Rock 'n' Roll America

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra elettrica [lead guitar] :
Danny Cedrone (il 1954-04-12)
chitarra elettrica [rhythm guitar] e voce principale:
Bill Haley (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
diritti fonografici (℗) detenuti da:
Sonet Music AB (nel 1954) e MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (nel 1955)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley and His Comets4.352:12
2Roll Over Beethoven
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Melvin Billups (il 1956-04-19)
chitarra e voce principale:
Chuck Berry (il 1956-04-19)
contrabbasso :
Willie Dixon (il 1956-04-19)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1956-04-19)
sassofono tenore :
Leroy C. Davis (il 1956-04-19)
tromba :
Vincent Pitts (il 1956-04-19)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1956)
registrata presso:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (il 1956-04-19)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 97)
registrazione di:
Roll Over Beethoven (il 1956-04-19)
paroliere e compositore:
Chuck Berry (nel 1956-01)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-editore:
Fujipacific Music, Inc. e Rock ’n’ Roll Music
Chuck Berry4.152:25
3At the Hop
registrazione di:
At the Hop
autore:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
editore:
Sea-Lark Enterprises, Inc., Singular Music e Tristan Music Ltd.
Danny & the Juniors2:32
4Be Bop a Lula
batteria [drums] :
Dickie Harrell (il 1956-05-04)
chitarra [lead guitar] :
Cliff Gallup (lead guitarist for The Blue Caps) (il 1956-05-04)
chitarra [rhythm guitar] :
Willie Williams (50s rock guitarist) (il 1956-05-04)
contrabbasso [upright bass] :
Jack Neal (il 1956-05-04)
voce:
Gene Vincent (il 1956-05-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (dal 1956 a oggi)
registrata presso:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Stati Uniti (il 1956-05-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 9) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 102)
registrazione di:
Be‐Bop‐a‐Lula (il 1956-05-04)
autore:
Bill “Tex” Davis e Gene Vincent
editore:
Lowery Music Co. Inc.
Gene Vincent4.352:36
5Great Balls of Fire
registrazione di:
Great Balls of Fire
autore:
Otis Blackwell (American pianist, singer and songwriter) e Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
editore:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis1:53
6Stagger Lee
registrazione di:
Stagger Lee (Lloyd Price version)
autore:
Harold Logan e Lloyd Price (US R&B/soul singer)
editore:
EMI Catalogue Partnership, Irving Music (BMI) e Travis Music Co.
versione di:
Stagger Lee (“Stackolee” etc., traditional)
Lloyd Price2:21
7La Bamba
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
diritti fonografici (℗) detenuti da:
Del-Fi Records Inc. (nel 1958)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 142) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 346)
registrazione di:
La bamba (additional lyrics by Ritchie Valens) (il 1958-11-17)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Ritchie Valens4.752:08
8Shout
registrazione di:
Shout
autore:
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) e Rudolph Isley
editore:
Campbell Connelly, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Longitude Music Co., Nightlight Music (US work publisher, affiliated with BMI), Nightlight Music Pty Ltd. e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
parte di:
MJ: The Musical
The Isley Brothers2:19
9Money
Barrett Strong2:36
10Singing the Blues
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 37)
registrazione cover di:
Singing the Blues
paroliere e compositore:
Melvin Endsley (nel 1956)
editore:
Acuff Rose Opryland Ltd. (UK) e Acuff-Rose Music Limited (UK)
Guy Mitchell2:28
11Tequila
registrazione di:
Tequila
paroliere e compositore:
Daniel Flores (Daniel Flores)
editore:
Longitude Music Co. e Powerforce Music
sub-editore:
EMI Music Publishing France e Universal Music Publishing France (not for release label use!)
