Rock 'n' Roll America

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Rock Around the Clock
double bass:
Marshall Lytle (on 1954-04-12)
drums (drum set):
Billy Gussak (on 1954-04-12)
electric guitar [lead guitar]:
Danny Cedrone (on 1954-04-12)
electric guitar [rhythm guitar] and lead vocals:
Bill Haley (on 1954-04-12)
piano:
Johnny Grande (on 1954-04-12)
steel guitar:
William F. ‘Billy’ Williamson (on 1954-04-12)
tenor saxophone:
Joey D'Ambrosio (on 1954-04-12)
phonographic copyright (℗) by:
Sonet Music AB (in 1954) and MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (on 1954-04-12)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley and His Comets4.352:12
2Roll Over Beethoven
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1956-04-19)
drums (drum set):
Melvin Billups (on 1956-04-19)
guitar and lead vocals:
Chuck Berry (on 1956-04-19)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-04-19)
tenor saxophone:
Leroy C. Davis (on 1956-04-19)
trumpet:
Vincent Pitts (on 1956-04-19)
phonographic copyright (℗) by:
Geffen Records (in 1956)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-04-19)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 97)
recording of:
Roll Over Beethoven (on 1956-04-19)
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. and Rock ’n’ Roll Music
Chuck Berry4.152:25
3At the Hop
recording of:
At the Hop
writer:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music and Tristan Music Ltd.
Danny & the Juniors2:32
4Be Bop a Lula
double bass [upright bass]:
Jack Neal (on 1956-05-04)
drums (drum set) [drums]:
Dickie Harrell (on 1956-05-04)
guitar [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (on 1956-05-04)
guitar [rhythm guitar]:
Willie Williams (50s rock guitarist) (on 1956-05-04)
vocals:
Gene Vincent (on 1956-05-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (from 1956 to present)
recorded at:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-05-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 9) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 102)
recording of:
Be‐Bop‐a‐Lula (on 1956-05-04)
writer:
Bill “Tex” Davis and Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent4.352:36
5Great Balls of Fire
recording of:
Great Balls of Fire
writer:
Otis Blackwell (American pianist, singer and songwriter) and Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) and Warner Chappell Music (publisher as Warner/Chappell Music)
Jerry Lee Lewis1:53
6Stagger Lee
recording of:
Stagger Lee (Lloyd Price version)
writer:
Harold Logan and Lloyd Price (US R&B/soul singer)
publisher:
EMI Catalogue Partnership, Irving Music (BMI) and Travis Music Co.
version of:
Stagger Lee (“Stackolee” etc., traditional)
Lloyd Price2:21
7La Bamba
recording engineer:
Larry Levine and Stan Ross (recording engineer, mixer & producer)
producer:
Bob Keane
phonographic copyright (℗) by:
Del-Fi Records Inc. (in 1958)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 142) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 346)
recording of:
La bamba (additional lyrics by Ritchie Valens) (on 1958-11-17)
additional lyricist:
Ritchie Valens
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music and M.P.A. (M.P.A.)
version of:
La bamba
Ritchie Valens4.752:08
8Shout
recording of:
Shout
writer:
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) and Rudolph Isley
publisher:
Campbell Connelly, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Longitude Music Co., Nightlight Music (US work publisher, affiliated with BMI), Nightlight Music Pty Ltd. and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
part of:
MJ: The Musical
The Isley Brothers2:19
9Money
Barrett Strong2:36
10Singing the Blues
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 37)
cover recording of:
Singing the Blues
lyricist and composer:
Melvin Endsley (in 1956)
publisher:
Acuff Rose Opryland Ltd. (UK) and Acuff-Rose Music Limited (UK)
Guy Mitchell2:28
11Tequila
recording of:
Tequila
lyricist and composer:
Daniel Flores (Daniel Flores)
The Champs4.32:12
12Sh-Boom
recorded in:
New York, New York, United States (on 1954-03-15)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1954-03-15)
vocals:
The Chords (50s US doo-wop group "Sh-Boom") (on 1954-03-15)
arranger:
Howard Biggs
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 215)
recording of:
Sh‐Boom (on 1954-03-15)
writer:
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes and Floyd McRae
premiered by:
The Chords (50s US doo-wop group "Sh-Boom")
The Chords32:26
13Stay
double bass:
Albert Hill (double bassist)
drums (drum set) [drums]:
Willie Morrow
baritone vocals:
Charles Thomas (The Zodiacs)
lead vocals:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
tenor vocals:
Wiley Bennett
tenor vocals [falsetto tenor]:
Henry Gaston
phonographic copyright (℗) by:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 1)
recording of:
Stay
lyricist and composer:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. and Cherio Corp. (in 1960)
Maurice Williams & the Zodiacs51:38
14Susie Q
bass:
Sonny Trammell (in 1957)
drums (drum set):
Ronnie Lewis (drummer) (in 1957)
guitar:
James Burton (guitarist) (in 1957) and Dale Hawkins (in 1957)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1957)
vocals:
Dale Hawkins (in 1957)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 24) and Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 73)
recording of:
Susie Q (in 1957)
lyricist and composer:
Dale Hawkins
additional composer:
Eleanor Broadwater and Stanley Lewis (well known 60s/70s US producer/songwriter)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and PeerMusic AB
Dale Hawkins32:20
15Summertime Blues
drums (drum set):
Earl Palmer (on 1958-03-28)
electric bass guitar:
Connie “Guybo” Smith (bass player) (on 1958-03-28)
guitar:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1958-03-28)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1958-03-28)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1958)
recorded at:
Goldstar Studio in Hollywood, Los Angeles, California, United States (on 1958-03-28)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 73) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 432)
recording of:
Summertime Blues (in 1958-05)
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran3.751:58
16Good Golly Miss Molly
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-10-15)
bass:
Frank Fields (on 1956-10-15)
drums (drum set):
Earl Palmer (on 1956-10-15)
guitar:
Roy Montrell (on 1956-10-15)
piano and lead vocals:
Little Richard (on 1956-10-15)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-10-15)
recorded at:
J&M Studio (New Orleans, circa 1945-1955) in New Orleans, Louisiana, United States (on 1956-10-15)
recording of:
Good Golly Miss Molly (on 1956-10-15)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. and Robin Hood Music Co.
