The Complete Recordings on Erato

~ Release by John Eliot Gardiner (see all versions of this release, 1 available)

Tracklist

1CD: Purcell: Ode for the Birthday of Queen Mary / Music for the funeral of Queen Mary
2CD: Dixit Dominus / Coronation Anthem no. 1
3CD: Rameau: Les Fêtes d’Hébé (La Danse)
4CD: Handel: The ways of Zion do mourn
5CD: Massenet: Scènes dramatiques / Scènes de féerie / Le Dernier Sommeil de la Vierge
6CD: Massenet: Scènes alsaciennes / Scènes pittoresques / Don Quichotte (2 Interludes)
7CD: Handel: Israel in Egypt: Exodus & Moses’ Song (beginning)
8CD: Handel: Israel in Egypt: Moses’ Song (conclusion)
9CD: Music of the “Chapels Royal”
10CD: Purcell: The Tempest
#TitleArtistRatingLength
1The Tempest, Z.631: Overture
producer:
Michel Garcin (French producer)
cello:
Marilyn Sansom (cellist) (from 1979-02-14 until 1979-02-20)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1979-02-14 until 1979-02-20)
organ:
Alastair Ross (organist and harpsichordist) (from 1979-02-14 until 1979-02-20)
theorbo:
Michael Lewin (lutenist) (from 1979-02-14 until 1979-02-20)
orchestra:
Monteverdi Orchestra (from 1979-02-14 until 1979-02-20)
conductor:
John Eliot Gardiner (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
partial recording of:
The Tempest, Z. 631 (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
librettist:
Sir William Davenant and John Dryden (English poet)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 631)
is based on:
The Tempest
Henry Purcell4:10
2The Tempest, Z.631: Act 2: Duet and Chorus: ''Where Does the Black Fiend'' (First Devil, Second Devil, Chorus)
producer:
Michel Garcin (French producer)
cello:
Marilyn Sansom (cellist) (from 1979-02-14 until 1979-02-20)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1979-02-14 until 1979-02-20)
organ:
Alastair Ross (organist and harpsichordist) (from 1979-02-14 until 1979-02-20)
theorbo:
Michael Lewin (lutenist) (from 1979-02-14 until 1979-02-20)
bass vocals:
Roderick Earle (operatic bass) (from 1979-02-14 until 1979-02-20) and David Thomas (British operatic bass) (from 1979-02-14 until 1979-02-20)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1979-02-14 until 1979-02-20)
orchestra:
Monteverdi Orchestra (from 1979-02-14 until 1979-02-20)
conductor:
John Eliot Gardiner (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
partial recording of:
The Tempest, Z. 631 (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
librettist:
Sir William Davenant and John Dryden (English poet)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 631)
is based on:
The Tempest
Henry Purcell2:07
3The Tempest, Z.631: Act 2: Chorus: ''Around, around we pace''
producer:
Michel Garcin (French producer)
cello:
Marilyn Sansom (cellist) (from 1979-02-14 until 1979-02-20)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1979-02-14 until 1979-02-20)
organ:
Alastair Ross (organist and harpsichordist) (from 1979-02-14 until 1979-02-20)
theorbo:
Michael Lewin (lutenist) (from 1979-02-14 until 1979-02-20)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1979-02-14 until 1979-02-20)
orchestra:
Monteverdi Orchestra (from 1979-02-14 until 1979-02-20)
conductor:
John Eliot Gardiner (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
partial recording of:
The Tempest, Z. 631 (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
librettist:
Sir William Davenant and John Dryden (English poet)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 631)
is based on:
The Tempest
Henry Purcell1:38
4The Tempest, Z.631: Act 2: Song: ''Arise, Ye Subterranean Winds'' (First Devil)
producer:
Michel Garcin (French producer)
cello:
Marilyn Sansom (cellist) (from 1979-02-14 until 1979-02-20)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1979-02-14 until 1979-02-20)
organ:
Alastair Ross (organist and harpsichordist) (from 1979-02-14 until 1979-02-20)
theorbo:
Michael Lewin (lutenist) (from 1979-02-14 until 1979-02-20)
bass vocals:
David Thomas (British operatic bass) (from 1979-02-14 until 1979-02-20)
orchestra:
Monteverdi Orchestra (from 1979-02-14 until 1979-02-20)
conductor:
