Atlantic Rhythm & Blues 1947–1974

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▶CD: 1947–52
2▼CD: 1952–54
Nr.TitelKünstlerBewertungLänge
1Ting‐A‐Ling
recorded in:
New York, New York, Vereinigte Staaten (am 1952-03-18)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
vocals:
The Clovers (US rhythm and blues/doo-wop vocal group) (am 1952-03-18)
recording of:
Ting-a-Ling (am 1952-03-18)
Texter und Komponist(in):
Ahmet Ertegun (US songwriter/producer)
Verfasser(in):
Nugetre (US songwriter/producer)
publisher:
Carlin Music Corp., Cedarwood Music und Unichappell Music, Inc.
The Clovers3:08
2Daddy Daddy
recorded in:
New York, New York, Vereinigte Staaten (am 1952-07-02)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Tenorsaxophon:
Willis Jackson (tenor saxophonist) (am 1952-07-02)
vocals:
Ruth Brown (am 1952-07-02)
recording of:
Daddy Daddy (song introduced by Ruth Brown in 1952) (am 1952-07-02)
Texter und Komponist(in):
Rudolph Toombs
publisher:
Unichappell Music, Inc.
Ruth Brown2:56
3The Midnight Hour
recorded in:
New York, New York, Vereinigte Staaten (am 1952-09-11)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
alto saxophone und baritone saxophone:
Dave McRae (US clarinetist & saxophonist) (am 1952-09-11)
Gitarre:
Mickey Baker (am 1952-09-11)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1952-09-11)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1952-09-11)
Schlagzeug [drums]:
Connie Kay (am 1952-09-11)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1952-09-11)
Trompete:
Jesse Drakes (am 1952-09-11)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1952-09-11)
arranger:
Jesse Stone
cover recording of:
The Midnight Hour (am 1952-09-11)
Texter und Komponist(in):
Sam Sweet
arranger:
Kris Johnson (trumpet)
Ray Charles43:00
4A Beggar for Your Kisses
recorded in:
New York, New York, Vereinigte Staaten (am 1952-10-29)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
vocals:
The Diamonds (1950s~1960s Canadian rock & roll vocal quartet) (am 1952-10-29)
The Diamonds2:59
5Mama, He Treats Your Daughter Mean
recorded in:
New York, New York, Vereinigte Staaten (am 1952-12-19)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Gitarre:
Mickey Baker (am 1952-12-19)
Schlagzeug [drums]:
Connie Kay (am 1952-12-19)
Tamburin:
Hal Jackson (broadcaster) (am 1952-12-19)
Tenorsaxophon:
Willis Jackson (tenor saxophonist) (am 1952-12-19)
Trompete:
Taft Jordan (am 1952-12-19)
vocals:
Ruth Brown (am 1952-12-19)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2020/2021)
recording of:
(Mama) He Treats Your Daughter Mean (am 1952-12-19)
Verfasser(in):
Herb Lance (Herbert J. Lance) (in 1952), Charlie Singleton (Jazz saxophone player) (in 1952) und John Wallace (bass player for Harry Chapin) (in 1952)
Ruth Brown2:55
6Good Lovin’
recorded in:
New York, New York, Vereinigte Staaten (am 1953-03-04)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Gitarre:
Bill Harris (US soul/jazz/blues guitarist, member of The Clovers) (am 1953-03-04)
Klavier:
Harry Van Walls (R&B pianist) (am 1953-03-04)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1953-03-04)
Schlagzeug [drums]:
Connie Kay (am 1953-03-04)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1953-03-04)
vocals:
The Clovers (US rhythm and blues/doo-wop vocal group) (am 1953-03-04)
arranger:
Jesse Stone
recording of:
Good Lovin’ (am 1953-03-04)
Komponist(in):
Ahmet Ertegun (US songwriter/producer), Leroy Kirkland und Danny "Run Joe" Taylor
publisher:
Shelby Singleton Music Inc.
