Corrina, Corrina (The original Motion Picture Soundtrack)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1We Will Find a Way
recording engineer:
Michael C. Ross (US engineer, active 1980s–present)
zusätzlich recording engineer:
Richard McKernan und Ray Pyle
Programmierung:
Eric Hanson
assistierende(r) Techniker(in):
Jason "Argo" Goldstein (engineer) und Joe Schiff
leitende(r) Produzent(in):
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
Produzent(in):
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter) und Aaron Zigman (American score composer)
Mix:
Humberto Gatica
Bass:
Jason Scheff und Neil Stubenhaus
Gitarre:
Michael Landau und Dean Parks (American session guitarist)
Hammond-Orgel:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter) und Aaron Zigman (American score composer)
Keyboard [keyboards] und Klavier:
Aaron Zigman (American score composer)
Perkussion:
Steve Forman (US percussionist)
Posaune:
Bill Reichenbach (jazz trombonist)
Saxophon:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Schlagzeug:
Curt Bisquera und John "J.R." Robinson (session drummer)
Solo-Klavier [gospel piano solo]:
Oleta Adams
Trompete:
Gary Grant (brass) und Jerry Hey
Chorgesang:
Alex Brown (US soul vocalist, member of Raelets), Bridgette Bryant (American session backing vocalist), Siedah Garrett, Jim Gilstrap, Kathy Hazzard, Philip Ingram, Maxayne Lewis, Darryl Phinnessee, Fred White (soul singer, songwriter, arranger and producer), Carlton Wilborn und Will Wheaton
Interpret(in):
Brenda Russell (US singer-songwriter & keyboardist)
Horn arranger:
Jerry Hey
arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter) und Aaron Zigman (American score composer)
Chorgesang [gospel choir] arranger:
Oleta Adams
recording of:
We Will Find a Way
Verfasser(in):
Steve Diamond (songwriter, musician and producer) und Sue Sheridan (US songwriter)
Oleta Adams & Brenda Russell4:39
2Corrina, Corrina
recording engineer und Mix:
John Paterno
Produzent(in):
Tony Berg (record producer, executive, and session guitarist)
Gitarre:
Tony Berg (record producer, executive, and session guitarist) und Michael Penn
Keyboard:
Patrick Warren
Perkussion:
Danny Frankel
arranger:
Ted Hawkins
recording of:
Corrine, Corrina
Texter:
[traditional] (special purpose artist), Armetia Chatman (blues musician, aka Bo Chatmon) (in 1929), J. Mayo ‘Ink’ Williams (in 1929) und Mitchell Parish (in 1932)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Belwin-Mills Publishing Corp., EMI Music Publishing France und Gotham Music Service, Inc. (am 1932-03-18)
Ted Hawkins3:46
3Little Bitty Pretty One
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 22)
recording of:
Little Bitty Pretty One
Texter und Komponist(in):
Bobby Day
publisher:
Ivan Mogull Music Ltd., Painted Desert Music, シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Thurston Harris2:24
4They Can’t Take That Away From Me
Produzent(in):
Bob Shad
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
Sarah Vaughan2:42
5You Go to My Head
recording of:
You Go to My Head
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
Louis Armstrong & Oscar Peterson6:26
6What a Difference a Day Makes
recorded in:
New York, New York, Vereinigte Staaten (am 1959-02-19)
Produzent(in):
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (am 1959-02-19)
flute:
Jerome Richardson (am 1959-02-19)
Gitarre:
Kenny Burrell (am 1959-02-19)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (am 1959-02-19)
Kontrabass:
Milt Hinton (am 1959-02-19)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1959-02-19)
Sologesang:
Dinah Washington (am 1959-02-19)
vocals:
Dinah Washington (am 1959-02-19)
Orchester:
Belford Hendricks' Orchestra (am 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (am 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (am 1959-02-19)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Dinah Washington2.82:29
7I Only Have Eyes for You
recording engineer:
Chris Papastephanou
zusätzlich recording engineer:
Michael C. Ross (US engineer, active 1980s–present)
Programmierung:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter), Marc Hugenberger und Michael Sembello
leitende(r) Produzent(in):
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
Produzent(in):
Ancient Future (70s world fusion) und Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
assistierende(r) Mix:
James Saez (producer, engineer, writer and multi-instrumentalist)
Mix:
Humberto Gatica
Bass:
Nate Watts
Gitarre:
Michael Sembello
Horn:
Bill Reichenbach (jazz trombonist), Daniel Higgins (saxophonist and woodwind recording artist), Gary Grant (brass), Jerry Hey und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Keyboard [keyboards]:
Marc Hugenberger
Interpret(in):
Peter Cox (Artist and songwriter)
Horn arranger:
Jerry Hey
arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter), Marc Hugenberger und Michael Sembello
cover recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. und Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
Niki Haris & Peter Cox5:21
8Corrine, Corrina
recorded in:
New York, New York, Vereinigte Staaten (am 1956-02-04)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
alto saxophone:
Earl Warren (am 1956-02-04)
Gitarre:
George Barnes (am 1956-02-04) und Billy Mure (am 1956-02-04)
Klavier:
Ernie Hayes (American pianist, organist and arranger) (am 1956-02-04)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1956-02-04)
Schlagzeug [drums]:
Panama Francis (US swing jazz drummer) (am 1956-02-04)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1956-02-04)
Trompete:
Jimmy Nottingham (am 1956-02-04) und Dick Vance (US jazz trumpeter and arranger) (am 1956-02-04)
Hintergrundgesang:
The Cookies (50s girl group) (am 1956-02-04)
vocals:
Big Joe Turner (am 1956-02-04)
recording of:
Corrine, Corrina (am 1956-02-04)
Texter:
[traditional] (special purpose artist), Armetia Chatman (blues musician, aka Bo Chatmon) (in 1929), J. Mayo ‘Ink’ Williams (in 1929) und Mitchell Parish (in 1932)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Belwin-Mills Publishing Corp., EMI Music Publishing France und Gotham Music Service, Inc. (am 1932-03-18)
Big Joe Turner52:55
9It Don’t Mean a Thing (If It Ain’t Got That Swing)
alto saxophone:
Harry Carney und Johnny Hodges
Banjo:
Fred Guy
baritone saxophone:
Harry Carney
Klarinette:
Barney Bigard, Harry Carney und Johnny Hodges
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader)
Kontrabass:
Wellman Braud
Posaune:
Lawrence Brown (jazz trombonist) und Joe "Tricky Sam" Nanton
Schlagzeug:
Sonny Greer
Sopransaxophon:
Johnny Hodges
Tenorsaxophon:
Barney Bigard
Trompete:
Freddie Jenkins, Arthur Whetsel und Cootie Williams
Ventilposaune:
Juan Tizol
Sologesang:
Ivie Anderson
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (am 1932-02-02)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Duke Ellington & His Orchestra with Ivie Anderson23:11
10Over the Rainbow
Techniker(in) und Mix:
Robert M. Biles
Produzent(in):
Bones Howe
Bass:
Andy Simpkins
Klavier:
Pete Jolly (American jazz pianist, accordionist, and composer)
Schlagzeug:
Paul Humphrey (jazz, r&b drummer)
Tenorsaxophon [tenor sax]:
Rickey Woodard
cover recording of:
Over the Rainbow (The Wizard of Oz)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
Jevetta Steele4:46
11’Reet Petite
Produzent(in):
Dick Jacobs (arranger, musician and bandleader)
arranger:
Dick Jacobs (arranger, musician and bandleader)
recording of:
Reet Petite (The Sweetest Girl in Town)
Verfasser(in):
Tyran Carlo und Berry Gordy
publisher:
Burlington Music Ltd.
Jackie Wilson2:43
12Pennies From Heaven
recording of:
Pennies From Heaven
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Billie Holiday3:18
13Finger Poppin’ Time
Produzent(in):
Henry Glover
recording of:
Finger Poppin’ Time
Texter und Komponist(in):
Hank Ballard
Hank Ballard & the Midnighters1:51
14Home Movies (Music From the “Corrina, Corrina” original Score)
Techniker(in) und Mix:
Tom Winslow (Audio engineer)
Produzent(in):
Rick Cox und Thomas Newman (American score composer)
recording of:
Home Movies
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman2:04
15This Little Light of Mine
Produzent(in):
J.D. Steele
Gitarre:
Michael Scott (guitarist)
Keyboard [keyboards]:
Billy Steele (member of The Steeles)
Perkussion:
Daryl Boudreaux
vocals:
J.D. Steele, Jearlyn Steele Battle (American soprano), Fred Steele und Jevetta Steele
arranger:
Jevetta Steele
aufgenommen bei:
Paisley Park Studios in Chanhassen, Minnesota, Vereinigte Staaten und The Terrarium in Minneapolis, Minnesota, Vereinigte Staaten
cover recording of:
This Little Light of Mine
zusätzlicher Texter:
Avis Christiansen
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Harry Dixon Loes
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
The Steeles4:36

Nennungen

Veröffentlichungsgruppe

A&R-Management:Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
Discogs:https://www.discogs.com/master/826753 [Info]
andere Datenbanken:http://soundtrackcollector.com/title/8156/ [Info]
https://rateyourmusic.com/release/comp/various-artists/corrina-corrina/ [Info]
IMDb:https://www.imdb.com/title/tt0109484/ [Info]
Allmusic:https://www.allmusic.com/album/mw0000625595 [Info]