John Eliot Gardiner (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
recording of:
The Tempest, Z. 631: Act II "Arise, ye subterranean winds" (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
part of:
The Tempest, Z. 631
Henry Purcell3:02
5The Tempest, Z.631: Act 2: Dance of Winds
producer:
Michel Garcin (French producer)
cello:
Marilyn Sansom (cellist) (from 1979-02-14 until 1979-02-20)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1979-02-14 until 1979-02-20)
organ:
Alastair Ross (organist and harpsichordist) (from 1979-02-14 until 1979-02-20)
theorbo:
Michael Lewin (lutenist) (from 1979-02-14 until 1979-02-20)
orchestra:
Monteverdi Orchestra (from 1979-02-14 until 1979-02-20)
conductor:
John Eliot Gardiner (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
partial recording of:
The Tempest, Z. 631 (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
librettist:
Sir William Davenant and John Dryden (English poet)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 631)
is based on:
The Tempest
Henry Purcell1:22
6The Tempest, Z.631: Act 3: Song and Chorus: ''Comme unto these yellow sands'' (Ariel, Chorus)
producer:
Michel Garcin (French producer)
cello:
Marilyn Sansom (cellist) (from 1979-02-14 until 1979-02-20)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1979-02-14 until 1979-02-20)
organ:
Alastair Ross (organist and harpsichordist) (from 1979-02-14 until 1979-02-20)
theorbo:
Michael Lewin (lutenist) (from 1979-02-14 until 1979-02-20)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1979-02-14 until 1979-02-20)
mezzo-soprano vocals:
Carol Hall (operatic mezzo‐soprano) (from 1979-02-14 until 1979-02-20)
orchestra:
Monteverdi Orchestra (from 1979-02-14 until 1979-02-20)
conductor:
John Eliot Gardiner (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
recording of:
The Tempest, Z. 631: Act II. "Come Unto These Yellow Sands" (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
librettist:
Sir William Davenant and John Dryden (English poet)
part of:
The Tempest, Z. 631
Henry Purcell1:25
7The Tempest, Z.631: Act 3: Song and Chorus: ''Full Fathom Five'' (Ariel, Chorus)
producer:
Michel Garcin (French producer)
cello:
Marilyn Sansom (cellist) (from 1979-02-14 until 1979-02-20)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1979-02-14 until 1979-02-20)
organ:
Alastair Ross (organist and harpsichordist) (from 1979-02-14 until 1979-02-20)
theorbo:
Michael Lewin (lutenist) (from 1979-02-14 until 1979-02-20)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1979-02-14 until 1979-02-20)
mezzo-soprano vocals:
Carol Hall (operatic mezzo‐soprano) (from 1979-02-14 until 1979-02-20)
orchestra:
Monteverdi Orchestra (from 1979-02-14 until 1979-02-20)
conductor:
John Eliot Gardiner (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
recording of:
The Tempest, Z. 631: "Full Fathom Five" (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
part of:
The Tempest, Z. 631
Henry Purcell2:13
8The Tempest, Z.631: Act 3: Song: ''Dry those eyes'' (Ariel)
producer:
Michel Garcin (French producer)
cello:
Marilyn Sansom (cellist) (from 1979-02-14 until 1979-02-20)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1979-02-14 until 1979-02-20)
organ:
Alastair Ross (organist and harpsichordist) (from 1979-02-14 until 1979-02-20)
theorbo:
Michael Lewin (lutenist) (from 1979-02-14 until 1979-02-20)
mezzo-soprano vocals:
Carol Hall (operatic mezzo‐soprano) (from 1979-02-14 until 1979-02-20)
orchestra:
Monteverdi Orchestra (from 1979-02-14 until 1979-02-20)
conductor:
John Eliot Gardiner (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
recording of:
The Tempest, Z. 631: "Dry Those Eyes" (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
part of:
The Tempest, Z. 631
Henry Purcell6:09
9The Tempest, Z.631: Act 3: Song: ''Kind fortune smiles'' (Ariel)
producer:
Michel Garcin (French producer)
cello:
Marilyn Sansom (cellist) (from 1979-02-14 until 1979-02-20)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1979-02-14 until 1979-02-20)
organ:
Alastair Ross (organist and harpsichordist) (from 1979-02-14 until 1979-02-20)
theorbo:
Michael Lewin (lutenist) (from 1979-02-14 until 1979-02-20)
mezzo-soprano vocals:
Carol Hall (operatic mezzo‐soprano) (from 1979-02-14 until 1979-02-20)
orchestra:
Monteverdi Orchestra (from 1979-02-14 until 1979-02-20)
conductor:
John Eliot Gardiner (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
partial recording of:
The Tempest, Z. 631 (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
librettist:
Sir William Davenant and John Dryden (English poet)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 631)
is based on:
The Tempest
Henry Purcell1:07
10The Tempest, Z.631: Act 4: Dance of Devils
producer:
Michel Garcin (French producer)
cello:
Marilyn Sansom (cellist) (from 1979-02-14 until 1979-02-20)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1979-02-14 until 1979-02-20)
organ:
Alastair Ross (organist and harpsichordist) (from 1979-02-14 until 1979-02-20)
theorbo:
Michael Lewin (lutenist) (from 1979-02-14 until 1979-02-20)
orchestra:
Monteverdi Orchestra (from 1979-02-14 until 1979-02-20)
conductor:
John Eliot Gardiner (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
partial recording of:
The Tempest, Z. 631 (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
librettist:
Sir William Davenant and John Dryden (English poet)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 631)
is based on:
The Tempest
Henry Purcell0:28
11The Tempest, Z.631: Act 4: The Sailor's Dance
producer:
Michel Garcin (French producer)
cello:
Marilyn Sansom (cellist) (from 1979-02-14 until 1979-02-20)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1979-02-14 until 1979-02-20)
organ:
Alastair Ross (organist and harpsichordist) (from 1979-02-14 until 1979-02-20)
theorbo:
Michael Lewin (lutenist) (from 1979-02-14 until 1979-02-20)
orchestra:
Monteverdi Orchestra (from 1979-02-14 until 1979-02-20)
conductor:
John Eliot Gardiner (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
partial recording of:
The Tempest, Z. 631 (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
librettist:
Sir William Davenant and John Dryden (English poet)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 631)
is based on:
The Tempest
Henry Purcell1:09
12The Tempest, Z.631: Act 4: Song: ''Dear pretty youth'' (Dorinda)
producer:
Michel Garcin (French producer)
cello:
Marilyn Sansom (cellist) (from 1979-02-14 until 1979-02-20)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1979-02-14 until 1979-02-20)
organ:
Alastair Ross (organist and harpsichordist) (from 1979-02-14 until 1979-02-20)
theorbo:
Michael Lewin (lutenist) (from 1979-02-14 until 1979-02-20)
soprano vocals:
Rosemary Hardy (soprano) (from 1979-02-14 until 1979-02-20)
orchestra:
Monteverdi Orchestra (from 1979-02-14 until 1979-02-20)
conductor:
John Eliot Gardiner (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
recording of:
Dear Pretty Youth (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
part of:
The Tempest, Z. 631
Henry Purcell2:08
13The Tempest, Z.631: Act 5: Recitative and Song: ''Great Neptune!'' (Amphitrite, Neptune)
producer:
Michel Garcin (French producer)
cello:
Marilyn Sansom (cellist) (from 1979-02-14 until 1979-02-20)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1979-02-14 until 1979-02-20)
organ:
Alastair Ross (organist and harpsichordist) (from 1979-02-14 until 1979-02-20)
theorbo:
Michael Lewin (lutenist) (from 1979-02-14 until 1979-02-20)
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1979-02-14 until 1979-02-20)
soprano vocals:
Jennifer Smith (soprano) (from 1979-02-14 until 1979-02-20)
orchestra:
Monteverdi Orchestra (from 1979-02-14 until 1979-02-20)
conductor:
John Eliot Gardiner (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
recording of:
The Tempest, Z. 631: Act V. The Masque of Neptune and Amphitrite (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
part of:
The Tempest, Z. 631
Henry Purcell4:05
14The Tempest, Z.631: Act 5: Chorus: ''The Nereids and Tritons''
producer:
Michel Garcin (French producer)
cello:
Marilyn Sansom (cellist) (from 1979-02-14 until 1979-02-20)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1979-02-14 until 1979-02-20)
