Corrina, Corrina (The original Motion Picture Soundtrack)

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1We Will Find a Way
additional recording engineer:
Richard McKernan and Ray Pyle
recording engineer:
Michael C. Ross (US engineer, active 1980s–present)
programming:
Eric Hanson
assistant engineer:
Jason "Argo" Goldstein (engineer) and Joe Schiff
executive producer:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
producer:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter) and Aaron Zigman (American score composer)
mixer:
Humberto Gatica
bass:
Jason Scheff and Neil Stubenhaus
drums (drum set):
Curt Bisquera and John "J.R." Robinson (session drummer)
guitar:
Michael Landau and Dean Parks (American session guitarist)
Hammond organ:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter) and Aaron Zigman (American score composer)
keyboard [keyboards] and piano:
Aaron Zigman (American score composer)
percussion:
Steve Forman (US percussionist)
saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
solo piano [gospel piano solo]:
Oleta Adams
trombone:
Bill Reichenbach (jazz trombonist)
trumpet:
Gary Grant (brass) and Jerry Hey
choir vocals:
Alex Brown (US soul vocalist, member of Raelets), Bridgette Bryant (American session backing vocalist), Siedah Garrett, Jim Gilstrap, Kathy Hazzard, Philip Ingram, Maxayne Lewis, Darryl Phinnessee, Fred White (soul singer, songwriter, arranger and producer), Carlton Wilborn and Will Wheaton
performer:
Brenda Russell (US singer-songwriter & keyboardist)
horn arranger:
Jerry Hey
arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter) and Aaron Zigman (American score composer)
choir vocals [gospel choir] arranger:
Oleta Adams
recording of:
We Will Find a Way
writer:
Steve Diamond (songwriter, musician and producer) and Sue Sheridan (US songwriter)
Oleta Adams & Brenda Russell4:39
2Corrina, Corrina
recording engineer and mixer:
John Paterno
producer:
Tony Berg (record producer, executive, and session guitarist)
guitar:
Tony Berg (record producer, executive, and session guitarist) and Michael Penn
keyboard:
Patrick Warren
percussion:
Danny Frankel
arranger:
Ted Hawkins
recording of:
Corrine, Corrina
lyricist:
[traditional] (special purpose artist), Armetia Chatman (blues musician, aka Bo Chatmon) (in 1929), J. Mayo ‘Ink’ Williams (in 1929) and Mitchell Parish (in 1932)
composer:
[traditional] (special purpose artist)
publisher:
Belwin-Mills Publishing Corp., EMI Music Publishing France and Gotham Music Service, Inc. (on 1932-03-18)
Ted Hawkins3:46
3Little Bitty Pretty One
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 22)
recording of:
Little Bitty Pretty One
lyricist and composer:
Bobby Day
publisher:
Ivan Mogull Music Ltd., Painted Desert Music, シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Thurston Harris2:24
4They Can’t Take That Away From Me
producer:
Bob Shad
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Sarah Vaughan2:42
5You Go to My Head
recording of:
You Go to My Head
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
Louis Armstrong & Oscar Peterson6:26
6What a Difference a Day Makes
recorded in:
New York, New York, United States (on 1959-02-19)
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (on 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington2.82:29
7I Only Have Eyes for You
additional recording engineer:
Michael C. Ross (US engineer, active 1980s–present)
recording engineer:
Chris Papastephanou
programming:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter), Marc Hugenberger and Michael Sembello
executive producer:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
producer:
Ancient Future (70s world fusion) and Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
assistant mixer:
James Saez (producer, engineer, writer and multi-instrumentalist)
mixer:
Humberto Gatica
bass:
Nate Watts
guitar:
Michael Sembello
horn:
Bill Reichenbach (jazz trombonist), Daniel Higgins (saxophonist and woodwind recording artist), Gary Grant (brass), Jerry Hey and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
keyboard [keyboards]:
Marc Hugenberger
performer:
Peter Cox (Artist and songwriter)
horn arranger:
Jerry Hey
arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter), Marc Hugenberger and Michael Sembello
