All the Time in the World

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD: Take Five
2CD: A Wonderful World
3CD: Unforgettable
4CD: A Lovely Way to Spend an Evening
#TitleArtistRatingLength
1A Lovely Way to Spend an EveningJune Christy2:24
2Blue Moon
vocals:
Mel Tormé (“The Velvet Fog”)
orchestra:
Pete Rugolo and His Orchestra
recording of:
Blue Moon (in 1949)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Mel Tormé3:14
3In the Wee Small Hours of the Morning
Carol Sloane3:18
4Fly Me to the MoonCarmen McRae2:26
5A Time for LoveTony Bennett3:21
6Deep Purple
Peggy Lee3:00
7Black Coffee
lead vocals:
Sarah Vaughan (on 1949-01-20)
orchestra:
Joe Lipman & His Orchestra (on 1949-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Black Coffee (1948 song) (on 1949-01-20)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Sarah Vaughan4.53:20
8Alone Together
Mel Tormé3:13
9Time After Time
instrumental cover recording of:
Time After Time
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Miles Davis3:35
10You’d Be So Nice to Come Home To
assistant engineer:
Devin Emke
engineer:
Alan Varner
producer:
Nick Phillips (US jazz trumpeter/composer/producer)
bass:
Steve Gilmore (jazz bassist) (from 1995-09-06 until 1995-09-08)
drums (drum set):
Richard DeRosa (drummer, Director of Jazz Composition/Arranging Studies) (from 1995-09-06 until 1995-09-08)
piano:
Allen Farnham (from 1995-09-06 until 1995-09-08)
vocals:
Susannah McCorkle (from 1995-09-06 until 1995-09-08)
remixer:
Alan Varner
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1995-09-06 until 1995-09-08)
recording of:
You’d Be So Nice to Come Home To (from 1995-09-06 until 1995-09-08)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Susannah McCorkle5:30
11’round Midnight
assistant engineer:
Ed Raso
engineer:
Alan Varner
producer:
John Burk
mixer:
Phil Edwards (recording engineer)
keyboard:
Barnaby Finch
percussion:
Michael Spiro (percussion)
piano:
David Hazeltine
vocals:
Marlena Shaw
arranger:
David Hazeltine
Marlena Shaw6:11
12In the Still of the Night
cover recording of:
In the Still of the Night (Cole Porter song)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) and Chappell & Co., Inc. (USA)
Ella Fitzgerald2:41
13Smoke Gets in Your Eyes
cover recording of:
Smoke Gets in Your Eyes
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Dinah Washington23:24
14Smile
vocals:
Nat King Cole (on 1961-03-24)
orchestra:
Ralph Carmichael Orchestra (on 1961-03-24)
conductor:
Ralph Carmichael (on 1961-03-24)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-03-24)
recording of:
Smile (song version w/ lyrics) (on 1961-03-24)
lyricist:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. and Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
Nat King Cole2:56
15Bewitched. Bother and Bewildered
recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
Anita O’Day4:21
5CD: You Do Something to Me

Credits

Release

manufactured in:EEC (Europe)
copyrighted (©) by:The Reader’s Digest Association Limited (not for release label use!) (in 2001)
licensed from:BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!)
EMI Special Markets
Licensing Partnership
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only)
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.)
Universal Music Licensing Division
Discogs:https://www.discogs.com/release/13478236 [info]
ASIN:UK: B000UFLEUU [info]