Jazz ’Round the Clock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Morning
2▼CD: Noon
Nr.TitelKünstlerBewertungLänge
1Day in, Day Out
Bass:
Bill Yancey (in 1964-07)
Klavier:
Tommy Flanagan (in 1964-07)
Schlagzeug:
Gus Johnson (drums) (in 1964-07)
Trompete:
Roy Eldridge (in 1964-07)
vocals:
Ella Fitzgerald (American jazz singer) (in 1964-07)
cover recording of:
Day In, Day Out (in 1964-07)
Texter:
Johnny Mercer (in 1939)
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
Ella Fitzgerald2:54
2On a Clear Day You Can See Forever
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1967-11)
Bass:
Sam Jones (US jazz bassist)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1967-11)
Kontrabass [bass]:
Sam Jones (US jazz bassist) (in 1967-11)
Schlagzeug:
Bobby Durham (in 1967-11)
live instrumental recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever) (in 1967-11)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Oscar Peterson4:21
3It Don’t Mean a Thing
recorded in:
New York, New York, Vereinigte Staaten (am 1954-02-06)
Bass:
Porter Kilbert (am 1954-02-06)
Klavier:
Horace Silver (am 1954-02-06)
Schlagzeug:
Art Blakey (am 1954-02-06)
Tenorsaxophon:
Paul Gonsalves (am 1954-02-06)
Trompete:
Clark Terry (American swing trumpeter) (am 1954-02-06)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (am 1954-02-06)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Clark Terry3:17
4Jive at Five
recorded in:
New York, New York, Vereinigte Staaten (in 1959-05)
Bass:
Tommy Bryant (in 1959-05)
Klavier:
Ray Bryant (US jazz pianist, composer, and arranger) (in 1959-05)
Schlagzeug:
Jo Jones (US jazz drummer) (in 1959-05)
recording of:
Jive at Five (in 1959-05)
Komponist(in):
Count Basie (pianist) und Harry “Sweets” Edison
Jo Jones3:49
5Everything Happens to Me
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1946-05-06)
Bass:
Chubby Jackson (am 1946-05-06)
Bassklarinette:
Mickey Folus (am 1946-05-06)
flute:
Ted Wheeler (musician) (am 1946-05-06)
Gitarre:
George Barnes (am 1946-05-06)
Klarinette:
Salvatore Delegge (am 1946-05-06) und John LaPorta (am 1946-05-06)
Klavier:
Ralph Burns (am 1946-05-06)
Schlagzeug:
Barrett Deems (am 1946-05-06)
Ventilposaune:
Bill Harris (jazz trombonist) (am 1946-05-06)
arranger:
Ralph Burns
recording of:
Everything Happens to Me (am 1946-05-06)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Bill Harris3:12
6Lazy Afternoon
Techniker(in):
Johnny Cue
vocals:
Ernestine Anderson (in 1960)
Orchester:
Ernie Wilkins Orchestra (in 1960)
recording of:
Lazy Afternoon (The Golden Apple, 1954) (in 1960)
Orchestrator(in) und Komponist(in):
Jerome Moross (American composer and conductor)
Texter:
John Latouche
publisher:
Chappell & Co., Inc. (USA), Sony/ATV Tunes LLC (ASCAP) und Warner Chappell Music, Inc.
Teil von:
The Golden Apple (musical)
Ernestine Anderson2:49
7Day Danse
recorded in:
Burbank, California (Kalifornien), Vereinigte Staaten (in 1976-10)
Techniker(in):
Bernie Kirsh
Produzent(in):
Chick Corea (jazz pianist)
Bratsche / Viola:
Carole Mukogawa (in 1976-10)
Cello:
David Speltz (in 1976-10)
foot stomps [foot stomping, hand clapping] und Klavier:
Chick Corea (jazz pianist) (in 1976-10)
Geige / Violine:
Connie Kupka (in 1976-10) und Barry Socher (American violinist, composer) (in 1976-10)
arranger:
Chick Corea (jazz pianist)
aufgenommen bei:
Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten (in 1976-10)
recording of:
Day Danse (in 1976-10)
Komponist(in):
Chick Corea (jazz pianist)
Chick Corea4:31
8Air Conditioned
recorded in:
New York, New York, Vereinigte Staaten (in 1960-10)
Bass:
Ed Jones (US jazz double bassist) (in 1960-10)
Klavier:
Hank Jones (piano) (in 1960-10)
Posaune:
Bob Brookmeyer (in 1960-06) und Curtis Fuller (in 1960-10)
Schlagzeug:
Charlie Persip (American jazz drummer) (in 1960-10)
Trompete:
Thad Jones (American jazz trumpeter) (in 1960-10) und Joe Newman (US jazz trumpeter) (in 1960-10)
recording of:
Air Conditioned (in 1960-10)
Komponist(in):
Bob Brookmeyer
Bob Brookmeyer4:57
9Nevertheless
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-05-07)
vocals:
Patti Page (am 1956-05-07)
Orchester:
Pete Rugolo and His Orchestra (am 1956-05-07)
