Tosca (sung in German)

~ Release by Giacomo Puccini; Carla Martinis, Rudolf Schock, Josef Metternich, Benno Kusche, Wilhelm Schüchter (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Tosca: 2. Akt, 2. Teil. „Nur der Schönheit weiht’ ich mein Leben“
baritone vocals [Scarpia]:
Josef Metternich (baritone) (in 1953-04)
soprano vocals [Tosca]:
Carla Martinis (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 2. Akt, 2. Teil. „Nur der Schönheit weiht’ ich mein Leben“ (Tosca) (in 1953-04)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
part of:
Tosca: 2. Akt
Giacomo Puccini3:05
2Tosca: 2. Akt, 2. Teil. „Wehe!“ – „Vor dem da zitterte das ganze Rom“
baritone vocals [Scarpia]:
Josef Metternich (baritone) (in 1953-04)
soprano vocals [Tosca]:
Carla Martinis (in 1953-04)
tenor vocals [Spoletto]:
Kurt Marschner (german operatic tenor) (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 2. Akt, 2. Teil. „Wehe!“ – „Vor dem da zitterte das ganze Rom“ (Scarpia, Spoletta, Tosca) (in 1953-04)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca)
part of:
Tosca: 2. Akt
Giacomo Puccini9:12
3Tosca: 3. Akt. Introduktion – „Ach, meine Seufzer“
soprano vocals [Hirt]:
Ena Thiessen (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 3. Akt. Introduktion – „Ach, meine Seufzer“ (Ein Hirte) (in 1953-04)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore)
part of:
Tosca: 3. Akt
Giacomo Puccini5:17
4Tosca: 3. Akt. „Mario Cavaradossi ? Hierher“ – „Und es blitzten…“
bass vocals [Schliesser]:
Karl Otto (operatic bass) (in 1953-04)
tenor vocals [Cavaradossi]:
Rudolf Schock (tenor) (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 3. Akt. „Mario Cavaradossi? – Hierher” (Schließer, Cavaradossi) (in 1953-04)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi)
part of:
Tosca: 3. Akt
Giacomo Puccini6:34
5Tosca: 3. Akt. „Ha! Geleit für Floria Tosca!“
soprano vocals [Tosca]:
Carla Martinis (in 1953-04)
tenor vocals [Cavaradossi]:
Rudolf Schock (tenor) (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 3. Akt. „Ha! Geleit für Floria Tosca!” (Cavaradossi, Tosca) (in 1953-04)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca)
part of:
Tosca: 3. Akt
Giacomo Puccini2:39
6Tosca: 3. Akt. „Die zarten Hände“ – „Bald naht sich die Stunde“
soprano vocals [Tosca]:
Carla Martinis (in 1953-04)
tenor vocals [Cavaradossi]:
Rudolf Schock (tenor) (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 3. Akt. „Die zarten Hände” - „Bald naht sich die Stunde” (Cavaradossi, Tosca) (in 1953-04)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca)
translated version of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca)
part of:
Tosca: 3. Akt
Giacomo Puccini2:57
7Tosca: 3. Akt. „Nur deinetwegen wollt’ ich noch nicht sterben“
soprano vocals [Tosca]:
Carla Martinis (in 1953-04)
tenor vocals [Cavaradossi]:
Rudolf Schock (tenor) (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 3. Akt. „Nur deinetwegen wollt' ich noch nicht sterben” (Tosca) (in 1953-04)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “Amaro sol per te m’era il morire” (Cavaradossi, Tosca)
part of:
Tosca: 3. Akt
Giacomo Puccini4:02
8Tosca: 3. Akt. „Die Stunde“ – „O Scarpia, uns richte Gott“
bass vocals [Schliesser] and bass vocals [Sciarrone]:
Karl Otto (operatic bass) (in 1953-04)
soprano vocals [Tosca]:
Carla Martinis (in 1953-04)
tenor vocals [Spoletta]:
Kurt Marschner (german operatic tenor) (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 3. Akt. „Die Stunde“ – „O Scarpia, uns richte Gott“ (Schließer, Cavaradossi, Tosca, Stimmen, Sciarrone, Spoletta) (in 1953-04)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “L’ora!” (Carceriere, Cavaradossi, Tosca)
