Ultra-Lounge: Cocktails With Cole Porter

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Just One of Those Things
cover recording of:
Just One of Those Things (am 1957-07-31)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
Nat King Cole2:15
2Its De‐Lovely
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-09) und Bud Shank (am 1956-02-09)
baritone saxophone:
Chuck Gentry (am 1956-02-09)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-09)
Gitarre:
Barney Kessel (am 1956-02-09)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass:
Joe Mondragon (am 1956-02-09)
Posaune:
Milt Bernhart (am 1956-02-09), Joe Howard (american trombone player) (am 1956-02-09) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-09)
Schlagzeug:
Alvin Stoller (am 1956-02-09)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-09) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-09)
Trompete:
Pete Candoli (am 1956-02-09), Harry “Sweets” Edison (am 1956-02-09), Maynard Ferguson (am 1956-02-09) und Conrad Gozzo (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (von 1956-02-09 bis 1956)
conductor:
Buddy Bregman (am 1956-02-09)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
It’s De‐Lovely (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Teil von:
Anything Goes
Teil von:
Red, Hot and Blue (1936 Cole Porter musical)
Ella Fitzgerald2:44
3True Love
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
cover recording of:
True Love (High Society) (in 1960)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 2)
Teil von:
High Society (stage musical)
Teil von:
High Society (1956 film)
Dean Martin2:33
4Anything Goes
recording of:
Anything Goes
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
Tony Bennett2:22
5Easy to Love
cover recording of:
Easy to Love
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
Sammy Davis Jr.2:26
6C’est magnifque
Kay Starr2:20
7Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Steve Lawrence2:15
8My Heart Belongs to Daddy
Produzent(in):
Richard Bock (record producer)
Gitarre:
Joe Pass (jazz guitarist) (am 1965-07-12)
Holzblasinstrumente:
Bud Shank (am 1965-07-12)
Instrumente:
The Bud Shank Quintet (am 1965-07-12)
Klavier:
Russ Freeman (pianist) (am 1965-07-12)
Kontrabass:
Monty Budwig (am 1965-07-12)
membranophone und Schlagzeug:
Colin Bailey (drummer) (am 1965-07-12)
vocals:
Julie London (am 1965-07-12)
arranger:
Russ Freeman (pianist)
aufgenommen bei:
Pacific Jazz Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-07-12)
cover recording of:
My Heart Belongs to Daddy (am 1965-07-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. und Chappell Music Ltd.
recording of:
My Heart Belongs to Daddy
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. und Chappell Music Ltd.
Julie London2:43
9Ridin’ High
cover recording of:
Ridin’ High
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Peggy Lee2:11
10High Society Calypso
recording of:
High Society Calypso (High Society, 1956 film)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Chappell Music Ltd.
Teil von:
High Society (1956 film)
Louis Armstrong2:15
11What Is This Thing Called Love
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
Keely Smith1:55
12I Love Paris
recording of:
I Love Paris (Can-Can [Pistache, Company])
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Kay Starr2:47
13You’d Be So Nice to Come Home To
Produzent(in):
Brad Benedict
conductor:
Jimmy Jones (jazz pianist, active years 1936-1975)
remixer:
Bob Norberg
cover recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Nancy Wilson2:37
14I Happen to Like New York
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1960-08-03)
vocals:
Judy Garland (am 1960-08-03)
conductor:
Norrie Paramor (am 1960-08-03)
recording of:
I Happen to Like New York (The New Yorkers musical) (am 1960-08-03)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
Judy Garland2:58
15I’ve Got You Under My Skin
Produzent(in):
Voyle Gilmore (am 1959-01-02)
Tenorsaxophon:
Sam Butera (am 1959-01-02)
Trompete:
Louis Prima (am 1959-01-02)
vocals:
Louis Prima (am 1959-01-02) und Keely Smith (am 1959-01-02)
Orchester:
The Witnesses (am 1959-01-02)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-01-02)
cover recording of:
I’ve Got You Under My Skin (am 1959-01-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Louis Prima & Keely Smith2:39
16Looking at You
Liza Minnelli2:41
17Always True to You in My Fashion
Bongos:
Armando Peraza (percussionist) (am 1959-04-29)
Gitarre:
Toots Thielemans (am 1959-04-29)
Klavier:
George Shearing (British jazz pianist) (am 1959-04-29)
Kontrabass:
Carl Pruitt (Double bass player) (am 1959-04-29)
Vibraphon:
Ray Alexander (am 1959-04-29)
vocals:
Peggy Lee (jazz vocalist) (am 1959-04-29)
cover recording of:
Always True to You in My Fashion (am 1959-04-29)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
Teil von:
Kiss Me, Kate (musical)
Peggy Lee and George Shearing1:58
18Let’s Do It
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
Duke Ellington & Ella Fitzgerald4:21
19Miss Otis Regrets
recording of:
Miss Otis Regrets
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1934)
Nat King Cole4:32
20Ev’ry Time We Say Goodbye
Bass:
George Duvivier (am 1961-07-18)
Gitarre:
Mundell Lowe (am 1961-07-18)
vocals:
Sarah Vaughan (am 1961-07-18)
aufgenommen bei:
RKO-Pathé Studios in New York, New York, Vereinigte Staaten (am 1961-07-18)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (am 1961-07-18)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sarah Vaughan2:25

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