The Champs4.32:12
12Sh-Boom
registrata a:
New York, New York, Stati Uniti (il 1954-03-15)
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
sassofono tenore :
Sam Taylor (US jazz/blues saxophonist 1916-1990) (il 1954-03-15)
voce:
The Chords (50s US doo-wop group "Sh-Boom") (il 1954-03-15)
arrangiatore:
Howard Biggs
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 215)
registrazione di:
Sh‐Boom (il 1954-03-15)
autore:
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes e Floyd McRae
eseguita per la prima volta da:
The Chords (50s US doo-wop group "Sh-Boom")
The Chords32:26
13Stay
batteria [drums] :
Willie Morrow
contrabbasso :
Albert Hill (double bassist)
voce di baritono:
Charles Thomas (The Zodiacs)
voce di tenore:
Wiley Bennett
voce di tenore [falsetto tenor]:
Henry Gaston
voce principale:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
diritti fonografici (℗) detenuti da:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (nel 1987)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 1)
registrazione di:
Stay
paroliere e compositore:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
editore:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. e Cherio Corp. (nel 1960)
Maurice Williams & the Zodiacs51:38
14Susie Q
basso :
Sonny Trammell (nel 1957)
batteria :
Ronnie Lewis (drummer) (nel 1957)
chitarra :
James Burton (guitarist) (nel 1957) e Dale Hawkins (nel 1957)
voce:
Dale Hawkins (nel 1957)
voce di accompagnamento:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 24) e Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 73)
registrazione di:
Susie Q (nel 1957)
paroliere e compositore:
Dale Hawkins
compositore aggiunto:
Eleanor Broadwater e Stanley Lewis (well known 60s/70s US producer/songwriter)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e PeerMusic AB
Dale Hawkins32:20
15Summertime Blues
basso elettrico :
Connie “Guybo” Smith (bass player) (il 1958-03-28)
batteria :
Earl Palmer (il 1958-03-28)
chitarra :
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-03-28)
voce:
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-03-28)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1958)
registrata presso:
Goldstar Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1958-03-28)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 73) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 432)
registrazione di:
Summertime Blues (nel 1958-05)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran3.751:58
16Good Golly Miss Molly
basso :
Frank Fields (il 1956-10-15)
batteria :
Earl Palmer (il 1956-10-15)
chitarra :
Roy Montrell (il 1956-10-15)
pianoforte e voce principale:
Little Richard (il 1956-10-15)
sassofono baritono :
Alvin “Red” Tyler (American jazz saxophonist) (il 1956-10-15)
sassofono tenore :
Lee Allen (US jazz tenor saxophonist) (il 1956-10-15)
registrata presso:
J&M Studio (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Stati Uniti (il 1956-10-15)
registrazione di:
Good Golly Miss Molly (il 1956-10-15)
autore:
Robert “Bumps” Blackwell e John Marascalco
editore:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. e Robin Hood Music Co.
Little Richard2:11
17Yakety Yak
tecnico:
Tom Dowd
batteria :
Joe Marshall (jazz drummer) (il 1958-03-17)
chitarra :
George Barnes (il 1958-03-17)
chitarra acustica :
Allen Hanlon (jazz guitarist) (il 1958-03-17)
chitarra elettrica :
Adolph Jacobs (il 1958-03-17)
contrabbasso [bass] :
Wendell Marshall (il 1958-03-17)
pianoforte :
Mike Stoller (il 1958-03-17)
sassofono tenore :
King Curtis (saxophonist) (il 1958-03-17)
voce:
Carl Gardner (il 1958-03-17), Cornell Gunter (il 1958-03-17), Billy Guy (r&b vocalist) (il 1958-03-17) e Will “Dub” Jones (US R&B/doo wop vocalist) (il 1958-03-17)
arrangiatore:
Mike Stoller
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1958-03-17)
parte di:
Billboard Hot 100: 1958-08-04 (numero: 7)
registrazione di:
Yakety Yak (il 1958-03-17)
paroliere:
Jerry Leiber
autore:
Jerry Leiber e Mike Stoller
compositore:
Mike Stoller
editore:
Sony/ATV Songs LLC
parte di:
Twins (1988)
The Coasters41:51
