The Complete Early Recordings on Deutsche Grammophon

~ Release by Lorin Maazel (see all versions of this release, 2 available)

Tracklist

1▶CD: Berlioz: Roméo et Juliette, Op.17 / Part 2; Part 4; Part 3; Part 6
2▶CD: Tchaikovsky: Romeo And Juliet, Fantasy Overture / Prokofiev: Romeo And Juliet, Ballet Suite, Op.64a
3▶CD: Stravinsky: The Firebird; The Song Of The Nightingale
4▶CD: Beethoven: Symphony No.5 In C Minor, Op.67; Overture "The Consecration Of The House", Op.124
5▶CD: Brahms: Symphony No.3 In F, Op.90; Tragic Overture, Op.81
6▶CD: Respighi: Pines Of Rome, [P. 141] / Mussorgsky: A Night On The Bare Mountain / Rimsky-Korsakov: Capriccio Espagnol, Op.34
7▶CD: Schubert: Symphony No.4 In C Minor, D.417 - "Tragic"; Symphony No.8 In B Minor, D.759 - "Unfinished"
8▶CD: Mozart: Symphony No.1 In E Flat, K.16; Symphony No.28 In C, K.200; Symphony No.41 In C, K.551 - "Jupiter"
9▶CD: Beethoven: Symphony No.6 In F, Op.68 -"Pastoral"; 12 Contredanses, WoO 14
10▶CD: Ravel: L'Enfant et les sortilèges, M. 71
11▶CD: Mendelssohn: Symphony No.4 In A, Op.90 - "Italian", MWV N 16 & Symphony No.5 In D Minor, Op.107 - "Reformation", MWV N 15
12▶CD: Schubert: Symphony No.5 In B Flat, D.485 & Symphony No.6 In C, D.589 - "The Little"
13▶CD: Franck: Symphony In D Minor
14▼CD: Britten: The Young Person's Guide To The Orchestra, Op.34 / Prokofiev: Peter And The Wolf, Op.67
#TitleArtistRatingLength
1The Young Person’s Guide to the Orchestra, op. 34: Tuning up – "These are sounds made by a hundred musicians playing many different kinds of instruments"
producer:
Hans Ritter
spoken vocals:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (in 1962)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:04
2The Young Person’s Guide to the Orchestra, op. 34: "It all starts with an idea"
producer:
Hans Ritter
spoken vocals:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (in 1962)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten2:03
3The Young Person’s Guide to the Orchestra, op. 34: "All of them are now ready …". Theme
producer:
Hans Ritter
spoken vocals:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (from 1962-01 until 1962-02)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten2:42
4The Young Person’s Guide to the Orchestra, op. 34: "It is time that each instrument speaks for itself". Variation A
producer:
Hans Ritter
spoken vocals:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: II. Variation A. Presto (flute and piccolo) (from 1962-01 until 1962-02)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:31
5The Young Person’s Guide to the Orchestra, op. 34: "When two oboes discuss the theme, their observation may seem more penetrating". Variation B
producer:
Hans Ritter
spoken vocals:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: III. Variation B. Lento (oboe) (from 1962-01 until 1962-02)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:44
6The Young Person’s Guide to the Orchestra, op. 34: "Clarinets are glib talkers and are very popular". Variation C
producer:
Hans Ritter
spoken vocals:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IV. Variation C. Moderato (clarinet) (from 1962-01 until 1962-02)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:40
7The Young Person’s Guide to the Orchestra, op. 34: "Easily recognized is the gossip of the bassoon". Variation D
producer:
Hans Ritter
spoken vocals:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: V. Variation D. Allegro alla marcia (bassoon) (from 1962-01 until 1962-02)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:51
8The Young Person’s Guide to the Orchestra, op. 34: "30 of the 60 string players are violinists". Variation E
producer:
Hans Ritter
spoken vocals:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VI. Variation E. Brillante - Alla polacca (violin) (from 1962-01 until 1962-02)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:46
9The Young Person’s Guide to the Orchestra, op. 34: "The alto voice of the viola is larger than the violin’s". Variation F
producer:
Hans Ritter
spoken vocals:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VII. Variation F. Meno mosso (viola) (from 1962-01 until 1962-02)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:54
10The Young Person’s Guide to the Orchestra, op. 34: "The violoncello is larger still". Variation G
producer:
Hans Ritter
spoken vocals:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VIII. Variation G. (cello) (from 1962-01 until 1962-02)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:13
11The Young Person’s Guide to the Orchestra, op. 34: "The double bass stands as high as a man". Variation H
producer:
Hans Ritter
spoken vocals:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IX. Variation H. Cominciando lento ma poco a poco accelerando (double-bass) (from 1962-01 until 1962-02)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:03
