The Complete Recordings on Erato

~ Release by John Eliot Gardiner (see all versions of this release, 1 available)

Tracklist

1CD: Purcell: Ode for the Birthday of Queen Mary / Music for the funeral of Queen Mary
2CD: Dixit Dominus / Coronation Anthem no. 1
3CD: Rameau: Les Fêtes d’Hébé (La Danse)
4CD: Handel: The ways of Zion do mourn
5CD: Massenet: Scènes dramatiques / Scènes de féerie / Le Dernier Sommeil de la Vierge
6CD: Massenet: Scènes alsaciennes / Scènes pittoresques / Don Quichotte (2 Interludes)
7CD: Handel: Israel in Egypt: Exodus & Moses’ Song (beginning)
8CD: Handel: Israel in Egypt: Moses’ Song (conclusion)
9CD: Music of the “Chapels Royal”
10CD: Purcell: The Tempest
11CD: Purcell: The Indian Queen
12CD: Messe des morts (Requiem)
13CD: Handel: L’Allegro, il Penseroso ed il Moderato (Part 1)
14CD: Handel: L’Allegro, il Penseroso ed il Moderato (Part 2 & 3)
15CD: J.S. Bach: Mottets BWV 226 & 228–231 · Cantata BWV 118 / Kuhnau: Motet BWV 1149
16CD: J.S. Bach: Mottets BWV 225 & 227 · Cantata BWV 50
17CD: Handel: Concerti Grossi, op. 3
18CD: Handel: Water Music
19CD: J.S. Bach: Cantatas BWV 4 & 131
20CD: Handel: Semele, HWV 58 (beginning)
21CD: Handel: Semele, HWV 58 (conclusion)
22CD: Gluck: Don Juan ou Le Festin de Pierre
23CD: Purcell: Hail! Bright Cecilia
24CD: Monteverdi: Balli e Balletti
25CD: Rameau: Dardanus, suite d’orchestre
26CD: Rameau: Les Boréades (beginning)
27CD: Rameau: Les Boréades (continuation)
28CD: Rameau: Les Boréades (conclusion)
29CD: J. S. Bach: Orchestral Suites no. 1 & 2 / Choral BWV 299
30CD: J. S. Bach: Orchestral Suites no. 3 & 4
31CD: Purcell: King Arthur or The British Worthy (beginning)
32CD: Purcell: King Arthur or The British Worthy (conclusion)
33CD: Scarlatti: Stabat Mater / Cavalli: Salve Regina / Gesualdo: Ave dulcissima Maria / Clément: O Maria, vernans rosa
#TitleArtistRatingLength
1Stabat Mater, for ten voices and continuo: I. Stabat Mater dolorosa
producer:
Michel Garcin (French producer)
cello:
Angela East (cellist) (from 1984-02-07 until 1984-02-09)
double bass:
Valerie Botwright (from 1984-02-07 until 1984-02-09)
organ:
Alastair Ross (organist and harpsichordist) (from 1984-02-07 until 1984-02-09)
bass vocals:
Simon Birchall (operatic bass) (from 1984-02-07 until 1984-02-09) and Stephen Charlesworth (bass-baritone) (from 1984-02-07 until 1984-02-09)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-02-07 until 1984-02-09) and Ashley Stafford (alto / counter-tenor) (from 1984-02-07 until 1984-02-09)
soprano vocals:
Suzanne Flowers (from 1984-02-07 until 1984-02-09), Jean Knibbs (from 1984-02-07 until 1984-02-09), Elisabeth Priday (soprano) (from 1984-02-07 until 1984-02-09) and Gill Ross (soprano) (from 1984-02-07 until 1984-02-09)
tenor vocals:
Andrew Murgatroyd (tenor) (from 1984-02-07 until 1984-02-09) and Nicolas Robertson (Tenor) (from 1984-02-07 until 1984-02-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1984-02-07 until 1984-02-09)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1984-02-07 until 1984-02-09)
recording of:
Stabat Mater: Stabat Mater dolorossa (from 1984-02-07 until 1984-02-09)
composer:
Alessandro Scarlatti (composer)
part of:
Stabat Mater
Domenico Scarlatti3:26
2Stabat Mater, for ten voices and continuo: II. Cujus animam gementem
producer:
Michel Garcin (French producer)
cello:
Angela East (cellist) (from 1984-02-07 until 1984-02-09)
double bass:
Valerie Botwright (from 1984-02-07 until 1984-02-09)
organ:
Alastair Ross (organist and harpsichordist) (from 1984-02-07 until 1984-02-09)
bass vocals:
Simon Birchall (operatic bass) (from 1984-02-07 until 1984-02-09) and Stephen Charlesworth (bass-baritone) (from 1984-02-07 until 1984-02-09)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-02-07 until 1984-02-09) and Ashley Stafford (alto / counter-tenor) (from 1984-02-07 until 1984-02-09)
