Peaceful Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Orchestral Suite no. 3 in D major, BWV 1068: II. Air
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Anthony Pleeth (cellist) (in 1978-06)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
transverse flute:
Stephen Preston (flutist) (in 1978-06)
viola:
Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06)
violin:
Monica Huggett (violinist) (in 1978-06) and Simon Standage (English violinist and conductor) (in 1978-06)
violone:
Richard Webb (cellist) (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1979) and Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1978-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
4:53
2Concerto For Piano no. 1 in D minor, BWV 1052: II. Adagio
assistant engineer:
Mark Buecker (engineer of classical recordings)
engineer:
Stephan Flock (task: Tonmeister)
producer:
Sid McLauchlan (engineer/producer)
piano:
Hélène Grimaud (French pianist) (in 2008-05)
orchestra:
Deutsche Kammerphilharmonie Bremen (in 2008-05)
conductor:
Florian Donderer (violinist, conductor and concertmaster) (in 2008-05)
piano technician:
Serge Poulain (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2008)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2008-05)
recording of:
Keyboard Concerto in D minor, BWV 1052: II. Adagio (in 2008-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Keyboard Concerto in D minor, BWV 1052a: II. Adagio (early version of BWV 1052)
part of:
Keyboard Concerto in D minor, BWV 1052
7:12
3Violin Concerto no. 2 in E major, BWV 1042: II. Adagio
producer:
Sebastian Nattkemper
harpsichord:
Olga Watts (harpsichordist) (in 2017-10)
violin:
Daniel Lozakovich (violinist) (in 2017-10)
orchestra:
Kammerorchester des Symphonieorchesters des Bayerischen Rundfunks (Chamber orchestra of the Bavarian Radio Symphony Orchestra) (in 2017-10)
conductor:
Radoslaw Szulc (violinist and conductor) (in 2017-10)
recorded at:
August Everding Saal in Grünwald, Bayern (Bavaria), Germany (in 2017-10)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: II. Adagio (Violin Concerto in E major, BWV 1042: II. Adagio) (in 2017-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
6:36
4Flute Sonata in E minor, BWV 1034, adapted for Mandolin and Continuo by Avi Avital: III. Andante
engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
cello:
Ira Givol (in 2011-10)
harpsichord:
Shalev Ad-El (conductor, harpsichordist and organist) (in 2011-10)
mandolin:
Avi Avital (Israeli mandolinist) (in 2011-10)
theorbo:
Ophira Zakai (Israeli lutenist) (in 2011-10)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 2011-10)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2011-10) and Funkhaus Nalepastraße, Saal 1 in Berlin, Germany (in 2011-10)
recording of:
Sonata in E minor, BWV 1034: III. Andante (for mandolin and orchestra, arr. Avi Avital) (in 2011-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Avi Avital (Israeli mandolinist)
arrangement of:
Sonata for Flute and Continuo in E minor, BWV 1034: III. Andante
part of:
Sonata in E minor, BWV 1034 (for mandolin and orchestra, arr. Avi Avital)
3:22
5Italian Concerto in F major, BWV 971: II. Andante
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2015-02)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2017)
recorded at:
Meistersaal in Berlin, Germany (in 2015-02)
recording of:
Italienisches Konzert F-Dur, BWV 971: II. Andante (Italian Concerto in F major, BWV 971: II. Andante) (in 2015-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
4:58
6Suite for Solo Cello no. 6 in D major, BWV 1012: IV. Sarabande
cello:
Jian Wang (cellist) (in 2003-07)
recording of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012: IV. Sarabande (Cello Suite No. 6 in D major, BWV 1012: IV. Sarabande) (in 2003-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012 (Cello Suite No. 6 in D major, BWV 1012)
6:08
7Prelude For Lute in C minor, BWV 999: transcription for guitar in D minor
guitar:
Celedonio Romero (in 1965)
recording of:
Prelude in C minor, BWV 999 (catch-all for arrangements) (in 1965)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Prelude in C minor, BWV 999 (original for lute)
1:34
8Goldberg Variations, BWV 988: Var. 15 Canone alla Quinta in moto contrario
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Stefan Flock
producer:
Dr. Peter Czornyj and Werner Mayer (classical producer)
editor:
Mark Buecker (engineer of classical recordings)
piano:
Andrei Gavrilov (pianist)
solo piano:
Andrei Gavrilov (pianist) (in 1992-09)
balance engineer:
Andrew Wedman (producer and engineer) (in 1992-09)
recorded at:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen (Hesse), Germany (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Variatio 15. Canone alla Quinta. a 1 Clav. andante (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
5:39
9Flute Sonata in E-flat major, BWV 1031: II. Siciliano (Arr. Andreas N.Tarkmann)
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist) (in 2003-03)
orchestra:
Sinfonia Varsovia (in 2003-03)
arranger:
Andreas N. Tarkmann (German composer)
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2003-03)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (catch-all for arrangements) (in 2003-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
part of:
Flute Sonata in E-flat major, BWV 1031 (catch-all for arrangements)
2:12
10Concerto for 2 Harpsichords, Strings & Continuo in C minor, BWV 1060, Reconstruction For Oboe, Violin, Strings & Continuo: II. Adagio
producer:
Sid McLauchlan (engineer/producer) and Torsten Schreier
oboe:
François Leleux (oboist and conductor) (in 2013-12)
