Anthems: Alternative 80s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

Slipcase around an Eight panel digipak. Three CDs in plastic trays, small booklet tucked inside.

Matrix (Disc One, Variant 2): Sony DADC A0101879566-0103 04
Mastering SID (CD1): IFP LY34
Mould SID (CD1): IFPI AEW04
DiscID (CD1): oPO0ipAmkab9a4TgpEuN6CwPmWA-

Matrix (CD2): Sony DADC A0101879585-0103 01
Mastering SID (CD2): IFP LY34
Mould SID (CD2): IFPI AEW03
DiscID (CD2): nxV5R9vubHQPH3ZEZBXKWUFb65Y-

Matrix (CD3): Sony DADC A0101883545-0103 01
Mastering SID (CD3): IFP LY34
Mould SID (CD3): IFPI AEW36
DiscID (CD3): n0XIhYcmZJIs7xBbEoBhKN9lo50-

Annotazione modificata l'ultima volta il 2024-09-17 13:58 UTC.

Elenco tracce

1CD
2CD
3CD
#TitoloArtistaValutazioneDurata
1Geno
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
registrazione di:
Geno
autore:
Al Archer e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:27
2The Whole of the Moon
produttore:
Mike Scott (The Waterboys)
tecnico di missaggio:
Mick Glossop (producer & engineer)
batteria :
Chris Whitten (nel 1985-05)
chitarra e pianoforte :
Mike Scott (The Waterboys) (nel 1985-05)
percussione :
Martin Ditcham (nel 1985-05)
sassofono :
Anthony Thistlethwaite (nel 1985-05)
sintetizzatore e sintetizzatore basso :
Karl Wallinger (nel 1985-05)
tromba :
Roddy Lorimer (nel 1985-05)
voce:
Mike Scott (The Waterboys) (nel 1985-05)
voce di accompagnamento:
Max Edie (nel 1985-05) e Karl Wallinger (nel 1985-05)
diritti fonografici (℗) detenuti da:
Ensign Records Ltd. (company; do NOT use as release label) (nel 1985), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1985) e Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 2020)
registrazione di:
The Whole of the Moon (nel 1985-05)
paroliere e compositore:
Mike Scott (The Waterboys)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Waterboys4.455:00
3Running Up That Hill (A Deal with God)
assistente tecnico:
Pearse Dunne
tecnico:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench e Nigel Walker (UK producer/engineer/guitarist)
produttore:
Kate Bush
tecnico di missaggio:
Brian Tench
balalaika :
Paddy Bush
basso :
Del Palmer
batteria :
Stuart Elliott (session drummer, member of Cockney Rebel)
chitarra :
Alan Murphy (UK session guitarist)
voce:
Kate Bush
diritti fonografici (℗) detenuti da:
EMI America Records (holding – file NO releases here!) (nel 1985), EMI Korea (nel 1985), EMI Records (not for release label use!) (nel 1985), EMI Records Group N.A. (nel 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985), Noble & Brite Ltd. (nel 1985), Novercia Ltd. (nel 1985), Oasis (nel 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (nel 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (nel 2006), Noble and Brite (nel 2011) e Noble & Brite Ltd (nel 2018)
registrata presso:
Wickham Farm Home Studio in Welling, Bexley, London (Greater London), England, Regno Unito
lavorazione tecnica effettuata presso:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irlanda
video musicali:
Running Up That Hill (music video) di Kate Bush
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 7), Billboard Year-End Hot 100 singles of 2022 (numero: 23), Billboard Hot 100: 2026-01-17 (numero: 46), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 60), BILLIONS CLUB e Indie 88: Top 500 Indie Rock Songs (numero: 279)
registrazione di:
Running Up That Hill
paroliere e compositore:
Kate Bush
editore:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush3.955:00
4Perfect
produttore:
Fairground Attraction e Kevin Moloney
assistente tecnico di missaggio:
Alistair Johnson (engineering)
tecnico di missaggio:
Kevin Moloney
voce principale:
Eddi Reader
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (nel 1988) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988)
registrata presso:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, Regno Unito
video musicali:
Perfect di Fairground Attraction
registrazione di:
Perfect
paroliere e compositore:
Mark Nevin
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.253:35
5Somewhere in My Heart