translated version of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta)
part of:
Tosca: 3. Akt
Giacomo Puccini4:04
9La Bohème: „Wie eiskalt ist dies Händchen“
tenor vocals:
Rudolf Schock (tenor) (on 1946-10-13)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) (on 1946-10-13)
conductor:
Felix Lederer (on 1946-10-13)
recording of:
La Bohème: Akt I. „Wie eiskalt ist dies Händchen” (Rodolfo) (on 1946-10-13)
composer:
Giacomo Puccini (Italian composer)
translated version of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
part of:
La Bohème: Akt I (German translation)
Giacomo Puccini5:06
10La Bohème: „Oh du süssestes Mädchen“
soprano vocals:
Sigrid Ekkehard (soprano) (on 1946-10-13)
tenor vocals:
Rudolf Schock (tenor) (on 1946-10-13)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) (on 1946-10-13)
conductor:
Felix Lederer (on 1946-10-13)
recording of:
La Bohème: Akt I. „He, Rodolfo!“ – „Rodolfo“ – „O du süßestes Mädchen“ (Schaunard, Collin, Marcello, Rodolfo, Mimi) (on 1946-10-13)
composer:
Giacomo Puccini (Italian composer)
translated version of:
La bohème: Atto I, no. 8. “Ehi! Rodolfo” (Schaunard, Colline, Marcello, Mimi)
translated version of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì)
part of:
La Bohème: Akt I (German translation)
Giacomo Puccini4:27
11Madame Butterfly: „Mädchen, in deinen Augen“
tenor vocals:
Rudolf Schock (tenor) (on 1946-11-17)
vocals:
Irma Beilke (German opera singer and teacher) (on 1946-11-17)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) (on 1946-11-17)
conductor:
Felix Lederer (on 1946-11-17)
recording of:
Madame Butterfly: „Die prunkende Schleife” / „Mädchen, in deinen Augen”
composer:
Giacomo Puccini (Italian composer)
part of:
Madame Butterfly (german lyrics)
Giacomo Puccini11:01
12Madame Butterfly: „Leb wohl, mein Blütenreich“
tenor vocals:
Rudolf Schock (tenor) (on 1953-03-21)
orchestra:
Hamburger Rundfunkorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (on 1953-03-21)
conductor:
Wilhelm Schüchter (on 1953-03-21)
recording of:
Madame Butterfly: „Leb wohl, mein Blütenreich”
composer:
Giacomo Puccini (Italian composer)
part of:
Madame Butterfly (german lyrics)
Giacomo Puccini1:40
13Manon Lescaut: „Wo lebte wohl ein Wesen“
tenor vocals:
Rudolf Schock (tenor) (on 1953-03-18)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1953-03-18)
conductor:
Wolfgang Sawallisch (conductor) (on 1953-03-18)
Giacomo Puccini2:29
14Turandot: „Oh weine nicht, Liù“
tenor vocals:
Rudolf Schock (tenor) (on 1950-08-30)
orchestra:
RIAS-Symphonie-Orchester (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1950-08-30)
conductor:
Leopold Ludwig (conductor) (on 1950-08-30)
recording of:
Turandot: Akt I. „O weine nicht, Liù“ (Calaf, Liù, Timur)
composer:
Giacomo Puccini (Italian composer)
translated version of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
Giacomo Puccini2:30
15Turandot: „Keiner schlafe“
tenor vocals:
Rudolf Schock (tenor) (on 1950-08-30)
orchestra:
RIAS-Symphonie-Orchester (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1950-08-30)
conductor:
Leopold Ludwig (conductor) (on 1950-08-30)
recording of:
Turandot: Akt III. „Keiner schlafe“ (Calaf)
composer:
Giacomo Puccini (Italian composer)
translated version of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Giacomo Puccini3:14

Credits

Release

liner notes:Rico Leitner (in 2003)
Thomas Voigt (liner notes author) (in 2003)
liner notes translator:Roger Clément (translator) (in 2003)
executive producer:Rico Leitner (in 2003)
remastering:Friedhelm Holle
distributed by:Sonimex
ASIN:FR: B0001D0A56 [info]