The Clovers2:59
7Wild Wild Young Men
recorded in:
New York, New York, Vereinigte Staaten (am 1953-04-10)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1953-04-10)
Gitarre:
Rector Bailey (am 1953-04-10)
Klavier:
Van Walls (R&B pianist) (am 1953-04-10)
Kontrabass [bass]:
George Duvivier (am 1953-04-10)
Schlagzeug [drums]:
Connie Kay (am 1953-04-10)
Tenorsaxophon:
Freddie Mitchell (am 1953-04-10)
Trompete:
Taft Jordan (am 1953-04-10)
vocals:
Ruth Brown (am 1953-04-10)
arranger:
Jesse Stone
recording of:
Wild Wild Young Men (am 1953-04-10)
Texter und Komponist(in):
Nugetre (US songwriter/producer)
Ruth Brown2:32
8Mess Around
Produzent(in):
Herb Abramson und Ahmet Ertegun (US songwriter/producer)
baritone saxophone [baritone sax]:
Dave McRae (US clarinetist & saxophonist) (am 1953-05-17)
Gitarre:
MacHouston "Mickey" Baker (am 1953-05-17)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1953-05-17)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1953-05-17)
Schlagzeug:
Connie Kay (am 1953-05-17)
Tenorsaxophon [tenor sax]:
Sam "The Man" Taylor (US jazz/blues saxophonist 1916-1990) (am 1953-05-17)
Trompete:
Jesse Drakes (am 1953-05-17)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1953-05-17) und Renald Richard (am 1953-05-17)
arranger:
Jesse Stone
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1953-05-17)
recording of:
Mess Around (am 1953-05-17)
Verfasser(in):
Ahmet Ertegun (US songwriter/producer)
publisher:
Progressive Music (publisher), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles32:41
9Honey Hush
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1953-05-12)
Produzent(in):
Big Joe Turner
alto saxophone:
Dimes Dupont (American saxophonist) (am 1953-05-12)
Gitarre:
Edgar Blanchard (am 1953-05-12)
Klavier:
Kathy Thomas (am 1953-05-12)
Kontrabass [bass]:
John Fernandez (bassist) (am 1953-05-12)
Posaune:
Worthia Thomas (trombone) (am 1953-05-12)
Schlagzeug [drums]:
Alonzo Stewart (am 1953-05-12)
Tenorsaxophon:
Warren Hebrew (am 1953-05-12)
Trompete:
Frank Mitchell (trumpet) (am 1953-05-12) und Thomas Sheldon (trumpet) (am 1953-05-12)
vocals:
Big Joe Turner (am 1953-05-12)
Orchester:
Pluma Davis' Orchestra (am 1953-05-12)
arranger:
Pluma Davis
recording of:
Honey Hush (am 1953-05-12)
Texter und Komponist(in):
Big Joe Turner
zusätzlicher Texter und zusätzliche(r) Komponist(in):
Lou Willie Turner
publisher:
Carlin Music Corp.
Big Joe Turner2:40
10Soul on Fire
recorded in:
New York, New York, Vereinigte Staaten (am 1953-06-19)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone:
Pinky Williams (am 1953-06-19)
Gitarre:
Jimmy Lewis (played guitar on "Soul on Fire" in 1953) (am 1953-06-19)
Klavier:
Hank Jones (piano) (am 1953-06-19)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1953-06-19)
Schlagzeug:
Sylvester "Vess" Payne (am 1953-06-19)
Tenorsaxophon:
Freddie Mitchell (am 1953-06-19)
vocals:
LaVern Baker (US rhythm & blues singer) (am 1953-06-19)
conductor:
Gene Redd (senior; vibraphonist & trumpeter, bandleader and A&R man) (am 1953-06-19)
arranger:
Gene Redd (senior; vibraphonist & trumpeter, bandleader and A&R man)
recording of:
Soul on Fire (am 1953-06-19)
Verfasser(in):
LaVern Baker (US rhythm & blues singer), Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
publisher:
Unichappell Music, Inc.
LaVern Baker53:05
11Money Honey
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Gitarre:
Walter Adams (guitarist for The Drifters) (am 1953-08-09)
Baritongesang:
Gerhart Thrasher (am 1953-08-09)
Bass-Gesang:
Willie Ferbie (am 1953-08-09)
Sologesang:
Clyde McPhatter (am 1953-08-09)
Tenor-Gesang:
Bill Pinkney (am 1953-08-09) und Andrew Thrasher (am 1953-08-09)
aufgenommen bei:
Atlantic Recording Studio (234 West 56th St., New York, 1947-1956) in Manhattan, New York, New York, Vereinigte Staaten (am 1953-08-09)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 252)
recording of:
Money Honey (am 1953-08-09)
Texter und Komponist(in):
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) und ZFC Music
Clyde McPhatter & The Drifters42:58
12Lovey Dovey
recorded in:
New York, New York, Vereinigte Staaten (am 1953-09-24)
Produzent(in):
Ahmet Ertegun (US songwriter/producer)
Klavier:
Harry Van Walls (R&B pianist) (am 1953-09-24)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1953-09-24)
vocals:
The Clovers (US rhythm and blues/doo-wop vocal group) (am 1953-09-24)
arranger:
Jesse Stone
recording of:
Lovey Dovey (am 1953-09-24)
Verfasser(in):
Memphis Curtis und Nuggy (US songwriter/producer)
publisher:
Progressive Music Co. (beendet) und Unichappell Music, Inc.