recording of:
Nevertheless (I’m in Love With You) (am 1956-05-07)
Texter:
Bert Kalmar
Komponist(in):
Harry Ruby
publisher:
Chappell & Co., Crawford Music Corp., DeSylva, Brown and Henderson, Inc. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Patti Page1:47
10The Lady’s in Love with You
recorded in:
New York, New York, Vereinigte Staaten (am 1954-09-13)
Bass:
Ray Brown (jazz bassist) (am 1954-09-13)
Gitarre:
Herb Ellis (jazz guitarist) (am 1954-09-13)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1954-09-13)
Schlagzeug:
Buddy Rich (am 1954-09-13)
Tenorsaxophon:
Flip Phillips (am 1954-09-13)
recording of:
The Lady’s in Love With You (am 1954-09-13)
Texter:
Frank Loesser
Komponist(in):
Burton Lane
Flip Phillips5:52
11Bottle It
recorded in:
New York, New York, Vereinigte Staaten (am 1958-02-26)
alto saxophone:
Ben Richardson (jazz saxophonist) (am 1958-02-26)
Bass und Kontrabass:
Joe Benjamin (US jazz bassist) (am 1958-02-26)
Gitarre:
Everett Barksdale (am 1958-02-26)
Klavier:
Skip Hall (pianist, composer) (am 1958-02-26)
Posaune:
Eli Robinson (trombonist) (am 1958-02-26)
Rohrblattinstrumente und Tenorsaxophon:
Buddy Tate (US jazz saxophonist & clarinetist) (am 1958-02-26)
Schlagzeug:
Herbie Lovelle (am 1958-02-26)
Trompete:
Pat Jenkins (trumpet) (am 1958-02-26)
recording of:
Bottle It (am 1956-02-26)
Komponist(in):
Skip Hall (pianist, composer)
Buddy Tate6:02
12Over the Rainbow
Produzent(in):
Maceo Parker (US funk/jazz saxophonist)
alto saxophone:
Maceo Parker (US funk/jazz saxophonist)
Gitarre:
Rodney Jones
Orgel:
Don Pullen (pianist)
Posaune:
Fred Wesley
Schlagzeug:
Bill Stuart (US jazz drummer)
Tenorsaxophon:
Pee Wee Ellis
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
Maceo Parker4:16
13On the Sunny Side of the Street
recorded in:
Paris, Île-de-France, Frankreich (am 1949-05-16)
Gitarre:
Jean-Pierre Sasson (am 1949-05-16)
Klavier:
Eddie Bernard (am 1949-05-16)
Kontrabass:
Guy de Fatto (am 1949-05-16)
Kornett und Trompete:
Gérard Bayol (am 1949-05-16)
Posaune:
Benny Vasseur (am 1949-05-16)
Schlagzeug:
André Jourdan (am 1949-05-16)
Sopransaxophon:
Sidney Bechet (am 1949-05-16)
aufgenommen bei:
Studio Technisonor in Paris, Île-de-France, Frankreich (am 1949-05-16)
recording of:
On the Sunny Side of the Street (am 1949-05-16)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
Sidney Bechet2:43
14Perfidia
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-04-02)
vocals:
Mel Tormé (“The Velvet Fog”) (am 1959-04-02)
Orchester:
Billy May & His Orchestra (am 1959-04-02)
recording of:
Perfidia (am 1959-04-02)
Texter und Komponist(in):
Alberto Domínguez
Mel Tormé2:08
15You’n Me
Techniker(in):
GP
Bass:
Major Holley (in 1960-06, von 1960-06-01 bis 1960-06-03)
Klavier:
Mose Allison (in 1960-06) und George Handy (von 1960-06-01 bis 1960-06-03)
Schlagzeug:
Osie Johnson (in 1960-06, von 1960-06-01 bis 1960-06-03)
Tenorsaxophon:
Al Cohn (in 1960-06, von 1960-06-01 bis 1960-06-03) und Zoot Sims (US jazz saxophonist) (in 1960-06, von 1960-06-01 bis 1960-06-03)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (von 1960-06-01 bis 1960-06-03)
recording of:
You’n Me (am 1960-06-06)
Komponist(in):
Al Cohn
Al Cohn & Zoot Sims4:44
16The Sheik of Araby
recording engineer und Mix:
Rudy van Gelder
assistierende(r) Techniker(in):
Maureen Sickler
Produzent(in):
Jean-François Deiber
Bass:
Ray Drummond (am 1991-03-04)
Klavier:
Harold Mabern (American jazz pianist) (am 1991-03-04)
Schlagzeug:
Billy Higgins (US jazz drummer) (am 1991-03-04)
Tenorsaxophon:
George Coleman (US jazz saxophonist) (am 1991-03-04)
phonographisches Urheberrecht (℗) von:
J.F.D. Productions (in 1991)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1991-03-04)
mixed at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (von 1991-03-04 bis 1991-03-05)
instrumental recording of:
The Sheik of Araby (am 1991-03-04)
Texter:
Harry B. Smith (in 1921) und Francis Wheeler (in 1921)
Komponist(in):
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music und Salabert
George Coleman2:59
3▶CD: Night

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.) (in 1996)
Discogs:https://www.discogs.com/release/5521608 [Info]
ASIN:US: B000PRTBVW [Info]