The Complete Recordings on Erato

~ Release by John Eliot Gardiner (see all versions of this release, 1 available)

Tracklist

1CD: Purcell: Ode for the Birthday of Queen Mary / Music for the funeral of Queen Mary
2CD: Dixit Dominus / Coronation Anthem no. 1
3CD: Rameau: Les Fêtes d’Hébé (La Danse)
4CD: Handel: The ways of Zion do mourn
5CD: Massenet: Scènes dramatiques / Scènes de féerie / Le Dernier Sommeil de la Vierge
6CD: Massenet: Scènes alsaciennes / Scènes pittoresques / Don Quichotte (2 Interludes)
7CD: Handel: Israel in Egypt: Exodus & Moses’ Song (beginning)
8CD: Handel: Israel in Egypt: Moses’ Song (conclusion)
9CD: Music of the “Chapels Royal”
10CD: Purcell: The Tempest
11CD: Purcell: The Indian Queen
12CD: Messe des morts (Requiem)
13CD: Handel: L’Allegro, il Penseroso ed il Moderato (Part 1)
14CD: Handel: L’Allegro, il Penseroso ed il Moderato (Part 2 & 3)
15CD: J.S. Bach: Mottets BWV 226 & 228–231 · Cantata BWV 118 / Kuhnau: Motet BWV 1149
16CD: J.S. Bach: Mottets BWV 225 & 227 · Cantata BWV 50
17CD: Handel: Concerti Grossi, op. 3
18CD: Handel: Water Music
19CD: J.S. Bach: Cantatas BWV 4 & 131
20CD: Handel: Semele, HWV 58 (beginning)
21CD: Handel: Semele, HWV 58 (conclusion)
22CD: Gluck: Don Juan ou Le Festin de Pierre
23CD: Purcell: Hail! Bright Cecilia
24CD: Monteverdi: Balli e Balletti
25CD: Rameau: Dardanus, suite d’orchestre
26CD: Rameau: Les Boréades (beginning)
27CD: Rameau: Les Boréades (continuation)
28CD: Rameau: Les Boréades (conclusion)
29CD: J. S. Bach: Orchestral Suites no. 1 & 2 / Choral BWV 299
30CD: J. S. Bach: Orchestral Suites no. 3 & 4
31CD: Purcell: King Arthur or The British Worthy (beginning)
32CD: Purcell: King Arthur or The British Worthy (conclusion)
33CD: Scarlatti: Stabat Mater / Cavalli: Salve Regina / Gesualdo: Ave dulcissima Maria / Clément: O Maria, vernans rosa
34CD: Handel: Ballet Music (Alcina / Terpsichore / Il pastor fido)
35CD: Chabrier: L’Étoile (beginning)
36CD: Chabrier: L’Étoile (conclusion)
37CD: Handel: Tamerlano (beginning)
38CD: Handel: Tamerlano (continuation)
39CD: Handel: Tamerlano (conclusion)
40CD: Leclair: Scylla et Glaucus (beginning)
41CD: Leclair: Scylla et Glaucus (continuation)
42CD: Leclair: Scylla et Glaucus (conclusion)
43CD: Schubert: Symphonies nos. 8 “Unfinished” & 9 “The Great”
44CD: Bizet: Symphony in C major / L’Arlésienne
45CD: Berlioz: L’Enfance du Christ (beginning)
46CD: Berlioz: L’Enfance du Christ (conclusion)
47CD: Messager: Fortunio (Acte 1 & 2)
48CD: Messager: Fortunio (Acte 3 & 4)
49CD: Gluck: Iphigénie en Aulide (beginning)
50CD: Gluck: Iphigénie en Aulide (conclusion)
51CD: Purcell: Timon of Athens / Dioclesian (beginning)
52CD: Purcell: Dioclesian (conclusion)
53CD: Offenbach: Les Brigands (Acte 1)
54CD: Offenbach: Les Brigands (Acte 2–3)
55CD: Couperin: Le Parnasse / Concert “dans le goût théatral” / Concert instrumental
56CD: Ravel: Shéhérazade · 2 Mélodies hébraïques · 5 Mélodies populaires grecques · Vocalise‐étude en forme de habanera / Duparc: 6 Mélodies
57CD: Carissimi: Judicium Extremum / Historia di Jonas / Historia di Jepthe
58CD: Gluck: Orphée et Eurydice (beginning)
59CD: Gluck: Orphée et Eurydice (conclusion)
60CD: Berlioz: Les Nuits d’été & other mélodies
61CD: Tchaikovsky: Rococo Variations · Nocturne · Pezzo capriccioso / Glazunov: Two Pieces · Chant du ménestrel / Rimsky‐Korsakov: Sérénade / Cui: Deux Morceaux
62CD: Gluck: Le Pèlerins de la Mecque ou La Rencontre imprévue (Acte 1–2)
#TitleArtistRatingLength
1Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Ouverture
producer:
Alain Duchemin
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Ouverture (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
part of:
La rencontre imprévue, Wq. 32
Christoph Willibald Gluck2:26
2Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 1. N° 1 Air : “Heureux l’amant qui se dépêtre de Cupidon” (Osmin) – Dialogue : “Enfin, après bien des fatigues” (Osmin, Le Calender)
producer:
Alain Duchemin
spoken vocals [Le Calender]:
Gilles Cachemaille (bass-baritone) (from 1990-03-18 until 1990-03-20)
spoken vocals [Osmin] and tenor vocals [Osmin]:
Jean-Luc Viala (tenor) (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte I. Dialogue : « Enfin, après bien des fatigues » (Osmin, Le Calender) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte I
recording of:
La rencontre imprévue, Wq. 32 : Acte I. N° 1 Air : « Heureux l'amant qui se dépêtre de Cupidon » (Osmin) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte I
Christoph Willibald Gluck2:22
3Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 1. N° 2 Air : “Castagno, castagna” (Le Calender) – Dialogue : “Je vous demande pardon” (Osmin)
producer:
Alain Duchemin
baritone vocals [Le Calender]:
Gilles Cachemaille (bass-baritone) (from 1990-03-18 until 1990-03-20)
spoken vocals [Osmin]:
Jean-Luc Viala (tenor) (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte I. Dialogue : « Je vous demande pardon » (Osmin) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte I
recording of:
La rencontre imprévue, Wq. 32 : Acte I. N° 2 Air : « Castagno, castagna » (Le Calender) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte I
Christoph Willibald Gluck2:54
4Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 1. N° 3 Air : “Les hommes pieusement pour Caton nous tiennent” – Dialogue : “Hé bien, grivois” (Le Calender)
producer:
Alain Duchemin
baritone vocals [Le Calender] and spoken vocals [Le Calender]:
Gilles Cachemaille (bass-baritone) (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte I. Dialogue : « Hé bien, grivois » (Le Calender) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte I
recording of:
La rencontre imprévue, Wq. 32 : Acte I. N° 3 Air : « Les hommes pieusement pour Caton nous tiennent » (Le Calender) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte I
Christoph Willibald Gluck2:34
5Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 1. Dialogue : “Eh ! mes amis, vous voilà ?” (Vertigo)
producer:
Alain Duchemin
spoken vocals [Vertigo]:
Jean‐Philippe Lafont (baritone) (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte I. Dialogue : « Eh ! mes amis, vous voilà ? » (Vertigo) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte I
Christoph Willibald Gluck0:30
6Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 1. N° 4 Air : “D’un céleste transport, mon âme est agitée” (Vertigo) – Dialogue : “Adieu mes chers amis” (Vertigo, Le Calender, Osmin)
producer:
Alain Duchemin
baritone vocals [Vertigo] and spoken vocals [Vertigo]:
Jean‐Philippe Lafont (baritone) (from 1990-03-18 until 1990-03-20)
spoken vocals [Le Calender]:
Gilles Cachemaille (bass-baritone) (from 1990-03-18 until 1990-03-20)
spoken vocals [Osmin]:
Jean-Luc Viala (tenor) (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte I. Dialogue : « Adieu mes chers amis » (Vertigo, Le Calender, Osmin) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte I
recording of:
La rencontre imprévue, Wq. 32 : Acte I. N° 4 Air : « D'un céleste transport, mon âme est agitée » (Vertigo) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte I
Christoph Willibald Gluck2:34
7Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 1. N° 5 Air : “Il fait entendre sa sonnette” (Le Calender) – Dialogue : “Vous êtes en état de commencer” (Le Calender, Osmin, Ali)
producer:
Alain Duchemin
baritone vocals [Le Calender] and spoken vocals [Le Calender]:
Gilles Cachemaille (bass-baritone) (from 1990-03-18 until 1990-03-20)
spoken vocals [Ali]:
Guy de Mey (Belgian operatic tenor) (from 1990-03-18 until 1990-03-20)
spoken vocals [Osmin]:
Jean-Luc Viala (tenor) (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte I. Dialogue : « Vous êtes en état de commencer » (Le Calender, Osmin, Ali) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte I
recording of:
La rencontre imprévue, Wq. 32 : Acte I. N° 5 Air : « Il fait entendre sa sonnette » (Le Calender) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte I
Christoph Willibald Gluck2:10
8Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 1. N° 6 Air : “Castagno, castagna” (Le Calender, Osmin) – Dialogue : “Ah ! C’est toi Osmin ?” (Le Calender, Osmin, Ali)
producer:
Alain Duchemin
baritone vocals [Le Calender] and spoken vocals [Le Calender]:
Gilles Cachemaille (bass-baritone) (from 1990-03-18 until 1990-03-20)
spoken vocals [Ali]:
Guy de Mey (Belgian operatic tenor) (from 1990-03-18 until 1990-03-20)
spoken vocals [Osmin] and tenor vocals [Osmin]:
Jean-Luc Viala (tenor) (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte I. Dialogue : « Ah ! C'est toi Osmin ? » (Le Calender, Osmin, Ali) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte I
recording of:
La rencontre imprévue, Wq. 32 : Acte I. N° 6 Air : « Castagno, castagna » (Le Calender, Osmin) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte I
Christoph Willibald Gluck1:07
9Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 1. N° 7 Air : “Je chérirai, jusqu’au trépas” (Ali) – Dialogue : “Puisque vous êtes si curieux” (Ali, Osmin)
producer:
Alain Duchemin
spoken vocals [Ali] and tenor vocals [Ali]:
Guy de Mey (Belgian operatic tenor) (from 1990-03-18 until 1990-03-20)
spoken vocals [Osmin]:
Jean-Luc Viala (tenor) (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte I. Dialogue : « Puisque vous êtes si curieux » (Ali, Osmin) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte I
recording of:
La rencontre imprévue, Wq. 32 : Acte I. N° 7 Air : « Je chérirai, jusqu'au trépas » (Ali) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte I
Christoph Willibald Gluck4:37
10Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 1. N° 8 Air : “Bel inconnu qu’ici l’amour amène” (Balkis) – Dialogue : “Tu te moques, mon enfant !” (Balkis, Osmin, Ali)
producer:
Alain Duchemin
soprano vocals [Balkis] and spoken vocals [Balkis]:
Claudine Le Coz (from 1990-03-18 until 1990-03-20)
spoken vocals [Ali]:
Guy de Mey (Belgian operatic tenor) (from 1990-03-18 until 1990-03-20)
spoken vocals [Osmin]:
Jean-Luc Viala (tenor) (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte I. Dialogue : « Tu te moques, mon enfant ! » (Balkis, Osmin, Ali) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte I
recording of:
La rencontre imprévue, Wq. 32 : Acte I. N° 8 Air : « Bel inconnu qu'ici l'amour amène » (Balkis) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte I
Christoph Willibald Gluck2:24
11Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 1. N° 9 Trio : “Je suis touché des bontés de la dame” (Balkis, Ali, Osmin)
producer:
Alain Duchemin
soprano vocals [Balkis]:
Claudine Le Coz (from 1990-03-18 until 1990-03-20)
tenor vocals [Ali]:
Guy de Mey (Belgian operatic tenor) (from 1990-03-18 until 1990-03-20)
tenor vocals [Osmin]:
Jean-Luc Viala (tenor) (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte I. N° 9 Trio : « Je suis touché des bontés de la dame » (Balkis, Ali, Osmin) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte I
Christoph Willibald Gluck3:52
12Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 2. Dialogue : “Éh bien Seigneur, qu’en dites‐vous ?” (Ali, Osmin)
producer:
Alain Duchemin
spoken vocals [Ali]:
Guy de Mey (Belgian operatic tenor) (from 1990-03-18 until 1990-03-20)
spoken vocals [Osmin]:
Jean-Luc Viala (tenor) (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte II. Dialogue : « Éh bien Seigneur, qu'en dites-vous ? » (Ali, Osmin) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
Christoph Willibald Gluck0:19
13Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 2. N° 10 Air : “J’ai fait un rêve des plus doux” (Dardané) – Dialogue : “Rieb n’est plus glorieux” (Ali)
producer:
Alain Duchemin
soprano vocals [Dardané]:
Catherine Dubosc (soprano) (from 1990-03-18 until 1990-03-20)
spoken vocals [Ali]:
Guy de Mey (Belgian operatic tenor) (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte II. Dialogue : « Rieb n'est plus glorieux » (Ali) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
recording of:
La rencontre imprévue, Wq. 32 : Acte II. N° 10 Air : « J'ai fait un rêve des plus doux » (Dardané) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
Christoph Willibald Gluck2:24
14Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 2. N° 11 Air : “Vous ressemblez à la rose naissante” (Ali) – Dialogue : “Savez‐vous bien” (Dardané, Osmin, Ali)
producer:
Alain Duchemin
spoken vocals [Ali] and tenor vocals [Ali]:
Guy de Mey (Belgian operatic tenor) (from 1990-03-18 until 1990-03-20)
spoken vocals [Dardané]:
Catherine Dubosc (soprano) (from 1990-03-18 until 1990-03-20)
spoken vocals [Osmin]:
Jean-Luc Viala (tenor) (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte II. Dialogue : « Savez-vous bien » (Dardané, Osmin, Ali) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
recording of:
La rencontre imprévue, Wq. 32 : Acte II. N° 11 Air : « Vous ressemblez à la rose naissante » (Ali) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
Christoph Willibald Gluck4:46
15Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 2. N° 12 Air : “À ma maîtresse, j’ai promis, Seigneur” – Dialogue : “Vous allez la voir paraître” (Dardané)
producer:
Alain Duchemin
soprano vocals [Dardané] and spoken vocals [Dardané]:
Catherine Dubosc (soprano) (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte II. Dialogue : « Vous allez la voir paraître » (Dardané) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
recording of:
La rencontre imprévue, Wq. 32 : Acte II. N° 12 Air : « À ma maîtresse, j'ai promis, Seigneur » (Dardané) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
Christoph Willibald Gluck1:27
16Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 2. Dialogue : “Ma foi, Seigneur, je crois qu’elle a raison” (Osmin, Ali, Amine)
producer:
Alain Duchemin
spoken vocals [Ali]:
Guy de Mey (Belgian operatic tenor) (from 1990-03-18 until 1990-03-20)
spoken vocals [Amine]:
Sophie Marin-Degor (soprano) (from 1990-03-18 until 1990-03-20)
spoken vocals [Osmin]:
Jean-Luc Viala (tenor) (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte II. Dialogue : « Ma foi, Seigneur, je crois qu'elle a raison » (Osmin, Ali, Amine) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
Christoph Willibald Gluck0:24
17Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 2. N° 13 Air : “Je cherche à vous faire le sort le plus doux” (Amine) – Dialogue : “Prince, vous pleurez une maîtresse” (Amine, Ali)
producer:
Alain Duchemin
soprano vocals [Amine] and spoken vocals [Amine]:
Sophie Marin-Degor (soprano) (from 1990-03-18 until 1990-03-20)
spoken vocals [Ali]:
Guy de Mey (Belgian operatic tenor) (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte II. Dialogue : « Prince, vous pleurez une maîtresse » (Amine, Ali) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
recording of:
La rencontre imprévue, Wq. 32 : Acte II. N° 13 Air : « Je cherche à vous faire le sort le plus doux » (Amine) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
Christoph Willibald Gluck3:17
18Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 2. N° 14 Air Parodié : “Tout ce que j’aime est au tombeau” (Ali) – Dialogue : “En vérité, Seigneur” (Amine, Ali, Osmin)
producer:
Alain Duchemin
spoken vocals [Ali] and tenor vocals [Ali]:
Guy de Mey (Belgian operatic tenor) (from 1990-03-18 until 1990-03-20)
spoken vocals [Amine]:
Sophie Marin-Degor (soprano) (from 1990-03-18 until 1990-03-20)
spoken vocals [Osmin]:
Jean-Luc Viala (tenor) (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte II. Dialogue : « En vérité, Seigneur » (Amine, Ali, Osmin) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
recording of:
La rencontre imprévue, Wq. 32 : Acte II. N° 14 Air Parodié : « Tout ce que j'aime est au tombeau » (Ali) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
Christoph Willibald Gluck4:53
19Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 2. N° 15 Air : “J’ai perdu mon étalage” (Amine) – Dialogue : “Seigneur, Ali !” (Amine, Ali, Osmin)
producer:
Alain Duchemin
soprano vocals [Amine] and spoken vocals [Amine]:
Sophie Marin-Degor (soprano) (from 1990-03-18 until 1990-03-20)
spoken vocals [Ali]:
Guy de Mey (Belgian operatic tenor) (from 1990-03-18 until 1990-03-20)
spoken vocals [Osmin]:
Jean-Luc Viala (tenor) (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte II. Dialogue : « Seigneur, Ali ! » (Amine, Ali, Osmin) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
recording of:
La rencontre imprévue, Wq. 32 : Acte II. N° 15 Air : « J'ai perdu mon étalage » (Amine) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
Christoph Willibald Gluck2:08
20Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 2. N° 16 Duo “Oh, Abrenuntio” (Ali, Osmin)
producer:
Alain Duchemin
tenor vocals [Ali]:
Guy de Mey (Belgian operatic tenor) (from 1990-03-18 until 1990-03-20)
tenor vocals [Osmin]:
Jean-Luc Viala (tenor) (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte II. N° 16 Duo « Oh, Abrenuntio » (Ali, Osmin) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
Christoph Willibald Gluck0:54
21Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 2. N° 17 Duo : “Que vois‐je ! Ô ciel !” – Dialogue : “Ah ! chère Rezia !” (Ali, Rezia)
producer:
Alain Duchemin
soprano vocals [Rezia] and spoken vocals [Rezia]:
Lynne Dawson (soprano) (from 1990-03-18 until 1990-03-20)
spoken vocals [Ali] and tenor vocals [Ali]:
Guy de Mey (Belgian operatic tenor) (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte II. Dialogue : « Ah ! chère Rezia ! » (Ali, Rezia) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
recording of:
La rencontre imprévue, Wq. 32 : Acte II. N° 17 Duo : « Que vois-je ! Ô ciel ! » (Ali, Rezia) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
Christoph Willibald Gluck1:54
22Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 2. N° 18 Air : “Je sais que l’amoureux flambeau” (Rezia) – Dialogue : “Venez, Balkis, et contez au prince Ali” (Rezia, Balkis)
producer:
Alain Duchemin
soprano vocals [Rezia] and spoken vocals [Rezia]:
Lynne Dawson (soprano) (from 1990-03-18 until 1990-03-20)
spoken vocals [Balkis]:
Claudine Le Coz (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte II. Dialogue : « Venez, Balkis, et contez au prince Ali » (Rezia, Balkis) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
recording of:
La rencontre imprévue, Wq. 32 : Acte II. N° 18 Air : « Je sais que l'amoureux flambeau » (Rezia) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
Christoph Willibald Gluck3:21
23Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 2. N° 19 Air : “Sans votre brusque retraite” (Balkis) – Dialogue : “Que je me repends de ma précipitation” (Ali, Rezia)
producer:
Alain Duchemin
soprano vocals [Balkis]:
Claudine Le Coz (from 1990-03-18 until 1990-03-20)