The Clovers2:44
13Such a Night
recorded in:
New York, New York, Vereinigte Staaten (am 1953-11-12)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Bass und Schlagzeug:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1953-11-12)
Gitarre:
Mickey Baker (am 1953-11-12) und Jimmy Oliver (guitar, Drifters) (am 1953-11-12)
Klavier:
Harry Van Walls (R&B pianist) (am 1953-11-12)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1953-11-12)
Baritongesang:
Andrew Thrasher (am 1953-11-12)
Bass-Gesang:
Bill Pinkney (am 1953-11-12)
Sologesang:
Clyde McPhatter (am 1953-11-12)
Tenor-Gesang:
Clyde McPhatter (am 1953-11-12) und Gerhart Thrasher (am 1953-11-12)
recording of:
Such a Night (am 1953-11-12)
Texter und Komponist(in):
Lincoln Chase (songwriter)
publisher:
Chappell Music Ltd., Elvis Presley Music, Embassy Music Corporation und Raleigh Music, Inc.
Clyde McPhatter & The Drifters42:30
14Tipitina
recorded in und engineered in:
New Orleans, Louisiana, Vereinigte Staaten (in 1953-11)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (in 1953-11)
Bass:
Edgar Blanchard (in 1953-11)
Klavier:
Professor Longhair (in 1953-11)
Schlagzeug:
Earl Palmer (in 1953-11)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (in 1953-11)
vocals:
Professor Longhair (in 1953-11)
recording of:
Tipitina (in 1953-11)
Texter und Komponist(in):
Henry Roeland Byrd
publisher:
Professor Longhair Music
Professor Longhair2:40
15White Christmas
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Bass, Klavier, Schlagzeug, Tenorsaxophon und Vibraphon:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1954-02-04)
Gitarre:
Jimmy Oliver (guitar, Drifters) (am 1954-02-04)
Baritongesang:
Andrew Thrasher (am 1954-02-04)
Bass-Gesang:
Bill Pinkney (am 1954-02-04)
Sologesang:
Clyde McPhatter (am 1954-02-04) und Bill Pinkney (am 1954-02-04)
Tenor-Gesang:
Clyde McPhatter (am 1954-02-04) und Gerhart Thrasher (am 1954-02-04)
Interpret(in):
The Drifters (US doo wop/R&B vocal group)
aufgenommen bei:
Fulton Recording Studio in New York, New York, Vereinigte Staaten (am 1954-02-04)
cover recording of:
White Christmas (vocal quartet arrangement, made popular by The Drifters) (am 1954-02-04)
Texter und Komponist(in):
Irving Berlin (von 1938 bis 1940)
Arrangement von:
White Christmas
quotes lyrics from:
Jingle Bells
Clyde McPhatter & The Drifters4.52:39
16Honey Love
recorded in:
New York, New York, Vereinigte Staaten (am 1954-02-04)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Bass, Klavier, Schlagzeug, Tenorsaxophon und Vibraphon:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1954-02-04)
Gitarre:
Jimmy Oliver (guitar, Drifters) (am 1954-02-04)
Baritongesang:
Andrew Thrasher (am 1954-02-04)
Bass-Gesang:
Bill Pinkney (am 1954-02-04)
Sologesang:
Clyde McPhatter (am 1954-02-04)
Tenor-Gesang:
Clyde McPhatter (am 1954-02-04) und Gerhart Thrasher (am 1954-02-04)
aufgenommen bei:
Fulton Recording Studio in New York, New York, Vereinigte Staaten (am 1954-02-04)
recording of:
Honey Love (am 1954-02-04)
Verfasser(in):
Clyde McPhatter und Jerry Wexler
publisher:
P.M.P.C. Inc.