soprano vocals:
Suzanne Flowers (from 1984-02-07 until 1984-02-09), Jean Knibbs (from 1984-02-07 until 1984-02-09), Elisabeth Priday (soprano) (from 1984-02-07 until 1984-02-09) and Gill Ross (soprano) (from 1984-02-07 until 1984-02-09)
tenor vocals:
Andrew Murgatroyd (tenor) (from 1984-02-07 until 1984-02-09) and Nicolas Robertson (Tenor) (from 1984-02-07 until 1984-02-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1984-02-07 until 1984-02-09)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1984-02-07 until 1984-02-09)
recording of:
Stabat Mater: Cujus animam gementem (from 1984-02-07 until 1984-02-09)
composer:
Alessandro Scarlatti (composer)
part of:
Stabat Mater
Domenico Scarlatti4:43
3Stabat Mater, for ten voices and continuo: III. Quis non posset
producer:
Michel Garcin (French producer)
cello:
Angela East (cellist) (from 1984-02-07 until 1984-02-09)
double bass:
Valerie Botwright (from 1984-02-07 until 1984-02-09)
organ:
Alastair Ross (organist and harpsichordist) (from 1984-02-07 until 1984-02-09)
bass vocals:
Simon Birchall (operatic bass) (from 1984-02-07 until 1984-02-09) and Stephen Charlesworth (bass-baritone) (from 1984-02-07 until 1984-02-09)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-02-07 until 1984-02-09) and Ashley Stafford (alto / counter-tenor) (from 1984-02-07 until 1984-02-09)
soprano vocals:
Suzanne Flowers (from 1984-02-07 until 1984-02-09), Jean Knibbs (from 1984-02-07 until 1984-02-09), Elisabeth Priday (soprano) (from 1984-02-07 until 1984-02-09) and Gill Ross (soprano) (from 1984-02-07 until 1984-02-09)
tenor vocals:
Andrew Murgatroyd (tenor) (from 1984-02-07 until 1984-02-09) and Nicolas Robertson (Tenor) (from 1984-02-07 until 1984-02-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1984-02-07 until 1984-02-09)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1984-02-07 until 1984-02-09)
recording of:
Stabat Mater: Quis non posset contristari (from 1984-02-07 until 1984-02-09)
composer:
Alessandro Scarlatti (composer)
part of:
Stabat Mater
Domenico Scarlatti2:29
4Stabat Mater, for ten voices and continuo: IV. Eja Mater, fons amoris
producer:
Michel Garcin (French producer)
cello:
Angela East (cellist) (from 1984-02-07 until 1984-02-09)
double bass:
Valerie Botwright (from 1984-02-07 until 1984-02-09)
organ:
Alastair Ross (organist and harpsichordist) (from 1984-02-07 until 1984-02-09)
bass vocals:
Simon Birchall (operatic bass) (from 1984-02-07 until 1984-02-09) and Stephen Charlesworth (bass-baritone) (from 1984-02-07 until 1984-02-09)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-02-07 until 1984-02-09) and Ashley Stafford (alto / counter-tenor) (from 1984-02-07 until 1984-02-09)
soprano vocals:
Suzanne Flowers (from 1984-02-07 until 1984-02-09), Jean Knibbs (from 1984-02-07 until 1984-02-09), Elisabeth Priday (soprano) (from 1984-02-07 until 1984-02-09) and Gill Ross (soprano) (from 1984-02-07 until 1984-02-09)
tenor vocals:
Andrew Murgatroyd (tenor) (from 1984-02-07 until 1984-02-09) and Nicolas Robertson (Tenor) (from 1984-02-07 until 1984-02-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1984-02-07 until 1984-02-09)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1984-02-07 until 1984-02-09)
recording of:
Stabat Mater: Pia Mater (from 1984-02-07 until 1984-02-09)
composer:
Alessandro Scarlatti (composer)
part of:
Stabat Mater
Domenico Scarlatti2:48
5Stabat Mater, for ten voices and continuo: V. Sancta Mater, istud agas
producer:
Michel Garcin (French producer)
cello:
Angela East (cellist) (from 1984-02-07 until 1984-02-09)
double bass:
Valerie Botwright (from 1984-02-07 until 1984-02-09)
organ:
Alastair Ross (organist and harpsichordist) (from 1984-02-07 until 1984-02-09)
bass vocals:
Simon Birchall (operatic bass) (from 1984-02-07 until 1984-02-09) and Stephen Charlesworth (bass-baritone) (from 1984-02-07 until 1984-02-09)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-02-07 until 1984-02-09) and Ashley Stafford (alto / counter-tenor) (from 1984-02-07 until 1984-02-09)
soprano vocals:
Suzanne Flowers (from 1984-02-07 until 1984-02-09), Jean Knibbs (from 1984-02-07 until 1984-02-09), Elisabeth Priday (soprano) (from 1984-02-07 until 1984-02-09) and Gill Ross (soprano) (from 1984-02-07 until 1984-02-09)
tenor vocals:
Andrew Murgatroyd (tenor) (from 1984-02-07 until 1984-02-09) and Nicolas Robertson (Tenor) (from 1984-02-07 until 1984-02-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1984-02-07 until 1984-02-09)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1984-02-07 until 1984-02-09)
recording of:
Stabat Mater: Sancta Mater (from 1984-02-07 until 1984-02-09)
composer:
Alessandro Scarlatti (composer)
part of:
Stabat Mater
Domenico Scarlatti3:06
6Stabat Mater, for ten voices and continuo: VI. Fac me vere tecum flere
producer:
Michel Garcin (French producer)
cello:
Angela East (cellist) (from 1984-02-07 until 1984-02-09)
double bass:
Valerie Botwright (from 1984-02-07 until 1984-02-09)
organ:
Alastair Ross (organist and harpsichordist) (from 1984-02-07 until 1984-02-09)
bass vocals:
Simon Birchall (operatic bass) (from 1984-02-07 until 1984-02-09) and Stephen Charlesworth (bass-baritone) (from 1984-02-07 until 1984-02-09)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-02-07 until 1984-02-09) and Ashley Stafford (alto / counter-tenor) (from 1984-02-07 until 1984-02-09)
soprano vocals:
Suzanne Flowers (from 1984-02-07 until 1984-02-09), Jean Knibbs (from 1984-02-07 until 1984-02-09), Elisabeth Priday (soprano) (from 1984-02-07 until 1984-02-09) and Gill Ross (soprano) (from 1984-02-07 until 1984-02-09)
tenor vocals:
Andrew Murgatroyd (tenor) (from 1984-02-07 until 1984-02-09) and Nicolas Robertson (Tenor) (from 1984-02-07 until 1984-02-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1984-02-07 until 1984-02-09)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1984-02-07 until 1984-02-09)
recording of:
Stabat Mater: Fac me cruce custodiri (from 1984-02-07 until 1984-02-09)
composer:
Alessandro Scarlatti (composer)
part of:
Stabat Mater
Domenico Scarlatti0:55
7Stabat Mater, for ten voices and continuo: VII. Juxta crucem
producer:
Michel Garcin (French producer)
cello:
Angela East (cellist) (from 1984-02-07 until 1984-02-09)
double bass:
Valerie Botwright (from 1984-02-07 until 1984-02-09)
organ:
Alastair Ross (organist and harpsichordist) (from 1984-02-07 until 1984-02-09)
bass vocals:
Simon Birchall (operatic bass) (from 1984-02-07 until 1984-02-09) and Stephen Charlesworth (bass-baritone) (from 1984-02-07 until 1984-02-09)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-02-07 until 1984-02-09) and Ashley Stafford (alto / counter-tenor) (from 1984-02-07 until 1984-02-09)
soprano vocals:
Suzanne Flowers (from 1984-02-07 until 1984-02-09), Jean Knibbs (from 1984-02-07 until 1984-02-09), Elisabeth Priday (soprano) (from 1984-02-07 until 1984-02-09) and Gill Ross (soprano) (from 1984-02-07 until 1984-02-09)
tenor vocals:
Andrew Murgatroyd (tenor) (from 1984-02-07 until 1984-02-09) and Nicolas Robertson (Tenor) (from 1984-02-07 until 1984-02-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1984-02-07 until 1984-02-09)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1984-02-07 until 1984-02-09)
recording of:
Stabat Mater: Juxta crucem (from 1984-02-07 until 1984-02-09)
composer:
Alessandro Scarlatti (composer)
part of:
Stabat Mater
Domenico Scarlatti1:55
8Stabat Mater, for ten voices and continuo: VIII. Inflammatus
producer:
Michel Garcin (French producer)
cello:
Angela East (cellist) (from 1984-02-07 until 1984-02-09)
double bass:
Valerie Botwright (from 1984-02-07 until 1984-02-09)
organ:
Alastair Ross (organist and harpsichordist) (from 1984-02-07 until 1984-02-09)
bass vocals:
Simon Birchall (operatic bass) (from 1984-02-07 until 1984-02-09) and Stephen Charlesworth (bass-baritone) (from 1984-02-07 until 1984-02-09)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-02-07 until 1984-02-09) and Ashley Stafford (alto / counter-tenor) (from 1984-02-07 until 1984-02-09)
soprano vocals:
Suzanne Flowers (from 1984-02-07 until 1984-02-09), Jean Knibbs (from 1984-02-07 until 1984-02-09), Elisabeth Priday (soprano) (from 1984-02-07 until 1984-02-09) and Gill Ross (soprano) (from 1984-02-07 until 1984-02-09)
tenor vocals:
Andrew Murgatroyd (tenor) (from 1984-02-07 until 1984-02-09) and Nicolas Robertson (Tenor) (from 1984-02-07 until 1984-02-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1984-02-07 until 1984-02-09)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1984-02-07 until 1984-02-09)
recording of:
Stabat Mater: Inflammatus et accensus (from 1984-02-07 until 1984-02-09)
composer:
Alessandro Scarlatti (composer)
part of:
Stabat Mater
Domenico Scarlatti3:17
9Stabat Mater, for ten voices and continuo: IX. Fac ut animae
producer:
Michel Garcin (French producer)
cello:
Angela East (cellist) (from 1984-02-07 until 1984-02-09)
double bass:
Valerie Botwright (from 1984-02-07 until 1984-02-09)
organ:
Alastair Ross (organist and harpsichordist) (from 1984-02-07 until 1984-02-09)
bass vocals:
Simon Birchall (operatic bass) (from 1984-02-07 until 1984-02-09) and Stephen Charlesworth (bass-baritone) (from 1984-02-07 until 1984-02-09)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-02-07 until 1984-02-09) and Ashley Stafford (alto / counter-tenor) (from 1984-02-07 until 1984-02-09)
soprano vocals:
Suzanne Flowers (from 1984-02-07 until 1984-02-09), Jean Knibbs (from 1984-02-07 until 1984-02-09), Elisabeth Priday (soprano) (from 1984-02-07 until 1984-02-09) and Gill Ross (soprano) (from 1984-02-07 until 1984-02-09)
tenor vocals:
Andrew Murgatroyd (tenor) (from 1984-02-07 until 1984-02-09) and Nicolas Robertson (Tenor) (from 1984-02-07 until 1984-02-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1984-02-07 until 1984-02-09)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1984-02-07 until 1984-02-09)
recording of:
Stabat Mater: Fac ut ardeat cor meum (from 1984-02-07 until 1984-02-09)
composer:
Alessandro Scarlatti (composer)
part of:
Stabat Mater
Domenico Scarlatti2:07
10Stabat Mater, for ten voices and continuo: X. Amen
producer:
Michel Garcin (French producer)
cello:
Angela East (cellist) (from 1984-02-07 until 1984-02-09)
double bass:
Valerie Botwright (from 1984-02-07 until 1984-02-09)
organ:
Alastair Ross (organist and harpsichordist) (from 1984-02-07 until 1984-02-09)
bass vocals:
Simon Birchall (operatic bass) (from 1984-02-07 until 1984-02-09) and Stephen Charlesworth (bass-baritone) (from 1984-02-07 until 1984-02-09)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-02-07 until 1984-02-09) and Ashley Stafford (alto / counter-tenor) (from 1984-02-07 until 1984-02-09)
soprano vocals:
Suzanne Flowers (from 1984-02-07 until 1984-02-09), Jean Knibbs (from 1984-02-07 until 1984-02-09), Elisabeth Priday (soprano) (from 1984-02-07 until 1984-02-09) and Gill Ross (soprano) (from 1984-02-07 until 1984-02-09)
tenor vocals:
Andrew Murgatroyd (tenor) (from 1984-02-07 until 1984-02-09) and Nicolas Robertson (Tenor) (from 1984-02-07 until 1984-02-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1984-02-07 until 1984-02-09)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1984-02-07 until 1984-02-09)
recording of:
Stabat Mater: Quando corpus morietur (from 1984-02-07 until 1984-02-09)
composer:
Alessandro Scarlatti (composer)
part of:
Stabat Mater
Domenico Scarlatti1:36
11Salve Regina, for chorus and continuo
producer:
Michel Garcin (French producer)
cello:
Angela East (cellist) (from 1984-02-07 until 1984-02-09)
double bass:
Valerie Botwright (from 1984-02-07 until 1984-02-09)
organ:
Alastair Ross (organist and harpsichordist) (from 1984-02-07 until 1984-02-09)
theorbo [chitarrone]:
Jakob Lindberg (lutenist) (from 1984-02-07 until 1984-02-09)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1984-02-07 until 1984-02-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1984-02-07 until 1984-02-09)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1984-02-07 until 1984-02-09)
recording of:
Musiche Sacre: Salve Regina a 4 (from 1984-02-07 until 1984-02-09)
composer:
Francesco Cavalli (Baroque composer)
part of:
Musiche Sacre
Francesco Cavalli8:27
12Sacrarum cantionum liber primus a 5, for chorus and organ: No. 3 Ave dulcissima Maria
producer:
Michel Garcin (French producer)
organ:
Alastair Ross (organist and harpsichordist) (from 1984-02-07 until 1984-02-09)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1984-02-07 until 1984-02-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1984-02-07 until 1984-02-09)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1984-02-07 until 1984-02-09)
recording of:
Sacrarum cantionum quinque vocibus, Liber primus: IX. Ave, dulcissima Maria (from 1984-02-07 until 1984-02-09)
composer:
Carlo Gesualdo (composer)
part of:
Sacrarum cantionum quinque vocibus, Liber primus (for 5 voices, SATTB)
Carlo Gesualdo6:47
13O Maria, vernans rosa, for chorus
producer:
Michel Garcin (French producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1984-02-07 until 1984-02-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1984-02-07 until 1984-02-09)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1984-02-07 until 1984-02-09)
recording of:
Motet "O Maria vernans rosa" (from 1984-02-07 until 1984-02-09)
composer:
Jacobus Clemens non Papa (Franco‐Flemish Renaissance composer)
Jacobus Clemens non Papa5:39
34CD: Handel: Ballet Music (Alcina / Terpsichore / Il pastor fido)
35CD: Chabrier: L’Étoile (beginning)
36CD: Chabrier: L’Étoile (conclusion)
37CD: Handel: Tamerlano (beginning)
38CD: Handel: Tamerlano (continuation)
39CD: Handel: Tamerlano (conclusion)
40CD: Leclair: Scylla et Glaucus (beginning)
41CD: Leclair: Scylla et Glaucus (continuation)
42CD: Leclair: Scylla et Glaucus (conclusion)
43CD: Schubert: Symphonies nos. 8 “Unfinished” & 9 “The Great”
44CD: Bizet: Symphony in C major / L’Arlésienne
45CD: Berlioz: L’Enfance du Christ (beginning)
46CD: Berlioz: L’Enfance du Christ (conclusion)
47CD: Messager: Fortunio (Acte 1 & 2)
48CD: Messager: Fortunio (Acte 3 & 4)
49CD: Gluck: Iphigénie en Aulide (beginning)
50CD: Gluck: Iphigénie en Aulide (conclusion)
51CD: Purcell: Timon of Athens / Dioclesian (beginning)
52CD: Purcell: Dioclesian (conclusion)
53CD: Offenbach: Les Brigands (Acte 1)
54CD: Offenbach: Les Brigands (Acte 2–3)
55CD: Couperin: Le Parnasse / Concert “dans le goût théatral” / Concert instrumental
56CD: Ravel: Shéhérazade · 2 Mélodies hébraïques · 5 Mélodies populaires grecques · Vocalise‐étude en forme de habanera / Duparc: 6 Mélodies
57CD: Carissimi: Judicium Extremum / Historia di Jonas / Historia di Jepthe
58CD: Gluck: Orphée et Eurydice (beginning)
59CD: Gluck: Orphée et Eurydice (conclusion)
60CD: Berlioz: Les Nuits d’été & other mélodies
61CD: Tchaikovsky: Rococo Variations · Nocturne · Pezzo capriccioso / Glazunov: Two Pieces · Chant du ménestrel / Rimsky‐Korsakov: Sérénade / Cui: Deux Morceaux
62CD: Gluck: Le Pèlerins de la Mecque ou La Rencontre imprévue (Acte 1–2)
63CD: Gluck: Le Pèlerins de la Mecque ou La Rencontre imprévue (Acte 3)
64CD: England, my England (Purcell)