spoken vocals [Ali]:
Guy de Mey (Belgian operatic tenor) (from 1990-03-18 until 1990-03-20)
spoken vocals [Rezia]:
Lynne Dawson (soprano) (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte II. Dialogue : « Que je me repends de ma précipitation » (Ali, Rezia) (from 1990-03-18 until 1990-03-20)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
recording of:
La rencontre imprévue, Wq. 32 : Acte II. N° 19 Air : « Sans votre brusque retraite » (Balkis) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
Christoph Willibald Gluck1:32
24Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 2. N° 20 Ariette : “Ah, qu’il est doux de se revoir” (Rezia) – Dialogue : “Votre confiance passe dans mon cœur” (Ali, Balkis)
producer:
Alain Duchemin
soprano vocals [Rezia]:
Lynne Dawson (soprano) (from 1990-03-18 until 1990-03-20)
spoken vocals [Ali]:
Guy de Mey (Belgian operatic tenor) (from 1990-03-18 until 1990-03-20)
spoken vocals [Balkis]:
Claudine Le Coz (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte II. Dialogue : « Votre confiance passe dans mon cœur » (Ali, Balkis) (from 1990-03-18 until 1990-03-20)
lyricist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
recording of:
La rencontre imprévue, Wq. 32 : Acte II. N° 20 Ariette : « Ah, qu'il est doux de se revoir » (Rezia) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
Christoph Willibald Gluck5:10
25Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 2. N° 21 Air : “Venez, venez, troupe brillante” (Balkis)
producer:
Alain Duchemin
soprano vocals [Balkis]:
Claudine Le Coz (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte II. N° 21 Air : « Venez, venez, troupe brillante » (Balkis) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
Christoph Willibald Gluck1:10
26Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 2. Ballets : Sinfonia – Marche – Allegro Moderato – Polonese 1 et 2 – Allegretto – Allegro Moderato – Moderato – Allegretto “Signore Angiolini” – Finale
producer:
Alain Duchemin
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte II. Sinfonia - Marche - Allegro Moderato - Polonese 1 et 2 - Allegretto - Allegro Moderato - Moderato - Allegretto « Signore Angiolini » - Finale (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
part of:
La rencontre imprévue, Wq. 32 : Acte II
Christoph Willibald Gluck10:10
27Le Pèlerins de la Mecque ou La Rencontre imprévue, Wq. 32 : Acte 2. N° 22 Sextuor finale : “Ah ! je suis en transe” (Balkis, Rezia, Amine, Dardané, Ali, Osmin)
producer:
Alain Duchemin
soprano vocals [Amine]:
Sophie Marin-Degor (soprano) (from 1990-03-18 until 1990-03-20)
soprano vocals [Balkis]:
Claudine Le Coz (from 1990-03-18 until 1990-03-20)
soprano vocals [Dardané]:
Catherine Dubosc (soprano) (from 1990-03-18 until 1990-03-20)
soprano vocals [Rezia]:
Lynne Dawson (soprano) (from 1990-03-18 until 1990-03-20)
tenor vocals [Ali]:
Guy de Mey (Belgian operatic tenor) (from 1990-03-18 until 1990-03-20)
tenor vocals [Osmin]:
Jean-Luc Viala (tenor) (from 1990-03-18 until 1990-03-20)
orchestra:
Orchestre de l’Opéra de Lyon (from 1990-03-18 until 1990-03-20)
conductor:
John Eliot Gardiner (from 1990-03-18 until 1990-03-20)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1991)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1990-03-18 until 1990-03-20)
recording of:
La rencontre imprévue, Wq. 32 : Acte II. N° 22 Sextuor finale : « Ah ! je suis en transe » (Balkis, Rezia, Amine, Dardané, Ali, Osmin) (from 1990-03-18 until 1990-03-20)
composer:
Christoph Willibald Gluck (composer)
librettist:
Louis Hurtaut Dancourt
part of:
La rencontre imprévue, Wq. 32 : Acte II
Christoph Willibald Gluck2:20
63CD: Gluck: Le Pèlerins de la Mecque ou La Rencontre imprévue (Acte 3)
64CD: England, my England (Purcell)