Christmas Adagios (Blue background on back cover)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1O Holy Night
Chorgesang:
Wiener Großstadtkinderchor (in 1961-06) und Wiener Singverein (in 1961-06)
Soprangesang:
Leontyne Price (soprano) (in 1961-06)
Orchester:
Members of the Wiener Philharmoniker (Berliner Philharmoniker) (in 1961-06) und Wiener Philharmoniker (in 1961-06)
conductor:
Herbert von Karajan (conductor) (in 1961-06)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1961-06)
recording of:
O Holy Night (in 1961-06)
Texter:
John Sullivan Dwight (in 1855)
Komponist(in):
Adolphe Adam (French composer) (in 1847)
Arrangement von:
O holy night (arr. John Ebenezer West)
übersetzte Version von:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”)
recording of:
O Holy Night (catch-all for arrangements) (in 1961-06)
Komponist(in):
Adolphe Adam (French composer)
Arrangement von:
O Holy Night
Adolphe Adam4:33
2Ave Maria
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer) (in 1976-01)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Wandsworth School Boys’ Choir (in 1976-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger und Orchestrator(in):
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
live recording of:
Ave Maria (catch-all for arrangements) (in 1976-01)
Komponist(in):
Franz Schubert (composer)
Arrangement von:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Franz Schubert (composer)
Version von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
Komponist(in):
Franz Schubert (composer) (in 1825)
Arrangement von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
Texter:
Jairo (Argentinean singer) und Sir Walter Scott (19th-century Scottish author)
Komponist(in):
Franz Schubert (composer) (in 1825)
Übersetzer:
Adam Storck
Teil von:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (Nummer: D. 839)
Franz Schubert4:53
3In the Bleak Midwinter
Chorgesang:
Academy of St Martin in the Fields Chorus
Soprangesang:
Rosemary Joshua (soprano)
Tenor-Gesang:
Ian Bostridge (tenor)
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recording of:
In the Bleak Midwinter (Harold Edwin Darke version)
Texter:
Christina Rossetti
Komponist(in):
Harold Edwin Darke (in 1909)
publisher:
Oxford University Press
Version von:
In the Bleak Midwinter (poem)
Harold Edwin Darke4:32
4Coventry Carol
Chorgesang:
Choir of King’s College, Cambridge
vocals:
Choir of King’s College, Cambridge (in 1962-08)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1962-08)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
aufgenommen bei:
King’s College Cambridge in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1962-08)
recording of:
Coventry Carol (Martin Shaw arrangement) (in 1962-08)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Martin Shaw (British composer)
Arrangement von:
Coventry Carol
recording of:
Coventry Carol (Martin Shaw arrangement) (in 1962)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Martin Shaw (British composer)
Arrangement von:
Coventry Carol
[unknown]2:21
5Away in a Manger
Chorgesang:
Choir of St John’s College, Cambridge
Diskantstimme:
Mark Tinkler (musical performer & theatre director)
chorus master:
George Guest (organist and conductor)
recording of:
Away in a Manger (aka “Cradle Song” composed by William J. Kirkpatrick)
Texter:
[anonymous] (special purpose artist)
zusätzlicher Texter:
Charles Hutchinson Gabriel (in 1892)
Komponist(in):
William James Kirkpatrick (hymn-writer) (in 1895)
Teil von:
Roud Folk Song Index (Nummer: 25304)
basiert auf:
Sweet Afton (set to music by Jonathan E. Spilman, 1837)
übersetzte Version von:
Y Preseb
William James Kirkpatrick2:34
6Gabriel's Message
Chorgesang:
Choir of Clare College, Cambridge
Orchester:
Orchestra of Clare College, Cambridge
conductor:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945)
recording of:
The Angel Gabriel
geschrieben in:
País Vasco (Basque Country), Spanien
Texter und Komponist(in):
[traditional] (special purpose artist)
Übersetzer:
Sabine Baring‐Gould (in 1895)
übersetzte Version von:
Birjina gaztetto bat zegoen
[unknown]3:04
7Pastoral Sinfonia
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
Premiere in:
Leipzig, Sachsen, Deutschland (am 1734-12-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:26
8Shepherds' Farewell
Chorgesang:
Academy of St Martin in the Fields Chorus
