The Classic Singles

~ Veröffentlichung von Nat King Cole (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1Exactly Like You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1949-07-26)
Bongos und Conga und membranophone:
Jack Costanzo (am 1949-07-26)
Gitarre:
Irving Ashby (am 1949-07-26)
Instrumente:
The Nat King Cole Trio (in 1949)
Klavier:
Nat King Cole (am 1949-07-26)
Kontrabass:
Joe Comfort (am 1949-07-26)
vocals:
Nat King Cole (am 1949-07-26)
recording of:
Exactly Like You (am 1949-07-26)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1930)
Verfasser(in):
Fritz Löhner-Beda (librettist, lyricist, writer)
Komponist(in):
Jimmy McHugh (songwriter) (in 1930)
2:42
2I Almost Lost My Mind
3:03
3Always You
3:00
4Mona Lisa
cover recording of:
Mona Lisa
Texter:
Raymond B. Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
Teil von:
The 23rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1950 winner)
3:16
5Orange Colored Sky
Bass und Kontrabass:
Joe Comfort (am 1950-08-16)
Bongos und Conga:
Jack Costanzo (am 1950-08-16)
Gitarre:
Irving Ashby (am 1950-08-16)
Klavier:
Nat King Cole (am 1950-08-16)
vocals:
Nat King Cole (am 1950-08-16)
Orchester:
Stan Kenton and His Orchestra (am 1950-08-16)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1950-08-16)
recording of:
Orange Colored Sky (am 1950-08-16)
Verfasser(in):
Milton DeLugg und William Stein
publisher:
Amy Dee Music Corp.
3.52:34
6Jet
recording of:
Jet
Texter:
Bennie Benjamin und George David Weiss
Komponist(in):
Harry Revel (British-born American composer)
2:50
7Too Young
recording of:
Too Young
Texter:
Sylvia Dee (American lyricist)
Komponist(in):
Sidney Lippman (American songwriter)
publisher:
Aria Music Co.
3:13
8Because of Rain
3:11
9Red Sails in the Sunset
recording of:
Red Sails in the Sunset
Texter:
James B. Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
3:17
10Unforgettable
Bratsche / Viola:
Paul Robyn (am 1951-08-17) und Dave Sterkin (am 1951-08-17)
Celesta und Klavier:
Buddy Cole (am 1951-08-17)
Cello:
Cy Bernard (am 1951-08-17) und Eleanor Slatkin (US cellist, b. Aller) (am 1951-08-17)
Conga:
Joe Costanzo (am 1951-08-17)
Geige / Violine:
Alex Beller (am 1951-08-17), Harry Bluestone (am 1951-08-17), Walter Edelstein (am 1951-08-17), Henry Hill (Violin player) (am 1951-08-17), Dan Lube (am 1951-08-17), Erno Neufeld (am 1951-08-17), Mischa Russell (violinist) (am 1951-08-17) und Marshall Sosson (am 1951-08-17)
Gitarre:
Bob Bain (guitarist) (am 1951-08-17)
Harfe:
Ann Mason Stockton (American harpist) (am 1951-08-17)
Kontrabass:
Joe Comfort (am 1951-08-17)
Schlagzeug:
Nick Fatool (am 1951-08-17)
vocals:
Nat King Cole (am 1951-08-17)
Orchester:
Nelson Riddle and His Orchestra (am 1951-08-17)
conductor:
Nelson Riddle (am 1951-08-17)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-08-17)
recording of:
Unforgettable (am 1951-08-17)
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
43:13
11Walkin' My Baby Back Home
Produzent(in):
Lee Gillette
Bass:
Joe Comfort (am 1961-07-20)
Gitarre:
Alvino Rey (am 1961-07-20)
Klavier:
Nat King Cole (am 1961-07-20)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1961-07-20)
vocals:
Nat King Cole (am 1961-07-20)
conductor:
Billy May (am 1961-07-20)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-07-20)
cover recording of:
Walkin’ My Baby Back Home (am 1961-07-20)
Texter:
Roy Turk (in 1930)
Komponist(in):
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
42:40
12Walkin'
alto saxophone:
Skeets Herfurt (am 1951-09-04) und Wilbur Schwartz (am 1951-09-04)
baritone saxophone:
Chuck Gentry (am 1951-09-04)
Bass:
Phil Stephens (bass and tuba player) (am 1951-09-04)
Bongos und Conga:
Jack Costanzo (am 1951-09-04)
Gitarre:
Barney Kessel (am 1951-09-04)
Klavier:
Jimmy Rowles (am 1951-09-04)
Posaune:
Ed Kusby (am 1951-09-04), Murray McEachern (am 1951-09-04), Pullman “Tommy” Pederson (am 1951-09-04) und Jimmy Priddy (am 1951-09-04)
Schlagzeug:
Alvin Stoller (am 1951-09-04)
Tenorsaxophon:
Fred Fallensby (am 1951-09-04) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1951-09-04)
Trompete:
Johnny Best (jazz trumpeter) (am 1951-09-04), Conrad Gozzo (am 1951-09-04), Manny Klein (am 1951-09-04) und Ray Linn (am 1951-09-04)
vocals:
Nat King Cole (am 1951-09-04)
conductor:
Billy May (am 1951-09-04)
arranger:
Billy May
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-09-04)
recording of:
Walkin'
Texter und Komponist(in):
Mary Lou Williams (American jazz pianist and composer) (in 1951)
2:50
13The Ruby and the Pearl
recording of:
The Ruby and the Pearl
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
3:13
14Somewhere Along the Way
Bass:
Charlie Harris (jazz bassist) (am 1952-01-10)
Bongos:
Jack Costanzo (am 1952-01-10)
Gitarre:
John Collins (US jazz guitarist) (am 1952-01-10)
vocals:
Nat King Cole (am 1952-01-10)
conductor:
Nelson Riddle (am 1952-01-10)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-01-10)
cover recording of:
Somewhere Along the Way (am 1952-01-10)
Texter:
Sammy Gallop
Komponist(in):
Kurt Adams
publisher:
United Music Corp.
2:53
15Funny (Not Much)
alto saxophone:
Gus Bivona (am 1952-01-11) und Alex Gershonoff (saxophone) (am 1952-01-11)
baritone saxophone:
Chuck Gentry (am 1952-01-11)
Gitarre:
John Collins (US jazz guitarist) (am 1952-01-11)
Klavier:
Buddy Cole (am 1952-01-11) und Nat King Cole (am 1952-01-11)
Kontrabass:
Charlie Harris (jazz bassist) (am 1952-01-11)
Posaune:
Walter Benson (am 1952-01-11), Jimmy Priddy (am 1952-01-11) und Si Zentner (am 1952-01-11)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1952-01-11)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1952-01-11) und Don Lodice (am 1952-01-11)
Trompete:
Conrad Gozzo (am 1952-01-11), Uan Rasey (am 1952-01-11), Shorty Rogers (trumpet) (am 1952-01-11) und Joseph Triscari (am 1952-01-11)
vocals:
Nat King Cole (am 1952-01-11)
Orchester:
Pete Rugolo and His Orchestra (am 1952-01-11)
conductor:
Pete Rugolo (am 1952-01-11)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-01-11)
recording of:
Funny (Not Much) (am 1952-01-11)
Verfasser(in):
Philip Broughton, Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl), Marcia Neil und Hughie Prince
2:59
16Don't Let Your Eyes Go Shopping (For Your Heart)
Gitarre:
John Collins (US jazz guitarist) (am 1952-07-24)
Klavier:
Nat King Cole (am 1952-07-24)
Kontrabass:
Charlie Harris (jazz bassist) (am 1952-07-24)
Posaune:
Keith Butterfield (am 1952-07-24), Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (am 1952-07-24), Walter Shields (am 1952-07-24) und Kenneth Trimble (am 1952-07-24)
Rohrblattinstrumente:
Leo Anthony (am 1952-07-24), Earl Bergman (am 1952-07-24), Jim Schneider (am 1952-07-24), Billy Usselton (am 1952-07-24) und Buddy Wise (am 1952-07-24)
Schlagzeug:
Archie Freeman (am 1952-07-24)
Trompete:
Bruce Bruckert (am 1952-07-24), Chris Griffin (Gordon Claude Griffin, trumpeter) (am 1952-07-24), Dean Henckle (am 1952-07-24), Jack H. Laubach (trumpeter) (am 1952-07-24) und Martin White (Ray Anthony Orchestra trumpeter) (am 1952-07-24)
vocals:
Nat King Cole (am 1952-07-24)
Orchester:
Ray Anthony Orchestra (am 1952-07-24)
conductor:
Nelson Riddle (am 1952-07-24)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-07-24)
recording of:
Don’t Let Your Eyes Go Shopping (for Your Heart) (am 1952-07-24)
Verfasser(in):
Billy Austin und Sheldon Smith (jazz songwriter)
2:30
17Strange
2:30
18Because You're Mine
recording of:
Because You’re Mine (Because You’re Mine)
Texter:
Sammy Cahn
Komponist(in):
Nicholas Brodzsky
publisher:
EMI Music Publishing (do not use as a release label!)