violin:
Lisa Batiashvili (violinist) (in 2013-12)
orchestra:
Kammerorchester des Symphonieorchesters des Bayerischen Rundfunks (Chamber orchestra of the Bavarian Radio Symphony Orchestra) (in 2013-12)
conductor:
Radoslaw Szulc (violinist and conductor) (in 2013-12)
recorded at:
August Everding Saal in Grünwald, Bayern (Bavaria), Germany (in 2013-12)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 2013-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
4:30
11Goldberg Variations, BWV 988, Arranged for Harp by Catrin Finch: Var. 21 Canone alla Settima
harp:
Catrin Finch (harpist) (in 2008-03)
harp arranger:
Catrin Finch (harpist)
recorded at:
Acapela Studio (Cardiff) in Pentyrch, Cardiff, Wales, United Kingdom (in 2008-03)
recording of:
Goldberg-Variationen, BWV 988: Variation XXI (catch-all for arrangements) (in 2008-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1841)
arrangement of:
Goldberg-Variationen, BWV 988: Variatio 21. Canone alla Settima
part of:
Goldberg-Variationen, BWV 988 (catch-all for arrangements)
2:16
12French Suite no. 3 in B minor, BWV 814: III. Sarabande
concert harp:
Nicanor Zabaleta (harpist)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recording of:
Französische Suite no. 3 h-Moll, BWV 814: III. Sarabande (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Französische Suite no. 3 h-Moll, BWV 814: III. Sarabande
3:09
13Suite for Cello Solo no. 1 in G major, BWV 1007, Transcribed for Solo Guitar by Göran Söllscher: I. Prélude
guitar:
Göran Söllscher (classical guitarist) (in 1991-04)
arranger:
Göran Söllscher (classical guitarist)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1991-04)
recording of:
Suite no. 1 G-Dur, BWV 1007: I. Prélude (catch-all for arrangements) (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude)
part of:
Suite no. 1 in G major, BWV 1007 (catch-all for arrangements)
recording of:
Suite no. 4 Es-Dur, BWV 1010: I. Prélude (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010: I. Prélude (Cello Suite No. 4 in E-flat major, BWV 1010: I. Prélude)
part of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010 (catch-all for arrangements)
2:43
14Nun komm der Heiden Heiland BWV 659
producer:
Philipp Nedel
organ:
Jörg Strodthoff (German organist) (in 2013-03)
trumpet:
Pacho Flores (trumpetist) (in 2013-03)
balance engineer:
Hansjörg Seiler
recorded at:
Konzerthaus Berlin in Berlin, Germany (in 2013-03)
recording of:
Nun komm’ der Heiden Heiland, BWV 659 (catch-all for arrangements) (in 2013-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Nun komm, der Heiden Heiland, BWV 659.2 (Chorale Prelude for organ in G minor, BWV 659 “Nun komm’ der Heiden Heiland”, former BWV 659)
4:36
15French Suite no. 2 in C minor, BWV 813: III. Sarabande
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
piano:
Murray Perahia (pianist and conductor) (in 2013-07)
balance engineer:
Martin Nagorni
piano technician:
Ulrich Gerhartz
recorded at:
Funkhaus Nalepastraße, Saal 1 in Berlin, Germany (in 2013-07)
recording of:
Französische Suite no. 2 c-Moll, BWV 813: V. Menuet I (in 2013-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
recording of:
Menuet in C minor, BWV 813a (optional Menuet II in French Suite no. 2) (in 2013-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 813a)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
3:12
16Arioso (Adagio in G) from Cantata BWV 156 (Arr. Julian Lloyd Webber)
producer:
Anna Barry (classical producer)
cello:
Julian Lloyd Webber (cellist) (in 1992-02)
piano:
John Lenehan (classical pianist) (in 1992-02)
arranger:
Julian Lloyd Webber (cellist)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1992-02)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": I. Sinfonia ("Arioso", catch-all for arrangements) (in 1992-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
arrangement of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
2:55
17Concerto for Oboe (from BWV 105, 170 & 49): II. Andante
oboe:
Albrecht Mayer (oboist) (from 2009-03-02 until 2009-03-06)
orchestra:
The English Concert (from 2009-03-02 until 2009-03-06)
conductor:
Albrecht Mayer (oboist) (from 2009-03-02 until 2009-03-06)
recorded at:
St. Paul's Church (Deptford) in Deptford, Lewisham, London (Greater London), England, United Kingdom (from 2009-03-02 until 2009-03-06)
recording of:
Konzert für Oboe, Streicher und Basso continuo: II. Andante (from 2009-03-02 until 2009-03-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Oboe, Streicher und Basso continuo
6:14
18Liebster Jesu, wir sind hier, BWV 731: Arr. piano Harriet Cohen
piano:
Alicia de Larrocha (pianist)
recording of:
Liebster Jesu, wir sind hier, BWV 731 (for piano, Cohen)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Harriet Cohen (pianist)
arrangement of:
Liebster Jesu, wir sind hier, BWV 731
3:33
19"Kommt, eilet und laufet" Cantata, BWV 249: "Oster-Oratorium": Adagio
recorded in:
London (Greater London), England, United Kingdom (in 1982-06)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1982-06)
violin:
Gidon Kremer (violinist) (in 1982-06)
orchestra:
Academy of St Martin in the Fields (in 1982-06)
conductor:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1982-06)
recording of:
Oster-Oratorium, BWV 249: II. Adagio (in 1982-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
4:14
20Recomposed by Peter Gregson: Bach: Cello Suite no. 1 in G major, BWV 1007: I. Prelude
recording of:
Bach: The Cello Suites - Recomposed by Peter Gregson - Suite No. 1 in G Major, BWV 1007: 1. Prelude
composer:
Peter Gregson (British cellist and composer)
part of:
Suite No. 1 in G Major, BWV 1007
2:02