All the Time in the World

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD: Take Five
2CD: A Wonderful World
3CD: Unforgettable
4CD: A Lovely Way to Spend an Evening
Nr.TitelKünstlerBewertungLänge
1A Lovely Way to Spend an EveningJune Christy2:24
2Blue Moon
vocals:
Mel Tormé (“The Velvet Fog”)
Orchester:
Pete Rugolo and His Orchestra
recording of:
Blue Moon (in 1949)
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
Mel Tormé3:14
3In the Wee Small Hours of the Morning
Carol Sloane3:18
4Fly Me to the MoonCarmen McRae2:26
5A Time for LoveTony Bennett3:21
6Deep Purple
Peggy Lee3:00
7Black Coffee
Sologesang:
Sarah Vaughan (am 1949-01-20)
Orchester:
Joe Lipman & His Orchestra (am 1949-01-20)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Black Coffee (1948 song) (am 1949-01-20)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
Sarah Vaughan4.53:20
8Alone Together
Mel Tormé3:13
9Time After Time
instrumental cover recording of:
Time After Time
Verfasser(in):
Rob Hyman und Cyndi Lauper
publisher:
Sony Songs Inc. (beendet, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Miles Davis3:35
10You’d Be So Nice to Come Home To
assistierende(r) Techniker(in):
Devin Emke
Techniker(in):
Alan Varner
Produzent(in):
Nick Phillips (US jazz trumpeter/composer/producer)
Bass:
Steve Gilmore (jazz bassist) (von 1995-09-06 bis 1995-09-08)
Klavier:
Allen Farnham (von 1995-09-06 bis 1995-09-08)
Schlagzeug:
Richard DeRosa (drummer, Director of Jazz Composition/Arranging Studies) (von 1995-09-06 bis 1995-09-08)
vocals:
Susannah McCorkle (von 1995-09-06 bis 1995-09-08)
remixer:
Alan Varner
phonographisches Urheberrecht (℗) von:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
aufgenommen bei:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten (von 1995-09-06 bis 1995-09-08)
recording of:
You’d Be So Nice to Come Home To (von 1995-09-06 bis 1995-09-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Susannah McCorkle5:30
11’round Midnight
assistierende(r) Techniker(in):
Ed Raso
Techniker(in):
Alan Varner
Produzent(in):
John Burk
Mix:
Phil Edwards (recording engineer)
Keyboard:
Barnaby Finch
Klavier:
David Hazeltine
Perkussion:
Michael Spiro (percussion)
vocals:
Marlena Shaw
arranger:
David Hazeltine
Marlena Shaw6:11
12In the Still of the Night
cover recording of:
In the Still of the Night (Cole Porter song)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) und Chappell & Co., Inc. (USA)
Ella Fitzgerald2:41
13Smoke Gets in Your Eyes
cover recording of:
Smoke Gets in Your Eyes
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Dinah Washington23:24
14Smile
vocals:
Nat King Cole (am 1961-03-24)
Orchester:
Ralph Carmichael Orchestra (am 1961-03-24)
conductor:
Ralph Carmichael (am 1961-03-24)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1961-03-24)
recording of:
Smile (song version w/ lyrics) (am 1961-03-24)
Texter:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. und Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Smile (Modern Times; original instrumental version)
Teil von:
Chaplin
Nat King Cole2:56
15Bewitched. Bother and Bewildered
recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
Anita O’Day4:21
5CD: You Do Something to Me

Nennungen

Veröffentlichung

hergestellt in:EEC (Europa)
urheberrechtlich geschützt (©) von:The Reader’s Digest Association Limited (not for release label use!) (in 2001)
lizensiert von:BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!)
EMI Special Markets
Licensing Partnership
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only)
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.)
Universal Music Licensing Division
Discogs:https://www.discogs.com/release/13478236 [Info]
ASIN:UK: B000UFLEUU [Info]