Teil von:
The 25th Academy Award for Best Original Song (Nummer: 2)
3:12
19I'm Never Satisfied
2:14
20Faith Can Move Mountains
recording of:
Faith Can Move Mountains
Texter:
Ben Raleigh
Komponist(in):
Guy B. Wood
3:13
21Mother Nature and Father Time
recording of:
Mother Nature and Father Time
Verfasser(in):
Benjamin Weisman, Kathleen Twomey und Fred Wise
3:12
22Pretend
Produzent(in):
Lee Gillette
Gitarre:
Irving Ashby (am 1952-12-30)
Klavier:
Nat King Cole (am 1952-12-30)
Kontrabass:
Joe Comfort (am 1952-12-30)
vocals:
Nat King Cole (am 1952-12-30)
Orchester:
Nelson Riddle and His Orchestra (am 1952-12-30)
conductor:
Ralph Carmichael und Nelson Riddle
recording of:
Pretend (1952 song popularized by Nat King Cole) (am 1952-12-30)
Texter:
Lew Douglas, Frank Lavere und Cliff Parman
Komponist(in):
Dan Belloc, Lew Douglas, Frank Lavere und Cliff Parman
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
2:45
23A Fool Was I
conductor:
Nelson Riddle
recording of:
A Fool Was I
Texter:
Roy Alfred (Tin Pan Alley lyricist and composer)
2:52
24Lover Come Back to Me
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1953-01-14)
Bass:
Jack Agee (am 1953-01-14) und Ralph Peña (am 1953-01-14)
Bongos und Conga:
Jack Costanzo (am 1953-01-14)
Gitarre:
John Collins (US jazz guitarist) (am 1953-01-14)
Klarinette und Saxophon:
Bob Dawes (am 1953-01-14) und Charles Deremo (am 1953-01-14)
Klavier:
Cliff Fishback (am 1953-01-14)
Posaune:
Karl DeKarske (am 1953-01-14), Dick Nash (am 1953-01-14), Robert Reisiger (am 1953-01-14) und Si Zentner (am 1953-01-14)
Schlagzeug:
John Markham (am 1953-01-14)
Tenorsaxophon:
Richard Clay (am 1953-01-14) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-01-14)
Trompete:
Tony Facciuto (am 1953-01-14), Conrad Gozzo (am 1953-01-14), Jack H. Laubach (trumpeter) (am 1953-01-14), Robert McKinzie (am 1953-01-14) und Andy Peele (40s jazz trumpeter) (am 1953-01-14)
Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1953-01-14)
vocals:
Nat King Cole (am 1953-01-14)
Orchester:
Billy May & His Orchestra (am 1953-01-14)
conductor:
Billy May (am 1953-01-14)
arranger:
Billy May
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-01-14)
cover recording of:
Lover, Come Back to Me (from "The New Moon") (am 1953-01-14)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
2:31
25Can't I?
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1953-01-14)
Bass:
Jack Agee (am 1953-01-14) und Ralph Peña (am 1953-01-14)
Bongos und Conga:
Jack Costanzo (am 1953-01-14)
Gitarre:
John Collins (US jazz guitarist) (am 1953-01-14)
Klarinette und Saxophon:
Bob Dawes (am 1953-01-14) und Charles Deremo (am 1953-01-14)
Klavier:
Cliff Fishback (am 1953-01-14)
Posaune:
Karl DeKarske (am 1953-01-14), Dick Nash (am 1953-01-14), Robert Reisiger (am 1953-01-14) und Si Zentner (am 1953-01-14)
Schlagzeug:
John Markham (am 1953-01-14)
Tenorsaxophon:
Richard Clay (am 1953-01-14) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-01-14)
Trompete:
Tony Facciuto (am 1953-01-14), Conrad Gozzo (am 1953-01-14), Jack H. Laubach (trumpeter) (am 1953-01-14), Robert McKinzie (am 1953-01-14) und Andy Peele (40s jazz trumpeter) (am 1953-01-14)
vocals:
Nat King Cole (am 1953-01-14)
Orchester:
Billy May & His Orchestra (am 1953-01-14)
conductor:
Billy May (am 1953-01-14)
arranger:
Billy May
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-01-14)
cover recording of:
Can’t I? (am 1953-01-14)
Texter und Komponist(in):
Leroy Lovett Jr
3:15
26If Love Is Good to Me
recording of:
If Love Is Good to Me
Texter:
Redd Evans
Komponist(in):
Fred Spielman (Fritz Spielmann, songwriter)
2:48
3▶CD
4▶CD

Nennungen