17 12:48 UTC.

Elenco tracce

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#TitoloArtistaValutazioneDurata
1Brother Louie
esecutore:
Ian Lloyd (of Stories)
diritti fonografici (℗) detenuti da:
Kama Sutra (nel 1973) e Kama Sutra Records (nel 1973)
registrazione cover di:
Brother Louie
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
EMI Music Publishing (PRS‐affiliated), Finchley Music e RAK Publishing Ltd.
The Stories4.353:58
2Look What They’ve Done to My Song Ma
registrazione di:
What Have They Done to My Song, Ma?
paroliere e compositore:
Melanie Safka (US singer‐songwriter Melanie Safka)
Melanie44:04
3La La (Peace Song)
registrazione di:
La La Peace Song
autore:
Johnny Bristol e Elisabeth Martin
Al Wilson3:49
4Anyone Who Had a Heart
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (nel 1964)
registrazione cover di:
Anyone Who Had a Heart
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Carlin Music Corp., WB Music Corp. (1929–2019), Blue Seas Music, Inc. (nel 1963), JAC Music Co., Inc. (nel 1963) e U.S. Songs, Inc. (nel 1963)
Cilla Black2:51
5Tap Turns on the Water
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
RAK Records Ltd. (nel 1971)
registrazione di:
Tap Turns on the Water
autore:
John Cameron (British composer, arranger and conductor) e Alexis Korner
CCS23:43
6Let It Be Me
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1960)
registrazione cover di:
Let It Be Me (il 1959-12-15)
paroliere:
Pierre Delanoë
compositore:
Gilbert Bécaud
traduttore:
Mann Curtis
editore:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) e Universal Music Corp. (USA, affiliated with ASCAP)
sub-editore:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione tradotta di:
Je t’appartiens
The Everly Brothers2:36
7Sideshow
registrazione di:
Sideshow
autore:
Bobby Eli e Gwendolyn Hines Woolfolk
editore:
Poo Poo Publishing Co., Reservoir One America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Zella Music
Barry Biggs3:30
8Daydream
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) e Kama Sutra (nel 1966)
registrazione di:
Daydream (nel 1966-02)
paroliere e compositore:
John B. Sebastian
editore:
Robbins Music Corp. Ltd.
Lovin’ Spoonful3.752:20
9Sugar Me
tecnico:
Pete Coleman
produttore:
Lynsey de Paul
diritti fonografici (℗) detenuti da:
MAM Records Ltd. (nel 1972)
registrazione di:
Sugar Me
autore:
Barry Ian Green (singer, producer, and songwriter) e Lynsey de Paul
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e ATV Kirshner (publisher) (nel 1972)
Lynsey de Paul3:54
10House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964), Columbia Pictures Industries, Inc. (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.24:29
1110538 Overture
tecnico:
Peter Olliff e Roger Wake (engineer)
produttore:
Bob Irwin, Jeff Lynne e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
basso :
Jeff Lynne (dal 1970-07-12 al 1971-06) e Rick Price (the Move and Electric Light Orchestra bassist) (dal 1970-07-12 al 1971-06)
batteria :
Bev Bevan (English rock drummer) (dal 1970-07-12 al 1971-06)
chitarra :
Jeff Lynne (dal 1970-07-12 al 1971-06) e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (dal 1970-07-12 al 1971-06)
corno francese :
Bill Hunt (UK keyboards, horn player) (dal 1970-07-12 al 1971-06)
violino :
Steve Woolam (dal 1970-07-12 al 1971-06)
violoncello :
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (dal 1970-07-12 al 1971-06)
voce:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (dal 1970-07-12 al 1971-06)
voce principale:
Jeff Lynne (dal 1970-07-12 al 1971-06)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971, nel 2001), Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (nel 1971) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (dal 1971 al 1972)
registrata presso:
Philips Studios in London (Greater London), England, Regno Unito (dal 1970-07-12 al 1971-06)
registrazione di:
10538 Overture (dal 1970-07-12 al 1971-06)
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
E.L.O.3.55:30
12Darlin’
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978)
registrazione cover di:
Darlin’
paroliere e compositore:
Oscar Stewart Blandamer
editore:
Sony/ATV Music Publishing Australia Pty Ltd.
Frankie Miller3:06
13Let’s Dance
registrazione di:
Let’s Dance
paroliere e compositore:
Jim Lee (“Let’s Dance” writer/producer)
editore:
Chappell Morris Ltd., DeVorzon Music, Rondell Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chris Montez2:14
14This Is It
remixer:
Tom Moulton
registrazione di:
This Is It
paroliere e compositore:
Van McCoy
Melba Moore4.353:32
15Keep Searchin’ (We’ll Follow the Sun)
registrazione di:
Keep Searching (We’ll Follow the Sun)
paroliere e compositore:
Del Shannon
Del Shannon2:08
16Goldfinger
tecnico:
John Richards (engineer)
produttore:
John Barry (English score composer) e George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
voce:
Shirley Bassey (Welsh singer) (nel 1964-07)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Goldfinger (nel 1964-07)
paroliere:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
compositore:
John Barry (English score composer)
editore:
EMI United Partnership Ltd. e Sony/ATV Songs LLC
parte di:
James Bond themes
parte di:
Goldfinger
Shirley Bassey4.252:49
17Sloop John B.
tecnico:
Chuck Britz (il 1965-07-12)
produttore:
Brian Wilson (Beach Boys co‐founder)
basso elettrico :
Carol Kaye (il 1965-07-12)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1965-07-12)
chitarra :
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (il 1965-07-12), Jerry Cole (il 1965-07-12) e Billy Strange (il 1965-07-12)
chitarra a 12 corde [12-string electric guitar] :
Billy Strange (il 1965-12-29)
contrabbasso :
Lyle Ritz (il 1965-07-12)
flauto :
Jim Horn (saxophonist, hornist, flutist and oboist) (il 1965-07-12) e Jay Migliori (il 1965-07-12)
glockenspiel :
Frank Capp (il 1965-07-12)
pianoforte tack :
Al De Lory (il 1965-07-12)
sassofono basso :
Jack Nimitz (American saxophonist and clarinet player) (il 1965-07-12)
temple block :
Steve Douglas (American saxophonist, flautist and clarinetist) (il 1965-07-12)
voce principale:
Mike Love (Beach Boys) (dal 1965-12-22 al 1965-12-29) e Brian Wilson (Beach Boys co‐founder) (dal 1965-12-22 al 1965-12-29)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1965-07-12, il 1965-12-22, il 1965-12-29)
registrazione di:
Sloop John B (dal 1965-07-12 al 1965-12-29)
paroliere e compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. e New Executive Music
versione di:
The John B. Sails
The Beach Boys3.92:54
18Do Wah Diddy Diddy
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e HMV Records Ltd. (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 35)
registrazione cover di:
Do Wah Diddy Diddy
autore:
Jeff Barry e Ellie Greenwich
editore:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann42:23
19I’m the Leader of the Gang
diritti fonografici (℗) detenuti da:
Bell (50s-70s US/UK pop, later became Arista) (nel 1973), Snapper Music (nel 1973) e Snapper Music plc (parent company of Snapper Music) (nel 1973)
registrazione di:
I’m the Leader of the Gang (I Am!) (nel 1973)
compositore:
Gary Glitter e Mike Leander
editore:
Dutchess (BMI, started c. 1949), MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Ltd. (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Gary Glitter3.53:30
20Sexy Eyes
produttore:
Ron Haffkine
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979)
registrazione di:
Sexy Eyes
autore:
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) e Chris Waters (Country music singer and songwriter)
editore:
EMI April Music Inc., EMI Blackwood Music Inc. e EMI Songs Ltd.
registrazione cover di:
Sexy Eyes
autore:
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) e Chris Waters (Country music singer and songwriter)
editore:
EMI April Music Inc., EMI Blackwood Music Inc. e EMI Songs Ltd.
Dr. Hook42:56
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Accreditamenti

