The Best of Soft Rock (2020 version)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

The 2020 re-printing of "The Best of Soft Rock" is nearly identical to the prior 2019 set down to the barcode and packaging except disc 6 "Summer Breeze (disc 2)", where on the prior set track 13 John Waite's "Missing You" has been replaced with Orlean's "Dance With Me".

Annotazione modificata l'ultima volta il 2023-07-25 22:43 UTC.

Elenco tracce

1▶CD: More Than a Feeling (disc 1)
2▶CD: More Than a Feeling (disc 2)
3▼CD: Ride Like the Wind (disc 1)
#TitoloArtistaValutazioneDurata
1Baby I’m‐a Want You
voce principale:
David Gates (singer/songwriter, lead singer of Bread)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972)
registrazione di:
Baby I’m‐a Want You
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher) e Screen Gems–EMI Music Ltd.
Bread42:23
2A Horse With No Name
tecnico:
Robin Black (engineer) e Ken Scott (UK record producer & engineer)
produttore:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) e Ian Samwell
produttore aggiunto:
America (US folk/soft rock band) e Jeff Dexter
tecnico di missaggio:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
batteria :
Kim Haworth (nel 1971)
chitarra a 12 corde :
Gerry Beckley (nel 1971)
chitarra acustica e voce principale:
Dewey Bunnell (nel 1971)
chitarra basso :
Dan Peek (nel 1971)
percussione :
Ray Cooper (percussionist) (nel 1971)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1971, nel 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (nel 1972) e Rhino Entertainment Company (not for release label use!) (nel 2011)
registrata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1971)
registrazione di:
A Horse With No Name (nel 1971)
paroliere e compositore:
Dewey Bunnell
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
America4.24:13
3Diamond Girl
produttore:
Louie Shelton
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1973)
registrazione di:
Diamond Girl
paroliere:
James Seals
compositore:
Dash Crofts e James Seals
Seals & Crofts44:13
4I Saw the Light
produttore:
Todd Rundgren
strumenti e voce:
Todd Rundgren
arrangiatore:
Todd Rundgren
diritti fonografici (℗) detenuti da:
Bearsville Records (nel 1972)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 452)
registrazione di:
I Saw the Light
paroliere e compositore:
Todd Rundgren
editore:
Earmark Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Todd Rundgren53:00
5Blinded by the Light
produttore:
Manfred Mann (the person) e Manfred Mann’s Earth Band
diritti fonografici (℗) detenuti da:
Creature Music Ltd., Bronze Records Limited (nel 1976) e Petbrook Ltd (nel 1976)
registrata presso:
The Workhouse in London (Greater London), England, Regno Unito (nel 1976)
registrazione cover di:
Blinded by the Light (nel 1976)
paroliere e compositore:
Bruce Springsteen (dal 1972-08 al 1972-09)
editore:
Eldridge Publishing Co., Intersong Music Ltd., Sioux City Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Pop Music Publishing, Zomba Music e Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (nel 1972)
Manfred Mann’s Earth Band4.23:50
6It Might Be You
produttore:
Dave Grusin (American pianist and score composer)
batteria :
Carlos Vega
chitarra :
George Doering, Mitch Holder (guitarist) e Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
chitarra basso :
Abraham Laboriel
percussione :
Steve Forman (US percussionist)
sintetizzatore :
Dave Grusin (American pianist and score composer)
voce:
Stephen Bishop (American singer-songwriter)
voce di accompagnamento e voce principale:
Stephen Bishop (American singer-songwriter)
arrangiatore:
Dave Grusin (American pianist and score composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982)
registrazione di:
It Might Be You (theme from Tootsie)
paroliere:
Alan Bergman (American lyricist) e Marilyn Bergman
autore e compositore:
Dave Grusin (American pianist and score composer)
editore:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Roaring Fork Music, Spirit Two Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 55th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1982 nominee)
Stephen Bishop4:15
7She’s Gone
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 413)
registrazione di:
She’s Gone
paroliere e compositore:
Daryl Hall e John Oates
editore:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates4.53:28
8Minute by Minute
tecnico:
Donn Landee
tecnico aggiunto:
Loyd Clifft
produttore:
Ted Templeman
sintetizzatore :
Bill Payne
voce principale:
Michael McDonald (R&B & soul singer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1978)
registrata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Minute by Minute
autore:
Lester Abrams e Michael McDonald (R&B & soul singer)