Orchester:
Academy of St Martin in the Fields
recording of:
The Shepherds’ Farewell
Komponist(in):
Hector Berlioz (French composer)
Übersetzer:
Paul England
übersetzte Version von:
L'Enfance du Christ, op. 25 : Deuxième partie no. 8. Adieu des bergers à la sainte famille « Il s'en va loin de la terre » (Les bergers) (“The Shepherds' Farewell”)
Hector Berlioz4:23
9Panis Angelicus
Chorgesang:
St. Paul’s Cathedral Choir (London)
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
English Chamber Orchestra
conductor:
Barry Rose (organist / choirmaster)
arranger:
Alan Boustead
phonographisches Urheberrecht (℗) von:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1984)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
Texter:
St. Thomas Aquinas
Komponist(in):
César Franck (Belgian‐born French composer) (in 1860)
Teil von:
Messe solennelle en la majeur, op. 12
recording of:
Panis Angelicus (catch-all for arrangements)
Komponist(in):
César Franck (Belgian‐born French composer)
Arrangement von:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
César Franck3:42
10Slumber Aria
Hochgesang:
Marilyn Horne (American operatic mezzo-soprano)
Orchester:
Vienna Cantata Orchestra
conductor:
Henry Lewis (conductor)
teilweise recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“
Premiere in:
Leipzig, Sachsen, Deutschland (am 1734-12-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:17
11Lullaby
recording engineer und Tonmeister(in):
Stanley Goodall (engineer) (in 1971-04)
Produzent(in):
Christopher Raeburn (producer)
Soprangesang:
Renata Tebaldi (soprano) (in 1971-04)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1971-04)
conductor:
Anton Guadagno (conductor) (in 1971-04)
arranger:
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1971-04)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements) (in 1971-04)
Komponist(in):
Johannes Brahms (German composer)
Arrangement von:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Johannes Brahms2:18
12O Jesu So Meek
Orgel:
Simon Preston (organist, conductor, composer) (in 1959)
Chorgesang:
Choir of King’s College, Cambridge (in 1959)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1959)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recording of:
O Little One Sweet
Komponist(in):
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) und Johann Sebastian Bach (German Baroque period composer & musician)
Übersetzer:
Percy Dearmer
übersetzte Version von:
Geistliches Lied, BWV 493 "O Jesulein süß"
Johann Sebastian Bach3:01
13While Shepherds Watched
Pfeifenorgel:
Stephen Cleobury (organist, conductor)
Chorgesang:
Choir of St John’s College, Cambridge
conductor:
George Guest (organist and conductor)
[unknown]2:51
14Süßer Trost, mein Jesu kommt
Soprangesang:
Agnes Giebel (soprano)
Orchester:
Deutsche Bachsolisten
conductor:
Helmut Winschermann (oboist/conductor)
teilweise recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": I. Aria (Sopran) "Süßer Trost, mein Jesus kömmt"
Premiere in:
Leipzig, Sachsen, Deutschland (am 1725-12-27)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
Librettist:
Georg Christian Lehms (in 1711)
Teil von:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach3:58
15Largo
Techniker(in):
John Dunkerley (engineer)
Produzent(in):
Paul Myers (classical record producer)
klassiche Gitarre:
Eduardo Fernández (guitarist) (in 1986-12)
Orchester:
English Chamber Orchestra (in 1986-12)
conductor:
George Malcolm (English harpsichordist, conductor) (in 1986-12)
Tonmeister(in):
John Dunkerley (engineer) (in 1986-12)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1986-12)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Malipiero) (in 1986-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Gian Francesco Malipiero (Italian composer)
Arrangement von:
Concerto for Lute in D major, RV 93: II. Largo
Antonio Vivaldi5:13
16Alma Redemptoris Mater
Chorgesang:
Monteverdi Choir (English vocal Baroque ensemble)
Solo Tenor-Gesang und Tenor-Gesang:
Julian Podger (English tenor vocalist & choral conductor)
conductor:
John Eliot Gardiner
recording of:
Alma redemptoris mater
Komponist(in):
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
Giovanni Pierluigi da Palestrina4:02
17O Magnum Mysterium
Chorgesang:
Monteverdi Choir (English vocal Baroque ensemble)
Hochgesang:
John Angelo Messana (counter-tenor)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