organ:
Alastair Ross (organist and harpsichordist) (from 1979-02-14 until 1979-02-20)
theorbo:
Michael Lewin (lutenist) (from 1979-02-14 until 1979-02-20)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1979-02-14 until 1979-02-20)
orchestra:
Monteverdi Orchestra (from 1979-02-14 until 1979-02-20)
conductor:
John Eliot Gardiner (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
partial recording of:
The Tempest, Z. 631 (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
librettist:
Sir William Davenant and John Dryden (English poet)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 631)
is based on:
The Tempest
Henry Purcell1:55
15The Tempest, Z.631: Act 5: Recitative and Song: ''Aeolus, you must appear'' (Neptune)
producer:
Michel Garcin (French producer)
cello:
Marilyn Sansom (cellist) (from 1979-02-14 until 1979-02-20)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1979-02-14 until 1979-02-20)
organ:
Alastair Ross (organist and harpsichordist) (from 1979-02-14 until 1979-02-20)
theorbo:
Michael Lewin (lutenist) (from 1979-02-14 until 1979-02-20)
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1979-02-14 until 1979-02-20)
orchestra:
Monteverdi Orchestra (from 1979-02-14 until 1979-02-20)
conductor:
John Eliot Gardiner (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
partial recording of:
The Tempest, Z. 631 (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
librettist:
Sir William Davenant and John Dryden (English poet)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 631)
is based on:
The Tempest
Henry Purcell3:15
16The Tempest, Z.631: Act 5: Recitative and Song: ''Your awful voice I hear'' (Aeolus)
producer:
Michel Garcin (French producer)
cello:
Marilyn Sansom (cellist) (from 1979-02-14 until 1979-02-20)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1979-02-14 until 1979-02-20)
organ:
Alastair Ross (organist and harpsichordist) (from 1979-02-14 until 1979-02-20)
theorbo:
Michael Lewin (lutenist) (from 1979-02-14 until 1979-02-20)
tenor vocals:
John Elwes (tenor) (from 1979-02-14 until 1979-02-20)
orchestra:
Monteverdi Orchestra (from 1979-02-14 until 1979-02-20)
conductor:
John Eliot Gardiner (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
recording of:
The Tempest, Z. 631: Act V. Recitative and Song. "Your Awful Voice" (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
part of:
The Tempest, Z. 631
Henry Purcell4:22
17The Tempest, Z.631: Act 5: Song: ''Halcyon days'' (Amphitrite)
producer:
Michel Garcin (French producer)
cello:
Marilyn Sansom (cellist) (from 1979-02-14 until 1979-02-20)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1979-02-14 until 1979-02-20)
organ:
Alastair Ross (organist and harpsichordist) (from 1979-02-14 until 1979-02-20)
theorbo:
Michael Lewin (lutenist) (from 1979-02-14 until 1979-02-20)
soprano vocals:
Jennifer Smith (soprano) (from 1979-02-14 until 1979-02-20)
orchestra:
Monteverdi Orchestra (from 1979-02-14 until 1979-02-20)
conductor:
John Eliot Gardiner (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
partial recording of:
The Tempest, Z. 631 (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
librettist:
Sir William Davenant and John Dryden (English poet)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 631)
is based on:
The Tempest
Henry Purcell6:30
18The Tempest, Z.631: Act 5: Song: ''See, see, the Heavens smile'' (Neptune)
producer:
Michel Garcin (French producer)
cello:
Marilyn Sansom (cellist) (from 1979-02-14 until 1979-02-20)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1979-02-14 until 1979-02-20)
organ:
Alastair Ross (organist and harpsichordist) (from 1979-02-14 until 1979-02-20)
theorbo:
Michael Lewin (lutenist) (from 1979-02-14 until 1979-02-20)
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1979-02-14 until 1979-02-20)
orchestra:
Monteverdi Orchestra (from 1979-02-14 until 1979-02-20)
conductor:
John Eliot Gardiner (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
partial recording of:
The Tempest, Z. 631 (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
librettist:
Sir William Davenant and John Dryden (English poet)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 631)
is based on:
The Tempest
Henry Purcell4:57
19The Tempest, Z.631: Act 5: Duet and Chorus: ''No stars again shall hurt you'' (Amphitrite, Neptune, Chorus)
producer:
Michel Garcin (French producer)
cello:
Marilyn Sansom (cellist) (from 1979-02-14 until 1979-02-20)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1979-02-14 until 1979-02-20)
organ:
Alastair Ross (organist and harpsichordist) (from 1979-02-14 until 1979-02-20)
theorbo:
Michael Lewin (lutenist) (from 1979-02-14 until 1979-02-20)
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1979-02-14 until 1979-02-20)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1979-02-14 until 1979-02-20)
soprano vocals:
Jennifer Smith (soprano) (from 1979-02-14 until 1979-02-20)
orchestra:
Monteverdi Orchestra (from 1979-02-14 until 1979-02-20)
conductor:
John Eliot Gardiner (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
partial recording of:
The Tempest, Z. 631 (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
librettist:
Sir William Davenant and John Dryden (English poet)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 631)
is based on:
The Tempest
Henry Purcell5:30
11CD: Purcell: The Indian Queen
12CD: Messe des morts (Requiem)
13CD: Handel: L’Allegro, il Penseroso ed il Moderato (Part 1)
14CD: Handel: L’Allegro, il Penseroso ed il Moderato (Part 2 & 3)
15CD: J.S. Bach: Mottets BWV 226 & 228–231 · Cantata BWV 118 / Kuhnau: Motet BWV 1149
16CD: J.S. Bach: Mottets BWV 225 & 227 · Cantata BWV 50
17CD: Handel: Concerti Grossi, op. 3
18CD: Handel: Water Music
19CD: J.S. Bach: Cantatas BWV 4 & 131
20CD: Handel: Semele, HWV 58 (beginning)
21CD: Handel: Semele, HWV 58 (conclusion)
22CD: Gluck: Don Juan ou Le Festin de Pierre
23CD: Purcell: Hail! Bright Cecilia
24CD: Monteverdi: Balli e Balletti
25CD: Rameau: Dardanus, suite d’orchestre
26CD: Rameau: Les Boréades (beginning)
27CD: Rameau: Les Boréades (continuation)
28CD: Rameau: Les Boréades (conclusion)
29CD: J. S. Bach: Orchestral Suites no. 1 & 2 / Choral BWV 299
30CD: J. S. Bach: Orchestral Suites no. 3 & 4
31CD: Purcell: King Arthur or The British Worthy (beginning)
32CD: Purcell: King Arthur or The British Worthy (conclusion)
33CD: Scarlatti: Stabat Mater / Cavalli: Salve Regina / Gesualdo: Ave dulcissima Maria / Clément: O Maria, vernans rosa
34CD: Handel: Ballet Music (Alcina / Terpsichore / Il pastor fido)
35CD: Chabrier: L’Étoile (beginning)
36CD: Chabrier: L’Étoile (conclusion)
37CD: Handel: Tamerlano (beginning)
38CD: Handel: Tamerlano (continuation)
39CD: Handel: Tamerlano (conclusion)
40CD: Leclair: Scylla et Glaucus (beginning)
41CD: Leclair: Scylla et Glaucus (continuation)
42CD: Leclair: Scylla et Glaucus (conclusion)
43CD: Schubert: Symphonies nos. 8 “Unfinished” & 9 “The Great”
44CD: Bizet: Symphony in C major / L’Arlésienne
45CD: Berlioz: L’Enfance du Christ (beginning)
46CD: Berlioz: L’Enfance du Christ (conclusion)
47CD: Messager: Fortunio (Acte 1 & 2)
48CD: Messager: Fortunio (Acte 3 & 4)
49CD: Gluck: Iphigénie en Aulide (beginning)
50CD: Gluck: Iphigénie en Aulide (conclusion)
51CD: Purcell: Timon of Athens / Dioclesian (beginning)
52CD: Purcell: Dioclesian (conclusion)
53CD: Offenbach: Les Brigands (Acte 1)
54CD: Offenbach: Les Brigands (Acte 2–3)
55CD: Couperin: Le Parnasse / Concert “dans le goût théatral” / Concert instrumental
56CD: Ravel: Shéhérazade · 2 Mélodies hébraïques · 5 Mélodies populaires grecques · Vocalise‐étude en forme de habanera / Duparc: 6 Mélodies
57CD: Carissimi: Judicium Extremum / Historia di Jonas / Historia di Jepthe
58CD: Gluck: Orphée et Eurydice (beginning)
59CD: Gluck: Orphée et Eurydice (conclusion)
60CD: Berlioz: Les Nuits d’été & other mélodies
61CD: Tchaikovsky: Rococo Variations · Nocturne · Pezzo capriccioso / Glazunov: Two Pieces · Chant du ménestrel / Rimsky‐Korsakov: Sérénade / Cui: Deux Morceaux
62CD: Gluck: Le Pèlerins de la Mecque ou La Rencontre imprévue (Acte 1–2)
63CD: Gluck: Le Pèlerins de la Mecque ou La Rencontre imprévue (Acte 3)
64CD: England, my England (Purcell)