editore:
BMG Firefly, Bughouse, Kobalt Music Publishing Ltd. (UK) e Snug Music
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Doobie Brothers43:28
9Sentimental Lady
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1977, nel 1989) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1977)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 23)
registrazione di:
Sentimental Lady
paroliere, autore e compositore:
Bob Welch (early member of Fleetwood Mac)
editore:
CMI America, Crosstown UK (Palan), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spirit One Music, フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e Kingstreet Media Publishing Limited (nel 1972)
Bob Welch52:56
10How Much I Feel
produttore:
Freddie Piro
basso :
Joe Puerta
batteria , percussione e voce di accompagnamento:
Burleigh Drummond
chitarra , tastiera e voce principale:
David Pack
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1978) e Warner Music H.K. Ltd. (nel 1997)
registrazione di:
How Much I Feel
paroliere e compositore:
David Pack
editore:
EMI Longitude Music e Longitude Music Co.
Ambrosia54:44
11Everybody’s Got to Learn Sometime
diritti fonografici (℗) detenuti da:
Action Replay Records (nel 1990)
registrazione di:
Everybody’s Got to Learn Sometime
paroliere e compositore:
James Warren (English singer and guitarist)
editore:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (nel 1980) e Warner Bros. Ltd. (publisher) (nel 1980)
The Korgis4.054:12
12If You Leave Me Now
tecnico di registrazione:
Armin Steiner (dal 1976-03 al 1976-04: archi)
assistente tecnico:
Tom Likes
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
basso e chitarra acustica :
James William Guercio (dal 1976-03 al 1976-04)
voce principale:
Peter Cetera (dal 1976-03 al 1976-04)
arrangiatore archi e arrangiatore corno francese :
Jimmie Haskell
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Rhino Entertainment Company (not for release label use!) (nel 1976, nel 2002), Warner Strategic Marketing Inc. (nel 1976) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1976)
registrata presso:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti, Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti (archi) e Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
mixata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
registrazione di:
If You Leave Me Now (dal 1976-03 al 1976-04)
paroliere:
Peter Cetera
compositore:
Peter Cetera (nel 1976)
editore:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music e Spirit Music Publishing Ltd.
Chicago4.23:56
13Sailing
assistente tecnico:
Stuart Gitlin
tecnico e tecnico di missaggio:
Chet Himes
produttore:
Michael Omartian
batteria :
Tommy Taylor (US drummer)
chitarra acustica , chitarra elettrica , voce di accompagnamento e voce principale:
Christopher Cross (US singer‐songwriter)
chitarra basso :
Andy Salmon
percussione :
Victor Feldman (jazz musician)
pianoforte :
Michael Omartian
pianoforte elettrico e sintetizzatore :
Rob Meurer
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1979, nel 1981, nel 2001)
è stato produttore per:
Free Flow Productions
registrata presso:
Pecan Street Studios in Austin, Texas, Stati Uniti e Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Sailing
paroliere e compositore:
Christopher Cross (US singer‐songwriter)
editore:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher), Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music–MGB Songs
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross4.14:18
14Waiting for a Girl Like You
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1981)
registrazione di:
Waiting for a Girl Like You
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Evansongs Ltd. (publisher) (nel 1981), Somerset Songs Publishing Inc. (nel 1981) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner4.44:36
15Against All Odds (Take a Look at Me Now)
tecnico:
Jeremy Smith (producer/engineer) e Lewis Hahn
produttore:
Arif Mardin
batteria e voce principale:
Phil Collins (of Genesis)
tastiera :
Rob Mounsey
direttore d'orchestra:
Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1999)
registrazione di:
Against All Odds (Take a Look at Me Now)
paroliere e compositore:
Phil Collins (of Genesis)
editore:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (nel 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1984), Golden Torch Music Corp. (nel 1984) e Hit & Run Music (Publishing) Ltd (nel 1984)
sub-editore:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Phil Collins3.83:25
4▶CD: Ride Like the Wind (disc 2)
5▶CD: Summer Breeze (disc 1)
6▶CD: Summer Breeze (disc 2)
7▶CD: California Dreamin’
8▶CD: The Air That I Breathe
9▶CD: Into the Night (disc 1)
10▶CD: Into the Night (disc 2)