Fidelio

~ Release by Beethoven; Christa Ludwig, Jon Vickers, Gottlob Frick, Walter Berry, Philharmonia Orchestra and Chorus, Klemperer (see all versions of this release, 7 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Fidelio: Ouvertüre
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1962-02, from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (in 1962-02, from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1962-02, from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (in 1962-02)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven6:55
2Fidelio: Act I, No. 1. Duett "Jetzt, Schätzchen, jetzt sind wir allein"
producer:
Walter Legge (British classical producer)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:54
3Fidelio: Act I, No. 1. "Der arme Jaquino dauert mich beinahe"
producer:
Walter Legge (British classical producer)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1b. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:14
4Fidelio: Act I, No. 2. Arie "O wär' ich schon mit dir vereint"
producer:
Walter Legge (British classical producer)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:05
5Fidelio: Act I, No. 2. "Guten Tag, Marzelline. Ist Fidelio noch nicht zurück?"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2b. Dialog "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2c. Dialog "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven1:10
6Fidelio: Act I, No. 3. Quartett "Mir ist so wunderbar"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:39
7Fidelio: Act I, No. 3. "Höre, Fidelio, weißt du, was ich tue?"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3b. Dialog "Höre, Fidelio!" (Rocco, Marzelline) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:18
8Fidelio: Act I, No. 4. Arie "Hat man nicht auch Gold beineben"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:54
9Fidelio: Act I, No. 4. "Ihr könnt das leicht sagen, Meister Rocco"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4b. Dialog "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4c. Dialog "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:21
10Fidelio: Act I, No. 5. Terzett "Gut, Söhnchen, gut, hab' immer Mut"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:08
11Fidelio: Act I, No. 6. Marsch
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:19
12Fidelio: Act I, No. 6. "Wo sind die Depeschen"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (bass‐baritone) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6b. Dialog "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:54
13Fidelio: Act I, No. 7. Arie mit Chor "Ha! Welch ein Augenblick!"
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (bass‐baritone) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:39
14Fidelio: Act I, No. 7. "Hauptmann, besteigen Sie mit einem Tompeter sogleich den Turm"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (bass‐baritone) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7b. Dialog "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm!" (Pizarro, Rocco) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:35
15Fidelio: Act I, No. 8. Duett "Jetzt, Alter, jetzt hat es Eile!"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (bass‐baritone) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:26
16Fidelio: Act I, No. 9. Rezitativ und Arie "Abscheulicher! Wo eilst du hin?"
producer:
Walter Legge (British classical producer)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven8:20
17Fidelio: Act I, No. 9. "Rocco, Ihr verspracht mir so oft"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9b. Dialog "Marzelline!" - "Nein, ich will nicht..." (Jaquino, Marzelline, Rocco, Leonore) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:49
18Fidelio: Act I, No. 10. Finale "O welche Lust!"
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-02 until 1962-03)
solo bass vocals [Second Prisoner]:
Raymond Wolansky (American operatic baritone) (from 1962-02 until 1962-03)
solo tenor vocals [First Prisoner]:
Kurt Wehofschitz (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:21
19Fidelio: Act I, No. 10. Finale "Nun sprecht, wie ging's?"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:32
20Fidelio: Act I, No. 10. Finale "Ach! Vater, eilt!"
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-02 until 1962-03)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (bass‐baritone) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:59
2▶CD