cover recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. and Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
Niki Haris & Peter Cox5:21
8Corrine, Corrina
recorded in:
New York, New York, United States (on 1956-02-04)
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
alto saxophone:
Earl Warren (on 1956-02-04)
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1956-02-04)
drums (drum set) [drums]:
Panama Francis (US swing jazz drummer) (on 1956-02-04)
guitar:
George Barnes (on 1956-02-04) and Billy Mure (on 1956-02-04)
piano:
Ernie Hayes (American pianist, organist and arranger) (on 1956-02-04)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1956-02-04)
trumpet:
Jimmy Nottingham (on 1956-02-04) and Dick Vance (US jazz trumpeter and arranger) (on 1956-02-04)
background vocals:
The Cookies (50s girl group) (on 1956-02-04)
vocals:
Big Joe Turner (on 1956-02-04)
recording of:
Corrine, Corrina (on 1956-02-04)
lyricist:
[traditional] (special purpose artist), Armetia Chatman (blues musician, aka Bo Chatmon) (in 1929), J. Mayo ‘Ink’ Williams (in 1929) and Mitchell Parish (in 1932)
composer:
[traditional] (special purpose artist)
publisher:
Belwin-Mills Publishing Corp., EMI Music Publishing France and Gotham Music Service, Inc. (on 1932-03-18)
Big Joe Turner52:55
9It Don’t Mean a Thing (If It Ain’t Got That Swing)
alto saxophone:
Harry Carney and Johnny Hodges
banjo:
Fred Guy
baritone saxophone:
Harry Carney
clarinet:
Barney Bigard, Harry Carney and Johnny Hodges
double bass:
Wellman Braud
drums (drum set):
Sonny Greer
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
soprano saxophone:
Johnny Hodges
tenor saxophone:
Barney Bigard
trombone:
Lawrence Brown (jazz trombonist) and Joe "Tricky Sam" Nanton
trumpet:
Freddie Jenkins, Arthur Whetsel and Cootie Williams
valve trombone:
Juan Tizol
lead vocals:
Ivie Anderson
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1932-02-02)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
Duke Ellington & His Orchestra with Ivie Anderson23:11
10Over the Rainbow
engineer and mixer:
Robert M. Biles
producer:
Bones Howe
bass:
Andy Simpkins
drums (drum set):
Paul Humphrey (jazz, r&b drummer)
piano:
Pete Jolly (American jazz pianist, accordionist, and composer)
tenor saxophone [tenor sax]:
Rickey Woodard
cover recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Jevetta Steele4:46
11’Reet Petite
producer:
Dick Jacobs (arranger, musician and bandleader)
arranger:
Dick Jacobs (arranger, musician and bandleader)
recording of:
Reet Petite (The Sweetest Girl in Town)
writer:
Tyran Carlo and Berry Gordy
publisher:
Burlington Music Ltd.
Jackie Wilson2:43
12Pennies From Heaven
recording of:
Pennies From Heaven
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
Billie Holiday3:18
13Finger Poppin’ Time
producer:
Henry Glover
recording of:
Finger Poppin’ Time
lyricist and composer:
Hank Ballard
Hank Ballard & the Midnighters1:51
14Home Movies (Music From the “Corrina, Corrina” original Score)
engineer and mixer:
Tom Winslow (Audio engineer)
producer:
Rick Cox and Thomas Newman (American score composer)
recording of:
Home Movies
composer:
Thomas Newman (American score composer)
Thomas Newman2:04
15This Little Light of Mine
producer:
J.D. Steele
guitar:
Michael Scott (guitarist)
keyboard [keyboards]:
Billy Steele (member of The Steeles)
percussion:
Daryl Boudreaux
vocals:
J.D. Steele, Jearlyn Steele Battle (American soprano), Fred Steele and Jevetta Steele
arranger:
Jevetta Steele
recorded at:
Paisley Park Studios in Chanhassen, Minnesota, United States and The Terrarium in Minneapolis, Minnesota, United States
cover recording of:
This Little Light of Mine
additional lyricist:
Avis Christiansen
writer:
[traditional] (special purpose artist)
arranger:
Harry Dixon Loes
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
The Steeles4:36

Credits

Release group

artist & repertoire support:Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
Discogs:https://www.discogs.com/master/826753 [info]
other databases:http://soundtrackcollector.com/title/8156/ [info]
https://rateyourmusic.com/release/comp/various-artists/corrina-corrina/ [info]
IMDb:https://www.imdb.com/title/tt0109484/ [info]
Allmusic:https://www.allmusic.com/album/mw0000625595 [info]