12The Young Person’s Guide to the Orchestra, op. 34: Words plucked from any of the harp’s 47 strings are always easy to understand". Variation I
producer:
Hans Ritter
spoken vocals:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: X. Variation I. Maestoso (harp) (from 1962-01 until 1962-02)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:52
13The Young Person’s Guide to the Orchestra, op. 34: "The horn is a brass instrument". Variation J
producer:
Hans Ritter
spoken vocals:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XI. Variation J. L’istesso tempo (horn) (from 1962-01 until 1962-02)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:13
14The Young Person’s Guide to the Orchestra, op. 34: "These two trumpets challenge each other in a brilliant exchange". Variation K
producer:
Hans Ritter
spoken vocals:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XII. Variation K. Vivace (trumpet) (from 1962-01 until 1962-02)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:32
15The Young Person’s Guide to the Orchestra, op. 34: "The giants of the brass, the trombones and tuba, always like to have the last word". Variation L
producer:
Hans Ritter
spoken vocals:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIII. Variation L. Allegro pomposo (trombone) (from 1962-01 until 1962-02)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:00
16The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M
producer:
Hans Ritter
spoken vocals:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIV. Variation M. Moderato (percussion) (from 1962-01 until 1962-02)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:37
17The Young Person’s Guide to the Orchestra, op. 34: "Everyone has had his say". Fugue
producer:
Hans Ritter
spoken vocals:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XV. Fugue. Allegro molto (from 1962-01 until 1962-02)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten3:10
18Peter and the Wolf, op. 67: Introduction. "Peter and the Wolf – a musical tale for children"
producer:
Hans Ritter
spoken vocals:
Alec Clunes (English actor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
partial recording of:
Peter and the Wolf, op. 67 (in 1962)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Serge Prokofiev2:01
19Peter and the Wolf, op. 67: "Now to our story. Early one morning, Peter opened the gate …"
producer:
Hans Ritter
spoken vocals:
Alec Clunes (English actor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
partial recording of:
Peter and the Wolf, op. 67 (from 1962-01 until 1962-02)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Serge Prokofiev4:39
20Peter and the Wolf, op. 67: "Suddenly, something caught Peter’s attention"
producer:
Hans Ritter
spoken vocals:
Alec Clunes (English actor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
partial recording of:
Peter and the Wolf, op. 67 (from 1962-01 until 1962-02)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Serge Prokofiev4:07
21Peter and the Wolf, op. 67: "No sooner had Peter gone …"
producer:
Hans Ritter
spoken vocals:
Alec Clunes (English actor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
partial recording of:
Peter and the Wolf, op. 67 (from 1962-01 until 1962-02)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Serge Prokofiev3:09
22Peter and the Wolf, op. 67: "And now, this is how things stood"
producer:
Hans Ritter
spoken vocals:
Alec Clunes (English actor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
partial recording of:
Peter and the Wolf, op. 67 (from 1962-01 until 1962-02)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Serge Prokofiev6:03
23Peter and the Wolf, op. 67: "But now … now the hunters came out of the woods"
producer:
Hans Ritter
spoken vocals:
Alec Clunes (English actor) (from 1962-01 until 1962-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
partial recording of:
Peter and the Wolf, op. 67 (from 1962-01 until 1962-02)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Serge Prokofiev2:12
24Peter and the Wolf, op. 67: "And now … now imagine the triumphant procession"
producer:
Hans Ritter
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1962-01 until 1962-02)
conductor:
Lorin Maazel (conductor) (from 1962-01 until 1962-02)
balance engineer:
Harald Baudis (sound engineer) (from 1962-01 until 1962-02)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1962-01 until 1962-02)
partial recording of:
Peter and the Wolf, op. 67 (from 1962-01 until 1962-02)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Serge Prokofiev4:40
15▶CD: Tchaikovsky: Symphony No.4 In F Minor, Op.36
16▶CD: Schubert: Symphony No.2 In B Flat, D.125 & Symphony No.3 In D, D.200
17▶CD: Ravel: L'heure espagnole, Comédie en un acte
18▶CD: Falla: El Amor Brujo; El Sombrero De Tres Picos / Part 1 & 2