Little Richard2:11
17Yakety Yak
engineer:
Tom Dowd
acoustic guitar:
Allen Hanlon (jazz guitarist) (on 1958-03-17)
double bass [bass]:
Wendell Marshall (on 1958-03-17)
drums (drum set):
Joe Marshall (jazz drummer) (on 1958-03-17)
electric guitar:
Adolph Jacobs (on 1958-03-17)
guitar:
George Barnes (on 1958-03-17)
piano:
Mike Stoller (on 1958-03-17)
tenor saxophone:
King Curtis (saxophonist) (on 1958-03-17)
vocals:
Carl Gardner (on 1958-03-17), Cornell Gunter (on 1958-03-17), Billy Guy (r&b vocalist) (on 1958-03-17) and Will “Dub” Jones (US R&B/doo wop vocalist) (on 1958-03-17)
arranger:
Mike Stoller
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1958-03-17)
recording of:
Yakety Yak (on 1958-03-17)
lyricist:
Jerry Leiber
writer:
Jerry Leiber and Mike Stoller
composer:
Mike Stoller
publisher:
Sony/ATV Songs LLC
part of:
Twins (1988)
The Coasters3.651:51
18Blueberry Hill
cover recording of:
Blueberry Hill
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
writer:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Fats Domino2:21
19Spoonful
recorded in:
Chicago, Illinois, United States (in 1960-06)
double bass:
Willie Dixon (in 1960-06)
drums (drum set):
Fred Below (in 1960-06)
guitar:
Hubert Sumlin (Chicago blues guitarist and singer) (in 1960-06)
piano:
Otis Spann (in 1960-06)
lead vocals:
Howlin’ Wolf (in 1960-06)
part of:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 47), Blues Hall of Fame: Classic of Blues Recording Single (number: 2010), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 154) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 219)
recording of:
Spoonful (in 1960-06)
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Hoochie Coochie Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Mathews Music
Howlin’ Wolf52:42
20Wonderful World
recording of:
Wonderful World
writer:
Lou Adler, Herb Alpert and Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ardmore and Beechwood Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd. and 日本アブコ音楽出版 (ABKCO Japan Publishing)
Sam Cooke2:07
21Venus
vocals:
Frankie Avalon (American actor, singer)
conductor and chorus master:
Peter de Angelis
phonographic copyright (℗) by:
Chancellor Records Inc. (in 1959)
recording of:
Venus
lyricist and composer:
Ed Marshall
publisher:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:23
22I'm a Man
double bass:
Willie Dixon (on 1955-03-02)
drums (drum set):
Clifton James (on 1955-03-02)
guitar:
Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1955-03-02)
harmonica:
Billy Boy Arnold (US blues harmonica player, singer and songwriter) (on 1955-03-02)
maracas:
Jerome Green (on 1955-03-02)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1955-03-02)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2018) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 370)
recording of:
I’m a Man (on 1955-03-02)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
68 Publishing Ltd., Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Bo Diddley4.353:01
23I Put a Spell on You
vocals:
Screamin’ Jay Hawkins
part of:
Pitchfork: The Story of Goth in 33 Songs, Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 299) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 313)
recording of:
I Put a Spell on You (on 1956-09-12)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
Screamin’ Jay Hawkins3.32:27
24Why Do Fools Fall in Love?
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
additional writer:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) and Herman Santiago (singer for Frankie Lymon & The Teenagers)
writer:
Morris Levy and Frankie Lymon
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Frankie Lymon & The Teenagers4.52:19
25Save the Last Dance for Me
recorded in:
New York, New York, United States (on 1960-05-19)
producer:
Leiber and Stoller (songwriting team)
guitar:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1960-05-19)
baritone vocals:
Doc Green (on 1960-05-19)
bass vocals:
Elsbeary Hobbs (on 1960-05-19)
lead vocals:
Benny Nelson (on 1960-05-19)
tenor vocals:
Charlie Thomas (The Drifters) (on 1960-05-19) and Johnny Williams (soul/blues vocalist) (on 1960-05-19)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-05-19)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 12) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 182)
recording of:
Save the Last Dance for Me (on 1960-05-19)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) and Trio Music (publisher) (in 1974)
The Drifters52:29
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