Clyde McPhatter & The Drifters42:26
17Whatcha Gonna Do
recorded in:
New York, New York, Vereinigte Staaten (am 1954-02-04)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Bass, Klavier, Schlagzeug, Tenorsaxophon und Vibraphon:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1954-02-04)
Gitarre:
Jimmy Oliver (guitar, Drifters) (am 1954-02-04)
Baritongesang:
Andrew Thrasher (am 1954-02-04)
Bass-Gesang:
Bill Pinkney (am 1954-02-04)
Tenor-Gesang:
Clyde McPhatter (am 1954-02-04) und Gerhart Thrasher (am 1954-02-04)
recording of:
What'cha Gonna Do
Texter und Komponist(in):
Ahmet Ertegun (US songwriter/producer)
Clyde McPhatter & The Drifters42:47
18Shake, Rattle and Roll
recorded in:
New York, New York, Vereinigte Staaten (am 1954-02-15)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1954-02-15)
Gitarre:
Mickey Baker (am 1954-02-15)
Klavier:
Jesse Stone (am 1954-02-15)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1954-02-15)
Posaune:
Wilbur DeParis (am 1954-02-15)
Schlagzeug [drums]:
Connie Kay (am 1954-02-15)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1954-02-15)
vocals:
Big Joe Turner (am 1954-02-15)
arranger:
Jesse Stone
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2001)
cover recording of:
Shake, Rattle and Roll (am 1954-02-15)
zusätzlicher Texter:
Daryl Bosteels
Verfasser(in):
Charles Calhoun und Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music und Unichappell Music, Inc.
recording of:
Shake, Rattle and Roll
zusätzlicher Texter:
Daryl Bosteels
Verfasser(in):
Charles Calhoun und Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music und Unichappell Music, Inc.
Big Joe Turner53:00
19Sh‐Boom
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-15)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1954-03-15)
vocals:
The Chords (50s US doo-wop group "Sh-Boom") (am 1954-03-15)
arranger:
Howard Biggs
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 215)
recording of:
Sh‐Boom (am 1954-03-15)
Verfasser(in):
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes und Floyd McRae
uraufgeführt von:
The Chords (50s US doo-wop group "Sh-Boom")
The Chords32:26
20Oh What a Dream
recorded in:
New York, New York, Vereinigte Staaten (am 1954-05-07)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone:
Ed Crist (am 1954-05-07)
Gitarre:
Mickey Baker (am 1954-05-07)
Klavier:
Bu Pleasant (am 1954-05-07)
Kontrabass [bass]:
Bennie Moten (jazz bassist) (am 1954-05-07)
Posaune:
Dickie Harris (am 1954-05-07)
Schlagzeug [drums]:
Al Walker (am 1954-05-07)
Tenorsaxophon:
Arnett Cobb (am 1954-05-07)
Trompete:
Ed Lewis (jazz trumpeter) (am 1954-05-07)
vocals:
Ruth Brown (am 1954-05-07) und unknown vocal group ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1954-05-07)
arranger:
Jesse Stone
recording of:
What a Dream (am 1954-05-07)
Texter und Komponist(in):
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
Ruth Brown2:55
21Jam Up
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1954-08-08)
Produzent(in):
Tommy Ridgley
baritone saxophone:
Red Tyler (American jazz saxophonist) (am 1954-08-08)
Gitarre:
Ernest McLean (am 1954-08-08)
Klavier:
Salvador Doucette (am 1954-08-08)
Kontrabass [bass]:
Frank Fields (am 1954-08-08)
Schlagzeug [drums]:
Earl Palmer (am 1954-08-08)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1954-08-08) und Larry Marioneaux (am 1954-08-08)
Trompete:
Dave Bartholomew (am 1954-08-08)
sonstiger Gesang [vocal interjections]:
Tommy Ridgley (am 1954-08-08)
Tommy Ridgley2:46
22After the Lights Go Down Low
recorded in:
New York, New York, Vereinigte Staaten
Produzent(in):
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Gitarre:
Mickey Baker
Klavier:
Leroy Lovett
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) und Al Sears
vocals:
Al Hibbler
arranger:
Leroy Lovett
recording of:
After the Lights Go Down Low (in 1954)
Verfasser(in):
Leroy Lovett und Alan White (Composer and musician raised in Harlem)
Al Hibbler2:41
23Tomorrow Night
recorded in:
New York, New York, Vereinigte Staaten (am 1954-10-20)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1954-10-20)