produttore:
Michael Jonzun
registrazione di:
Somewhere in My Heart
paroliere e compositore:
Roddy Frame
editore:
Complete Music Ltd.
Aztec Camera3.653:57
6Happy Hour
tecnico:
Phil Bodger (engineer)
produttore:
John Williams (English A&R executive, producer, songwriter...)
batteria :
Hugh Whitaker (nel 1986)
chimes :
P.d. Heaton (nel 1986)
chitarra :
Stan Cullimore (nel 1986)
chitarra basso :
Norman Cook (nel 1986)
voce di accompagnamento:
Norman Cook (nel 1986), Stan Cullimore (nel 1986), P.d. Heaton (nel 1986) e Hugh Whitaker (nel 1986)
voce principale:
Paul Heaton (nel 1986)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!)
registrata presso:
Strongroom in Shoreditch, Hackney, London (Greater London), England, Regno Unito (nel 1986)
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Happy Hour (nel 1986)
paroliere:
Paul Heaton
compositore:
Stan Cullimore
editore:
Go! Discs Music (publisher)
The Housemartins4.52:22
7Rip It Up
registrazione di:
Rip It Up
paroliere e compositore:
Edwyn Collins
Orange Juice4.655:20
8Road to Nowhere
tecnico di registrazione e tecnico di missaggio:
Eric “E.T.” Thorngren
assistente tecnico:
Melanie West (engineer) (incarico: second engineer)
produttore:
Talking Heads
batteria :
Chris Frantz
bonghi ospite , congas ospite e tamburello ospite :
Steve Scales
chitarra :
David Byrne (Talking Heads) e Jerry Harrison (Talking Heads & producer)
chitarra e tastiera e tastiera :
Jerry Harrison (Talking Heads & producer)
fisarmonica ospite :
Jimmy MacDonell
sassofono ospite :
Lenny Pickett (saxophone)
sintetizzatore basso [synth bass] :
Tina Weymouth
washboard ospite :
Andrew Cader
voce:
David Byrne (Talking Heads)
voce di accompagnamento:
Jerry Harrison (Talking Heads & producer) e Tina Weymouth
voce di accompagnamento ospite:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves e Kurt Yahijian
voce principale:
David Byrne (Talking Heads)
arrangiatore:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) e Tina Weymouth
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985), Sire Records Company (not for release label use!) (nel 1985) e Talking Heads Tours Inc. (nel 1985)
registrata presso e mixata presso:
Sigma Sound (New York) in New York, New York, Stati Uniti
video musicali:
Road to Nowhere (music video) di Talking Heads
registrazione di:
Road to Nowhere
paroliere e compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. e Warner Bros. Music Corp.
Talking Heads4.24:21
9Church of the Poison Mind
tecnico:
Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
armonica (a bocca) :
Judd Lander
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte e sitar elettrico :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
organo :
Phil Pickett (songwriter, producer, keyboard player)
sassofono :
Steve Grainger (saxophonist)
tromba :
Terry Bailey (trumpeter)
voce di accompagnamento:
Helen Terry (UK singer)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (dal 1983 a oggi, nel 1983, nel 2003) e Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (nel 1983)
è stato produttore per:
Do Not Erase Productions
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Church of the Poison Mind di Culture Club (English pop group)
registrazione di:
Church of the Poison Mind (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
J. Albert & Son Pty. Ltd. e Virgin Music (Publishers) Ltd. (dal 1983 a oggi)
Culture Club3.53:30
10Is There Something I Should Know
co-produttore:
Duran Duran (English rock band) e Ian Little (producer, engineer, songwriter)
produttore:
Duran Duran (English rock band) e Ian Little (producer, engineer, songwriter)
tecnico di missaggio:
Ian Little (producer, engineer, songwriter) e Alex Sadkin
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
registrazione di:
Is There Something I Should Know?
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
Duran Duran3.14:09
11Labour of Love (edit)
produttore:
The Was Bros
registrazione di:
Labour of Love
autore:
Gregory Kane e Patrick Kane
Hue and Cry3.23:33
12House of Fun
produttore:
Clive Langer e Alan Winstanley (English record producer)
registrazione di:
House of Fun
paroliere:
Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.652:45
13Our Lips Are Sealed
produttore:
David Byrne (Talking Heads)
remixer:
Fun Boy Three e Jeremy Green
registrazione cover di:
Our Lips Are Sealed
autore:
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall e Jane Wiedlin
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music e Plangent Visions Music
Fun Boy Three3.22:51
14Red Red Wine (edit)
produttore:
Ray “Pablo” Falconer e UB40
arrangiatore:
UB40
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982, nel 1983) e DEP International (UB40) (nel 1983)
registrazione cover di:
Red Red Wine
paroliere e compositore:
Neil Diamond (nel 1967)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) e Bang Records (Bert Berns label) (nel 1968)
UB403.83:02
15Don’t Call Me Baby
diritti fonografici (℗) detenuti da:
FFRR Records Limited (company name, NOT a label!) (nel 1988)
registrazione di:
Don’t Call Me Baby
paroliere:
Tracey Bryn
compositore:
Tracey Bryn e Mike Jones (of Voice of the Beehive)
Voice of the Beehive3:05
16Echo Beach
assistente tecnico:
Laurence Diana
tecnico:
Richard Manwaring (Producer)
produttore:
Mike Howlett
diritti fonografici (℗) detenuti da:
Dindisc Ltd (nel 1980) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1980, nel 2002)
registrata presso:
The Manor in Oxfordshire, England, Regno Unito (nel 1979-08)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 87)
registrazione di:
Echo Beach
paroliere e compositore:
Mark Gane
editore:
EMI Virgin Music Ltd. (do not use this as a release label!) e Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (nel 1980)
Martha and the Muffins3.63:35
17A New England
produttore:
Steve Lillywhite
diritti fonografici (℗) detenuti da:
Stiff Records Ltd. (nel 1985)
video musicali:
A New England di Kirsty MacColl
registrazione cover di:
A New England
paroliere e compositore:
Billy Bragg
editore:
BMG Music Publishing Ltd. e Chappell Music Ltd.
Kirsty MacColl43:49
18They Don’t Know
produttore:
Peter Collins (producer)
video musicali:
They Don't Know di Tracey Ullman
registrazione cover di:
They Don’t Know
paroliere e compositore:
Kirsty MacColl
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
registrazione di:
They Don’t Know
paroliere e compositore:
Kirsty MacColl
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Tracey Ullman3:00
19Since Yesterday
tecnico:
David Motion e Trig
produttore:
David Motion
chitarra :
Jill Bryson e Rose McDowall
voce:
Jill Bryson
voce di accompagnamento e voce principale:
Rose McDowall
arrangiatore:
David Motion
diritti fonografici (℗) detenuti da:
A Korova Recording e WEA Records Ltd. (holding company based in the UK)
registrazione di:
Since Yesterday
autore:
Jill Bryson e Rose McDowall
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Zoo Music Publishing
versione di:
Dance
Strawberry Switchblade4.652:55
20Love Changes (Everything)
tecnico:
Mike Ging e Bob Kraushaar
produttore:
Stephen Hague
chitarra :
Neil Taylor (guitarist)
percussione aggiunto:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
tastiera :
Rob Fisher (UK keyboardist, in Naked Eyes)
voce:
Simon Climie
voce di accompagnamento:
Coral Gordon e Soultanas
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987)
registrazione di:
Love Changes (Everything)
autore:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) e Dennis Morgan (US songwriter)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:24

Accreditamenti

Pubblicazione

fabbricata a:Regno Unito
società di diritti:MCPS (UK rights society; do not use this as a label or work publisher!)
distribuito da:Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2011)
Ministry of Sound Recordings Ltd. (copyrights use only, for its imprint use "Ministry of Sound") (nel 2011)
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2011)
master in vetro creato da:Sony DADC UK Ltd. (Southwater)
Discogs:https://www.discogs.com/release/3334702 [info]

Gruppo di pubblicazioni

parte di:Ministry of Sound: Anthems (ordine: 9)