O magnum mysterium à 8, Ch. 3
Texter und Komponist(in):
Giovanni Gabrieli (composer)
Teil von:
Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (Nummer: Ch. 3)
Teil von:
Concerti di Andrea et di Giovanni Gabrieli
Giovanni Gabrieli3:57
18Zastupnitse Userdnaya
Chorgesang:
St. Petersburg Chamber Choir
conductor:
Nikolai Korniev (chorus master)
recording of:
To the Most Holy Sovereign Lady, op. 43: No. 6. Заступнице Усердная (O fervent Protectress)
Komponist(in):
Павел Чесноков (Pavel Chesnokov, Russian composer and choirmaster)
Teil von:
To the Most Holy Sovereign Lady, op. 43
Chesnokov4:24
19I Will Love Thee, O Lord
Produzent(in):
Andrew Cornall (engineer / producer) und Paul Myers (classical record producer) (Aufgabe: session recording producer)
Mix:
Philip Siney (sound engineer) (von 1998-09-19 bis 1998-09-25)
Chorgesang:
Romanian National Choir "Madrigal-Marin Constantin" (von 1998-09-19 bis 1998-09-25)
Soprangesang:
Angela Gheorghiu (Romanian soprano) (von 1998-09-19 bis 1998-09-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1998-09-19 bis 1998-09-25)
conductor:
Ion Marin (conductor) (von 1998-09-19 bis 1998-09-25)
chorus master:
Marin Constantin (Romanian composer & conductor)
arranger:
Chris Hazell
Tonmeister(in):
James Lock (James Locke, engineer) (von 1998-09-19 bis 1998-09-25)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
aufgenommen bei:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1998-09-19 bis 1998-09-25)
recording of:
Iubi-Te-voi, Doamne (I Will Love Thee, O Lord)
Komponist(in):
Evghenie Humulescu
Evghenie Humulescu2:39
20Once in Royal David's City
Techniker(in):
Simon Eadon (classical music engineer)
Produzent(in):
Christopher Hazell
Orgel:
David Briggs (English organist and composer) (von 1984-03-19 bis 1984-03-20, am 1984-03-20)
treble flute:
Robin Barter
Chorgesang:
Choir of King’s College, Cambridge (von 1984-03-19 bis 1984-03-20)
Solo Soprangesang:
Robin Barter (von 1984-03-19 bis 1984-03-20)
vocals:
Choir of King’s College, Cambridge (am 1984-03-20)
conductor:
Stephen Cleobury (organist, conductor) (von 1984-03-19 bis 1984-03-20, am 1984-03-20)
arranger:
Henry John Gauntlett
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (von 1984-03-19 bis 1984-03-20) und King’s College Cambridge in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (am 1984-03-20)
recording of:
Once in Royal David’s City (von 1984-03-19 bis 1984-03-20)
Texter:
Cecil Frances Alexander (in 1848)
Komponist(in):
Henry John Gauntlett (in 1849)
Teil von:
The New English Hymnal (hymn book) (Nummer: 34)
recording of:
Once in Royal David’s City (am 1984-03-20)
Texter:
Cecil Frances Alexander (in 1848)
Komponist(in):
Henry John Gauntlett (in 1849)
Teil von:
The New English Hymnal (hymn book) (Nummer: 34)
recording of:
Once in Royal David’s City (harmony Arthur Mann, descant Stephen Cleobury)
Texter:
Cecil Frances Alexander (in 1848)
Komponist(in):
Henry John Gauntlett (in 1849)
zusätzliche(r) Komponist(in):
Stephen Cleobury (organist, conductor) und Arthur Henry Mann (English organist and composer)
publisher:
Novello
Version von:
Once in Royal David’s City (arr. Mann)
[unknown]4:30
21O Tannenbaum
Chorgesang:
Vienna Boys' Choir (Wiener Sängerknaben)
conductor:
Uwe Christian Harrer (chorus master/conductor)
recording of:
O Tannenbaum (Oh Tannenbaum, original German version)
Texter:
Ernst Anschütz (in 1824)
Komponist(in):
[traditional] (special purpose artist) (von 1500 bis 1600)
Version von:
Es lebe hoch der Zimmermannsgeselle
[unknown]1:38
22O Little Town of Bethlehem
Chorgesang:
Choir of King’s College, Cambridge
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recording of:
O Little Town of Bethlehem (traditional carol with the tune “Forest Green”, as sung in the UK and the Episcopal Church in the U.S.)
Texter:
Phillips Brooks (in 1868)
Komponist(in):
[traditional] (special purpose artist)
zusätzliche(r) Komponist(in):
Ralph Vaughan Williams (English composer) (in 1906)
arranger:
Ralph Vaughan Williams (English composer)
publisher:
Oxford University Press (in 1906)
Teil von:
The New English Hymnal (hymn book) (Nummer: 32)
basiert auf:
The Ploughboy's Dream
Version von:
O Little Town of Bethlehem (traditional carol with the tune “St. Louis”, as commonly sung in the U.S.)
[unknown]3:05
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