18Blueberry Hill
registrazione cover di:
Blueberry Hill
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
autore:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino2:21
19Spoonful
registrata a:
Chicago, Illinois, Stati Uniti (nel 1960-06)
batteria :
Fred Below (nel 1960-06)
chitarra :
Hubert Sumlin (Chicago blues guitarist and singer) (nel 1960-06)
contrabbasso :
Willie Dixon (nel 1960-06)
pianoforte :
Otis Spann (nel 1960-06)
voce principale:
Howlin’ Wolf (nel 1960-06)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 47), Blues Hall of Fame: Classic of Blues Recording Single (numero: 2010), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 154) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 219)
registrazione di:
Spoonful (nel 1960-06)
paroliere e compositore:
Willie Dixon
editore:
Arc Music Corp. (U.S. rock & blues publisher), Bug Music Ltd., Hoochie Coochie Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e Mathews Music
Howlin’ Wolf52:42
20Wonderful World
registrazione di:
Wonderful World
autore:
Lou Adler, Herb Alpert e Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ardmore and Beechwood Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd. e 日本アブコ音楽出版 (ABKCO Japan Publishing)
Sam Cooke2:07
21Venus
voce:
Frankie Avalon (American actor, singer)
direttore d'orchestra e maestro del coro:
Peter de Angelis
diritti fonografici (℗) detenuti da:
Chancellor Records Inc. (nel 1959)
registrazione di:
Venus
paroliere e compositore:
Ed Marshall
editore:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:23
22I'm a Man
armonica (a bocca) :
Billy Boy Arnold (US blues harmonica player, singer and songwriter) (il 1955-03-02)
batteria :
Clifton James (il 1955-03-02)
chitarra :
Bo Diddley (American singer, guitarist, songwriter and music producer) (il 1955-03-02)
contrabbasso :
Willie Dixon (il 1955-03-02)
maracas :
Jerome Green (il 1955-03-02)
voce:
Bo Diddley (American singer, guitarist, songwriter and music producer) (il 1955-03-02)
parte di:
Blues Hall of Fame: Classic of Blues Recording Single (numero: 2018) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 370)
registrazione di:
I’m a Man (il 1955-03-02)
paroliere e compositore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
editore:
68 Publishing Ltd., Arc Music Corp. (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Bo Diddley4.353:01
23I Put a Spell on You
voce:
Screamin’ Jay Hawkins
parte di:
Pitchfork: The Story of Goth in 33 Songs, Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 299) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 313)
registrazione di:
I Put a Spell on You (il 1956-09-12)
paroliere e compositore:
Screamin’ Jay Hawkins
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (nel 1956) e EMI United Partnership Ltd. (nel 1956)
Screamin’ Jay Hawkins3.32:27
24Why Do Fools Fall in Love?
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 307)
registrazione di:
Why Do Fools Fall in Love (nel 1955-11)
autore:
Morris Levy e Frankie Lymon
autore aggiunto:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) e Herman Santiago (singer for Frankie Lymon & The Teenagers)
editore:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Lymon & The Teenagers4.52:19
25Save the Last Dance for Me
registrata a:
New York, New York, Stati Uniti (il 1960-05-19)
produttore:
Leiber and Stoller (songwriting team)
chitarra :
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1960-05-19)
voce di baritono:
Doc Green (il 1960-05-19)
voce di basso:
Elsbeary Hobbs (il 1960-05-19)
voce di tenore:
Charlie Thomas (The Drifters) (il 1960-05-19) e Johnny Williams (soul/blues vocalist) (il 1960-05-19)
voce principale:
Benny Nelson (il 1960-05-19)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-05-19)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 12) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 182)
registrazione di:
Save the Last Dance for Me (il 1960-05-19)
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (nel 1974) e Trio Music (publisher) (nel 1974)
The Drifters52:29
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