Schlagzeug:
Connie Kay (am 1954-10-20)
Tenorsaxophon:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (am 1954-10-20)
Hintergrundgesang:
The Gliders (UK rock trio) (am 1954-10-20)
Sologesang:
LaVern Baker (US rhythm & blues singer) (am 1954-10-20)
cover recording of:
Tomorrow Night (am 1954-10-20)
Verfasser(in):
Sam Coslow und Wilhelm Grosz (aka Hugh Williams)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Wilhelm Grosz Music Co
recording of:
Tomorrow Night
Verfasser(in):
Sam Coslow und Wilhelm Grosz (aka Hugh Williams)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Wilhelm Grosz Music Co
LaVern Baker53:14
24Tweedlee Dee
recorded in:
New York, New York, Vereinigte Staaten (am 1954-10-20)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
andere Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Schlagzeug und Schlagzeug [drums]:
Connie Kay (am 1954-10-20)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1954-10-20)
Hintergrundgesang:
The Gliders (UK rock trio) (am 1954-10-20)
Sologesang:
LaVern Baker (US rhythm & blues singer) (am 1954-10-20)
vocals:
LaVern Baker (US rhythm & blues singer) (am 1954-10-20)
recording of:
Tweedlee Dee (am 1954-10-20)
Texter und Komponist(in):
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) und Unichappell Music
cover recording of:
Tweedlee Dee (am 1954-10-20)
Texter und Komponist(in):
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) und Unichappell Music
LaVern Baker3:10
25I Got a Woman
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone:
David “Fathead” Newman (American jazz saxophonist) (am 1954-11-18)
Bass:
Jimmy Bell (jazz bassist) (am 1954-11-18)
Gitarre:
Wesley Jackson (US R&B guitarist) (am 1954-11-18)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
Schlagzeug:
Glenn Brooks (am 1954-11-18)
Solo-Tenorsaxophon:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1954-11-18)
Trompete:
Joe Bridgewater (am 1954-11-18) und Charles "Clanky" Whitley (am 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
WGST Studio in Atlanta, Georgia, Vereinigte Staaten (am 1954-11-18)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2019) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 235)
recording of:
I Got a Woman (am 1954-11-18)
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles4.52:50
26Greenbacks
recorded in:
Atlanta, Georgia, Vereinigte Staaten (am 1954-11-18)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Bass:
Jimmy Bell (jazz bassist) (am 1954-11-18)
Gitarre:
Wesley Jackson (US R&B guitarist) (am 1954-11-18)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
Schlagzeug:
Glenn Brooks (am 1954-11-18)
Solo-baritone saxophone [baritone sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1954-11-18)
Tenorsaxophon [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1954-11-18)
Trompete:
Joe Bridgewater (am 1954-11-18) und Charles "Clanky" Whitley (am 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
recording of:
Greenbacks (am 1954-11-18)
Texter und Komponist(in):
Renald Richard
Ray Charles12:49
3▶CD: 1955–57
4▶CD: 1957–60
5▶CD: 1961–65
6▶CD: 1965–67
7▶CD: 1967–69
8▶CD: 1970–74

Nennungen

Veröffentlichung

art direction:Bob Defrin (US art director & graphic designer)
liner notes:Peter Grendysa
Robert Pruter
leitende(r) Produzent(in):Ahmet Ertegun (US songwriter/producer)
Produzent(in):Aziz Goksel (Aufgabe: compilation)
Bob Porter (American record producer) (Aufgabe: compilation)
mastering:Zal Schreiber (sound engineer, guitarist & bassist)
Steve Innocenzi
artwork:Fred Otnes (American illustrator) (Aufgabe: cover art)
transferrer:Jimmy Douglass (engineer)
Bobby Warner
Discogs:https://www.discogs.com/release/3773974 [Info]
ASIN:US: B000002IRS [Info]

Veröffentlichungsgruppe

Teil von:Music Genre Tree (canonical album list from musicgenretree.org – one representative release per genre)
Atlantic R&B 1947-1974 (Reihenfolge: 1)
Discogs:https://www.discogs.com/master/474792 [Info]
andere Datenbanken:https://www.45cat.com/cdalbum/cd/nc485740uk [Info]