Pubblicazione

design:Studio van Dijken (ICT, media and graphic design studio)
distribuito da e commercializzata da:Disky Communications Europe B.V. (Copyright holder. File NO releases.)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Disky Communications Europe B.V. (Copyright holder. File NO releases.) (nel 1998)
licenziata da:A.T. Hiller
Antoine Domino
Barnaby Records, Inc.
Broadley Records Ltd.
Buddah Records (revived/renamed in 1998 as Buddha Records)
Celebrity Licensing, Inc.
Chelsea/Roxbury/Wes Sky Industries Inc.
Chrysalis Copyrights Ltd.
Creole Records Ltd.
EMI (EMI Records, or EMI Music only if there is no other imprint)
Janus Records Inc.
Jimmy Joe Lee
Jonathan King Enterprises Ltd.
K-Tel Entertainment Ltd. (multinational budget record label, do not use for copyrights, distribution, etc. label-release relationships)
Laurence Myers Ltd.
Mole Records
Munnycroft Ltd.
Negus Fancey Co. Ltd.
Nestshare Ltd.
Red Bullet (Dutch independent label)
Repertoire Records (Hamburg‐based multinational reissue label)
Roadshow Music Corp.
State Records Ltd.
Templemill Ltd.
The Hit Label
Tree Productions, Inc. (Nashville, TN)
Trojan Records
Valdene Records
Discogs:https://www.discogs.com/release/469039 [info]
ASIN:DE: B0000242OY [info]